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8
Charlie C
6 666
4 83
elluc, is,
n/D
DATE DUE
Lou
C.
CHARLIE CHAPLIN
LARRY ED
HMUNDs Books
6658
Hol-LY 9-LYwood BLVE
H O.
CHARLIE CHAPLIN
By LOUIS DELLUC
TRANSLATED BY HAMISH MILES
-;
MCMXXII
Printed in Great Britain by Richard Clay & Sons, Ltd., Bungay, Suffolk.
A N 2 . .
*
I - , --,
CONTENTS
PAGE
I.
II.
PRELUDE
THE MASK .
III.
THE PIONEER
IV.
THE MAN
V.
VI.
THE METHOD
THE FILMS .
II
I2
I5
I9
32
66
LIST OF ILLUSTRATIONS
PAGE
. .
16
17
THE RINK
The
VAGABOND
32
33
32
33
48
48
49
THE PAWN-SHOP
48
THE PAWN-SHOP
49
THE PAWN-SHOP
64
SHOULDER ARMs
65
SHOULDER ARMS
65
64
e.
64
65
65
SHOULDER ARMS
SHOULDER ARMS
SHOULDER ARMS
SHOULDER ARMS
8o
RESTING
81
vii
..
CHARLIE CHAPLIN
I
PRELUDE
I I
II
THE MASK
of Charlie Chaplin.
Some have been pleased to find there a family
resemblance to the finest heads of the Japanese
stylists; others prefer to recall for it some of the
magnificently learned expressions of Velasquez, some
bold bare faces of Albert Drer, or something of the
precise outline of the Flemish primitives.
And, in
is right.
THE MASK
of the north and east of France.
I3
France?
Or
But
I4
CHARLIE CHAPLIN
III
THE PIONEER
WaVe.
I6
CHARLIE CHAPLIN
But
And he
FNELON.
A living proof of the well-known axiom that the French are gay and the English are impassive
THE PIONEER
17
He is
CHARLIE CHAPLIN
I8
amused.
IV
THE MAN
flavour to it.
And in this
I9
2O
CHARLIE CHAPLIN
THE MAN
2I
CHARLIE CHAPLIN
22
- -
personality
as Chaplin's.
desperately hard.
THE MAN
23
Company
engaged
He
24
CHARLIE CHAPLIN
But Chaplin
stylistic.
After proposing
The Keystone
Chaplin's partners
Roscoe
*
l
m
THE MAN
25
He nego
26
CHARLIE CHAPLIN
strength and style, and yet did not break its natural
charm. Along with them was also Ben Turpin,
a good acrobat who turned himself into a good
comedian.
D'Artagnan.
THE MAN
however,
27
elder Dumas.
In his Carmen
28
CHARLIE CHAPLIN
meticulous
style of Chaplin's
r
s
29
THE MAN
gave
CHARLIE CHAPLIN
30
He has others.
example.
THE MAN
3I
He
Poor
V
THE METHOD
Father Didon,
32
THE RINK
THE WAGABOND
CHARLIE'S
NEW JOB
THE METHOD
33
It was I who
They
were greatly
34
CHARLIE CHAPLIN
It is in the method.
He leaves nothing to
until he is satisfied.
He
shoots '
But
THE METHOD
35
doubtless been
noticed
that Charlie
From
One A.M.
Look at
36
CHARLIE CHAPLIN
Chaplin is very
He is always
THE METHOD
37
He is methodical to an unheard
He intends to
38
CHARLIE CHAPLIN
THE METHOD
39
language
of the screen,
year.
CHARLIE CHAPLIN
40
I shall be
THE METHOD
4I
Dear Charle,
42
CHARLIE CHAPLIN
This was
THE METHOD
43
44
CHARLIE CHAPLIN
Then
THE METHOD
begun,
45
Charlie's transforma
I remember an
He is so kind and
unflagging spirits.
The
46
CHARLIE CHAPLIN
whom one is
of the
Just get
47
THE METHOD
shoot ' one single scene over and over again, half
48
CHARLIE CHAPLIN
In
fact the title that you see on the screen is often the
result of a sleepless night or of great mental con
THE PAWN-SHOP
THE
PAWN-SHOP
THE METHOD
49
50
CHARLIE CHAPLIN
yy
that counts.
THE METHOD
5I
tions. Here are people who stand for the dignity <
of power, and often deeply imbued with this idea,
52
CHARLIE CHAPLIN
The best ex
THE METHOD
53
One single
54
CHARLIE CHAPLIN
Again, in
Everyone
55
THE METHOD
The idea
56
CHARLIE CHAPLIN
There's
THE METHOD
57
He seems angry.
