Professional Documents
Culture Documents
UNIT IV
PRINTING INKS COMPOSITION AND MANUFACTURING
4.1 RAW MATIRIALS USED FOR MANUFACTURING OF PRINTING INKS :
The function of printing ink is to produce a permanent coloured image on paper or other
material. The printed image is seen by our eyes and conveyed to our mind to grasp its meaning.
Printing inks are composed of
i)
ii)
Plasticizers
Waxes
Wetting agents
Shortening compounds
Reducers
Stiffening agents
Antiskinning agents
Some inks contain as many as ten or more different ingredients in various proportions
according to the inks requirements.
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PIGMENTS :
Pigment is a powder. It gives color to the ink. For certain inks liquid dyes are used. Example
flexographic inks. Pigments are insoluble in vehicles. They are therefore dispersed.
Pigments are obtained from a variety of organic and inorganic sources. The most common
pigment is carbon - black (soot) used for black inks is the organic pigment. Other pigments are much
more difficult and expensive to manufacture or refine and chemically can be varied. As a consequence
of this, inks of different colours can require chemical adjustments to the vehicle and additives. Inorganic
pigments, which are made by mixing various chemicals together, are used for colored Inks. For example,
Sulfur, silica, or china clay can be combined with either soda ash or sulfate salts to make ultramarine
blue ink. The specific gravity, particle size, wettability, opacity or transparency, colour and tinting
strength, and their effect on drying vary with different pigments. Normally pigments have a particle size
of 0.1 to 2 mm. A pigment particle can consist of several million molecules.
Inks of different colours, therefore, cannot be built on any one standard formula. Each pigment
has its own characteristics, and its ink must be formulated to accommadate those characteristics.
ii)
Light fastness
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Pearlescent pigment
DYES :
Dye molecules are surrounded by solvents (base liquid), so that almost every molecule can
absorb photons, which leads to higher colour intensity and more luminous colours. Dyes have a larger
range of colours. They are naturally transparent.
Comparison of Pigments and Dyes
1. Pigments are solid particles and / or molecular agglomerates that must be held in
suspension in the base liquid. Pigments are organically or inorganically colored, white, or
black substances that are insoluble in the vehicle. Dyes are organic compounds that are
dissolved in the system during application, which are present in molecular form.
2. Pigments always require a vehicle for binding them to the substrate. Dyes in most
applications connect themselves directly to the substrate surface. The disadvantage with
most dyes is their limited light - fastness. With respect to light fastness and stable ink
impression, pigment based inks are advantageous.
3. Pigments as base materials are basically cheaper than dyes yet require greater expenditure
when being processed into ink: dispersing agents must be added to pigments so that they
do not agglomerate. Dyes are, in contrast, dissolved and do not deposit themselves in the
liquid.
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VEHICLES:
Vehicle is the fluid into which the pigment is dispersed. It consist of a varnish and additives. The
varnish may be a modified drying oil, it may be a solution of resin in a solvent, or it may be a
combination of these.
The vehicle is a fluid component of printing inks which serve as a carrying medium for dyes and
gives the necessary flow and tack to the ink to enable them to distribute on the printing machine and
transfer properly from the rollers to the forms. It is the vehicle again which binds the ink to the paper
and imparts drying properties to the ink.
Most lithographic and letterpress inks are oil - based. Screen, gravure and flexographic inks are
resin - based but additionaly use a solvent which acts as a very volatile carrier for the vehicle, which in
turn holds the pigments. For each printing process different vehicle formulations are available offering
particular features to suit particular requirements.
The various oils used in the manufacture of inks are classified as mineral oil, vegetable drying oil
and synthetic oil. Linseed oil is often used in most of the printing inks . It dries by oxidation or chemical
drying. Linseed oil varnish has many good qualities; (i) It readily oxidises when exposed to air in a thin
film, (ii) It adds lustre or brightness (gloss) to any pigment with which it is mixed, (iii) It gives any amount
of tack.
The function of vehicle is
i)
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the litho process, excessive drier can react with fount solution chemicals which in turn can lead to
particles of pigment getting into the nonimage areas.
Drier concentration in printing inks may range from 0.5% to 5%. Driers are supplied in liquid or
paste form.
Cobalt Drier (liquid): This is the most powerful drier. Liquid driers starts drying from the surface
of the printed ink film and produced a surface which is not ink-receptive to over printing. They should
always be used in the final colour. The main disadvantage of liquid drier is that they discolour tints and
white ink.
