Professional Documents
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485 2 Agay Four popular diversions Form & Rhythm More difficult than the one above, they are also more modern in idiom.
Blues Scales Each can be used both as repertory and as teaching material. Little
Syncopation prelude in Waltz time can be used to teach both about form and
rhythm, Baroque bounce likewise can be used to discuss what is
Baroque, Echoes of the blues introduces the blues scales, and
Ragtime doll is excellent for syncopation.
483 1 Agay Mysterious Procession Left Hand Melody This is for the total beginner, and can be taught on the very first lesson.
Sight Reading RH play a steady even ostinato using only the note E, while the left
Hand Independence hand plays the melody which consists only of ABC in different orders
Expressive Playing and simple rhythms. Excellent for sight-reading, for hand
independence, for expressive playing and for bringing up a melody on
the left hand. It can also be used as a seed for free improvisation.
484 2 Agay Petit Trianon suite These are ten easy pieces, each one covering a dance style on the
18th century. This is excellent for rhythm development and to introduce
the student to old dance patterns (which keep recurring on the piano
repertory). Excellent recital material for the beginners.
1270 8 Albniz Cdiz (saeta) 4th mvt from Suite Espaola no 1, Op 47
1271 8 Albniz En la Playa no 7 from Recuerdos de Viaje, Op 71
1272 8 Albniz Evocation From Iberia
1176 7 Albniz Rumores de la Caleta, Op 71/6
1177 7 Albniz Serenata, from 'Espaa', Op 165
486 2 Alderighi Signi Lieti 10 very easy, short pieces. The harmonies are traditional, the writing is
highly pianistic and they make up excellent recital material.
487 2 Alexandrow Pieces for Children The whole collection consists of 8 sets of short pieces for complete
beginners. If you are familiar with Kabalevskys pieces for children, this
is similar.
663 U Alkan Esquisses op. 63
1034 5 Alkan L'Homme aux Sabots Op.63 No.23
489 1 Alt Hot Noon in the Meadow Introduction to how chords devel Similar in difficulty to the above, this set of pieces uses modern
harmonies to tell stories, so it is a very good introduction to how and
why chords and intervals can elicit different emotions (for instance,
The spider uses tritons to build up suspense, and Bees and Flies
uses chromatic intervals to emulate buzzing).
488 1 Alt The Ocean Pattern Introduction A collection of 10 pieces for the complete beginner, most you can teach
at the first lesson. The interesting thing here is that they use the whole
keyboard and introduce patterns that frequently appear in the more
advanced pieces, so they are excellent preparatory pieces. Again very
good recital material for beginners.
490 2 Alt Where the palm tree grows Introduction to contemporary mus More difficult than the previous two, this is thoroughly contemporary
music - and let us face it, contemporary music is not the most
appealing to beginners but this is a good introduction since it is not
664 U Arensky 24 Character pieces Op. 26 too radically contemporary.
620 7 Arensky Consolation Op. 36 No. 5
621 7 Arensky Elegie Op. 36 No. 16
1178 7 Arensky Le Coucou
1179 7 Arensky Prelude in E major, Op. 63 No. 07
1036 5 Arne Sonata in D minor Andante
1037 5 Arne Sonata in G minor 1st mvt
1180 7 Arne Sonata No. 1 in F 3rd mvt
1115 6 Arne Sonata No. 2 in E minor Andante
1181 7 Arne Sonata No. 3 in G 2nd mvt, Allegro
1035 5 Arne Sonata No. 5 Gavotte in B flat
1116 6 Arne Sonata No. 7 in A 1st mvt, Presto
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
470 2 Attwood Sonatina No. 1 in G major Scale fragments This has to be the first sonatina to be learned. Grown ups may not find
Alberti patterns it so useful, but for the below 10 is a great repertory. The second
Broken arpeggios movement is the easiest, but also dull. The first and third movements
Very good for finger articulation/ are excellent.
independence.
