Professional Documents
Culture Documents
15 CHRONICLING AN EPIDEMIC
David Frances How to Survive a Plague documents the activism
of the unheralded heroes in the fight against HIV and AIDS
By John Riley
MIND FRAK
On his hidden camera show, magician Michael Carbonaro
messes with peoples heads. Its what he lives for.
By Kate Wingfield
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Joshua Bell
T
HE VIRTUOSO CLASSICAL VIOLINIST PERFORMS TWO PUBLIC CONCERTS AS PART OF A
week-long residency at the Kennedy Center. First up is an off-site performance with the National
Symphony Orchestra, accompanied by food and drink courtesy of Kapnos/Graffiato chef Mike
Isabella as part of the annual Gourmet Symphony program. John Devlin conducts works by Manuel Ponce,
Eric Nathan, Respighi, Nigel Hess, Johannes Brahms, and Ravel.
It all takes place Wednesday, Feb. 8, at 7 p.m. in the Atrium of the Ronald Reagan Building and
International Trade Center, 1300 Pennsylvania Ave. NW. Tickets are $300.
Two nights later, Bell performs a Washington Performing Arts recital with pianist Sam Haywood. The
evening pays homage to John F. Kennedys 100th birthday with actor John Lithgow reading Robert Frosts
poem Dedication written for JFKs inauguration and set to Air by Pulitzer Prize-winning composer
Aaron Jay Kernis. The evening also includes violin classics by Beethoven, Brahms and Rachmaninoff. l
Friday, Feb. 10, at 8 p.m. Kennedy Center Concert Hall. Tickets are $50 to $125.
For both events, call 202-467-4600 or visit kennedy-center.org.
WICKED JEZABEL
Pauline Anson-Dross pop-
ular lesbian all-covers par-
ty-rock band Wicked Jezabel
has been rocking as well
as raising money for various
good causes all over the
region for a decade now, orig-
inally under the name The
Outskirts of Town. Next up, is
a Be My Wicked Valentine
show. Friday, Feb. 10, at 9:30
p.m. JVs Restaurant, 6666
Arlington Blvd., Falls Church.
Tickets are $12 to $15. Call
703-241-9504 or visit jvs-
restaurant.com.
VIRGINIA OPERA:
DER FREISCHUTZ
Drawing from German folk leg-
end, Carl Maria Von Webers
compelling and emotional piece
is the first of the countrys great
Romantic operas. A supernatural
tale of young love and the strug-
gle between good and evil, the
Virginia Opera offers a produc-
tion performed in English with
supertitles. Saturday, Feb. 4, at 8
p.m., and Sunday, Feb. 5, at 2 p.m.
George Mason University Center
for the Arts, 4373 Mason Pond
Drive, Fairfax. Tickets are $54 to
$110. Call 888-945-2468 or visit
gmu.edu/cfa.
CAROLINE, OR CHANGE
The largest musical in Round Houses history is part of a season
celebrating playwright Tony Kushner. The Tony-nominated
musical concerns an African-American maid who works for a
Jewish family in Louisiana during the height of the Civil Rights
Movement. The 17-person cast includes Nova Y. Payton, Will
Gartshore, Felicia Curry, Naomi Jacobson, Dorea Schmidt, and
Kara-Tameika Watkins. Matthew Gardner directs. To Feb. 26.
Round House Theatre, 4545 East-West Highway, Bethesda. Call
240-644-1100 or visit roundhousetheatre.org.
M
George Mason University Center
for the Arts, 4373 Mason Pond
Drive, Fairfax. Tickets are $39 to
y youth, and my entire adult life, has been under the cloud of AIDS,
$65. Call 888-945-2468 or visit says David France. France moved to New York in June 1981, just one
fairfaxsymphony.org. month prior to a New York Times report about 41 cases of gay can-
cer later known as Kaposis sarcoma. He then spent the subsequent years
GMCWS GENOUT CHORUS
Youth Invasion is the aptly covering the epidemic, in particular activist groups like ACT UP and their
named first full-fledged concert response to a disease that has claimed nearly 40 million lives.
featuring the Gay Mens Chorus Unlike his 2012 documentary of the same name, Frances book How to
of Washingtons youth chorus,
joined by the Arlington Childrens
Survive a Plague tackles the AIDS epidemic with a clear central voice. Readers
Chorus. Affirmative songs on the view the early years of the epidemic from his perspective, as both a journalist
program include I Am What I and as someone whose partner eventually died of the disease something that
Am, Beautiful, Be Like the made writing the book much tougher than anticipated.