Manganese and lead drier (Paste Driers): These are prepared by grinding manganese and lead
in linseed oil varnish. Paste driers are useful when slow and controlled drying is required or when a
printed image is to be overprinted with some other colour. The printed ink film dries
uniformly with
addition of paste driers.
Perborate or "Grapho" driers: These are oxidizers that furnish oxygen to speed up
drying.
They are completely different from conventional drier and can only be added to the ink immediately
before printing.
SOLVENTS :
These are inflammable liquids capable of dissolving other materials. The solvents which are used
in printing inks are able to dissolve resins, oils and waxes. Solvents have the capacity of entering
between the smallest particles of solids and change them from solid to liquid state. If they are added to
existing solutions of solids they make the solutions even much more liquid. Solvents are the main
components of vehicles that dry evaporation (Gravure and Flexographic inks). The most commonly used
solvents in the manufacturing of lithographic inks are petroleum hydrocarbons called heatset oils.
INK ADDITIVES :
As stated earlier, ink formulation requires special skill and experience. The printer should not try
to formulate or modify his inks but should consult the inkmaker. New types of ink formulations are
particularly complex and improper additions can significantly alter their intended properties. The type of
additive added to inks is dependent on the respective printing preocess. Additives are added to the ink
in particular to influence drying, flow behaviour, and abrasion resistance.
Waxes: Waxes are used in vehicles to impart slipperiness and rub resistance to the dried ink
film. Waxes also reduce setoff, improve water resistance, and slow drying. They can reduce tack withour
appreciably altering other flow properties. Excessive was softens the ink and reduces viscosity.
Antiskinning Agents: Antikinning agents are useful aditives in lithographic inks because they
have a tendency to reduce the skinnng and the drying of the ink while it is still in the fountain and on the
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press. If a volatile antiskinning agent is selected, the drying of the ink on the paper is only moderately
affected since the bulk of the antikinning agent leaves the film by evaporation.
Antioxidants : Just as oxygen tends to promote the oil drying process, antioxidants are used to
retard such drying where warranted by the printing operation. Defoamers, plasticizers, and flow agents
round out the list of additives that are sometime used in the formulating of printing inks.
Plasticizers : A plasticizer is added to the ink to make the resin softer and more flexible and,
therfore, more binding to the substrate. Its selection is based upon the printed product, the type of
substrate, and compatibility with the resin.
Wetting Agents : Wetting agents such as fatty acids and alcohls lower the surface and interfacial
tension by orientation of the molecules at selected surfaces and interfaces. Certain forms of wetting
agnts are used to promote pigment dispersion.
Antisetoff Compounds : Various compounds prevent setoff either by protecting the ink surface
or by shortening the ink (decreasing its gelling time). Compounds containing wax or grease shorten the
ink, thereby speeding up its setting. Antisetoff compounds that contain magnesia prevent setoff also
primarily by shortening the ink ; however, addition of such material may also promote blanket pilling.
Spray powder or strarch reduces setoff by slightly roughening the surface of the ink film. The
starch is blown on to the printed ink; it should never be mixed with the ink. The starch reduces contact
between adjacent sheets and allows more time for the ink to set.
Shortening Compounds : Shortening agents reduce ink flying, or misting. The addition of a wax
compound shortens an ink. The printer should not add such materials except on the advice of his ink
manufacture because they can interfere with proper ink flow on press.
Reducers : Oils or other petroleum solvents are occasionally added to soften and reduce the
tack of an ink. A light varnish such as #0000 litho varnish, boiled linseed oil, or a light linseed isophthalic
alkyd, will also reduce the tack of an ink. It is much easier to reduce the tack than it is to increase it. The
addition of any reducer will increase dot gain.
Stiffening agents : For sheetfed inks, body gum #8, #9, or #10 linseed varnish - is used to stiffen
an ink that is too soupy and fails to print cleanly and sharply. It "pulls the ink together" when the ink
tends to cause scumming or tinting, and it can help prevent chalking on coated stocks. Heavy-bodied
gloss carnish (binding varnish) or gel varnish can also be used for this purpose.
