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The Dual Integration and The Diagram of Jiangxi School of Huang Tingjian. s Followers in
the Late Northern Song Dynasty
Wu Xiaoman
Abstract: Jiangxi School, named after LBenzhong, was both a group of poets and a literary
school in the Late Northern Song Dynasty1 Its members were mostly in Nanchang ( ) , Linchuan ( ) and Jianchang ( ) etc1 in the province of Jiangxi, and the dual integrat ion of the
poets in Fuli ( ) and those in Linchuan was the predominant clues of its development1 In the
Age of Daguan ( ) , the poetical society Yuzhang headed by Xu Fu, together with L
Benzhong, promoted a kind of / collected poem- writing- and- singing0 ( / 0) , which
brought forth a prosperous literary scene in the Late Northern Song Dynasty and set up the ground for
working up The Diagram of Jiangxi School1
Keywords: Xu Fu ( ) , the poetical society Yuzhang ( ) , LBenzhong (
) , The Diagram of Jiangxi School ( 56)
The Cultural Communication between the Song and Xia Dynasties and the Literary Creation
of Xixia
Zhang Tingjie
Abstract: The cultural communicat ion between the Song and Xia Dynasties took more than 200
years1 It was a process of the nat ion of Qiang ( ) reforming its national culture by init ially learning
from the culture of Han ( ) 1 The close cultural communication between the Song and Xia Dynasties greatly strengthened the friendly coagulation of Qiang and Han two nations, and this trend also
rapidly altered the cultural structure of the Dangxiang Qiang ( ) people, forming a Hanlike
cultural mode in the Xixia Dynasty1 Such a cultural pattern decided the literary creation there, and
the literature of Xixia was permeated with the culture of Han nation, which could be ob- liviously
seen in its major literary genres, including poetry, prose and even riddles1
Keywords: relat ion between the Song and Xia Dynast ies ( ) , cultural communication, the literature of Xixia ( )
A New Interpretation of the Tang Legendary Story The Life of Huo Xiaoyu

Guan Siping

Abstract: This text gives a new interpretation to the famous Tang legendary story The Lif e of
Huo Xiaoyu from three aspects: From the angle of view of the man character Li Yi, he himself is
forced to leave his love under the outside pressure, but not infidel in heart1 From the angle of view
of the woman character Huo Xiaoyu, she has struggled for the / utmost affection0 and transcended
over the secular not ion of marriage1 From the angle of view of the cultural significance of this story,
it is directed to criticize the society, which has turned out this tragedy, but not principally to criti
cize someone. s personal morality1
Keywords: Li Yi ( ) , infidelity, Huo Xiaoyu ( ) , / utmost affect ion0 ( ) ,
the cultural significance ( )
The Competition between Buddhism and Taoism and the Changes of the Story of LDongbin. s Killing Yellow Dragon with a Flying Sword
Wu Guangzheng

160

# o o

Abstract: This text goes through the serial changes of the story of L Dongbin. s Killing Yellow
Dragon with a Flying Sword from the joint angle of religious and literary historical viewpoints, and
deems that this story is a religious legend constructed in the process of the competit ion between Buddhism and Taoism, which is not only represented in the inner conflict between Zen. s theory of mind
and the Taoist theory of / inside bills0 ( ) and the dual cultivation of spirit and flesh (
) , but also in the changes of the Taoist theory of / inside bills0 and the mode of Buddhist discourse1 This story is secularized by the change from the personal cultivation to the dual cultivation
by way of man - and- woman. s sexual intercourse1 All these religious contents render the basic
theme and rude materials, even more essentially, the expressive means and constructive capacity to
the literary creation of such a kind of works1
Keywords: LDongbin ( ) , a religious legend, the compet ition between Buddhism and
Taoism ( )
An Early Scholarly Play- writing of Peking Opera: Mistakes in Mistakes
Yan Quanyi
Abstract: Since the / flowery0 ( / 0) theatres got prosperous in the Qing Dynasty, the theatrical troupes of Anhui ( ) , which were apt to play in the musical styles of Xipi and Shuanghuang ( ) , got upper- hands in this sphere1 Peking opera was exactly brought forth by
the artistic practice of the theatrical troupes of Anhui1The prevailing success of the musical styles of
Xipi and Shuanghuang was not only embodied in the theatric items put on in the theatres, but also
exerted much influence upon scholarly play - writ ings1The creation of Mistakes in Mistakes in the
ninth year of the Age of Daoguang ( ) was the earliest scholarly play- writing of Peking opera,
signifying the start of the great changes of theatrical institutions coming into the scholarly play- writings1 Besides, the coming- up of Mistakes in Mistakes was of epochal significance and unique textual valour1
Keywords: Peking opera in the Qing Dynasty, scholarly play - writings, theatrical literature,
changes of theatrical inst itut ions
Huang Zunxian, Who Created A New Poetic Universe
Guan Aihe
Abstract: Huang Zunxian was a standard- bearer of the revolut ion of modern Chinese poetry1
He took the poetic line of / things outside the poetry and human beings inside the poetry0, for the
purpose of putting the truthful and lively modern world into the poetry1 He took the init iative to adjust his own consciousness in a world of multitude and ambivalence1 So, he strove to converse the
classic Chinese poetry into modern one by advocating the practice of / writ ing oral poems0 ( /
0) 1 He considered himself to be one who created a new poetic universe in China, at least an
explorer or a beginner in the modern Chinese poet ic history1
Keywords: Huang Zunxian ( ) , Poems Draf ted in the Residence of Human Scenes
( 56) , the revolution of poetic universe ( )