Bird, and Shut Up and Dance.
Saturday, Feb. 11, at 8 p.m. Lang It was devastating, and very dif-
Theatre in the Atlas Performing ficult, he says. It sent me into
Arts Center, 1333 H St. NE. Tickets therapy. Im in my mid-50s, Id
are $20 to $35. Call 202-399-7993
or visit gmcw.org.
never been to therapy in my life.
In the book, France details
JAZZMEIA HORN how ACT UP utilized what he
Originally from Dallas, the jazz calls an inside-outside strategy
vocalist is quickly emerging as
one of the genres best new tal- to combat the spread of HIV and
ents, winning prestigious titles in find medications to treat AIDS.
the process, including the 2013 Combining public protests such
Sarah Vaughan International
Jazz Vocal Competition and the
as die-ins and traffic block-
2015 Thelonious Monk Institute ades, they were able to attract
International Jazz Competition. media attention to their cause. At
The Kennedy Center welcomes the same time, activists worked
back Horn to headline a concert in
the KC Jazz Club, after which she behind the scenes with scien-
will sign CDs in the States Gallery. tists, politicians and policymak-
Friday, Feb. 10, at 7 and 9 p.m. ers to push for greater research
Kennedy Center Terrace Gallery.
Tickets are $35. Call 202-467-4600
into medications to fight the
or visit kennedy-center.org. disease. It is those unrecognized
but essential contributions that
NICHOLAS RODRIGUEZ France seeks to honor in his book.
The star of Arena Stages Carousel
heads to Signature Theatre for The story that I tell in How
a one-man revue as part of their to Survive a Plague is really a
popular annual Cabaret Series. story, that, at least in HIV disease, cant
A triple-threat performer who,
among other plaudits, has earned
happen again. Because we have medications, we know how
a GLAAD Media Award (for a to treat it, he says.
recurring role on ABCs One Life I dont believe that the virus is, after all these years, going to find a way to
to Live) and a Helen Hayes Award stage an end-run around the pharmacopeia that has been developed, he adds.
(Oklahoma!), Rodriguez will share
his love of 70s music, from disco to [But] I do wonder whether we might see something like that with Zika. The
folk and Bossa Nova to Broadway. announcement in Congress that Zika funding is on the chopping block, in part
Tickets remain only for the perfor- to move that funding over to this ridiculous wall building, is just another exam-
mance Saturday, Feb. 4, at 2 p.m.
Ark Theatre, 4200 Campbell Ave.,
ple of political agendas trumping science and common sense and potentially
Arlington. Tickets $35 to $350. creating the same sort of disasters.
Call 703-820-9771 or visit signa- Although there is not the same sense of urgency around combating HIV/
ture-theatre.org. AIDS as there was in the early days of the epidemic, France thinks that his book
RHETT MILLER can provide lessons that modern-day activists can take to heart.
The frontman and main songwrit- Self-empowerment is possible, even for the most disenfranchised people,
er beyond the alt-country quartet even at the most dire of historical moments, he says. The book seeks to lay
the Old 97s stops for a show in
support of his latest solo album,
out a blueprint for how that can be done, and how anything can be survived.
his seventh, 2015s The Traveler. John Riley
Joe Purdy opens. Friday, Feb. 3.
Doors at 6:30 p.m. The Hamilton,
600 14th St. NW. Tickets are $20 to David France, author of How to Survive a Plague, will be appearing at Kramer
$39.75. Call 202-787-1000 or visit Books & Afterwords, at 1517 Connecticut Ave. NW, on Monday, Feb. 13 at 6:30
thehamiltondc.com. p.m. For more information, visit davidfrance.com.
RINDE ECKERT
As part of her Voices recital
TROMBONE CONCERTO
Soloist Craig Mulcahy, the NSO
DANCE COMEDY
series, Renee Fleming presents Principal Trombone, offers the MARIINSKY BALLET WASHINGTON IMPROV
the Kennedy Center debut of a orchestras first performances of Alexei Ratmanskys charming, THEATER: ROAD SHOW!