977 4 Attwood Sonatina No. 2 in C 2nd mvt, Minuetto and 3 variations
118 7 Bach 01 No 15 in G B2 - Preludes & Fugues
119 7 Bach 02 No 6 in Dm - Preludes & Fugues
120 7 Bach 03 No 21 in Bb - Preludes & Fugues
121 7 Bach 04 No 10 in Em - Preludes & Fugues
122 7 Bach 05 No 20 in Am B2 - Preludes & Fugues
123 7 Bach 06 No 11 in F - Preludes & Fugues
124 7 Bach 07 No 2 in Cm - Preludes & Fugues
125 7 Bach 08 No 9 in E - Preludes & Fugues
126 7 Bach 09 No 13 in F# - Preludes & Fugues
127 7 Bach 10 No 21 in Bb B2 - Preludes & Fugues
128 7 Bach 11 No 6 in Dm B2 - Preludes & Fugues
129 7 Bach 12 No 19 in A B2 - Preludes & Fugues
130 7 Bach 13 No 11 in F B2 - Preludes & Fugues
131 7 Bach 14 No 19 in A - Preludes & Fugues
132 7 Bach 15 No 14 in F#m - Preludes & Fugues
133 7 Bach 16 No 18 in G#m - Preludes & Fugues
134 7 Bach 17 No 2 in Cm B2 - Preludes & Fugues
135 7 Bach 18 No 5 in D - Preludes & Fugues
136 7 Bach 19 No 7 in Eb - Preludes & Fugues
137 7 Bach 20 No 14 in F#m B2 - Preludes & Fugues
138 7 Bach 21 No 7 in Eb B2 - Preludes & Fugues
139 7 Bach 22 No 1 in C - Preludes & Fugues
140 7 Bach 23 No 17 in Ab - Preludes & Fugues
141 7 Bach 24 No 13 in F# B2 - Preludes & Fugues
142 7 Bach 25 No 15 in G - Preludes & Fugues
143 7 Bach 26 No 12 in Fm B2 - Preludes & Fugues
144 7 Bach 27 No 1 in C B2 - Preludes & Fugues
145 7 Bach 28 No 24 in Bm B2 - Preludes & Fugues
146 7 Bach 29 No 10 in Em B2 - Preludes & Fugues
147 7 Bach 30 No 16 in Gm - Preludes & Fugues
148 7 Bach 31 No 5 in D B2 - Preludes & Fugues
149 7 Bach 32 No 18 in G#m B2 - Preludes & Fugues
150 7 Bach 33 No 24 in Bm - Preludes & Fugues
151 7 Bach 34 No 9 in E B2 - Preludes & Fugues
152 7 Bach 35 No 4 in C#m - B2 Preludes & Fugues
153 7 Bach 36 No 23 in B - Preludes & Fugues
154 7 Bach 37 No 3 in C# - B2 Preludes & Fugues
155 7 Bach 38 No 12 in Fm - Preludes & Fugues
156 7 Bach 39 No 3 in C# - Preludes & Fugues
157 7 Bach 40 No 8 in D#m - B2 Preludes & Fugues
158 7 Bach 41 No 22 in Bbm - Preludes & Fugues
159 7 Bach 42 No 17 in Ab B2 - Preludes & Fugues
160 7 Bach 43 no 4 in C#m - Preludes & Fugues
161 7 Bach 44 No 8 in D#m - Preludes & Fugues
162 7 Bach 45 No 20 in Am - Preludes & Fugues
163 7 Bach 46 No 22 in Bbm B2 - Preludes & Fugues
164 7 Bach 47 No 16 in Gm B2 - Preludes & Fugues
165 7 Bach 48 No 23 in B B2 - Preludes & Fugues
887 2 Bach Bourre from Overture in F
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
1300 8 Bach Capriccio in B flat, BWV 992 on the Departure of his most Beloved Brother
71 8 Bach English Suite No. 1 - Allemande
77 5 Bach English Suite No. 1 - Bouree 1
78 4 Bach English Suite No. 1 - Bouree 2
72 6 Bach English Suite No. 1 - Courante 1
73 6 Bach English Suite No. 1 - Courante 2
74 6 Bach English Suite No. 1 - Double 1
75 5 Bach English Suite No. 1 - Double 2
79 6 Bach English Suite No. 1 - Gigue
70 7 Bach English Suite No. 1 - Prelude
76 6 Bach English Suite No. 1 - Sarabande
81 7 Bach English Suite No. 2 - Allemande
84 4 Bach English Suite No. 2 - Bouree 1
85 4 Bach English Suite No. 2 - Bouree 2
82 5 Bach English Suite No. 2 - Courante
86 6 Bach English Suite No. 2 - Gigue
80 8 Bach English Suite No. 2 - Prelude
83 6 Bach English Suite No. 2 - Sarabande
88 6 Bach English Suite No. 3 - Allemande
89 5 Bach English Suite No. 3 - Courante
91 6 Bach English Suite No. 3 - Gavotte 1
92 5 Bach English Suite No. 3 - Gavotte 2