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The general properties and essential characteristics demanded of a good printing ink are (i) It
shall be capable of being deposited in a thin layer on the printing surface. (ii) It shall not unduly deform
in shape during the transfer to its final position. (iii) The ink in its final position shall have the correct
colour value. (iv) It shall adhere permanently to the surface on which it is printed.
The ink must print sharply, clearly and give legible print of the desired colour. It must dry
sufficiently fast to enable the printed sheet to be handled within a reasonable time. There should be no
setoff or smudging. The ink should be economical and print sufficient number of copies sufficient on a
per kilograms of ink.
The stages in the life of a printing ink are :
i)
Storage
ii)
Distribution
iii) Impression
iv) Drying
Nearly all inks set to a solid condition on storage. It is important that the thickening should not
go so for as that it cannot be liquefied economically, easily by a mechanical agitator before the ink must
be broken down in the first place by very gentle mechanical action of the duct except in rare cases
where a mechanical agitator is used.
The action of the distributing rollers effects the complete break-down of the ink structure. The
distribution mechanism of the machine involves splitting the ink into finer and finer films. These must
still remain transferable from their penultimate position on the printing surface to the paper. Further,
the ink should not unduly dry up during the time which may be several hours, i.e., on the machine.
The ink must have sufficient tack to allow itself to be split in this way and also to withstand
impression without being subject to undue lateral displacement as a result of applied pressure.
Consistency of the ink has to be adjusted for the working speed of the machine and to avoid plucking
the paper. Higher running speeds need thinner inks.
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These inks also possess a fair degree of tack so that they will distribute evenly on the press and
transfer properly from the forme to paper. They are long in nature i.e., ink can be drawn out into fairly
long threads between the fingers.
On paper and card letterpress inks dry like offset printing inks, both physically through
absorption and afterwards chemically by oxidation. With printing on non-absorbent materials such as
transparent paper or metallic paper, the drying takes place solely through oxidation when using foil
inks.
For newspaper web printing based on the letterpress printing technology (not very widely used)
printing inks of medium viscosity are used whose principal components are cheap carbon black
pigments and mineral oils. Here, the drying takes place solely physically through absorption of the inks
into the very absobent newspaper printing paper.
FLEXOGRAPHIC PRINTING INKS :
Flexographic inks are liquid inks. Inks have very low viscosity, they are in the viscosity range of
0.05 - 0.5 Pa.s and form an ink layer of upto about 1 mm.
Flexographic inks are very fluid and flow so easily that if they were transported or stored at their
working viscosity levels, their pigment material would settle out. To maintain pigment suspension
flexographic inks are shipped in a concentrated form and then let down (diluted) by the printer when
needed for a given job. This dilution can be done with either a reducer, (which is no more than a blend
of inks solvents) or an extender (which is basically the ink without its colorant, i.e., pigment material)
The setting of the ink viscosity is particularly important for attaining good printing quality : The
following are requirements.
8
no squeezing away of the ink on the edges of the raised image areas.
good ink splitting and filling of the cells on the screen roller.
The type of solvents also plays a critical role in flexographic printing. The following solvents are
predominantly used in flexographic printing:
8
ethyl acetate
water
Inks containing water (i.e., water as solvent which are environment friendly) are used in package
printing.
For label printing UV inks are most frequently used.
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boiling point,
evaporation number,
flash point,
expolsion limit,
odour,
ecological compatibility
Completely different solvents have to be used for Publication Gravure and Gravure Package
Printing. This is mainly because of the very varied requirements of individual pacakaging.
The use of printing inks that can be diluted with water plays a subordinate role in publication
gravure with todays technology.
OFFSET (PLANOGRAPHIC) PRINTING INKS :
For offset printing, highly viscous, paste inks are necessary (dynamic viscosity = 40 to 100 Pa.s).
The ink must be structured in such a way that the drying components in the ink do not harden
while being spread over the rollers in the inking unit or at the subsequent transport stations such as the
printing plate and blanket.
Further more, the printing ink for conventional offset printing (with dampening solution and ink)
must be able to store a certain portion of dampening solution.
Due to the multitude of requirements on the finished printed product and the nature of the
substrates, the percentage content of the individual ink components varies considerably.
Offset inks are some what heanier and shorter than letterpress inks. They posses much tack
when pressed between fingers, they break with short threads than letterpress inks.
With offset printing inks, the following are of particular significance :
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For paper and card, however, matte and glossy printing inks of an oil or varnish based are
used.