Grammy-winning, boundary Christopher Rouses Trombone contemporary take on the clas- D.C.s leading company for long-
pushing singer. Inspired by the Concerto, which won the 1993 sic Russian fairy tale The Little form improv offers a Wintry
jongleur minstrel tradition, Pulitzer Prize for Music. NSO Humpbacked Horse, set to a mod- Mix, a series of vignettes featur-
RIN: Tales from the Life of a Music Director Christoph ernist score by Rodion Shchedrin, ing different ensembles, with each
Troubadour finds Eckert accom- Eschenbach leads a program also is a showcase of personality, humor plot developed on-the-fly, spurred
panying himself in song and story featuring Beethovens lighthearted and creativity. Remaining perfor- by a single audience suggestion.
using a whole slew of instruments, Symphony No. 8 in F Major and mances Thursday, Feb. 2, through Weekends to Feb. 26. District of
including piano, guitar, accordion, Tchaikovskys moving Serenade Saturday, Feb. 4, at 7:30 p.m. Also Columbia Arts Center (DCAC),
ukulele, banjo, even flute, chime, for Strings in C Major. Thursday, Saturday, Feb. 4, and Sunday, Feb. 2438 18th St. NW. Tickets are $12
and all manner of percussion. Feb. 2, at 7 p.m., and Saturday, 5, at 1:30 p.m. Opera House. Tickets in advance, or $15 at the door. Call
Friday, Feb. 3, at 7 p.m. Kennedy Feb. 4, at 8 p.m. Kennedy Center are $49 to $150. Call 202-467-4600 202-462-7833 or visit witdc.org.
Center Family Theater. Tickets Concert Hall. Tickets are $15 to or visit kennedy-center.org.
are $29. Call 202-467-4600 or visit $99. Call 202-467-4600 or visit
kennedy-center.org. kennedy-center.org.
STORY DISTRICT:
SUCKER FOR LOVE
ELECTROPOPPED
tion no judged Story Slams
here. Those presenting this year
are Scott Hollingsworth, Sakina
Zaidi, Adrian Villalobos, Knecole
Blake, Matt Johnson, Ritija Gupta,
Tony Dahlman, and Amy Hoang Book of Love aims to reconnect with its over the top D.C. fans
O
Wrona. Laura Feiveson and Nupe
Mehta co-host a show co-direct- N SEVERAL FRONTS, ELECTROPOP BAND BOOK OF LOVE HAS BEEN
ed by Mike Baireuther and Story ahead of its time. Just consider modern electropop. You dont even call music
Districts Director of Education electropop because all of it is electronic pop, says co-founder and principal
Stephanie Garibaldi. Saturday,
Feb. 11, at 8 p.m. Lincoln Theatre, songwriter Ted Ottaviano. Even the stuff that sounds acoustically live is all basically
1215 U St. NW. Tickets are $25. somehow painted in a studio with a computer.
Call 202-328-6000 or visit storyd- But we were using MIDI at that time. And we were making classic, almost 60s-style
istrict.com.
pop records with this new 80s technology.
Book of Love also helped pioneer a style of dance music that went beyond mere
EXHIBITS expressions of joy and celebratory party music to explore more challenging, fraught
BOEING MILESTONES themes, such as disillusion and dysphoria over gender (Boy) and AIDS and sex (Pretty
OF FLIGHT HALL Boys and Pretty Girls).
The National Air and Space Theres always been this weird juxtaposition of things, says Ottaviano. Lets talk
Museums central exhibition
space reopened July 1 after a
about this very important, serious subject and put a go-go bell behind it.... They used to
major two-year renovation spon- call it thinking mans pop. It was okay to contemplate and think through the music as
sored by Boeing, or the museums well as feel it and physically move to it.
40th anniversary to the day. John Book of Love got its start as a live act opening for another band making similar think-
Glenns Mercury Friendship 7,
Charles Lindberghs Spirit of St. ing mans pop: Depeche Mode. We didnt realize it was a watershed moment while it
Louis, the Gemini IV capsule, was happening, Ottaviano says about suddenly playing stadium-sized crowds. Theres
and SpaceShipOne are among the nothing like fear and 10,000 people staring at you to help motivate...a group to get their
museums most iconic artifacts
that are once again on view, but
act together.
in a new streamlined way along Ottaviano is looking forward to returning to D.C. and hoping to rekindle some
with digital enhancements meant fond memories from the original 9:30 Club. Those shows used to be over the top, he
to give a deeper understanding of says. The bands return comes in support of last years MMXVI: The 30th Anniversary
how spaceflight and aviation have
affected all Americans lives. New Collection, featuring remastered hits and two new tracks. One of those, All Girl Band,
to the hall is the Apollo Lunar is a nod to the post-punk groups who inspired Book of Love, from the Slits to LiliPUT
Module and the studio model of the to the Go-Gos.
