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Author(s): A. E. Popham
Source: The British Museum Quarterly, Vol. 17, No. 3 (Nov., 1952), p. 45
Published by: British Museum
Stable URL: http://www.jstor.org/stable/4422381
Accessed: 01-08-2016 17:03 UTC
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Museum Quarterly
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Most of the accepted drawings by Bosch are rather rapid and summary
sketches in pen and ink, but there are two elaborately finished drawings in the
Louvre corresponding with pictures by him which show a very close resemblance
in their technique to the present drawing. One is The Death of a Miser for the
painting of the subject formerly in the collection of Baron von der Elst, and the
other is The Concert, which corresponds with the painting in the Louvre. It is true
that recent writers on Bosch have regarded these two drawings as copies, but
their character seems to me to point to their being original drawings of the type
which the Italians would have termed a modello. Though both of these differ from
The Entombment in being drawn on grey grounds and heightened with white,
their actual brushwork is exactly similar to that of the present drawing. We can
also note a very close resemblance between the style of grisaille paintings by
Bosch, of which there are a number, and that of The Entombment.
In any case the drawing is one of great interest and importance, and a valuable
addition to the Department, where Bosch is only represented by one drawing
of doubtful authenticity.
A. E. POPHAM
Drawn with the point of the brush and indian ink over a sketch in black chalk. 25 X 35 cm.
45
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