You are on page 1of 4
Bibliography of Works Consulted A great deal of useful information was derived from the examination of literally hundreds of printed catalogs and advertisements from instrument manufacturers and dealers all over the world. As this material is not only ephemeral but mostly undated and unascribed, it was not considered worthwhile to include it here. Apel, Willi. Harvard Dictionary of Music. Cambridge, Massachusetts: Harvard University Press, 1969. —— . The Notation of Polyphonic Music, 900-1600. Cambridge, Massachussetts: Medie- val Academy of America, 1961. Avgerinos, Gerassimus. Handbuch der Schlag- und Effektinstrumente, Frankfurt a.M.: Verlag der Musikinstrumente, 1967. Bacon, Tony, ed. Rock Hardware: The Instruments, Equipment and Technology of Rock. New York: Harmony, 1981. Baines, Anthony. Brass Instruments, Their History and Development. London: Faber and Faber, 1976. = Woodwind Instruments and Their History. New York: W. W. Norton, 1962. Baines, Francis. “The Consort Music of Orlando Gibbons.” Pp. 540-543 in Early Music VI, 4 (1978). Bartolozzi, Bruno. New Sounds for Woodwind. London: Oxford University Press, 1967. Bate, Philip: The Trumpet and Trombone. New York: W. W. Norton, 1966. Benade, Arthur H. Fundamentals of Musical Acoustics. London: Oxford University Press, 1976. Horns, Strings, and Harmony. Garden City, New York: Anchor, 1960. Betteridge, Harold 'T. Cassell’s German-English English-German Dictionary. New York: Macmillan, 1978. Blades, James, and Jeremy Montagu. Early Percussion Instruments. London: Oxford Uni- versity Press, 1976. Brand, Stewart, ed. The Next Whole Earth Catalog, second edition. New York: Random House, 1981. Smith Brindle, Reginald. Contemporary Percussion. London: Oxford University Press, 1970. Brécker, Marianne. Die Drehleier. Disseldorf: Gesellschaft 2ur Forderung der systema- tischen Musikwissenschaft, 1973. Carse, Adam. Musical Wind Instruments. New York: Da Capo (reprint), 1965. Chion, Michel, and Guy Reibel. Les Musiques électroacoustiques. Aix-en-Provence: Chau- doreille-Edisud, 1976. Clason, W. E. Elsevier’s Dictionary of Cinema, Sound, and Music. New York: Elsevier, 1966. . Elsevier’s Dictionary of Electronics and Waveguides, New York: Elsevier, 1956. Denti, Renzo. Dizionario tecnico italiano-ingleselinglese-italiano. Milan: Ulrico Hoepli, 1976. Eimert, Herbert, and Hans Ulrich Humpert. Das Lexicon der elektronischen Musik. Re- gensburg: Gustav Bosse, 1973. Erickson, Robert. “Instruments for Cardenitas.” Pp. 26-29 in SOURCE III, 1 (1969). Farrell, Susan Caust. Directory of Contemporary American Musical Instrument Makers. Columbia: University of Missouri Press, 1981. Fitzpatrick, Horace. “The Gemshorn: A Reconstruction.” Pp. 1-14 in Proceedings of the Royal Musical Association XCIX (1972-73). Fitzpatrick, Horace. “The Medieval Recorder.” Pp. 361-364 in Early Music III, 4 (1975). Forsyth, Cecil. Orchestration. New York: Macmillan, 1935. Fox, Stuart. “The Classical Guitar.” Master's thesis, University of Southern California, 1971. Girard, Denis, et al. The New Cassell’s French Dictionary. New York: Funk and Wagnalls, 1962. Gleason, Harold. Method of Organ Playing. Englewood Cliffs, New Jersey: Prentice-Hall, 1962. Grayson, John, ed. Sound Sculpture. Vancouver: A.R.C., 1975. Green, Robert A. “The Pardessus de Viole and Its Literature.” Pp. 301-307 in Early Music X, 3 (July 1982). Gregory, Robin. The Horn. New York: Praeger, 1969. Hamel, Fred, and Martin Hiirliman, eds. Enciclopedia de la musica, transl. Otto Mayer Serra. Barcelona: Grijalbo, 1970. Heffner, Roe-Merill S. General Phonetics. Madison : University of Wisconsin Press, 1969. Holland, James. Percussion. London: McDonald and Jane’s, 1978. Howe, Hubert S., Jr. Electronic Music Synthesis. New York: W. W. Norton, 1975. Howell, Thomas. The Avant-Garde Flute. Berkeley: University of California Press, 1974. Inglefield, Ruth K., and Lou Anne Neill. Writing for the Pedal Harp. Berkeley: University of California Press, 1984. : 514 ssiocearay International Association of Music Libraries. Terminorum musicae index septem linguis re- dactus. Kassel and Basel: Barenreiter, 1978. Irwin, Stevens. Dictionary of Pipe