Professional Documents
Culture Documents
16, 2016 at 7pm is obligatory for the participants of the work session while
public and open to everyone :
https://head.hesge.ch/ccc/turbulence/en/navigating-turbulences/
http://susanschuppli.com/wp-content/uploads/Dirty-Pictures_Dark-Ecology.pdf
(Further readings: http://susanschuppli.com/category/writing/)
BIOGRRAPHIES
Charles Heller is a researcher and filmmaker based in Geneva whose work has a
long-standing focus on the politics of migration within and at the borders of Europe. In
2011, he co-founded the Forensic Oceanography research project that critically
investigates the lethal effects of the militarized border regime and the politics of
migration in the Mediterranean Sea, and in 2012 they co-founded WatchTheMed
platform. Heller's recent works include the "Liquid Traces" (2014) video, and the
Death by Rescue (2016) report and video. Heller as been research fellow on the
Forensic Architecture project of the Centre for Research Architecture at Goldsmiths,
University of London, and is currently conducting a postdoctoral research supported by
the Swiss National Fund (SNF). He was awarded a post-graduate diploma from CCC
Research Master of HEAD Genve in 2005.
Susan Schuppli is an artist and researcher based in London whose work examines
material evidence from war and conflict to environmental disasters. Creative projects
have been exhibited throughout Europe, Asia, Canada, and the US. She has published
widely within the context of media and politics and is author of the forthcoming book,
Material Witness (MIT Press). Schuppli is Senior Lecturer at Goldsmiths and was
previously a research fellow on the Forensic Architecture ERC project. She is a recipient
of the ICP Infinity Award, 2016.
Harun Farocki Institut (HaFI), founded in 2015 in Berlin, is a non-profit organisation,
that seeks to realise Farockis proposal for an institution that we can also organize as
an assembly of working people, not from an abstract understanding but from the
contact points of their work in the shape of a platform for researching his visual and
discursive practice and supporting new projects that engage with the past, present
and the future of image cultures as forms of visual literacy of the 21 st century.