Starship Enterprise from the origi-
nal Star Trek series, among other
I always saw Book of Love as an all-girl band, says Ottaviano, who is gay and the
additions. Now open. National Air groups only male member. Its always been about sensibility. And as long as youve got
and Space Museum, Independence the right sensibility, gender is thrown out the window. Doug Rule
Ave at 6th St. SW. Call 202-633-
2214 or visit airandspace.si.edu.
Book of Love performs Saturday, Feb. 11, after 7 p.m. at U Street Music Hall, 1115A U St.
NW. Tickets are $25 to $50. Call 202-588-1880 or visit ustreetmusichall.com.
ONLINE OVERHAUL
HIV TESTING at Whitman-
Walker Health. 8 a.m.-8 p.m. at
1525 14th St. NW, 8 a.m.-6 p.m.
at the Elizabeth Taylor Medical
Center, 1701 14th St. NW, and 8
The DC Centers new website will make accessing services easier and faster a.m-5 p.m. at the Max Robinson
Center, 2301 MLK Jr. Ave.
W
SE. For an appointment call
EVE HAD THE SAME WEBSITE FOR AT LEAST THE PAST EIGHT YEARS 202-745-7000 or visit whit-
or so, says David Mariner, executive director of The DC Center. In that time, a man-walker.org.
lot of things have changed. A lot more folks, some of the younger folks, are access-
IDENTITY offers free and
ing the site on mobile phones and tablets. And the number of events we do at the Center has confidential HIV testing at
increased every single year. So were doing a complete overhaul, designed around our most two separate locations. Walk-
popular pages. ins accepted from 2-6 p.m.,
by appointment for all other
As part of the website redesign, The DC Center is pushing its most frequently visited
hours. 414 East Diamond Ave.,
pages to the sites homepage, including listings of upcoming events, the business directory, Gaithersburg, Md. or 7676
the LGBTQ organization guide, and the Speakers Bureau. The redesign also sees the simpli- New Hampshire Ave., Suite
fication and consolidation of various domain names, such as Reel Affirmations Film Festival, 411, Takoma Park, Md. To set
up an appointment or for more
a Center-sponsored event, previously hosted on its own website, that will now be incorpo- information, call Gaithersburg,
rated into the larger DC Center site. 301-300-9978, or Takoma Park,
The site is Word Press-based, so community members and staffers can update their 301-422-2398.
sections more easily, says Mariner. Its going to make it simpler, cleaner, easier to navigate
METROHEALTH CENTER
and much more accessible. John Riley offers free, rapid HIV testing.
Appointment needed. 1012 14th
Access the new DC Center website at thedccenter.org. St. NW, Suite 700. To arrange
an appointment, call 202-638-
0750.
I
THINK WHAT PEOPLE LIKE TO SEE BECAUSE I illusion for both her and us. Where it gets interesting, however,
certainly know I do is to see somebody have this little is in her reaction. Feeling she is in error, she crosses over to
private moment where they see something happen, says what she believes to be the correct platform only to find shes
Michael Carbonaro. And you literally watch the gears still on the wrong side. So, she takes a breath and crosses back.
going, watching somebody trying to process an impossible When its revealed by a deviously grinning Carbonaro that shes
moment where something solid penetrates through something been had, her elation at realizing that shes not barking mad is
else. And theyre sitting there and their eyes are going, What? immensely cathartic.
