Professional Documents
Culture Documents
Neva McConnaughey
Boise State University
2013
Table of Contents
Overview
Rationale
Assessment
o Assessment Plan
o Culminating Performance Task Prompt
o Culminating Performance Task Rubric
Instruction
o Five Kinds of Composing
o Instructional Sequence
o Calendar (teacher version)
o Calendar (student version)
o Lesson Plans (frontloading, reading, speaking and listening,
writing, and language)
References
Acknowledgements
Process Reflection
Overview
Our essential question for this unit is What defines us? From this question,
students should embark on an investigation into what influences us, and how we
turn into the people we are. Because the focus on Realism is continued from the
end of the previous semester, there will be less instruction on the unit, and more
concentration on . As we read timeless, literary texts, it helps to consider an
authors background and environment. Why did he/she write the way they did?
What influenced them? What, in turn, are they trying to influence? Who WERE
they, and how does that translate through their writing? As we consider these
things, we will also try to assess the value of these documents in our lives. How
have they shaped us? Our community? Our nation? The world? Frederick Douglas
wrote of freedom and equality among races - his writing, along with the word of
others, led to an extraordinary shift in culture. He wrote from his experiences, and
his work is still studied today. By identifying a writer's purpose, and inferring ideas
through reading, students can attempt to understand not just what the author had
to say, but who they were. Through this analytical lens, students will read to
discover about the author, and about themselves.
The culminating task for the unit will be an Ethnography, in which the
students will look at their family from a journalists perspective, in the same way a
writer for National Geographic would look at native tribes of Africa, or the people
of India. Said examination of what shaped authors and how they have shaped us
will direct us to a conversation about what other things shape, or define, us. The
Realism era provides a good backdrop for this assignment, because of the
emphasis placed on the life of the individual, and their everyday experiences.
Through research, students will practice their inquiry. We wont just be reading the
works of authors; the students will be assigned the biographies of Mark Twain and
William Dean Howells to read and evaluate, culminating in a discussion about what
makes biographies interesting, and what we need to successfully write them. The
results of this discussion will set the bar (and criteria) for their ethnographies,
which mirror biographies in style and content. In their Ethnography, they will be
asked to look at their family as a culture. Their family should be treated the same
way we encounter different cultures around the world, with respect and
understanding, and new curiosity.
Learning goals for this unit emphasize research - how we conduct research,
what kinds of questions to ask, and how to draw that information together,
cohesively - and writing - why do we write about each other, and what kinds of
things do we say? Socratic Seminars, pair-share, and microlab discussions will
help to answer those questions and experiment with ideas. Anchor charts, and
gallery walks offer opportunities to create and see products of research. Through
daily writing prompts called Writing Into the Day, students will be given guiding
questions to help transition from yesterdays lesson to todays, and to connect with
the essential question. This unit is designed to inspire thought about what makes
us into the people that we are. It asks students who they think they are, and is
meant to make them turn around and re-asses their answer. Are we defined by
what we do, what we look like, or is it something deeper? How does our
environment and all the things and experiences in it aid in our development? The
essential question is meant to provoke thought about identity. The lessons are
intended to give lots of attention to improving students' writing and discussion
skills, as a means of working through those thoughts.
From here we can begin to discuss how literature/reading impacts our lives,
in the same way movies and experiences do. Students will be asked to provide
artifacts of their culture; among these artifacts, they will need to include at least
one text that has shaped or affected their families culture. For some, it may be a
book they read every christmas, or someone may choose a letter that confirmed
their parents citizenship in the state of Idaho. Components of culminating
ethnography will be completed over the course of the entire unit, so that students
have the opportunity to connect their discoveries with the text readings. To give
students a chance to reflect on the experience, and on their learning, they will be
asked to complete self-assessments and several short and long reflections
throughout the 7 weeks. The goal of this reflection process is in composition
practice, and in providing an assessment of the students connection with the
central themes and questions of the lessons. This unit is meant to teach students
about themselves, as much as about other people.
Rationale
This unit asks students to look at themselves and others to decide for
themselves, what defines us? The hope is that by looking at the lives of others,
through biographies and their culminating Ethnography, they can see that we are
not just defined by elements that make us up individually, such as race, haircolor,
or origin, but rather that we are all shaped as a community, and by our community.
