COMPILED BY MARK BATTISTELLA

Sony NXCAM FS100

Picture Profile STYLES

Remember to test, test, and test again. There is nothing more

frustrating than filming and being unable to use it!

UPDATED: 15th February 2015

For Carmel, George, and Sonia for allowing me
to create films so others can have the same
amount of happiness it has given me
 Creating documents like this and others found on markbattistellafilms.com are out of
pocket expenses. A lot of time and effort goes into sourcing, testing, and compiling these
documents. If you can support me to continue creating additional free documents
consider donating enough to buy me a coffee :)

1
 Picture profiles

Picture profiles allow you to embed certain visual

characteristics into your footage. Though this may sound like a
weighted option, this book will show you both the functionality
and purpose of them.

Whether you are aiming to capture more data from the Super
35mm sensor to utilise more colour depth in post production, or
if you are planning on run and gun filming there is a profile in
this book for you.

Coming from well established companies, directors, and

colourists, all the way to general users, and tinkerers, this book
is a collation of all the picture profiles from around the world.

2
KODACHROME TONE
by Frank Glencairn

Based on the warm, vintage, sweet home Alabama, Kodachrome 25

BLACK LEVEL 0 (basic) SET PER SCENE (variable)

GAMMA Cinematone1

BLACK GAMMA High +3

KNEE 102.5% -1

COLOUR MODE Cinematone1 +7

COLOUR LEVEL -6

COLOUR PHASE -7

COLOUR DEPTH R +2 G +6 B +5 C +5 M0 Y +5

WB SHIFT LB -8 CC -1

DETAIL

LEVEL -4

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

3
G-LOG ULTIMATE
by Frank Glencairn

It holds and rolls highlights better, giving more dynamic range and is the closest you can
get to S-Log. Set Zebra to 100 and make sure they never show up unless on bright items

Variable - as in G-Log, set your black levels a hair

BLACK LEVEL above 0 IRE

GAMMA Cinematone2

BLACK GAMMA High +7

KNEE 80% +1

COLOUR MODE Cinematone2 +8

COLOUR LEVEL -2

COLOUR PHASE -7

COLOUR DEPTH R -3 G +2 B +5 C0 M0 Y0

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -3

MANUAL ON

V/H BALANCE 0

B/W BALANCE Type3

LIMIT +7

CRISPENING 0

H/L DETAIL 0

4
G-LOG [A]
by Frank Glencairn

Looks deep into the shadows

BLACK LEVEL 0 - SET PER SCENE

GAMMA Standard

BLACK GAMMA High +7

KNEE 105% 0

COLOUR MODE Pro +8

COLOUR LEVEL -3

COLOUR PHASE -7

COLOUR DEPTH R -3 G +2 B +5 C0 M0 Y +2

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -2

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

5
G-LOG [B]
by Frank Glencairn

This is a very special and more aggressive, almost gritty look. It brings out every wrinkle
in a face

BLACK LEVEL 0 - SET PER SCENE

GAMMA Cinematone2

BLACK GAMMA High +7

KNEE 105% 0

COLOUR MODE Cinematone2 +8

COLOUR LEVEL -4

COLOUR PHASE -1

COLOUR DEPTH R +7 G +4 B +5 C0 M0 Y0

WB SHIFT LB 0 CC 0 R -9 B +6

DETAIL

LEVEL +3

MANUAL ON

V/H BALANCE 0

B/W BALANCE Type3

LIMIT +7

CRISPENING +4

H/L DETAIL 0

6
GLENCOLOR [1]
by Frank Glencairn

A look you can use, if you dont want to fiddle too much post (general/indoor use)

BLACK LEVEL 0 (basic) SET PER SCENE (variable)

GAMMA Standard

BLACK GAMMA High +7

KNEE 80% -1

COLOUR MODE ITU709 +8

COLOUR LEVEL -4

COLOUR PHASE -4

COLOUR DEPTH R0 G0 B0 C0 M0 Y0

WB SHIFT LB -3 CC -5

DETAIL

LEVEL -3

MANUAL ON

V/H BALANCE +2

B/W BALANCE Type3

LIMIT +7

CRISPENING 0

H/L DETAIL 0

7
GLENCOLOR [2]
by Frank Glencairn

A look you can use, if you dont want to fiddle too much post (outdoor use especially
when sunny)

BLACK LEVEL -2 (basic) SET PER SCENE (variable)

GAMMA ITU709

BLACK GAMMA High +7

KNEE 80% -2

COLOUR MODE Cinematone1 +8

COLOUR LEVEL -6

COLOUR PHASE -4

COLOUR DEPTH R -4 G0 B0 C0 M -4 Y0

WB SHIFT LB 0 CC 0 R -6 B0

DETAIL

LEVEL -7

MANUAL ON

V/H BALANCE +2

B/W BALANCE Type3

LIMIT +7

CRISPENING 0

H/L DETAIL 0

8
ABELCINE NORMAL 2
by AbelCine

Minimal adjustment necessary intended for controlled lighting scenarios/studio work

