You are on page 1of 4

Showmessages

ORIGINALARTICLE
Youhavefreeaccesstothiscontent

TheContinuousExpositionandtheConceptof
SubordinateTheme
1.WilliamE.Caplinand
2.NathanJohnMartin
VersionofRecordonline:11DEC2015
DOI:10.1111/musa.12060
2015TheAuthors.MusicAnalysis2015JohnWiley&SonsLtd
Issue

MusicAnalysis
Volume35,Issue1,(/doi/10.1111/musa.2016.35.issue1/issuetoc)pages443,March2016
(https://www.altmetric.com/details.php?
domain=onlinelibrary.wiley.com&doi=10.1111%2Fmusa.12060)
AdditionalInformation
HowtoCite
Caplin,W.E.andMartin,N.J.(2016),TheContinuousExpositionandtheConceptofSubordinateTheme.
MusicAnalysis,35:443.doi:10.1111/musa.12060
PublicationHistory
1.Issueonline:1MAR2016
2.VersionofRecordonline:11DEC2015
Abstract(/wol1/doi/10.1111/musa.12060/abstract)
Article(/wol1/doi/10.1111/musa.12060/full)
References
CitedBy(/wol1/doi/10.1111/musa.12060/citedby)
Pleaseloginorregistertoaccessthisfeature.

ViewFullArticle(HTML)(/doi/10.1111/musa.12060/full)EnhancedArticle(HTML)
Showmessages
(http://onlinelibrary.wiley.com/enhanced/doi/10.1111/musa.12060)GetPDF(2897K)
(/doi/10.1111/musa.12060/epdf)GetPDF(2897K)(/doi/10.1111/musa.12060/pdf)

REFERENCES
Berg,Pieter(ed.),2009:Beethoven'sTempestSonata:PerspectivesofAnalysisandPerformance.
Leuven:Peeters.
Caplin,WilliamE.,1987:TheExpandedCadentialProgression:aCategoryfortheAnalysisof
ClassicalForm,JournalofMusicologicalResearch,7,pp.21557.
CrossRef(/resolve/reference/XREF?id=10.1080/01411898708574585), WebofScienceTimes
Cited:12(/resolve/reference/ISI?id=A1987K712200004)
Caplin,WilliamE.,1998:ClassicalForm:aTheoryofFormalFunctionsfortheMusicofHaydn,
Mozart,andBeethoven(OxfordandNewYork:OxfordUniversityPress).
Caplin,WilliamE.,2000:HarmonicVariantsoftheExpandedCadentialProgression,inMart
Humal(ed.),ACompositionasProblemII:ProceedingsoftheSecondInternationalEstonian
MusicTheoryConference(Tallinn:EstonianAcademyofMusic),pp.4971.
Caplin,WilliamE.,2001:TheClassicalSonataExposition:CadentialGoalsandFormFunctional
Plans,TijdschriftvoorMuziektheorie,6,pp.195209.
Caplin,WilliamE.,2010:Beethoven'sTempestExposition:aResponsetoJanetSchmalfeldt,
MusicTheoryOnline,16/ii.
Caplin,WilliamE.,2013:AnalyzingClassicalForm:anApproachfortheClassroom(Oxfordand
NewYork:OxfordUniversityPress).
Caplin,WilliamE.Hepokoski,JamesandWebster,James,2009:MusicalForm,Forms&
Formenlehre,ed.PieterBerg(Leuven:LeuvenUniversityPress).
Christiaens,Jan,2008:AnalysisasMediatedImmediacy:Adorno,Hepokoski&Darcy,andthe
DialecticsofMusicalAnalysis,DutchJournalofMusicTheory,13,pp.14558.
Darcy,WarrenandHepokoski,James,1997:TheMedialCaesuraanditsRoleintheEighteenth
CenturySonataExposition,JournalofMusicTheory,19,pp.11554.
WebofScienceTimesCited:32(/resolve/reference/ISI?id=A1997YD00400001)
Drabkin,William,2007:MostlyMozart,MusicalTimes,148,pp.89100.
CrossRef(/resolve/reference/XREF?id=10.2307/25434500), WebofScienceTimesCited:2
(/resolve/reference/ISI?id=000251864500010)