Their Ethnography will probe an investigation of their individual families, where
they take themselves out of the group and act like a journalist on assignment,
discovering a culture that few people in the world even know about.
The presentation aspects of this unit will help achieve the targets for
speaking and listening, that ask them to pose questions and give authentic
responses to the questions asked by their peers. The students have multiple
opportunities to perform, to converse, and to offer each other suggestions or
feedback in a professional way. They will learn how to be good presenters, and
good listeners. They will learn how to be an active audience, and how to activate
their audience.
In addition to meeting the goals for learning, this unit will meet the goals of
the district curriculum, which require a study of Realism. The texts of this unit
either embody the characteristics of realism, or otherwise pertain to a Realism Era
author. An understanding of the life and personality of an author is important to
understanding their work. It is for this reason that Ive incorporated biographies of
specific, renowned authors as texts for the students to read and analyze. The
biographies are a gateway to their final product, which will be an article whose
structure will be fashioned by that of the biographies they read. The influences on
a writer may impact his/her writings, just as the writings of others affect the way
we write ourselves. This is something Id like the students to consider when they
use these biographies as a model and inspiration. Their writing will improve as
they mirror professional narratives, and the discovery of an authors life will help
them discover more about themselves, the authors of my class.
Not all students of 11th grade will have faced that pivotal crisis of identity,
but for those that are, this unit will seek to offer comfort and resolve to that issue.
One of my goals for teaching is that students learn about themselves through
reading and writing. Reflections are one way to guage this process. Ive
incorporated self-assessments and reflections at different intervals in this unit, as a
means of looking into the personal growth that is happening with my students. The
daily writing prompts also function towards this purpose, because they are written
to help connect the lessons and constantly be in that larger conversation about
what defines us. As they are asked to look at themselves and see who they are,
they will be examining things that, perhaps, theyve never considered before. All of
the books theyve ever read, all of the music theyve ever heard, and all of the
places that theyve been have played some role in the person theyve become. We
are supported by our communities and the things that, collectively, have been
accomplished. Id like them to see identity as a product of change and evolution. In
their presentations of their ethnography, students will have an opportunity to brag
about their families. Taking ownership in where they come from will, hopefully,
inspire confidence and pride in those that may feel unsure about who they are or
want to be.
Learning Goals & Targets
Language:
I understand word
L.11-12.1 Demonstrate a relationships.
command of the conventions of
standard English grammar and I can clarify the meaning of
usage when writing or unknown and multiple-meaning
speaking. words and phrases.
a) Apply the understanding
that usage is a matter of
convention, can change over
time, and is sometimes I can consult general and
contested. specialized reference materials
b) Resolve issues of complex or to find the pronunciation and
contested usage, consulting meaning of a word.
references as needed.
L.11-12.5 Demonstrate
understanding of figurative
language, word relationships,
and nuances in word meanings.
a) Interpret figures of speech
in context and analyze their
role in the text.
b) Analyze nuances in the
meaning of words with similar
denotations.
Reading:
I can recognize an authors
RL.11-12.5 Analyze how an choices for how to organize
authors choices concerning parts of a text.
how to structure specific parts
of a text (e.g., the choice of I understand that organization
where to begin or end a story, affects the overall meaning and
the choice to provide a comedic impact of the writing.
or tragic resolution) contribute
to its overall structure and
meaning as well as its aesthetic
impact.
I can determine the central
RL.11-12.6 Analyze a case in themes or ideas of a text
which grasping point of view
requires distinguishing what is I can explain how individuals,
directly stated in a text from ideas, or events develop over
what is really meant. the course of a text.
Most of the in-class assignments are practice or preparation for the things
they need to do to complete their Ethnography. Instead of a number grade for each
of these items, I will focus on providing authentic and guiding feedback that will
drive them towards meeting the goals of the final project. The students start each
day with a journal response, I call Write Into the Day (WITD), in which the students
respond to either a quote or guiding question. These will be checked every 2 weeks
as a formative assessment to see how the lessons are contributing to the essential
question, and to the larger culminating assignment.
These will be given back to students with either a check mark(2 points), a
check minus(1 point), or a check plus(3 points). The check marks will indicate
whether they met the expectations of the assignment, or exceeded expectations.
The check minus will only be given when a students completes the writing but fails
to make any valuable connections to it. Each assignment awarded a check mark is
worth 2 points This is an evaluation system which will already be in place for their
Write Into the Day journals, exit slips, and any research notes that get submitted
for credit.
