Professional Documents
Culture Documents
Author(s): H. Mattingly
Reviewed work(s):
Der Untergang der Romerherrschaft in Pannonien by Andreas Alfoldy
Source: The Journal of Roman Studies, Vol. 13 (1923), pp. 204-205
Published by: Society for the Promotion of Roman Studies
Stable URL: http://www.jstor.org/stable/295765
Accessed: 18/05/2009 11:55
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204 NOTICES OF RECENT PUBLICATIONS.
by those who wish to know more. It is, as has often been noticed, a strange contradictionr
that, while the Renaissancewas fatal to the monuments and to the ruins of the classical
era, these being either despoiled or altogether demolished for the purpose of finding build-
ing material, the subsoil being excavated with equa leagerness, in no period of history
have Rome's ancient monuments been studied with so much care and intelligence.
But the study of these drawings is valuable to us not merely from the archaeological
evidence which it affords, but from the knowledge which it gives us of the material
which the architects of the Renaissancehad at their disposal, and of the way in which
they made use of it.
ProfessorBartoli has also been able to reconstruct a number of sketch-booksand series
which had been dispersed and treated as isolated drawings.
It is impossible to attempt to deal in detail with this enormous collection of material:
and naturally the number of drawings by which a given artist or architect is represented
is often a matter of chance, as his best work may be preserved elsewhere.1
The last volume will undoubtedly be of the greatest general interest, as it contains
more views of buildings than any other. Its contents extend from the middle of the
sixteenth century down to Piranesi. But the whole collection is indispensable to any
library which caters for advanced students of the topography of Ancient Rome.
THOMAS ASHBY.
Few writers on the history of Roman art consider sufficiently the evolution of Roman
provincial art. They turn their attention almost exclusively to the great Imperial art,
whether in Italy or the provinces, and neglect the more modest products of provincial
artists-in sculpture, painting and the minor arts. Naturally, great scholarswere aware
of its importance, such men as Furtwangler, Riegl and Strudniczka pointing out the
necessity both of a general treatment of the subject and of a full collection of material
and even suggesting the general lines of a detailed study.
Yet the main basis for generalisations-a good collection of material-has advanced
but slowly. In the field of sculpture we have Altmann's work on grave altars in Italy,
Esperandieu's valuable Corpus of Gaulish sculptures, Weynand and Klinkenberg's
collection of grave stelae in Germany, Hofmann and Hampel's studies on those of the
Danubian lands, and lastly, Kieseritzkyand Watzinger's collection of Russian tombstones.
Spain, Britain, the greater part of the Danubian lands, the Balkanpeninsula, the Eastern
provinces-excepting South Russia-Egypt and Africa still remain virgin fields; for
information concerning them we are dependent on museum catalogues-where they
exist-and scattered articles in periodicals and other publications. And yet without
:suchcollections it is well-nigh impossible to form even a general idea of the development
of Roman art or of the religious, intellectual, social and economic life of most important
parts of the Roman Empire. Still worse is the position in the field of painting and the
domain of artistic industry.
We must therefore be thankful to E. Reich for suggesting to a pupil, A. Schober, the
idea of collecting one class of monuments illustrative of provincial art-the grave stelae
and altars-and to the Archaeological Institute of Vienna for publishing, in the face of
great financial difficulties, this handsome and amply illustrated volume. We hope that
the example set by them will soon be followed by other scholars and institutions in
Austria and other countries.
A. Schober selected for special investigation the provinces of Noricum and Pannonia.
These provinces were almost entirely Celtic and therefore their tombstones form a group
to be distinguished sharplyfrom those of Thrace or Illyria. They are the least interesting
of the three groups, lacking that originality and variety of form and subject which are
such striking features of Thracian and particularly of Moesian stelae. The author
examines his subject thoroughly and conscientiously. After a short introduction (I. The
historical and epigraphic evidence for dating monuments) he gives a descriptive catalogue
.of the monumentsaccordingto their architecturalforms and their chronology(In.Enumera-
tion of the grave stelae according to form and ornamentation) and finally a general
classificationand investigation of the collected material subdivided into three chapters
(III. Forms and ornamentationof the stelae; iv. Origin of the forms and of the ornamental
.motives, and v. Typological and stylistic summary).