Galand,Joel,2013:ReviewofHepokoskiandDarcy(2006),JournalofMusicTheory,57,
pp.383418.
CrossRef(/resolve/reference/XREF?id=10.1215/002229092323515), WebofScienceTimesCite
2(/resolve/reference/ISI?id=000327051900006)
Hepokoski,James,2010:FormalProcess,SonataTheory,andtheFirstMovementofBeethoven's
TempestSonata,MusicTheoryOnline,16/ii.
Hepokoski,JamesandDarcy,Warren,2006:ElementsofSonataTheory:Norms,Types,and
DeformationsintheLateEighteenthCenturySonata(OxfordandNewYork:OxfordUniversity
Pleaseloginorregistertoaccessthisfeature.
Press).

CrossRef(/resolve/reference/XREF?id=10.1093/acprof:oso/9780195146400.001.0001)
Showmessages
Hinrichsen,HansJoachim,2008:ReviewofHepokoskiandDarcy(2006),SchubertPerspektiven,8,
pp.12131.
HurwitzKeefe,Celia,2006:ReviewofHepokoskiandDarcy(2006),EighteenthCenturyMusic,5,
pp.25154.
Hunt,Graham,2007:ReviewofHepokoskiandDarcy(2006),TheoryandPractice,32,pp.21338.
Hust,Christoph,2009:ReviewofHepokoskiandDarcy(2006),DieMusikforschung,62,pp.1778.
WebofScienceTimesCited:1(/resolve/reference/ISI?id=000268534400023)
Koch,HeinrichChristoph,1793:VersucheinerAnleitungzurComposition,vol.3(Leipzig:Bhme).
Larsen,JensPeter,1963:SonateformProbleme,inAnnaAmalieAbertandWilhelmPfannkuch
(eds),FestschriftFriedrichBlumezum70.Geburtstag(Kassel:Brenreiter),pp.22130.
Larsen,JensPeter,1988:SonataFormProblems,trans.UlrichKrmer[recte:JeraldC.Graue],in
Handel,Haydn,andtheVienneseClassicalStyle(AnnArbor:UMIResearchPress),pp.26979.
Larsen,JensPeter,2013:SonataFormProblems,trans.JeraldC.Graue,inHAYDN:theOnline
JournaloftheHaydnSocietyofNorthAmerica,3/ii.
Martin,NathanJohn,2014:Larsen'sLegacy:TheThreePartExpositionandtheNewFormenlehre,
HAYDN:theOnlineJournaloftheHaydnSocietyofNorthAmerica,4/ii.
Marx,AdolphBernhard,183747:DieLehrevondermusikalischenKomposition:praktisch
theoretisch(Leipzig:Breitkopf&Hrtel).
Neuwirth,Markus,2011:JosephHaydn'sWittyPlayonHepokoskiandDarcy'sElementsof
SonataTheory,ZeitschriftderGesellschaftfrMusiktheorie,8/i.
Ratz,Erwin,1973:EinfhrungindiemusikalischeFormenlehre,3rdedn(Vienna:UniversalEdition).
Richards,Mark,2010:ReviewofHepokoskiandDarcy(2006),Gamut,3,pp.24562.
Richards,Mark,2013:BeethovenandtheObscuredMedialCaesura:aStudyintheTransformation

ofStyle,MusicTheorySpectrum,35,pp.16693.
CrossRef(/resolve/reference/XREF?id=10.1525/mts.2013.35.2.166), WebofScienceTimesCited
2(/resolve/reference/ISI?id=000326212000002)
Riley,Mathew,2008:ReviewofHepokoskiandDarcy(2006),MusicandLetters,89,pp.5908.
CrossRef(/resolve/reference/XREF?id=10.1093/ml/gcn043), WebofScienceTimesCited:6
(/resolve/reference/ISI?id=000261290900005)
Schmalfeldt,Janet,2011:IntheProcessofBecoming:AnalyticandPhilosophicalPerspectiveson
ForminEarlyNineteenthCenturyMusic(OxfordandNewYork:OxfordUniversityPress).
Schoenberg,Arnold,1995:TheMusicalIdeaandtheLogic,Technique,andArtofitsPresentation,
ed.andtrans.PatriciaCarpenterandSeverineNeff(NewYork:ColumbiaUniversityPress).
Smith,PeterH.,2014:Schumann'sContinuousExpositionsandtheClassicalTradition,Journalof