Because all of the assignments in this unit build towards the final culminating
task, each one will be assessed simply on whether or not the work was done and all
required components included. If the work was complete, it will receive a check-
mark. If the work was not, it will be returned to the student to finish. These
checkmarks will contribute to the overall participation grade. Other factors for
participation include exit slips, which, depending on the class session, will be
answers to questionnaires that connect guiding questions to the lesson, evidence
of research or observations, or written peer feedback. Each one of these is
considered participation, because it demonstrates how the students interacted
with that days lesson, and monitors how they are processing and relating to the
information.
In his article The Case Against Grades, Alfie Kohn states, The more students
are led to focus on how well theyre doing, the less engaged they tend to be with
what theyre doing. This is a philosophy that I wholeheartedly share, and it is the
reason that I have such a small emphasis on distributing number or letter grades
on assignments. Most of what I ask the students to do is formative, as it serves
only the purpose of personal reflection for the students, and letting me look inside
their brains for a while. There will be periodic process self-assessments, in which
the students will give honest feedback about their own progress and productivity
and questions. Each will be worth 5 points, because this check-in is so important to
making sure that the directions are clear and that Ive allotted for enough work
time for everyone. There will also be a mid-project check in which I will check on
their project so far, to make sure that they have completed the necessary
assignments thus far. This check will give them a tentative grade - they have the
opportunity to do anything that was missing or unfinished, before they turn it in for
good. The grade written at this time will be simply an indication of what their final
grade might look like if they complete the presentation. This will not go into the
gradebook.
The final project is work 30% of their unit grade, while the WITDs will be worth
10%. Participation will also be worth 10%, and that will be assess on a day to day
basis, taking into consideration the students enthusiasm and involvement in
discussions, presentations, and listening to his/her peers. Twice throughout the
unit, there will be a Teacher Feedback session, during which time students and
myself will conference one-on-one about the work theyre doing. In our final one,
we will discuss the students work in the class for the unit, and try to reach an
agreement on what would be an appropriate grade to reflect the effort theyve put
forth.
Culminating Performance Task Prompt
o R What real-world role will the student assume as he/she is performing the task?
You are a journalist, working for your class magazine. This is a magazine like
National Geographic that specializes in articles of exploration that teach about cultures and
different places around the world.
o S What is the situation that provides the context for the task?
You have been asked by your magazine to spend some time with a group of people
and describe their culture, environment, and lifestyle. Youve been sent on special
assignment to live with them and get to know them. As you get to know different people,
you will need to conduct an interview with one member of the group, to reference in your
article.
Descriptions of a
Successful Project Yes! Almost Developing Not Yet
There
Final article and/or
presentation includes
references to specific texts,
documents, music, films,
and/or historical events that
may have shaped this group
into who they are.
Evidence of in-depth
observations and discussions
with group members,
demonstrated by the
inclusion of an interview,
quotes, and personal
examples.
Written reflection is no
shorter than 1 pages. It
contains a brief summary of
the group characteristics,
and shows that the author is
now considering
himself/herself as a member
of the group. A successful
reflection will make
connections between you
and your culture.
Instructional Sequence
HW: Book HW: Process HW: Book club HW: Finalize HW: Book club
Club Self reading with first draft, in reading with
reading(at Assessment, notes digital format. notes
least 1 Ch. Book club Book Club
Tonight) with reading with reading with
notes notes notes
*Revision * Reflection *Performances *Performances *Integrating
Media
HW: Revise-a- HW: Process HW: none HW: none
friend for Self HW: Work on
extra credit! Assessment presentations
for next week!
*Telling a *Work/Feedba *Presentations *Presentations *What Defines
Story ck Day ! ! YOU?
CONTRACT
The universal understanding of this class is that any work not finished
in class, is homework. Even when the calendar says none, the expectation
is that any work that was supposed to be completed in class will be finished
before the next day. Because of the demanding out-of-class time that is
necessary to work on components of the culminating assignment (an
Ethnography), there is a lighter homework load for this unit. If at any time
an assignment cannot be completed by the due date, or other
accommodations are necessary, please come see me before or after class.
Please sign below, indicating that you have read and understand the
schedule and expectations for this unit.
Signature: ___________________________________ Date:
__________________
Frontloading Lesson Plan
Grade Level: 11 Unit: Embracing the Ordinary Day: Lesson 1-2
Essent
ial What defines us?
