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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
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UnderstandingtheEgyptianmusicBaladiAwadi
part02
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ItisamusicalstructurethatoriginatedinCairo,specifically
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isiszaharabellydanc...
the royal courts during the 1800s untill the 1900s. They
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werelearnedwomen,wellknownas"Awalin"
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the"Tarab",theemotionalstructureintheClassicalArabic
music.
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Duringthe1920sCairobecameaturisticcity,withalotofCoffehousesandclosedTheaters.Becausethis
kindofnewvenuesweremuchpopularinthattime,theAwalintroupesstartedtoworkthere.TheAwalim
alsowerelivingintheMohamedAlistreet,intheareacalled"HaretalAwalim".Altoughtheywerefamousin
thebeginingoftheXXcenturybythelate1940theirtraditionwerecompletelyvanished.
isiszaharabellydance
studioupdatedtheircover
photo.
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FashionShowMakariDreamsBelly
DanceCostumesduringAlDunya
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BambaKasharfamousentertainerfromthepast
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TheBaladiAwadihasasimilarstructureoftheoldAwalinstylewiththedifferencethatthewomanmaynot
singmoreonlydance.
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
ThemusicalprogressionoftheBaladiAwadiisspeciallyofCairoandAlexandria,wasmadetobeplayedin
Seguidores(20)
cafes, restaurants, Nile cruises and Wedding. The Tet Baladi was made to the men dance and could be
dancedoutsideintheStreets.
MusicalInstruments:
Accordion:becamethemajorinstrumentfortaksim(melodicpiecebasedintheimprovisation).Inthefolklore
thetaksimisplayedbytheKawala.
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HIGHLIGHTS
BeingforeignBellyDancerin
EgyptInterviewwithLunaof
Cairo
photobyTraceyGibbsbyIsis
Zahara"Weareallofusstars,
andwedeservetotwinkle."
Mar...
riqq:smalltambourinefromtheclassicalmusic.
Derback:themostpopulardrumintheArabicMusic.
RandaKamelofcourse
InterviewwiththeEgyptian
Star
byIsisZaharaTutor1:What
doesitfeellikewhenyou're
dancing?Billy:Don'tknow.
Sortafeelsgood.S...
UnderstandingtheEgyptian
musicBaladiAwadipart02
HistoryItisamusical
structurethatoriginatedin
Cairo,specificallyin
MohamedAliStreetaround
theyear1940...
IraqidancedancesofArab
StatesofPersianGulfpartII
byIsisZahara2013special
thankstoDaliaAlChamary
MaleeyenthebestIraqi
dancerIscalledIraqan
uniquestyle...
TheContemporarydance
sceneinEgyptInterviewwith
MohamedShahin
MohamedShahinperforming
Dabkehpictureby274km
fotografabyIsisZahara
"Thereisonethingonehastoha...
ChangingrolesofBellyDancer
intheEgyptiansociety
InterviewwithVanessaLynn
Freedman
photoMeladNasifbyIsis
Zahara"Themoreyoupraise
andcelebrateyourlife,themorethereisin
...
Ney:TurkishBamboofluteoriginallyfromtheTurkishmusic.
KhalijithedancesofArab
StatesofPersianGulfpartI
byIsisZahara2013special
thankstoDaliaAlChamary
Khalijiisanumbrellatermfor
describingthemusicand
dance...
Behindthe1001Nights
InterviewwithMagdaMonti
byIsisZaharaTounderstand
apeopleyoumustliveamong
themfor40days.(Arabic
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
proverb)Herhistorycanbe
oneoftheonethousand...
ADeepimmersioninto
EgyptianCultureInterview
withAleyainCairo
byIsisZahara"PortMoresby:
Well,terrafirma.Tunner:We're
probablythefirsttourists
they'vehadsincethewar....
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ZaharaWemuststrivefor
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knowledge.The...
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2014(1)
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Oud:stringedinstrumentofclassicalArabicmusic.
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BaladiAwadipa...
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LINKS
AisaLafour
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AmirThaleb
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EgyptianCenterforCultureandArt
(Makam)
FatimaSerin
JoanaSaahira
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
MusicalStructure
LeylaJouvana&Rolland
LornaBellyDance
LornaBellyDance
LunaOfCairo
MagdaMonti'sblog
ThefemaleversioniscalledAwadi.
MahmoudReda&FaridaFahmy
TheBaladiAwadistartswithTakim(melodicimprovisation)wheretheaccordionisthemaininstrumentthen
thereisamomentcalledsekat,wherederback,riqqandaccordionplaytogetherinacombinationof call
and response. Than melody and percussion are played together and presceds the percussion solo or a
folkloricsong.
Maqamworld
MohamedShahin
MomoKadous
PrincessFarhana'sblog
RaqiaHassan
SuhailaSalimpour
TheBestofHabibi
Tahmela
Introdutionalpiece.
Taksim
ImprovisationbytheAccorodion
Sakat
Interludebetweenmelodyandpercussionalsoknownascallandresponse.
Awadi
Thepercussiontakesmoreplaceinthecompositionandthemusiciansstartto
playwellknownsongs,usuallytheunderlyingtherhythmmaqsoum.
TetSari
Percussionandmelodyplaywithtimeandoftentheaccordionreturnswith
ataksimpiece.Maqsoumstartstobeplayedfaster.
Engrarah
TransictionfromMasqoumtoFallahirhythm
Fadi
percussionsolo
Aflah
FinalcompositionusuallybasedonFallahiandMalfuf
FundamentalRhythms
BaladiAwadi
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MASMOUDIKEBIR8/4
BaladiTetSariBasicRhythms
WahdaKabira4/4
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
Baladi accordion
Inthemaleversionthereisadiffrentmomentthan"questionandanswer"iscontinuousplaybetweenbeat
and down beat made by theaccordion and derback. The rhythm are Wahda Kabir, Masmoudi Sagir and
Fallahi.
FifiAbdouwasthefirstwomantodancethemaleversionoftheBaladi,shedressedawhitekaftan,smoking
shisha,andplayingwiththebigTahtibstick.ThefamousperformanceofFifiAbdouisMal'emasong.Male'ma
is the boss woman who takes male atitudes inlcuding smokes in public (not very well regarded in Arab
society).
AnotherexampleofBaladiprogressionbyRandaKamel:
ByJoanaSaahirah:
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
Traditionalcostume
Normallyusesthegalabiya,adresswithstraightcutsonthesidesandscarftiedinthehiparea,thereare
noneedstobedecoratedwithcoins,canbejustapieceoffabricaroundthehips.
TheOriginalgalabiyaweremadebyaAssuitfabricalsocalledTullebiTelli,ablackcottonpiecemeshed
withsilverstripes.
Howtodance
TheBaladiisanespontaneuspiece,cannotbepreparedasachoreography.Musiciansanddancersneed
tosharetheemotionsduringthemomentoftheperformance,thisisthemagicoftheBaladi.
Combinationsaremadetostudy,tolearnwhatkindofstepsisbetterforeachmoment,butallthecreative
processneedstofinishintoaimprovisation.
The improvisation piece is difficult because of the modern situations of the performance, may almost
everybodylistenandstudyaBaladipiecebyaCD,recordedbeforeinthestudioandit'seasiertopreparea
choreographywithbeautifulcombinations.
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UnderstandingtheEgyptianmusicBaladiAwadipart02~OrientalLimelight
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3 C OMMEN TS:
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