MusicTheory,58,pp.2555.
CrossRef(/resolve/reference/XREF?id=10.1215/002229092413571), WebofScienceTimesCite
2(/resolve/reference/ISI?id=000335608100002)
Pleaseloginorregistertoaccessthisfeature.

Spitzer,Michael,2007:ReviewofHepokoskiandDarcy(2006),BeethovenForum,14,pp.15078.
Showmessages
Suurp,Lauri,1999:ContinuousExpositionandTonalStructureinThreeLateHaydnWorks,
MusicTheorySpectrum,21,pp.17499.

CrossRef(/resolve/reference/XREF?id=10.1525/mts.1999.21.2.02a00020), WebofScienceTimes
Cited:5(/resolve/reference/ISI?id=000083628100002)
Webster,James,1991:Haydn'sFarewellSymphonyandtheIdeaofClassicalStyle:Through
CompositionandCyclicIntegrationinHisInstrumentalMusic(Cambridge:Cambridge
UniversityPress).
CrossRef(/resolve/reference/XREF?id=10.1017/CBO9780511552434)
Whittall,Arnold,2008:ReviewofHepokoskiandDarcy(2006),JournaloftheRoyalMusical
Association,133,pp.31833.
CrossRef(/resolve/reference/XREF?id=10.1080/02690400809480705), WebofScienceTimes
Cited:3(/resolve/reference/ISI?id=000260984500005)
Wingfield,Paul,2008:BeyondNormsandDeformations:TowardsaTheoryofSonataFormas
ReceptionHistory,MusicAnalysis,27/i,pp.13777.
DirectLink:
Abstract(/doi/10.1111/j.14682249.2008.00283.x/abstract)
Article(/doi/10.1111/j.14682249.2008.00283.x/full)
PDF(865K)(/doi/10.1111/j.14682249.2008.00283.x/epdf)
PDF(865K)(/doi/10.1111/j.14682249.2008.00283.x/pdf)
WebofScienceTimesCited:12(/resolve/reference/ISI?id=000261265900004)
Winter,RobertS.,1989:TheBifocalCloseandtheEvolutionoftheVienneseClassicalStyle,
JournaloftheAmericanMusicologicalSociety,42,pp.275337.
CrossRef(/resolve/reference/XREF?id=10.2307/831658), WebofScienceTimesCited:18
(/resolve/reference/ISI?id=A1989AW89100002)
ViewFullArticle(HTML)(/doi/10.1111/musa.12060/full)EnhancedArticle(HTML)
(http://onlinelibrary.wiley.com/enhanced/doi/10.1111/musa.12060)GetPDF(2897K)
(/doi/10.1111/musa.12060/epdf)GetPDF(2897K)(/doi/10.1111/musa.12060/pdf)

Morecontentlikethis
Findmorecontent:
likethisarticle(/advanced/search/results?
articleDoi=10.1111/musa.12060&scope=allContent&start=1&resultsPerPage=20)
Findmorecontentwrittenby:
WilliamE.Caplin(/advanced/search/results?searchRowCriteria[0].queryString="WilliamE.
Caplin"&searchRowCriteria[0].fieldName=author&start=1&resultsPerPage=20)
NathanJohnMartin(/advanced/search/results?searchRowCriteria[0].queryString="NathanJohn
Martin"&searchRowCriteria[0].fieldName=author&start=1&resultsPerPage=20)
AllAuthors(/advanced/search/results?searchRowCriteria[0].queryString="WilliamE.Caplin""NathanJohn
Martin"&searchRowCriteria[0].fieldName=author&start=1&resultsPerPage=20)

You might also like