93 7 Bach English Suite No. 3 - Gigue
87 8 Bach English Suite No. 3 - Prelude
90 7 Bach English Suite No. 3 - Sarabande
95 7 Bach English Suite No. 4 - Allemande
96 6 Bach English Suite No. 4 - Courante
100 7 Bach English Suite No. 4 - Gigue
98 4 Bach English Suite No. 4 - Menuet 1
99 4 Bach English Suite No. 4 - Menuet 2
94 8 Bach English Suite No. 4 - Prelude
97 6 Bach English Suite No. 4 - Sarabande
102 8 Bach English Suite No. 5 - Allemande
103 6 Bach English Suite No. 5 - Courante
107 7 Bach English Suite No. 5 - Gigue
105 5 Bach English Suite No. 5 - Passepied 1
106 4 Bach English Suite No. 5 - Passepied 2
101 8 Bach English Suite No. 5 - Prelude
104 5 Bach English Suite No. 5 - Sarabande
109 8 Bach English Suite No. 6 - Allemande
110 5 Bach English Suite No. 6 - Courante
112 5 Bach English Suite No. 6 - Double
113 6 Bach English Suite No. 6 - Gavotte 1
114 6 Bach English Suite No. 6 - Gavotte 2
115 8 Bach English Suite No. 6 - Gigue
108 8 Bach English Suite No. 6 - Prelude
111 6 Bach English Suite No. 6 - Sarabande
1301 8 Bach Fantasia in C minor, BWV 906
1302 8 Bach French Overture (Partita) in B minor BWV 831 7th and 10th mvts, Sarabande and Gigue
31 7 Bach French Suite No. 1 - Allemande
32 6 Bach French Suite No. 1 - Courante
36 8 Bach French Suite No. 1 - Gigue
34 5 Bach French Suite No. 1 - Menuet 1
35 4 Bach French Suite No. 1 - Menuet 2
33 6 Bach French Suite No. 1 - Sarabande
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
40 5 Bach French Suite No. 2 - Air
37 7 Bach French Suite No. 2 - Allemande
38 5 Bach French Suite No. 2 - Courante
42 7 Bach French Suite No. 2 - Gigue
41 4 Bach French Suite No. 2 - Menuet
39 6 Bach French Suite No. 2 - Sarabande
43 8 Bach French Suite No. 3 - Allemande
44 6 Bach French Suite No. 3 - Courante
48 6 Bach French Suite No. 3 - Gavotte
49 7 Bach French Suite No. 3 - Gigue
46 4 Bach French Suite No. 3 - Menuet
45 5 Bach French Suite No. 3 - Sarabande
47 5 Bach French Suite No. 3 - Trio
53 5 Bach French Suite No. 4 - Air
50 7 Bach French Suite No. 4 - Allemande
51 7 Bach French Suite No. 4 - Courante
54 8 Bach French Suite No. 4 - Gigue
52 6 Bach French Suite No. 4 - Sarabande
55 8 Bach French Suite No. 5 - Allemande
59 5 Bach French Suite No. 5 - Bouree 1
60 6 Bach French Suite No. 5 - Bouree 2
56 6 Bach French Suite No. 5 - Courante
58 5 Bach French Suite No. 5 - Gavotte
61 8 Bach French Suite No. 5 - Gigue
57 7 Bach French Suite No. 5 - Sarabande
62 6 Bach French Suite No. 6 - Allemande
67 5 Bach French Suite No. 6 - Bouree
63 7 Bach French Suite No. 6 - Courante
65 5 Bach French Suite No. 6 - Gavotte
69 8 Bach French Suite No. 6 - Gigue
68 3 Bach French Suite No. 6 - Menuet
66 4 Bach French Suite No. 6 - Polonaise
64 6 Bach French Suite No. 6 - Sarabande
933 3 Bach French Suite, No 6 in E Minuet
1 5 Bach Invention 01
2 5 Bach Invention 02
3 6 Bach Invention 03
4 5 Bach Invention 04
5 6 Bach Invention 05
6 6 Bach Invention 06
7 6 Bach Invention 07
8 5 Bach Invention 08
9 6 Bach Invention 09
10 5 Bach Invention 10
11 7 Bach Invention 11
12 7 Bach Invention 12
13 5 Bach Invention 13
14 5 Bach Invention 14
15 7 Bach Invention 15
216 3 Bach Little Prelude, BWV 999
980 4 Bach March in E flat, BWV Anh 127 The Anna Magdalena Bach Book of 1725)
463 2 Bach March in Eb, BWV Anh. II 127 (anon.) Intro to 2-voice inventions Another excellent preparation for 2-voice inventions.