Organ Stops. New York: G. Schirmer, 1965. Kennan, Kent. The Technique of Orchestration. Englewood Cliffs, New Jersey: Prentice- Hall, 1970. Koechlin, Charles. Traité de orchestration. Paris: M. Eschig, 1954-56. Kotonsky, Wlodzimierz. Schlaginstrumente im modernen Orchester. Mainz: B. Schott’s Sohne, 1968. Lagueruela, Frank J. Diccionario de electronica ingles-espanol. Miami: Editorial Omega, 1963. Langwill, Lyndesay G. The Bassoon and Contrabassoon. New York: W. W. Norton, 1965. Little, Elbert L., Jr., and Frank H. Wadsworth. Common Trees of Puerto Rico and the Virgin Islands. Washington, D.C.: U.S.D.A. Forest Service, 1964. Marcuse, Sybil. Musical Instruments, a Comprehensive Dictionary. New York: W. W. Nor- ton, 1975. -A Survey of Musical Instruments. New York: Harper and Row, 1975. Martin, John. The Complete Musician. Willits, California: Oliver Press, 1975. Mersenne, Marin. Harmonie Universelle 1635: The Books on Instruments, transl. Roger E. Chapman. The Hague: Martinus Nijhoff, 1957. Miller, Richard. English, French, German and Italian Techniques of Singing. Metuchen, ‘New Jersey: Scarecrow, 1977. Munrow, David. Instruments of the Middle Ages and Renaissance. London: Oxford Univer- sity Press, 1976. Nicolet, Auréle. Pro Musica Nova fiir Flote. Cologne: Hans Gerig, n.d. Peers, Edgar Allison, et al. Cassell’s Spanish Dictionary. New York: Funk and Wagnalls, 1966. Peinkofer, Karl, and Fritz Tannigel. Handbook of Percussion Instruments. London: Schott, 1976. Piston, Walter. Orchestration. New York: W. W. Norton, 1955. Praetorius, Michael. Syntagma Musicum II ‘De Organographia’ 1619, trans]. Harold Blu- menfeld. St. Louis, 1949. Ramm, Andrea von. “Singing Early Music.” Pp. 12-16 in Early Music IV, 1 (1976). Read, Gardner. Contemporary Instrumental Techniques. New York: G. Schirmer, 1976. Rebora, Piero, et al. Cassell’s Italian Dictionary. New York: Funk and Wagnalls, 1967. Richardson, Edward. The Acoustics of Orchestral Instruments and of the Organ. London: E. Arnold, 1929. Ripin, Edwin M., ed. Keyboard Instruments. New York: Dover, 197. Rushmore, Robert. The Singing Voice. New York: Dodd, Mead, 1971. Sachs, Curt. The History of Musical Instruments. New York: W. W. Norton, 1940. -Real-Lexicon der Musikinstrumente. Berlin: Julius Bard, 1913. Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. London: Macmil- Jan, 1980. Santasusana, Juan Pich. Enciclopedia de la musica. Barcelona: Gasso, 1964. Schmeckel, Carl D. The Piano Owner's Guide. New York: Charles Scribner's Sons, 1974. Seeger, Pete. Howo to Play the 5-string Banjo. New York: Oak, 1962. . The Steel Drums of Kim Loy Wong. New York: Oak, 1964. nintiocrarny 515 Smith, W. J. A Dictionary of Musical Terms in Four Languages. London: Hutchinson, 1961. Smith Brindle, Reginald. Contemporary Percussion. London: Oxford University Press, 1970. Solmi, Angelo, et al., eds. Enciclopedia della musica. Milan: Rizzoli Ricordi, 1972. Spencer, Robert. “Chitarrone, theorbo and archlute.” Pp. 407~423 in Early Music IV, 4 (1976). Spencer, William. The Art of Bassoon Playing. Evanston: Summy Birchard, 1958. ‘Tarjéni Toth Ida and Falka Jézsef. Cimbalom Iskola, vol. I. Budapest: Zenemiikiad6 lalat, 1958. ‘Taylor, Charles. The Phsyics of Musical Sounds. New York: American Elsevier, 1965. ‘Thurban, T. W., and E. H. Wickham. How to Play the Harmonica in 30 Minutes. Valley Forge: Sam Fox, 1965. Tintori, Giampiero. Gli strumenti musicali. Turin: Unione Tipografico, 1976. Turetzky, Bertram. The Contemporary Contrabass. Berkeley: University of California Press, 1974. “Notes on the Double Bass.” Pp. 64-66 in SOURCE I, | (1967) Tyler, James. “The Renaissance Guitar.” Pp. 341-347 in Early Music I11, 4 (1975) Vannes, René. Essai de terminologie musicale. . . . Thann, France: “Alsatia,” 1925. Westphal, Frederic William. Guide to Teaching Woodzinds. Dubuque: W. C. Brown, 1974. Willets, Carl. The Register of Early Instruments. London: Oxford University Press, 1975, 1976. Wood, Alexander. The Physics of Music. London: Methuen and Co., 1947. Wright, Laurence. “The Medieval Gittern and Citole: a Case of Mistaken Identity.” Pp. 8 43 in The Galpin Society Journal XXX (197). 516 sisticcaarny

You might also like