Questi
on
Guidin
g What masks do we wear?
Questi How/when are we identified by those masks?
on(s)
o Language:
L.11-12.5 I can identify and use figurative language in
a piece of writing.
Materi
als Paul Laurence Dunbar We Wear the Mask
Butcher Paper/Poster Paper
Markers
Deliver
able Annotated stanzas and completed questionnaire
(What Exit Slip
will the Own poem about masks(HW)
student
s
produc
e by
the
end?)
Outlin Time Instructional Strategy/Formative Purpose
e Assessment
(Specifically describe what you and
the students will be doing.)
Day 1
Write Into the Day -- As students
come in they will respond to the
prompt: Respond to the following
quote: Most people are other
people. Their thoughts are
someone else's opinions, their
lives a mimicry, their passions a
quotation. Oscar Wilde
5 minutes Gets students
To fill out thinking about
questionna Complete a questionnaire, to be how we look, who
ire followed by a physical we are, and what
agree/disagree session, led by facades we put on
20 minutes the teacher. around others
For Possible Questionnaire
agree/disa Statements:
gree -What you see is what you
get, when you look at
someone you dont know.
-Our dispositions (cheerful,
sad, grumpy) are directly
related to how things are
going in our lives.
-There is never a good
reason to look or act like
someone you arent.
-In general, people have
good judgment of others.
-People who pretend to be
something they arent
cannot be trusted.
-Thing such as class, Reflection is a
wealth, and social standing good way to just
are often ways of get your thoughts
determining somebodys on paper. Not
5 minutes personality everyone will
-Something questionable have a chance to
you did one time will stay say what they
with you always, and will think, so this is
alert everyone about what an opportunity
5 minutes kind of person you are. for them to get
their ideas out
Students return to seats and there.
write in their notebooks about
anything they learned, a new
perspective, or something they
changed their mind about.
Essentia
l What defines us?
Question
o Reading:
I can summarize a text.
I can explain how individuals, ideas, or events
develop over the course of a text.
I can recognize an authors choices for how to
organize parts of a text.
Our
Day 2 backgrounds/lives
Write Into the Day -- As play into our
5-7 students come in they will writing
minutes respond to the prompt: The sometimes.
author of your book is one of Making
the authors we read a bio of. connections with
What do you remember from authors themes
it? What connections between and history, to
their history/lifestyle can you understand why
make with the things they do what they
happening so far in your do.
30 book? Involving
minutes students in
Teacher will pass out and planning process,
explain Reading Planner. making them
Students will count how many aware of the time
pages they have to read in constraints and
their text, and fill in how much what they have to
they need to read to get the do. Giving them
book finished in the amount of organizational
days allowed. skills
Day 3
Write Into the Day -- As Making writing a
students come in they will routine, formative
15-20 respond to the prompt: Who assessment about
minutes are the important characters in reading
your book? List their names,
and two characteristics of
each. A chance to
bounce ideas off
Students will pair up with each other with
someone reading the same just one-on-one
text. Each pair will engage in a before moving to
7-10 discussion about these larger group
minutes questions: What are the
central themes of your book?
How does the author organize
the information? Do you notice Collaborating
5 any patterns, or anything with others who
minutes interesting? are reading the
same text.
After the pair discussions, Teaching how to
students will join the larger be good listeners
group of everyone reading that and give
5 text, and broaden the contributions to
minutes conversation. Each person in conversation.
the group must share
something that occurred to
them, or something they talked
about with their partner. Each Debrief,
person must talk at least once. clarification
35-40
minutes Teacher will bring class back
together and everyone will
return to seats. Ask for
volunteers to share some Formative
conclusions with the rest of the assessment
5 class. Questions?
minutes
Exit slip: Did yesterdays
prediction about your book
come true? Formative
assessment,
connecting with
Day 4 reading,
Write Into the Day -- As summarizing a
5 students come in they will text.
minutes respond to the prompt: What
chapter of your book are you
currently on? Recap the last
chapter in the next few Giving students a
minutes. chance to
complete any
In-Class work time to finalize work they may
first draft of Ethnography not be able to
7-10 Article, or Book Club reading finish at home by
minutes time if finished with article. the deadline.