BLACK LEVEL -7

GAMMA Standard

BLACK GAMMA Middle -4

KNEE 85% 0

COLOUR MODE Pro +8

COLOUR LEVEL 0

COLOUR PHASE 0

COLOUR DEPTH R -1 G -1 B0 C +4 M0 Y0

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -4

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

9
ABELCINE HIGHLIGHT
by AbelCine

Intended for use in scenes with bright highlight ranges, such as a bright day

BLACK LEVEL -1

GAMMA Cinematone1

BLACK GAMMA High 0

KNEE 102.5% -1

COLOUR MODE Standard +8

COLOUR LEVEL +1

COLOUR PHASE +1

COLOUR DEPTH R -2 G -6 B -7 C0 M +2 Y +5

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -3

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

10
ABELCINE RANGE 2
by AbelCine

Designed to get the most dynamic range out of the sensor (will need to do a little grading
in post)

BLACK LEVEL +7

GAMMA Cinematone1

BLACK GAMMA High +7

KNEE 75% +3

COLOUR MODE Cinematone1 +8

COLOUR LEVEL -7

COLOUR PHASE 0

COLOUR DEPTH R +1 G +5 B -3 C0 M +1 Y+6

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -7

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

11
PASTELS
by AbelCine

A pastel styled look which you find in many other cameras. Quirky style, use for
specialised shoots

BLACK LEVEL -7

GAMMA ITU709

BLACK GAMMA Middle +6

KNEE 80% -2

COLOUR MODE Cinematone1 +8

COLOUR LEVEL 0

COLOUR PHASE +1

COLOUR DEPTH R -1 G +2 B0 C +1 M +2 Y +1

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -7

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

12
5D MARK II STANDARD
by AbelCine

BLACK LEVEL -6

GAMMA ITU709

BLACK GAMMA High -1

KNEE 75% +1

COLOUR MODE Cinematone2 +8

COLOUR LEVEL +2

COLOUR PHASE 0

COLOUR DEPTH R -2 G -6 B -7 C0 M +2 Y +5

WB SHIFT LB 0 CC 0

DETAIL

LEVEL +1

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

13
5D MARK II TECHNICOLOR
by AbelCine

Technicolor image profile results in a very desaturated image with very high black levels

BLACK LEVEL -6

GAMMA Cinematone1

BLACK GAMMA High +7

KNEE 75% 0

COLOUR MODE Cinematone2 +8

COLOUR LEVEL -6

COLOUR PHASE +1

COLOUR DEPTH R -2 G -6 B -7 C0 M +2 Y +5

WB SHIFT LB 0 CC 0

DETAIL

LEVEL +1

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

14
JR45CINE 2
by AbelCine

Designed to match the look of Panasonic VariCams JR45CINE as closely as possible

BLACK LEVEL -3

GAMMA Cinematone1

BLACK GAMMA High +7

KNEE 80% +3

COLOUR MODE Cinematone1 +8

COLOUR LEVEL -4

COLOUR PHASE +1

COLOUR DEPTH R -2 G +2 B0 C +1 M +2 Y +2

WB SHIFT LB 0 CC 0

DETAIL

LEVEL -7

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

15
HIGH CONTRAST
by AbelCine

Has high contrast and high saturation levels, and aims to give a look that really pops off
the screen

BLACK LEVEL -6

GAMMA ITU709

BLACK GAMMA High -1

KNEE 85% 0

COLOUR MODE Cinematone2 +8

COLOUR LEVEL +4

COLOUR PHASE 0

COLOUR DEPTH R0 G +3 B -1 C +1 M +2 Y +2

WB SHIFT LB 0 CC 0

DETAIL

LEVEL +1

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

16
STARK
by AbelCine

A fun setting that produces a really crushed and sharp look

BLACK LEVEL -8

GAMMA Cinematone2

BLACK GAMMA High -7

KNEE 100% 0

COLOUR MODE Cinematone1 +8

COLOUR LEVEL -7

COLOUR PHASE 0

COLOUR DEPTH R +5 G -7 B -7 C -7 M -7 Y +5

WB SHIFT LB 0 CC 0

DETAIL

LEVEL +4

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

17
GENERIC TECHNICOLOR
by Technicolor

Most generic Technicolor look to match other (mainly) Canon DSLR B cameras

BLACK LEVEL +8

GAMMA Standard

BLACK GAMMA Middle +7

KNEE 85% 0

COLOUR MODE Cinematone1 +1

COLOUR LEVEL 0

COLOUR PHASE 0

COLOUR DEPTH R0 G0 B0 C0 M0 Y0

WB SHIFT LB 0 CC 0

DETAIL

LEVEL 0

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

18
CROOKED PATH FILMS [LOG]
by Crooked Path Films

After setting exposure and lighting in the Crooked Path Films LUT profile, switch and
record from this profile. This will film flat, and maximise post-production grading