UV inks are sometimes used in screen printing.
It is characteristic for screen printing that it is possible to transfer a thick ink layter of upto 12
micron and more.
COLOR PROPERTIES
The color properties of an ink, which depend largely on the pigments, are known as masstone,
undertone, and tinting strength. Associated with these color properties are transparency or opacity.
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Masstone is the hue or color of a thick film of the ink. It is the color of the bulk ink in the can.
It is the color of light reflected by the pigment. Undertone is the hue or color of a thin film of the ink. It
is the color of light reflected by the paper and transmitted through the ink film. Tinting strength is
coloring power, or the amount that an ink can be reduced or diluted with a white pigment dispertion to
produce a tint of a given density or saturation.
Brilliance and Hue of Pigments : Pigments vary in brilliance and in hue. Few inorganic pigments pigments not derived from dyestuffs - have acceptable brilliance. Inorganic pigments are generally low
in color strength. Organic pigments are very numerous, quite brilliant, and available in a broad range of
hues. Because of their many useful properties, organic pigments are widely used in lithographic inks.
FLOW PROPERTIES
A lithographic ink must be sufficiently fluid to travel from one roller to another as it passes from
the ink fountain to the plate and the blanket and then to the paper.
Body, consistency, or viscosity : It is the resistance of a fluid to flow under a force or shear. For
practical purposes the ink maker and printer often consider body as combination of ink tack, length, and
fludity or viscosity. In the can, ink becomes quite stiff, but when it is worked with a knife (or on the press
rollers), it quickly becomes softer and more fluid. The change in viscosity with working is known as shear
thinning, or "thixotrophy".
Tack : Tack is the resistance of a thin film to rapid splitting. It is sometimes estimated by a tapout test with the finger, usually in comparison with another ink that is to be matched. It can be
determined on the tack-measuring intruments. An ink that is not tacky enough may not print clean and
sharp. An ink with too much tack will pick and sometimes tear the paper.
On a multicolor press, the tack of the ink on each succeeding press unit should be less than on
the previous unit so that the last-down ink actually has considerably less tack than the first-down ink.
Length : Length is the ability of an ink to form a string when pulled out by the finger or a spatula.
A certain degree of length is necessary to make an ink feed properly to the fountain roller and transfer
without piling. Too much length can cause an ink to fly or mist. Both the apparent tack and length of an
ink change when it is worked with a knife or on the ink rollers.
As fountain solution is emulsified by an ink, the tack and the viscosity of the ink go down. The
quantity of the fountain solution fed on the press must be controlled so as not to lower tack excessively.
The fountain solution affects not only the vehicle but also the pigment used in a lithographic ink.
Gloss : Paper is the most important factor in the printing of gloss inks; best results are obtained
with high-grade coated and enamel papers. But inks greatly affect the gloss of the print. The resin
component, the oil or solvent, and the pigment all affect gloss. Generally, synthetic resins of high
molecular weight that do not penetrate into the paper pores provide good holdout, enhancing the gloss.
Emulsification : The formula for a good working ink may contain twelve to fifteen different
ingredients, and it is developed only after many trials and experiments. The principle reason that
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lithographic inks differ from inks used in other processes is that litho inks must work in contact with
water.
WORKING PROPERTIES OF PRINTING INKS
Body : This refers to the consistency of inks. Inks are made in a variety of constituents and
consistencies. Some are heavy bodied and can be compared with honey. Others are like cream with a
light or thin body. Most letterpress and lithographic inks are heavy bodied. Flexographic and
photogravure inks are thin bodied. They are called liquid inks.
Viscosity : This is related to the term body, viscosity means resistance to flow.
Tack : This term tack refers to the stickness of inks. In other words it is the force required to
split an ink film, between two surfaces. Inks for relief and lithographic processes are prepared for
applying to the printing images by a system or prepared for applying inking rollers. Tack is important for
the transfer of ink from roller to roller. Then to the printing image and from there to the paper directly
to indirectly . Too tacky inks may pick the paper surface whereas inks that have less tack may not print
sharply. Tack is also important in ink trapping when over printing is done.
Crystallization : Crystallation is a defect caused by the first down ink drying too much and
repelling the succeeding colours. If ink has no receptivity, crystallization should not be confused with
Crystallization in chemistry.
Choice of inks for different presses : One general rule is that faster running machines need inks
thin in consistency. In slow running machines heavy bodied inks will work better.
