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1947. 1970.

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16] , , , , 2000,
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3] - IV
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38, , 1965, 6070.

17] , XX , , , 2004, 151.

4] , - 19 , , 7879, , 1975, 4446.


5] , ,
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6] , : , , , , 2007. : ,
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: 1922. 1962. ( ), , , 2004.
7] ,
19452000, 50 , . , , , 2002, 1527.

18] Neven egvi, Konkursna skica za tipiziranu kuu u Beogradu,


Arhitektura, III, 4, Zagreb, novembardecembar 1947, januar 1948, str.
27.
19] Ibid., 27.
20] Mate Bajlon, Konkurs za izradu idejnih skica tipskih stambenih
zgrada u Beogradu, Arhitektura, VI, 12, februar 1950, Zagreb, 3345.
21] ,
, ,
. 20. , 24. 1950. ,

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22] Andrija Mutanjkovi, Arhitektonski portret Ivana Vitia, ovjek i
prostor, III, 46, Zagreb, januar 1956, 5.

8] , , , , ,
, 2002, 412.

23] , , ,
, , 1975, 225243.

9] ,
,
(Vers une Architecture), 1923. .

24] , :
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: , 3:
, . . , ,
, 2005, 307322.

10] Auke van der Vud, CIAM, : , . ,


, , 2005, 150.
11] , CIAM .
, , .
421424, Kongres CIAM-a u Dubrovniku, ovjek i prostor,
III, br. 52, Zagreb, 515. VIII, str. 1.
12] , : , ,
,
, 1998, 12.
13] ,
, , I, 1, , 1969, 510.
14] 1947. , , 1948.
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19932005.
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41]
, , .
,
: Kazimir Ostrogovi, Povodom Natjeaja za vojni muzej u
Beogradu, Arhitektura, IV, 34, Zagreb, 1950, 318.

31]
1947. .
, : Rezultati natjeaja
za zgrade CK KPJ, Pretsjednitva vlade i reprezentativnog hotela u
Beogradu, Arhitektura, Zagreb, br. 12, 1950, 60.

43 . , ,
: 19301980, ,
, 1982, 181.

32] Marjan Mui, Zbornik oddelka za arhitekturo na Univerzi v


Ljubljani 19461947, Dravna zaloba Slovenije, Ljubljana, 1948.

45]

. ,
: , , , II, 1112,
, 1961, 54.

33] , , 105.
34] Milorad Macura, Problematika nae arhitekture u svetlosti konkursa
za zgradu predsednitva vlade FNRJ, Arhitektura, I, 3, Zagreb, oktobar
1947, 317.
35] : , , , .
,
. ,
: Rezultati natjeaja
za zgrade CK KPJ, Pretsjednitva vlade i reprezentativnog hotela u
Beogradu, Arhitektura, Zagreb, br. 12, 1950, str. 60.
36] Milorad Macura, navedeno delo, 10.
37] Ibid., 31.
38]
1948. . .
( , , ,
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).
( , ,
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( . ).
, ,
, , , ...
, : Rezultati natjeaja za zgrade CK KPJ, Pretsjednitva
vlade i reprezentativnog hotela u Beogradu, Arhitektura, Zagreb, br. 12,
1950, 60.
39] 1970.
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: ,
, X, 59, , 1970, 8.
40]
. , : Rezultati
natjeaja za zgrade CK KPJ, Pretsjednitva vlade i reprezentativnog
hotela u Beogradu, Arhitektura, Zagreb, br. 12, 1950, 60.

137

42] Kazimir Ostrogovi, navedeno delo, 7.

44] Ibid., 181.

46] , , 213.
47] ,
:
, , , II, 1112, , 1961, 56.
48] ,
: Vladislav Ribnikar, Izvetaj komisije
za ocenu idejnih skica za veliku jugoslavensku Operu u Beogradu,
Arhitektura, II, 810, Zagreb, mart, april, maj, 1948, 1521.
49] ,
,
1948. . ,
: Rata Bogojevi, Povodom
konkursa za zgradu velike jugoslavenske Opere u Beogradu, Arhitektura,
II, 810, Zagreb, mart, april, maj, 1948, 22 f, i; Vladislav Ribnikar,
Izvetaj komisije za ocenu idejnih skica za veliku jugoslavensku Operu u
Beogradu, Arhitektura, II, 810, Zagreb, mart, april, maj, 1948, 1521.
50] eljka orak, U funkciji znaka: Drago Ibler izmeu dva rata,
Zagreb, Drutvo za povijest umjetnosti, 1981.
51] , , 220.
52] 1968. . , : , , ,
X, 67, , 1970, 1439.
53] ,
:
, , IV, 21, , 1963, 41.
54] , :
, , IV, 20,
, 1963, 41.
55] , , 244.
56] Marko Savi, Novi Beograd stvaranje identiteta mesta, Izgradnja,
54, Beograd, 2000, 11.
57] Ibid., 12.
58] O. aldarovi, Suvremeno drutvo i urbanizacija, Zagreb, kolska
knjiga, 1987, 11.