You watch those gears going and you watch the person wrestle The show wouldnt work as well as it does if it werent for its
between reality and fantasy. host. In addition to being a skilled illusionist, Carbonaro, like all
In illusions both large and small, the 42-year-old constantly the best magicians, is a congenial, affable con artist. Hes got a
throws unsuspecting subjects into moments of mental turmoil face and a handsome one at that people trust.
on hidden camera magic TV show The Carbonaro Effect, enter- That handsome face was on display in one of the biggest gay
ing its third season on cable network truTV. Its an immensely comedies of the mid-2000s: Another Gay Movie, a balls-out par-
entertaining and incredibly addictive twist to the hidden ody of the straight comedy American Pie. In AGM, Carbonaro,
camera shenanigans of Candid Camera, pioneered by television himself an out gay man, starred as Andy, a ceaselessly horny gay
legend Alan Funt in the late 1940s. Unlike most hidden camera teenager who takes a liking to fruits and vegetables.
shows, which simply prank the viewer, the addition of an actual I remember thinking to myself [that taking this role] might
magical illusion the impossible, the improbable, the brazen put me down a direction Ill never be able to back out of, he says
to the formula adds a layer of unexpected psychological depth, of the decade old comedy. I wont ever get to be on the Disney
STUART PETTICAN / TRUTV
as Carbonaro Effect often detours into the cause and effect of Channel or Ill never get to do a family-oriented show because
human behavior. this is going to be too.... He trails off. You know, I was scared,
Witness, for example, a segment from the season premiere, in he says, finally.
which an increasingly shell-shocked woman is made to believe Carbonaro overcame that fear at the urging of his agent. It
shes on the wrong side of a train platform. Its a mind-blowing turned out to be a good move, career-wise.
BE A MAGICIAN.
I think The Carbonaro Effect would be just as entertaining done a lot of effects on the show where Ill be locked inside of a
or entertaining in a different way, but just as entertaining if car and then suddenly Im inside a hotel room or Ill climb up a
I exposed all the tricks. If the home viewer saw how the tricks ladder and then suddenly the person turns around and Im right
were done, it would still be really fun to watch the person go behind them again. But with the train platform, an unsuspect-
through that experience. But thats just not the show that Im ing person has suddenly teleported themselves and theyre not
doing. I like the viewer to be in this weird zone where theyre where they thought they were. I cant believe we pulled that
on my team because they know that we together are fooling this off. I think youre right I would probably be in tears if that
unsuspecting person, but then they also get to go, How is he happened to me, too.
doing that? MW: Im surprised she didnt have a nervous breakdown.
MW: These are live tricks? Live people, live reactions, live tricks. CARBONARO: You really just watch her short circuit there.
Theres no artifice in terms of doing clever editing in which you Youre messing with somebody. Youre stepping in and throw-
might stop the camera at any point to rig the trick? ing a wrench into somebodys reality. But people really like it.
CARBONARO: Absolutely not. Never, no way. No way. We dont Theres a good heartedness behind it that kind of reminds me
do that. Thats immoral. of, say, Bugs Bunny. Im almost a Bugs Bunny character that
Im on a live tour right now with 40 dates in different cit- walks up to somebody, messes with reality for a second, and just
ies across the nation and these diehard fans of the show are watches the outcome.
coming. They have that question in their minds, just like you MW: In the same episode, theres a great trick utilizing a statue of
said. Theyre like, If Im sitting right here in the front row and Abe Lincoln. There was one bit with the statues hat that I was able
Michael Carbonaro comes out on stage, is he going to be able to half figure out. I say half because, I still couldnt figure out how
to make something appear out of nowhere? And the answer is you actually achieved it.
yes. Its really exciting for them to come to the live show and see CARBONARO: The recipe for the best kind of an illusion is to have
that happen. layers like that. You have to stack it. It cant be one secret. Its
MW: One trick that really blew me out of the water is in the third got to be like five secrets so that youre lost. Five little secrets
season premiere, the one with the girl on the train platform. will make a much more powerful illusion than one good secret.
CARBONARO: Oh good, you saw that one. MW: Lets talk a bit about your life as a gay man.
MW: Oh, my God. Her reaction was priceless. If that had happened CARBONARO: I always knew I was gay growing up. It was never
to me, Id probably be in tears. like a discovery. I knew what gay was but I didnt think I was gay
CARBONARO: What we did on the train platform was really because I had learned that the word gay was a bad word. Its
incredible, because a lot of times on the TV show, Ill teleport. like gay was a bad person or a perverted person or theyre dirty
People are always asking, Do you have a twin, because weve and gross and weird and bizarre and freakish. Im like, Well Im
Charlie Gaynor
Digital photo-archival pigment prints, clockwise from top left: Coming Out - 20x30, BE - 20x30,
Stairway to... - 20x30, Havana 407A - 8x12
charliegaynor.com
Howling Wolves
to do its thing, without destroying the
larger dynamic.