458 2 Bach Minuet in Am, BWV Anh. II 120 (anon.) Hand independence Another excellent 2 voice canonic work that will develop hand
independence and yet is easy enough for a beginner.
459 2 Bach Minuet in Cm, BWV Anh. II 121 (Anon.) Hauntingly beautiful slow minuet.
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
464 2 Bach Minuet in Dm, BWV Anh. II 132 (anon.) Hand independence Another very beautiful reflective minuet, which will develop hand
independence. From A Little Notebook for Anna Magdalena Bach
461 2 Bach Minuet in G, (G. Bohm) Intro to counterpoint Another good introduction to counterpoint that is simple enough for any
beginner.
455 2 Bach Minuet in G, BWV Anh. 114 (C. Petzold) Ornamentation This minuet is meant to be played with the Minuet in Gm in ABA form
(minuet in G minuet in Gm minuet in G).
457 2 Bach Minuet in G, BWV Anh. II 116 (anon.) Intro to 2-voice inventions Excellent piece to introduce canon (round) writing. It is a perfect
introduction to 2 voice inventions which are far too difficult for a
456 2 Bach Minuet in Gm, BWV Anh. 115 (C. Petzold) Ornamentation beginner.
Beautiful lyrical minuet, reflective and slow. This minuet is meant to be
played with the previous one in ABA form (minuet in G minuet in Gm
minuet in G). For beginners omit the ornamentation. For more
advanced players there is a lot of scope for learning the art of
981 4 Bach Minuet no 1 in B minor ornamentation with these two pieces.
462 2 Bach Musette in D, BWV Anh. II 126(anon.) Skips Excellent piece for the virtuoso to be (very easy but impressive), with
Fast runs daring skips on the LH and fast runs on the RH. A favorite with kids.
888 2 Bach Overture in F, BWV 820 5th mvt, Bourre
1303 8 Bach Partita No. 3 in A minor, BWV 827 1st and 6th mvts, Fantasia and Scherzo
1304 8 Bach Partita No. 4 in D, BWV 828 Menuett and Gigue
1182 7 Bach Partita No. 5, BWV 829 Corrente
886 2 Bach Polonaise in G minor, BWV Anh 119
1117 6 Bach Polonaise No 4 in D minor
934 3 Bach Prelude in C minor, BWV 999
466 2 Bach Prelude in C, BWV 846/I One of the few pieces in the notebook that is actually by Bach, this
prelude is the first prelude in the WTC book I.
467 2 Bach Prelude in C, BWV 924 A beautiful prelude based on broken triads, this is very easy (but not as
effective) if you omit the several ornaments. These can added later on
when the student has progressed enough.
468 2 Bach Prelude in C, BWV 939 Arpeggios An excellent study in arpeggios for both RH and LH and a great
introduction to question and answer writing. Only 16 bars long
982 4 Bach Prelude in F No 8 of 'Twelve Little Preludes'
469 2 Bach Prelude in Gm, BWV 999 Broken Triads For the budding virtuoso. Very effective at a fast speed, but equally
beautiful at a much slower tempo. The repetitive figuration in broken
triads make it an excellent exercise as well.