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1950, 60.
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139


Summary: DRAGANA MECANOV
ARCHITECTURAL COMPETITIONS FOR NOVI BEOGRAD (NEW BELGRADE) FROM 1947 TO 1970
Designs submitted to competitions are, in part, a result of the evolution and achievement of the previous generations,
which makes it possible for us to understand the evolution of the art of building. The principles of urban planning set forth
in the Athens Charter were taken into account in all competition entries, whether their focus was on urban, architectural
or combined architectural and urban design. The paper analyzes the architectural competitions for Novi Beograd launched
between 1947 and 1970 and explains how they constitute a heritage and whether they should be seen as expressive of the
values of their epoch.
The architectural competitions produced unexpected results in many respects. According to the available data and the
texts that kept track of them and recorded their results, they obviously predominated, but it cannot be inferred if there was
a uniformity of solutions or a direct influence of the prevailing styles of urban and architectural design. Nor is it possible to
generalize about the similarity among the designs for buildings serving the same purpose. Also, after the Second World War
architectural projects show a greater formal and functional diversity than urban design projects. It is interesting to analyze
the competition entries because competitions usually reflect the latest trends and ideas in architectural practice.
The focus of the analysis is on detecting the influence of the CIAM and its conclusions and the immediate influence of
the domestic CIAM members. It seems best to group the many architectural competitions by theme: housing, governmental
architecture, and architecture for communal participation (recreational, educational), because such division is reflected in
the then prevailing division of the city into functional zones. There are many possibilities of drawing parallels between the
competition programmes and the submitted designs. Different examples and projects also offer the possibility of observing
how the architects implemented the modes of materialization: by an emphasis on monumentality, by economizing on the
material, space or structural elements, or by formal uniformity. This subject matter creates room for analyzing the flexibility
of models and various interpretations of spatial organization, form shaping, differentiation and arrangement of functions.
It is unrewarding to categorize the competition entries or to determine the reasons and rules behind the fact that some were
executed and others were not. The designs submitted to the architectural competitions for Novi Beograd after the Second
World War are inseparable from the context in which they originated and therefore the study of the competitions provides
an insight into an epoch and its distinctive characteristics.
ILLUSTRATIONS
Fig. 1 Design Competition for Standard House in Belgrade, 1947:
Perspective view

Fig. 13 Design Competition for Yugoslav Opera in Belgrade, 1948: 1st


Prize, 3D model

Fig. 2 Design Competition for Standard House in Belgrade, 1947:


Ground-floor and upper-floor plans

Fig. 14 Design Competition for Yugoslav Opera in Belgrade, 1948: 2nd


Prize, 3D model

Fig. 3 Design Competition for Standard House in Belgrade, 1947:


Housing unit two-room flat

Fig. 15 Design Competition Military Museum in Novi Beograd, 1950:


1st Prize, entry code 13131, 3D model

Fig. 4 Design Competition for Residential Blocks 61 and 62 in Novi


Beograd
Fig. 5 Design Competition for the CPY Central Committee Building,
1947: Architect Edvard Ravnikar, front of the building
Fig. 6 Design Competition for the CPY Central Committee Building,
1947: Second version of the design by architect Edvard Ravnikar
Fig. 7 Design Competition for the CPY Central Committee Building,
1947: Second version of the design by architect Edvard Ravnikar,
ground-floor plan and standard upper-floor plan
Fig. 8 Architect M. Jankovi, 3D model of the CPYCC building.
Jankovis design was not awarded, but it was it that was executed
Fig. 9 Design Competition for the FPRY Government Presidency
Building, 1947: 2nd Prize

Fig. 16 Design Competition for Museum of Contemporary Art at Ue,


1960: 1st Prize, photograph of the executed design
Fig. 17 Design Competition for Museum of Contemporary Art at Ue,
1960: 1st Prize, ground-floor plan
Fig. 18 3D Ue site model envisaging a concentration of various
museums
Fig. 19 Design Competition for Museum of the Revolution of the
Peoples of Yugoslavia in Novi Beograd, 1961: Shared 2nd Prize, entry
code 13131, 3D model
Fig. 20 Design Competition for Museum of the Revolution of the
Peoples of Yugoslavia in Novi Beograd, 1961: Shared 2nd Prize, entry
code 27341

Fig. 10 Design Competition for the FPRY Government Presidency


Building: 3rd Prize

Fig. 21 International Architectural Design Competition for Belgrade


Opera, late 1968: 1st Prize, entry code 102102

Fig. 11 Design Competition for National Bank in Novi Beograd: 2nd


Prize, ground-floor and basement plans

Fig. 22 International Architectural Design Competition for Belgrade


Opera, late 1968: 2nd Prize, entry code 006930, 3D model

Fig. 12 Design Competition for Yugoslav Opera in Belgrade, 1948: 1st


Prize, axonometric projection

Fig. 23 Anonymous Yugoslav Design Competition for Eight Public


Buildings in the Central Zone of Novi Beograd, 1970

140

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