This dynamic specifically the people
in it are Marthas flashpoints. And you
Whos Afraid of Virginia Woolf is another showcase for can see where Posner wants go: A fast and
Holly Twyfords amazing talent By Kate Wingfield furious battle of emotional, psychological
and verbal poetry. But although Gregory
W
Liningtons George does eventually deliver
HEN IT COMES TO EDWARD ALBEES WHOS AFRAID OF VIRGINIA the goods, not everything here sings. This
Woolf, his brilliantly ruthless dissection of a diseased marriage, many a is a snide George, a man who has learned
minds eye will be drawn inexorably to visions of the glamorously loud and to savor and harness his bitterness, to
louche Martha delivered by Elizabeth Taylor in the 1966 film version. draw it out like some kind of dark and
But one of the hallmarks of amazing acting is the ability to take a role previously deadly taffy pull. But Liningtons pacing
owned and tagged by a luminary even one as iconic as Taylor and shake it free of is uneven. His zombie-like behavior at
the audiences associations and expectations. the start of the evening feels unaccount-
And in Fords Theatres production of Woolf (HHHHH), the ever-stellar Holly able and there are times when he gilds
Twyford does just that. the professors lily with a tad too much
An entirely new and fully sentient Martha, this woman is so urgent and credible, its actorly affectation, which distracts and
hard to believe she isnt still drinking and carrying on in some manse in McLean long dampens. His scenes with Nick, the young
after the curtain falls. A careening, alcohol-fueled socialite commando, she lives to lob male visitor-cum-sexual rival, never quite
grenades at friend and foe alike, often with no other purpose than to see the blood fly. jibe, due in part to this uneven pacing and
And what Twyford gets so right is that this Martha cant stop the music, even when delivery. Still, George can shoot a perfectly
the results shock or bewilder her. She is addicted to her acts of marital and social van- timed zinger and, at times, his battles with
dalism. Martha generate some real and ruinous
But this interpretation gains in power because it also ably bridges the decades chemistry. Linington also manages one of
between when the play was written and the here and now. Martha may use the affected the great challenges of George: he reveals
speech of the 60s, but her crass and crushing style speaks to a very twenty-first cen- at the end and with subtlety the deep-
tury kind of woman: a better-bred, more psychologically powerful version of the Real est architecture of the marriage dynamic.
Housewives currently entertaining and influencing the over-waxed masses. Carrying off a role that could easi-
Its a potent, memorable concoction and director Aaron Posner does a superb job of ly turn stock, Maggie Wilder is a very
SCOTT SUCHMAN
band, Danny Gavigan certainly
looks the part. But, like Linington,
there is a certain unevenness to
his younger man that thwarts the
alchemy needed between this striver and George. As Nick calcu- said, Gavigan is a big, charismatic presence and he is wholly
lates how to handle the challenging couple he must schmooze, believable as a target worth Marthas while.
not enough of his internal dialogue makes it to the surface and Thus, this is less a powerhouse production and more a vehi-
his changes in mood sometimes seem to come out of nowhere. cle for the amazing powers of Twyford but so be it. This is one
On the flip side, there are times when he almost overreacts. That Martha you want elbowing her way into your Albee. l
Whos Afraid of Virginia Woolf runs to Feb. 19 at Fords Theatre, 511 10th St, NW. Tickets are $15 to $62.
Call 888-616-0270 or visit fords.org.
Complicated
to Trus verdict, which comes swiftly. The
way he sees it, preppy poindexter Marquis
might be black, but he has no idea how it
feels to have no prospects, no network and
Hooded, Or Being Black for Dummies is a no net worth. As far as Tru is concerned,
deft examination of two young black teens from vastly these are deficits synonymous with being
different circumstances By Andr Hereford black, so Marquis has no idea how it feels
to be black. Strangely enough, adopted
H
mom Debra agrees with Tru, whom she
OODED, OR BEING BLACK FOR DUMMIES ( ) DOESNT HAVE invites to come live with them in their
time to dismantle every single stereotype characterizing or demonizing young cushy suburb. According to Debra, whats
African-American males in America, but it makes its bones deftly tweaking, Tru got to lose?