Self-Asessment,
bringing day to a
Exit slip: What did you get close.
done today? What do you still Makes students
need to do? aware of what
work they have
25 left in Book Club
minutes or in
Ethnography.
2-3 Day 5
minutes
Write Into the Day -- As
students come in they will Structure and
respond to the prompt: organization is
Suppose your book was very important to
written in a different order. how we perceive
Maybe instead of chronological a text.
5 order everything happened in
minutes flashbacks. How would you Hearing different
read it differently? perspectives,
looking for
Have students share and similarities and
discuss their responses with differences,
someone reading a different sparking
book than they are. End with conversation.
My Partner Said Students will
have to convey
certain
information for
readers of other
5-7 books to
minutes Book Club reading in-class understand what
time is going on in
their themes.
Collect all student drafts of
Ethnography article for
Mondays blind revision. These Need to be in
must be in digital format. digital format so
that teacher can
30 remove names for
minutes Day 6 blind revision
5
minutes Day 7 Reflecting on the
revision process.
Write Into the Day -- As
students come in they will
respond to the prompt: Did Reading revisions
reading and/or revising
someone elses paper teach
you anything about your own Reflecting on the
writing? What, if anything? revision process
some more.
Teacher will pass back
40 revisions to owners of drafts.
minutes Dramatic
Teacher will pass out and talk readings change
about Process Self Assessment how we interpret
about Revisions. What works the text.
for you and what doesnt? Performing in
What kind of feedback did you front of
receive from classmates? This classmates will be
will be homework. good practice for
presentations.
Teacher will put students into
groups of 3 or 4 people, based
on Book Club text. For the
remainder of class, groups
must plan and practice for a
dramatic reading of some
portion of their book. Connecting back
Performances/dramatic to the EQ.
readings will be held
tomorrow. There is non-specific
criteria because students
should get creative!
Day 8
Performances around 7 to 10
minutes each.
Essentia
l What defines us?
Questio
n
Delivera
ble Answers to Think, Puzzle, Explore
(What Notes from micro-lab
will the Peer Interviews questions with answers
students
produce
by the
end?)
DAY 1
Essentia
l What defines us?
Questio
n
Guiding How does language affect us? Does it make or break us?
Questio
n(s)
o Reading:
R.I. 11-12.7 I can integrate multiple sources of
information, in different media formats, to address a
question.
o Language:
L. 11-12.5 I can analyze nuances in the meaning of
words with similar denotations.
L. 11-12.5 I can understand word relationships.
Material Computer lab, reserved
s Audio tapes/clips, screened from internet
List of countries and states
Large paper, for maps
Questionnaire
CPT assignment sheet
Delivera
ble A map of selected country/state with listed characteristics
(What A short research paper
will the 2 column notes
students Written observations
produce PQP student feedback
by the
end?)
Day 1
1-2 Write Into the Day -- As Applying
minutes students come in they will knowledge of
respond to the prompt: What language/literary
challenges did you face in devices
writing your dialogue?
Defining new
10 Students will turn in yesterdays devices, looking at
minutes homework: a short dialogue the role/challenge
written by each student, of a writer
including examples of
colloquialism or dialect.
Think/Pair/Share responses to
this question.
Listen to an audiotape of a
person from your geographical
area. Audio clips/tapes will be
40 provided by the teacher.
minutes Students will need to take turns
of class listening to clips with
time, headphones, while the rest of
total the class works on their
revisions. The teacher will Another part of
monitor the audio station to get the writing
everybody through. Students process
should write their observations
from the audio tape in any
format they choose, so long as For teacher to
they can be turned in. These take a look at
will be submitted in with the their responses
expository piece. The audio and critique
notes do not need to be etiquette
mentioned in the paper, but at
least one example should be
included on the map.
Fredricksen, J., Wilhelm, J., Smith, M., (2012). So, Whats the Story? Teaching
Narrative to Understand Ourselves, Others, and the World. Porsmouth, NH.
Heinemann.
Independent School District of Boise. English 11: Course Scope and Sequence.
Retrieved from
http://school.boiseschools.org/modules/groups/homepagefiles/cms/2386916/File/Cu
rriculum/LanguageArts/11_scope.pdf?
sessionid=d4de5dd42a2326520b7758e55d2d3849
Marc Prensky (2012). Teaching the Right Stuff. Retrieved from
http://marcprensky.com/writing/Prensky-TheRightStuff-EdTech-May-Jun2012.pdf
Ritchhart, R., Church, M., Morrison, K. (2011). Making Thinking Visible. San
Francisco, Ca. Jossey Bass.