935 3 Bach Prelude, no 10 Eighteen Little Preludes'
16 6 Bach Sinfonia 01
17 7 Bach Sinfonia 02
18 6 Bach Sinfonia 03
19 7 Bach Sinfonia 04
20 7 Bach Sinfonia 05
21 6 Bach Sinfonia 06
22 7 Bach Sinfonia 07
23 7 Bach Sinfonia 08
24 7 Bach Sinfonia 09
25 6 Bach Sinfonia 10
26 6 Bach Sinfonia 11
27 6 Bach Sinfonia 12
28 6 Bach Sinfonia 13
29 7 Bach Sinfonia 14
30 7 Bach Sinfonia 15
847 1 Bach Chorale Lord, do with me as you will, BWV 514
227 6 Bach Giga from Partita no. 1
1187 7 Bach, C.P.E. Allegro in A, W 116/16
932 3 Bach, C.P.E. Allegro in C minor
928 3 Bach, C.P.E. Allegro in G, H328 W 116/54
978 4 Bach, C.P.E. Fantasia in D minor From 'Kurze und leichte Clavierstcke', Wq 113/3
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
460 2 Bach, C.P.E. March in D, H. 1.1 Uplifting and full of joy.
929 3 Bach, C.P.E. Menuet: La Pott, W 117/18 No 2 from 'CPE Bach, 23 Pices Characteristiques'
1038 5 Bach, C.P.E. Presto in C minor, W 114/3
1188 7 Bach, C.P.E. Sinfonia No.15 in B minor, BWV 801
1131 6 Bach, C.P.E. Solfeggietto
1039 5 Bach, C.P.E. Solo per il Cembalo, W.65/7 From Anna Magdalena
1285 8 Bach, C.P.E. Sonata in A flat, W 49/2
1286 8 Bach, C.P.E. Sonata in A, H 18b W 55/4 1st mvt, Allegro assai
931 3 Bach, C.P.E. Sonata in C Allegretto
1186 7 Bach, C.P.E. Sonata in C minor, W 60 1st mvt, Allegretto
1183 7 Bach, C.P.E. Sonata in C, W 55/1, 3rd mvt
1184 7 Bach, C.P.E. Sonata in D minor, W 57/4 3rd mvt, Allegro
930 3 Bach, C.P.E. Sonata in F Allegretto
1185 7 Bach, C.P.E. Sonata in F minor, W 57/6 2nd mvt
502 7 Bach, C.P.E. Sonatas Almost forgotten these days and almost never played, his sonatas are
real gems. Again, all of the sonatas are around grade 7-8, so you
should be able to manage. I particularly like w62 in G.
846 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725'
845 1 Bach, J.C. Aria in A minor
465 2 Bach, J.C. Aria in F Only 16 bars long, this beautiful aria can be easily learned by a
beginner and then be used at a later stage to teach improvised
1299 8 Bach, J.C. Sonata in B flat, Op 17/6 ornamentation.
1040 5 Bach, J.C.F. Musical Leisure Hours - Allegretto in F
979 4 Bach, J.C.F. Musical Leisure Hours, no 2 - Menuet and Trio in F
1041 5 Bach, J.C.F. Sonata in G Op. 05 No. 03 Theme and Variations
644 9 Barber Ballade op. 46
640 9 Barber Excursions op. 20
639 9 Barber Interlude I ('For Jeanne')
643 9 Barber Nocturne op. 33 Chromatic and highly atmospheric if you want poetic and romantic
and yet modern look no further.
641 9 Barber Sonata op. 26 Extremely complex advanced work requiring the utmost pianism. This
sonata was written for Horowitz. Originally it had only the first three
movements, but Horowitz insisted that Barber write a flashy finale for it,
hence the - very difficult - fugue.
642 9 Barber Souvenirs op. 28
638 5 Barber Three Sketches (no. 1 - Love Song is a beautiful song without words) and his very
lyrical and nostalgic Nocturne which is written with modern harmonies
but following John Field's model.