TYPES OF PRINTING INKS
Matt inks : These inks when printed give little or no gloss or shining. They are ordinary inks.
Gloss Inks : These inks when printed produce a shiny finish. Gloss inks should be printed with
less pressure to avoid undue penetration of varnish on smooth and coated papers. Then only glossy
effect can be obtained.
Opaque inks : Inks which have the quality hiding anything over which they are printed are
known as "Opaque Inks. Due to the initiations in the thickness of the ink film, it is not possible to
completely blot out (hide) the underprint.
Transparent inks : These inks allow anything to show through on which they print over.
Dobbing and books inks : These inks are manufactured for printing on a variety of papers. They
are available in different grades.
Quick-set inks : These inks are mainly used on coated paper and the setting of the ink film takes
place within a few minutes.
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Sheet-fed Inks
Sheet-fed ink is manufactured specifically for sheet-fed presses and usually has a higher tack
than web offset inks. The reason for this is that most sheet-fed presses run at slower speeds than web
presses and a higher tack is necessary to provide the necessary quality.
Water-based Inks
Water-based inks has been around for awhile, but it is still not as popular as other ink types. The
usage of water-based inks may increase as environmental laws get tougher on the acceptable VOC
(Volatile Organic Compounds) emissions generated from petroleum-base ink. Water-based inks emits no
VOCs. It is safe to work with and the print quality is comparable to other ink types. Water-based inks is
used mainly in flexography and gravure printing. It is a good choice for printers and customers who want
their projects manufactured with nontoxic materials.
Laser Ink
Laser ink is specially formulated to withstand the extreme heat of the laser printer. If
conventional ink is used for the preprinted portion of a document (such as an invoice or statement), the
ink will melt in a laser printer because of the excessive heat produced by the laser printer. This results in
damage to the preprinted document and possible damage to the laser printer because of ink adhering to
the internal parts of the printer.
UV (Ultraviolet) Ink
Ultraviolet ink is formulated to cure and dry when exposed to a UV light source, unlike
conventional ink, which dries through evaporation and absorption. Instead of being absorbed into the
paper, the UV ink remains on the surface until it is exposed to the UV rays, which instantaneously
transforms the ink into a hard film. UV ink can be applied to many types of substrates including paper,
metal, vinyl, and glass.
Process Ink Colors
Process ink colors are used in Four Color Process Printing. Cyan, magenta, yellow, and black are
the colors necessary for this process and are formulated differently for different types of printing
processes.
High-Fidelity Ink Colors
High-fidelity ink colors are used in an advanced form of color printing, combining the standard
four process colors of cyan, magenta, yellow, and black, with two more colors - usually orange and
green. This allows for a greater color range, increased subtlety in the gradations of color, and additional
vibrancy.
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There are several points to consider when using fluorescent colors. The ink tends to fade
quickly, so they should be kept out of direct sunlight. Because of their tendency to fade, fluorescent inks
have a short shelf life. Another point to consider is that fluorescent ink is very transparent, so it may
require a double hit (a second run through the press) in order to achieve the desired results. In spite of
this potential problem, fluorescent ink is a good choice for creating emphasis and increased visibility.
Phosphorescent Ink
Applications printed with phosphorescent inks acquire a glow in the dark property after the
phosphorescent area has been exposed to light. The length of time that an application will glow in the
dark depends upon the ink ingredients and the length of time that the application is exposed to light. In
some cases, a 10-30 minute exposure to light can yield an afterglow of up to 12 hours. The ingredients
of phosphorescent ink are nontoxic and are free of radioactive additives. It is very useful for road signs,
sporting goods, exit signs, safety products, toys, and novelty items.
Pearlescent Ink
Pearlescent ink is a specialty ink that is used to add highlights and depth to the printed area of
an application. It is able to provide an almost 3-dimensional effect to some applications.
Edible Ink
Edible ink is used on print applications that may come into contact with food or the ink may be
part of the food product and therefore it must be made of totally nontoxic ingredients. An example
where edible inks are used would be in the monogramming found on some confectionery items.
Because the inks are used on food items, they are strictly regulated by the government.
Scratch and Sniff Ink
Also known as a microencapsulated ink, scratch and sniff ink releases a fragrance when the
microcapsules are broken. The scratch and sniff ink is commonly used in magazines for perfume
advertisements. When the consumer scratches the surface of the designated area of the ad, the
capsules are broken, releasing the fragrance.