Acknowledgements
All my gratitude to Emily Morgan, my Block II mentor, for showering me with ideas and inspiration,
and for making me feel at home in the classroom. You gave me the confidence, and the push, to
teach.
Thank you, also, to Charles McAllister, Eva Matuszyk,, Brent Becker, Alex Willson, Sheridan Zenor,
Erin Tetreault, Dory Hammersley, Laura Jaeckel, and Justin Kelso for all your constructive
feedback, your encouragement, your lovely ideas, and all the things you say and do that bring out
the hard worker in me and make me hopeful that I can be a good teacher someday.
Finally, thank you Jessica Westhoff for being the most awesome teacher, and for helping me to feel
truly, blissfully excited about teaching again.
Process Reflection
While this success held a bit of joy, there were a few more poignant
instances of enjoyment in this process. I loved taking such a close look at the
CCSS. School and district curriculums have usually baffled and daunted me, but I
found that by focusing on standards, rather than the specific school requirements
(not that I disregarded them, mind you), I was more enthusiastic about creating
lessons, and eager to find new strategies to use. Its less of a chore, I guess, when
you focus on the standards and an Essential Question, rather than the list of what
texts and terms you should teach..
All this time Ive been sorting out my principles and my beliefs about
education, Ive been held back by the things I havent experienced, and by my need
to give effective instruction. I want to be a great teacher, and I feel that to do so
means that my students learn as much about themselves as they learn about
English or any other course content. Personal growth is something I highly value
as both a learner and an educator. When I first began considering teaching as a
career, I spoke to one of my old teachers about the possibility. Ill never forget
what he said: teaching about more than just teaching your studentsstuff. Its
about helping them become productive citizens of the world. Ive heard similar
phrasings over the years, but this was the first time anything like that had ever
been introduced to me, and it was HUGE. The impact that statement had on my
perspective and my life goals was paramount. I truly believe that helping my
students come to realizations about themselves and their learning, by opening
their brains and showing them whats inside, is the best way to meet those richer
goals of making each one of them successful, motivated, ladies and gentleman.
I like the idea of giving my students the benefit of the doubt. While I assume
nothing, in terms of what they do or do not know, I think that we should never be
afraid to assign difficult work, and we should never think that a higher discussion
is going to be too much for them to reach. They can do it, and if they cant, its my
job as a teacher to get them there. I never used to feel this way, until planning this
unit. As I wrote activity after activity, I began to wonder about the workload I was
throwing at my students. It was a moment where the uncertainty I mentioned
earlier became something of a blessing. I know that lessons are bound to change,
and with confidence in that I know I can shoot for the moon now and adjust my
plans when we get to them, on the off-chance things dont work out the way Id
hoped.
Real world examples are something Im trying out, and learning about,
because of this unit. As I tried to fit my lessons to the Common Core, basing
everything around research and inquiry, I found that bringing real-world elements
into the mix were the most sensible ideas. In my unit I asked them to look at
specific places in the world and specific people. Not specific people as in famous
I asked them to look at random people, and to make them matter. To plan a unit
means you have to constantly be alternating between the large and small focus. It
felt like I was a voyager, always extending and retracting my telescope. At times I
needed the larger ideas to write the small ones, and sometimes I couldnt build
larger ones without the fine details. It takes time and lots of dedication, but that
fluctuation is what helps you to see how standards fit in, and how to best meet
them. This unit should show that I understand how to meet the needs of the CCSS,
balanced with demands from the school district. It should show that I put students
learning and experiences first, and I try to use standards that serve that purpose.
This unit should demonstrate that my course goals revolve around opportunities to
emulate a real life situation, where students can be professionals as well as
learners, and have a voice in their community and assessment.
True to my beliefs about teaching and learning, Ive learned so much about
myself in creating this unit. Everything Ive said in this composition utterly
surprises me. Two years ago I might have felt all of these same emotions and
ambitions, but I would have never known how to say them. Through planning this
unit, I havent just learned how to plan a unit. Ive learned how to articulate what I
see and want and feel in teaching and planning to teach. While I am still somewhat
unsure about my stance, in certain areas, as a teacher, I feel more than ever like I
know exactly what Im doing. Theres confidence, and that can lead to success.