1190 7 Bartk 14 Bagatelles, Op 6 no 2
938 3 Bartk Choral: No 28 from 'For Children' vol 1
1273 8 Bartk Dance in Bulgarian Rhythm no 5 no 152 from Mikrokosmos vol 6
1118 6 Bartk Dance with Sticks: no 1 from 6 Romanian Folk Dances
983 4 Bartk For Children, vol 1 no 32 - Jeering Song
984 4 Bartk For Children, vol 2 no 18 - Teasing Song
940 3 Bartk Keringo
936 3 Bartk Lento: No 11, from 'For Children,' vol 1
1189 7 Bartk Mikrokosmos Vol 5 No.139 - Merry Andrew
1042 5 Bartk Mikrokosmos, Vol 4 No. 102 - Harmonics
1119 6 Bartk No 39 from For Children, Vol 1
939 3 Bartk Peasant's Flute: No 26 from 'For Children' vol 2
1120 6 Bartk Revelry: no 22 from For Children, Vol 2
889 2 Bartk Romanian Christmas Carol No 4 from 'Romanian Christmas Carols', Series 1
1274 8 Bartk Rondo no 1 from 3 Rondos on Folk Tunes
937 3 Bartk Round Dance: No 17, from 'For Children,' vol 1
1275 8 Bartk Suite, Op 14, 1st mvt Allegretto
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
1043 5 Bartk Ten Easy Piano Pieces - Evening in the Country
1044 5 Bartk Ten Easy Piano Pieces - Hungarian Folksong
1121 6 Bartk Village Joke: no 130 from Mikrokosmos vol 5
851 1 Bartk Children at Play
848 1 Bartk Quasi Adagio no 3 from 'For Children' vol 1
850 1 Bartk Two Little Dialogues
849 1 Bartk Two Short Pieces and Two Little Dances
472 2 Beach Children Carnival op. 25 Waltz Pierrot & Pierrette (from op. 25) is a wonderful waltz with a beautiful
Arpeggio melody and unusual harmony, very easy and yet it sounds very
Equalizing Hand Tone professional.
My favourite though is Secrets (also from op. 25) where arpeggio
figurations are divided between the hands so that they are (almost)
never together. Excellent exercise in equalizing the hands tone, and an
exquisite piece of music.
471 2 Beach Childrens Album op. 36 They are probably more suited to the later beginner (6 months one
year of lessons)
1276 8 Beethoven Andante Favori, WoO 57
1122 6 Beethoven Bagatelle in A, Op 33 No. 4
1195 7 Beethoven Bagatelle in Ab, Op. 33 No.7
1123 6 Beethoven Bagatelle in C, Op 119/02
1046 5 Beethoven Bagatelle in D, Op 119/03
1124 6 Beethoven Bagatelle in Eb, Op 33/1
985 4 Beethoven Bagatelle in F, Op 33/3
1045 5 Beethoven Bagatelle in Gm, Op 119/01
1193 7 Beethoven Bagatelle, Op 126/04
986 4 Beethoven Bagatelle, Op 33/06
840 1 Beethoven Ecossaise in Eb major WoO 86 These are one-page very easy pieces (grade 1) that Beethoven most
likely wrote as pedagogical material for is pupils.
841 1 Beethoven Ecossaise in G major WoO 23
172 4 Beethoven Fur Elise
987 4 Beethoven Merry and Sad, Bagatelle in A minor, Op 119/09
1191 7 Beethoven Rondo in A, WoO 49
1192 7 Beethoven Rondo, Op 51/1
218 5 Beethoven Six Ecossaises in Eb major WoO 83 These are actually to be played as a single piece. This is a two page
affair (3 pages depending on the edition), and more advanced than the
other two (around grade 4/5). It sounds far more difficult.
1125 6 Beethoven Six Variations on Nel cor pi non mi sento WoO 70
253 6 Beethoven Sonata 01. Op. 49 no. 2 (Easy) However I find this sonata a bit dull (Beethoven thought so too
254 6 Beethoven Sonata 02. Op. 49 no. 1 Op. 49/1 being far more musical (the rondo is a real gem). It is a bit
more difficult though. Both of these however are not quite full-fledged
sonatas (they were most likely composed as exercises for his
256 6 Beethoven Sonata 04. Op. 14 no. 2 students).