I'll bet
he's had a row with his wife and come away without
breakfast. He must have, because he's going into
the baker's for a roll. And sure enough, in the
course of the day, I would discover that Bill Smith
In a way, when I go
58
CHARLIE CHAPLIN
I saw
In the end it be
Watch
THE METHOD
59
Once, for
I replied.
But
It is well known
6o
CHARLIE CHAPLIN
Knowing
THE METHOD
6I
one, but I did not use it for the simple reason that
it was too small. It would not have succeeded in
giving the contrast for this absurd way of planting
a single seed at a time. That might be funny
enough on a small plot, but applied to a sixty-acre
I do not
I try
If
CHARLIE CHAPLIN
62
THE METHOD
63
bilities.
64
CHARLIE CHAPLIN
*- - -
exag
If I overdid
THE PAWN-SHOP
SHOULDER ARMS.
C'est la guerre ! ''
SHOULDER ARMS,
SHOULDER ARMS
War has its compensations after all.
SHOULDER ARMS.
Hands up !
SHOULDER ARMS.
SHOULDER ARMS.
THE METHOD
65
VI
THE FILMS
But this
THE FILMS
67
68
CHARLIE CHAPLIN
Charlie.
What a child he is
Ilall.
farce appeared.
What vul
garity
The country of Molire, it is true, prefers Le
Misanthrope to Le Mdecin Volant: and the devil
take me if I know who's right. Yet people will not
admit that Molire's early pieces are simply off
scourings. They forget all his crude, rascally
belching, and his inspired ordure.
in rough
THE FILMS
69
CHARLIEs MALLET
end of one.
70
CHARLIE CHAPLIN
CHARLIE AT WORK
Spirit I
Spirits
Super-spirits 1
But above allhe mustn't lose his cane and
his hat.
frightens one.
He
THE FILMS
7I
streets are vast and safe for anyone who trots like
a zebra.
CHAMPION CHARLIE
What elegance I
I am a sportsman.
sport.
It is
72
CHARLIE CHAPLIN
CHARLIEs NEw JoB
He is wrong, of
Frock coat?
Hm
Yellow gloves?
itself,
O Samson,
73
THE FILMS
Two.
Three.
Charlie will
Flirtation. .
Edna
74
CHARLIE CHAPLIN
Charlie.
infidelity.
the cousin.
to
And when he
THE FILMS
75
He is even more
SHANGHAIED
"
He changes
spectacle
too.
76
CHARLIE CHAPLIN
POLICE
burglar?
THE FILMS
77
CARMEN
the
us.
the
tin
The other is
magnificent.
And Chaliapin 2
78
CHARLIE CHAPLIN
THE FLOOR-WALKER
There
THE FILMS
79
Whence the
Flight and
running
THE PAWN-SHOP
8O
CHARLIE CHAPLIN
something-else
in his head.
THE WAGABOND
RESTING.
THE FILMS
8I
ONE A.M.
Drinkdrink.
CHARLIE CHAPLIN
82 -
Got to get
a warren.
pocket !
got to
83
THE FILMS
pipes.
And then 2
After that ?
The key,
84
CHARLIE CHAPLIN
Who wants to *
Nobody.
85
THE FILMS
~~
which ever way you turn, the table turns too. Chase
a table? That table cant be captured.
These brutes
carpet's
The
Poor
It
a superb
86
CHARLIE CHAPLIN
THE RINK
He
For
87
THE FILMS
THE CURE
Here's
door will only release its prey to throw you into the
EASY STREET
88
CHARLIE CHAPLIN
Go on talking, go on : it doesn't
Summits of rapture
Edna smiles.
89
THE FILMS
makes room for the New Mission; and the great ogre
himself, in top-hat and flowered waistcoat, takes his
lady to service; the lamp-posts never again suffer
from giddiness, and Charlie, with correct and military
air, the complete man of the world, offers his arm
(yes, he knows which, already) to the buxom Edna,
THE ADVENTURER
But I should be a
90
CHARLIE CHAPLIN
rushes on to a beach.
Policemenrockstwo ways
of the world.
will.
I shant do it
again.
A Dog's LIFE
THE FILMS
9I
fate :
As it steals
Eating isnt
The
92
CHARLIE CHAPLIN
by fox-trotting with
THE FILMS
93
SHOULDER ARMS
It never
94
CHARLIE CHAPLIN
front.
The
Charlie is touch
It is there
sensitiveness will be
This film justifies all that one can expect from the
cinema.
THE FILMS
95
This is an
idyll.
All thats needful is to lie down at the foot of a
Let there be no
CHARLIE CHAPLIN
96
THE
END