BLACK LEVEL +8

GAMMA Standard

BLACK GAMMA High +7

KNEE 80% -2

COLOUR MODE Cinematone1 +8

COLOUR LEVEL 0

COLOUR PHASE -5

COLOUR DEPTH R -4 G +2 B +3 C0 M +2 Y +2

WB SHIFT LB -3 CC -3 R -1 B +1

DETAIL

LEVEL -7

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

19
CROOKED PATH FILMS [LUT]
by Crooked Path Films

Use this profile while setting exposure and lighting. Not intended to be recorded with,
just a preview for post-production grading

BLACK LEVEL -8

GAMMA Cinematone1

BLACK GAMMA High +7

KNEE 90% 0

COLOUR MODE Cinematone1 +8

COLOUR LEVEL +4

COLOUR PHASE -4

COLOUR DEPTH R -4 G +2 B +3 C0 M +2 Y +2

WB SHIFT LB -3 CC -3 R -1 B +1

DETAIL

LEVEL 0

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

20
MILLER & MILLER 1
by James Miller

General flat LOG profile

BLACK LEVEL +4

GAMMA Standard

BLACK GAMMA High +7

KNEE 85% -1

COLOUR MODE Pro +8

COLOUR LEVEL -1

COLOUR PHASE -1

COLOUR DEPTH R +5 G -4 B +2 C +1 M -1 Y -1

WB SHIFT LB -3 CC -1

DETAIL

LEVEL +4

MANUAL ON

V/H BALANCE 0

B/W BALANCE Type3

LIMIT +7

CRISPENING 0

H/L DETAIL 0

21
MILLER & MILLER 2
by James Miller

Filmic grade, and a little punchy (care needed with exposure setting)

BLACK LEVEL +11

GAMMA Cinematone2

BLACK GAMMA High +7

KNEE 75% -1

COLOUR MODE Cinematone2 +8

COLOUR LEVEL -1

COLOUR PHASE +1

COLOUR DEPTH R +6 G -4 B+2 C +1 M +1 Y -1

WB SHIFT LB -1 CC -1

DETAIL

LEVEL +4

MANUAL ON

V/H BALANCE 0

B/W BALANCE Type3

LIMIT +7

CRISPENING 0

H/L DETAIL 0

22
STRAPPING
by Kyle McConaghy

An excellent straight out of camera profile that is a little saturated, and sharper

BLACK LEVEL 0 (basic) SET PER SCENE (variable)

GAMMA Cinematone1

BLACK GAMMA High +7

KNEE 100% -1

COLOUR MODE Cinematone2 +8

COLOUR LEVEL -2

COLOUR PHASE -1

COLOUR DEPTH R -2 G +3 B +4 C +7 M +2 Y +7

WB SHIFT LB -1 CC 0 MG/GR -2 R -2 B0

DETAIL

LEVEL -2

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

23
NEUTRAL
by Dylan Sanford

An excellent "neutral" or "faithful" profile that requires grading in post

BLACK LEVEL -4

GAMMA ITU709

BLACK GAMMA Middle -2

KNEE 100% +2

COLOUR MODE Pro +8

COLOUR LEVEL -2

COLOUR PHASE -2

COLOUR DEPTH R +2 G0 B0 C0 M0 Y0

WB SHIFT LB 0 CC 0 R0 B0

DETAIL

LEVEL -7

MANUAL OFF

V/H BALANCE

B/W BALANCE

LIMIT

CRISPENING

H/L DETAIL

24
TRUECOLOR
by Cuervo

Images are rich in colour with a warm tone

BLACK LEVEL -11

GAMMA Cinematone2

BLACK GAMMA High +7

KNEE 105% +2

COLOUR MODE ITU709 +8

COLOUR LEVEL +7

COLOUR PHASE -1

COLOUR DEPTH R +2 G0 B0 C -7 M0 Y -5

WB SHIFT LB -2 CC 0 MG/GR -2 R -2 B0

DETAIL

LEVEL 0

MANUAL ON

V/H BALANCE 0

B/W BALANCE Type3

LIMIT +4

CRISPENING +5

H/L DETAIL 0

25
OUTDOOR
by AlaskaCameraDude

BLACK LEVEL -2

GAMMA Cinematone2

BLACK GAMMA High -1

KNEE 105% -1

COLOUR MODE Standard +8

COLOUR LEVEL +1

COLOUR PHASE +1

COLOUR DEPTH R -3 G -6 B -6 C0 M +2 Y +5

WB SHIFT LB 0 CC 0 R0 B0

DETAIL

LEVEL -4

MANUAL ON

V/H BALANCE +2

B/W BALANCE Type3

LIMIT +7

CRISPENING +2

H/L DETAIL 0

26