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Identity
By: Sonia Aguilar, Rachel Grubbs, William Whitfill
As the story opens, Leon and his brother-in-law, Ken, find an old man, Teofilo, dead under a
cottonwood tree. They ritually paint his face and take his body, wrapped in a red blanket, to their home
The Pueblo people paint the faces of the dead so that they will be recognized in the next world. They
also scatter corn and sprinkle water to provide food and water for the spirit on its journey to the other
world. To the Pueblo, death is not the end of existence, but part of a cycle in which the spirit of the
deceased returns to its source and then helps the community of the living by returning with rain clouds
for the nourishment of the earth.
On their way home, Leon and Ken encounter Father Paul, a young Catholic priest who expresses his
sorrow that the old man had died alone. Teofilos funeral is performed in the traditional Native American
way until Leons wife suggests to her husband that he should ask the priest to sprinkle holy water on the
grave.
At first, Father Paul refuses to use the holy water as part of an Indian burial ceremony. After
reconsideration the priest, still confused about his role the ceremony, changes his mind and sprinkles the
grave with the holy water:
You know I cant do that, Leon. There should have been the Last Rites and a funeral Mass at the
very least, (360).
How is cultural assimilation evident in this piece of writing? (Think about the
different meaning of holy water between the Catholic Church and Pueblo
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Literature. Edited by John L. Purdy and James Ruppert. Upper Saddle River, NJ: Prentice Hall, 2001. 358-61.
Native American Literature. Upper Saddle River, NJ: Prentice Hall, 2000. Print.
"Southwest Indian | People." Encyclopedia Britannica Online. Encyclopedia Britannica. Web. 10 Feb. 2016.