Medical Device Ink
Ink used for printing on medical devices is made of nontoxic ingredients so that direct printing
on noninvasive surgical and medical disposable items is possible.
Moisture Resistant Ink
Moisture resistant ink is most often used for different types of packaging or for applications that
may be used outdoors.
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Security Ink
There are a variety of inks that provide added security features to print applications. Some
security inks allow documents to be created that are tamper proof, while the use of other types of
security inks prevent documents from being copied. Security inks include the following varieties:
Coin Reactive
Bleeding
Erasable
Heat Reactive
Visible Infrared
Optically Variable
Pen Reactive
Penetrating
Photochromic
Solvent/Chemical Reactive
ii.
Type of press or printing machines : Platen, flat bed cylinder, single colour, two,
or multi-colour, sheet fed or web or reel fed.
iii.
Type of materials to be printed : Coated art paper, Writing, newsprint, cellophane, metal
foils etc.
iv.
Method of drying of Ink : Air drying, drying by application of heat drying by backing etc.
v.
vi.
End use of the printed item : Poster, magazine, soap wraps, toffee twist, food package,
cement bags, fertilizers, Detergent packs.
vii.
three
viii. Is the oriented item to be further processed : Folding, wire stitching, varnishing, laminating,
cutting and creasing, hot foil embossing. An ink that does not flow upto the fountain roller is
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said, to back away causing too little and uneven inking. This is due to ink lacking tack and
flow.
ix.
Sequence of Printing : Order of printing various colours in two, three or four colour printing.
Process colour inks have to be formulated to suit the sequence of printing the various
colours and accordingly regulating the ink from the first down to successive colours for paper
trapping and transparency etc.
It will be seen from the foregoing that certain vital information and specifications has to be
given in order to get the desired results from the ink. The ink maker will manufacture the ink to meet
the requirements of the printer as per his specifications.
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Misting or ink flying : The ink on the machine flying off from rollers during printing is called ink
flying.
Picking : Picking is the removal of the surface of the paper during printing. It occurs when the
tack of the ink is greater than the surface strength of paper.
Reducer : Varnishes, solvents, wax compounds that are used to reduce the tack or consistency
of the ink.
Ink Receptiveness : The ability of a printed ink film to accept successive colours.
Refusing : This occurs when a printed ink film is allowed to dry too hard which does not receive
successive colours, foil stamping, wax coating, gumming, crinkling, graining etc.
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UNIT IV
1 Marks Questions
1.
2.
3.
4.
5.
6.
7.
8.
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9.
10.
11.
12.
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15.
16.
Write the ink drying methods for the following printed products.
(i) Newspaper Penetration (ii) Newspaper Inserts / Supplements - Precipitation
(iii) Books - Penetration
(iv) Magazines - Penetration & Precipitation
(v) Brochures - Absorption & Penetration
(vi) Packaging film - Gellation
(vii) Corrugated paper - Precipitation
Write short notes on : Heatset ink
The heatset variety of web offset ink contains special varnishes that help the ink dry
when heat is applied. Heatset presses are equipped with drier units for this
purpose. Due to the varnishes, the ink printed on the paper is highly flammable, so
the drying units must be specially built and properly maintained to avoid potential
hazards. The main advantage of heatset ink is a printed product with a higher
degree of quality.
17.
19.
20.
21.
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Pigment is a powder. It gives color to the ink. Pigments are insoluble in vehicles.
They are therefore dispersed. Pigments are obtained from a variety of organic and
inorganic sources. The specific gravity, particle size, wettability, opacity or
transparency, colour and tinting strength, and their effect on drying vary with
different pigments. Normally pigments have a particle size of 0.1 to 2 mm. A
pigment particle can consist of several million molecules.
22.
23.
24.
25.
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1.
2.
3.
4.
5.
6.
10 Marks Questions
Write short notes on (i) Hue (ii) Viscosity
(iii) Tack, and
(iv) Pigments.
State the qualities of ink required for offset and flexographic printing.
What are the necessary information to be furnished to the ink maker while ordering
inks.
State the qualities of inks used for Letterpress and Offset Printing.
Explain the sequential operation of Ink Manufacturing.
Vehicles play a vital role in Printing Inks. Explain.
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