deconstructing and subverting a few. Depicted as a genuinely loving moth-
Stereotypes are what teens Tru (Jeremy Keith Hunter) and Marquis (Keith L. Royal er, Debra recognizes that the privileged
Smith) first see in one another, after meeting in a holding cell in a Baltimore city jail. upbringing she and her husband have
Likewise, the play leans heavily on stereotype to gain a few (too many) easy laughs at afforded Marquis might have cost him
the expense of Marquis adopted mother Debra (Jennifer Mendenhall), a well-connect- a vital understanding of how the world
ed, white, suburban liberal, who races to rescue her black son from lockup and from the at large will perceive him. Yet, despite
clutches of shady Officer Borzoi (Frederick Strother). granting her that insight, Hooded still
Before she arrives, Tru, a slang-slinging dropout from inner-city Baltimore, and portrays Debra as the sort of well-mean-
Marquis, a blazer-clad, prep school goody-two-shoes caught trespassing, have a chance ing but blinkered do-gooder who can
to delve beneath easy surface assessments. The play employs a tricky rewind and repeat cause as much harm as good by clinging
device, restating and reframing information as Tru and Marquis circle each other over to her own narrowly conceived, mostly
and over inside their cramped cell part of scenic designer Ethan Sinnotts inventively untested notions of what it means to be
STAN BAROUH
Hunter. Fine in a relatively smaller role
in Mosaics recent production of Milk Like
Sugar, Hunter is dazzlingly fun to watch
here as the fast-on-his-feet and fairly wise Tru, especially deliv- as the new friends worlds collide, the play starts to slide per-
ering the tenets of Trus guidebook Being Black for Dummies, functorily towards a conclusion that feels all but preordained
the primer he writes to educate sheltered Marquis. in a story about a black kid in a hoodie. It might end with more
Its no fault of Hunters that Tru comes close, perhaps inten- of a whimper than a bang, but not before playwright Tearrance
tionally, to Magical Negro territory, too ready with answers for Arvelle Chisholms voice, authentic and original, has most clear-
whatever challenges Marquis might face. And in the late going, ly had its say. l
Hooded runs until Feb. 19 at Atlas Performing Arts Center, Sprenger Theatre, 1333 H St. NE. Tickets are $15 to $60.
Call 202-399-7993, ext. 2 or visit MosaicTheater.org.
JR.S
Tuesday, Drag Bingo
COBALT/30 DEGREES
Dinner drink, 5-9pm Multiple
TVs showing movies,
Showtunes Songs & February 7 NUMBER NINE Happy Hour: Tops Down $6 NUMBER NINE shows, sports Expanded
Singalongs, 9pm-close Happy Hour: 2 for 1 on any Top Shelf, Bottoms Up $3 Happy Hour: 2 for 1 on any craft beer selection
DJ James $3 Draft Pints, 9 1/2 drink, 5-9pm No Cover Rail, $3 Bud Light, 4-9pm drink, 5-9pm No Cover Music videos featuring
8pm-midnight Happy Hour: 2 for 1 on any After 9pm, $3 Absolut, $4 Stoli and Stoli Flavors DJ Wess
drink, 5-9pm Multiple Bulleit & Stella and Miller Lite all night SHAWS TAVERN
NELLIES SPORTS BAR TVs showing movies, Gay Mens Chorus Open Happy Hour, 4-7pm $3 COBALT/30 DEGREES
Beat the Clock Happy Hour shows, sports Expanded SHAWS TAVERN Mic Night, hosted by India Miller Lite, $4 Blue Moon, Happy Hour: Tops Down $6
$2 (5-6pm), $3 (6-7pm), craft beer selection Half Priced Burgers & Larelle Houston, 10pm $5 Rails and House Wines Top Shelf, Bottoms Up $3
$4 (7-8pm) Buckets of No Cover Pizzas, 5pm-close $5 No Cover 21+ and Half-Priced Pizzas Rail, $3 Bud Light, 4-9pm
Beer $15 Texas Holdem House Wines & Sam Piano Bar with Jill, down- Stonewall Darts After-
Poker, 8pm Dart Boards Adams Drafts, 5pm-close stairs, 8pm Party, 6-10pm Locker
Room Thursday Nights,
10pm-close $3 Rail
Drinks, 10pm-midnight, $5