257 6 Beethoven Sonata 05. Op. 14 no. 1
258 6 Beethoven Sonata 06. Op. 2 no. 1
259 7 Beethoven Sonata 07. Op. 10 no. 1
260 7 Beethoven Sonata 08. Op. 10 no. 2
261 7 Beethoven Sonata 09. Op. 2. no. 2
262 7 Beethoven Sonata 10. Op. 2 no. 3
263 7 Beethoven Sonata 11. Op. 10 no. 3
264 7 Beethoven Sonata 12. Op. 13 (Pathetique)
265 7 Beethoven Sonata 13. Op. 22
266 7 Beethoven Sonata 14. Op. 28 (Pastorale)
267 7 Beethoven Sonata 15. Op. 7 (Grand)
268 7 Beethoven Sonata 16. Op. 78 (For Therese)
269 7 Beethoven Sonata 17. Op. 26 (Funeral March)
270 7 Beethoven Sonata 18. Op. 31 no. 3 (The Hunt)
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
271 8 Beethoven Sonata 19. Op. 31 no. 1
272 8 Beethoven Sonata 20. Op. 90
273 8 Beethoven Sonata 21. Op. 27 no. 1
274 8 Beethoven Sonata 22. Op. 27 no. 2 (Moonlight)
275 8 Beethoven Sonata 23. Op. 54
276 8 Beethoven Sonata 24. Op. 31 no. 2 (Tempest)
277 8 Beethoven Sonata 25. Op. 53 (Waldstein)
278 8 Beethoven Sonata 26. Op. 81 (Les Adieux)
279 8 Beethoven Sonata 27. Op. 57 (Appasionata)
280 8 Beethoven Sonata 28. Op. 101
281 8 Beethoven Sonata 29. Op. 110
255 6 Beethoven Sonata 3. Op. 79 (Alla Tedesca) Why not stretch a bit and try Op. 79, which is a real sonata, and quite
beautiful (the second movement is wonderful). It is considered to be
around grade 7, but if you can manage grade 5 pieces, you can
282 8 Beethoven Sonata 30. Op. 109 manage grade 7.
283 8 Beethoven Sonata 31. Op. 111
284 8 Beethoven Sonata 32. Op. 106 (Hammerklavier)
1047 5 Beethoven Sonatina in C 2nd movement
588 4 Beethoven Sonatina in F
890 2 Beethoven Sonatina in G Anh 5/1, 2nd mvt, Romanze
1194 7 Beethoven Sonatina in G, Op 79 3rd mvt, Vivace
988 4 Benda Sonata in Am 3rd mvt, Presto
1197 7 Benda Sonata in Bb 3rd mvt
1196 7 Benda Sonata in F 3rd mvt
989 4 Benda Sonatina in F
1048 5 Benda Sonatina in Gm
217 4 Benda Sonatina No. 3 in Am Arpeggios Exhilarating and athletic piece with fast arpeggios divided between the
Hand crossing hands and hand crossings on the second part. This is a one-movement
sonatina (only 49 bars long) that sounds much more difficult than it
990 4 Berens Study in F, Op 61/4 actually is.
991 4 Berens Study in F, Op 88/18
652 U Berg Sonata op. 1 A one movement sonata that although supposedly in B minor is actually
a chromatic work. Once you get used to it, it is very beautiful and
491 2 Bloch Enfantines lyrical.
Bloch composed a set of ten very interesting pieces called Enfantines,
for his daughters. They are not for beginners though, except the first
one, which may be tackled by a late beginner (6 months 1 year of
492 2 Bloch Lullaby Legato playing lessons):
Impressionistic writing, this is a very expressive piece that allows for
Cantabile the introduction of several concepts: Modes (the piece is written in the
Aeolian mode), legato playing (the piece requires that one finger be
held while the other fingers of the same hand play the melody above it),
1198 7 Borodin Petite Suite no 4- Mazurka cantabile.
493 2 Bowles Folk preludes Paul Frederick Bowles: These are really for intermediate students, but I
could not resist including it. These are excellent arrangements of
classical American folk tunes. Truly enchanting pieces.