Professional Documents
Culture Documents
o These striations are shown in profile on the sides of the Djed creating
a curved appearance
Raymond Faulkner sees the Djed as 'a cult object resembling a tree trunk with lopped-
off horizontal branches, sacred to Osiris, Ptah and Sokar' 1 He interprets the meaning of
its use hieroglyphically as 'stable', 'enduring'.
Alan Gardiner suggests that it represents 'a column imitating a bundle of stalks tied
together' 2 Yet he describes this hieroglyph: , the top section of the Djed, 3 as
'vertebrae conventionally depicted'. 4 It is used in the word pesed, meaning 'back', as in
'spine'. 5
According to Wallis Budge, the Djed is the oldest symbol of Osiris, and symbolizes his
backbone and his body in general. He states that originally Osiris was
probably represented by the Djed alone, and that he had no other form. He regards the
Djed hieroglyph as a conventional representation of a part of his spinal column and
gives its meaning as "to be stable, to be permanent, abiding, established firmly,
enduring.6
The reconstruction of the body of Osiris occurred at a place called Djedu,in the Delta
region of Lower Egypt and it was here that the yearly ceremony of 'Raising the Djed
Pillar' took place on the last day of the month of Khoiak, the eve of the agricultural New
Year. The next day marked the beginning of the four month long season of Pert, or
'Going Forth' during which the lands rose out of the flood waters allowing the fields to be
sown.Djedu was also referred to as Per-Asar-Neb-Djedu, meaning "The House of Osiris
- the Lord of Djedu". The Greeks called it Busiris, after the shortened title Per-Asar
- "The House of Osiris"
Mythologically, the 'Raising of the Djed' symbolised the resurrection of Osiris, and with
its annual re-enactment represented the death and renewal of the yearly cycle. Osiris is
referred to as "Lord of the Year" in the Pyramid Texts 7 and that he was also the god of
agriculture meant that his annual resurrection ensured the stability of the abundance of
the next season's crops. 8
A Tree:
From the descriptions above it can be understood that the general concept of the Djed
symbol appears to be a combination of the backbone of Osiris, a column or pillar, and
the trunk of a tree. The Legend of Osiris as told by Plutarch reinforces this
interpretation. The story involves the murder of Osiris in which his body is trapped inside
a chest and becomes enclosed in a huge tree at Byblos. The trunk of this tree
containing the body of Osiris is then cut down and turned into a pillar for the house of
the King. This pillar is referred to by the Djed hieroglyph and the branches of this
magnificent tree were said to have been turned to the four cardinal points. 9
The rituals and spells described in the archaic Pyramid Texts are most likely
the source of this later legend related by Plutarch. Without including the
occasions when expressed as a title prefixed to the King's cartouche, the god
Osiris is mentioned in over 170 different utterances or spells in the Pyramid
Texts. Utterances such as 478, 482, 532, and 535, for example tell of Isis
searching for the body of Osiris, while utterance 364 describes the gathering
together of the body parts by Nephthys leading to his resurrection. In
utterance 532 Osiris is struck down by Seth. The body of Osiris becomes
enclosed in the trunk of a tree and is associated with the Djed pillar in
utterance 574.
Much later, the detail was added that the tree enclosing of the body of Osiris
was located at Byblos. This probably refers to the tradition related in the Hymn
to Osiris, dating from the Middle Kingdom, of sending sailing expeditions to
Byblos to obtain trees from which to make coffins.10
Chapter 155 of the Book of the Dead associates the Djed with the backbone
and vertebrae of Osiris. Budge states that the oldest form of his spinal
column was probably represented by part of the back bone with portions of
the ribs attached to it. He suggests that as time went on it was drawn on a
stand with a broadened base to form what we see as the Djed. 11 Even when
pictured without the ribs attached, four vertebrae supported by a stand take on
the appearance of the Djed:
In utterance 321 of the Pyramid Texts the King ascends to the sky with Re on
the backbone of Osiris. An Old Kingdom variant of the determinative
hieroglyph in this word 'backbone' is F41, which is the top part of the Djed
Pillar:
A Pillar:
Most of the Djeds found in later tombs have been flat objects, usually no
thicker than a quarter of its width, these flat representations of the Djed
probably being derived from the hieroglyphic renditions. But in these two ivory
Djeds from the First Dynasty pictured below, we see that the Djed was
originally more of a round pillar than a flat object. Being such old pieces, they
give us valuable insight into the original design and therefore the original
function of the Djed before it became a flat icon.
Two ivory Djed pillars found in a
First Dynasty tomb at Helwan.
(photograph taken by J.D.Degreef)
The ancient Egyptians divided the sky into two parts in very early times, with
the Eastern end resting on the 'Mountain of Sunrise' and the Western end on
the 'Mountain of Sunset'. Later a division into four parts was made and the
four corners of heaven were protected by four gods.12
Heaven is described in the Pyramid Texts as resting on the staffs of these four
gods 13 indicating that the quartering of heaven occurred at a very early time,
before the Pyramid Texts were written.
"O you four gods who stand at the supports of the sky,
my father Osiris the King has not died in death,
for my father Osiris the King possesses a spirit in the Horizon"
- PT 556.
The Four Pillars of Heaven were personified as these four gods known also
the Four Sons of Horus, who support the four corners of the sky with their
sceptres. Here we have another instance in which the pillar is combined with
the human form.
The same word, wadj (w3d) composed of the single hieroglyph only with
the addition of a base is interpreted by Raymond Faulkner as meaning
"papyriform column".14b
In utterance 217 of the Pyramid Texts this hieroglyph is used to denote four
pillars by following it with the number four:
"Four Pillars"
Another way of writing the word 'Four Pillars' is by placing the four pillar
hieroglyphs in a row:
The mention of the place of the 'Four Pillars' is a reference to Heaven, which
the Ancient Egyptians believed to rest on these four pillars. The columns
supporting the roofs of temples were often shaped like papyrus stems, hence
the hieroglyphic writing of the word "pillar".
Papyriform pillar
Four Pillars
Another way of depicting 'Four Pillars' would be to put one behind the other
with each sticking up a bit above the one in front so that it can be seen:
Four pillars combined
and topped with capitol
A Typical Djed
This method of describing 'Four Pillars', one behind the other in typical ancient
Egyptian artistic style, creates an image that looks remarkably like the Djed
symbol. In the following two scenes from the Temple of Hathor at Denderah,
the four papyrifrom pillars on either side of the funeral bier in the first picture
are exchanged with Djed pillars in the next:
Horus presenting Osiris with a flower. Under the bier are the four
crowns of Osiris.
Note also the four hawks perched on top of the lotus's.
Mariette, Denderah, IV, 65.
A similar scene only with Isis at the head instead of Horus. Osiris-Djed
in Djedu stands to the right.
Note that the four papyrus stems on either side of the bier in the
previous picture
have been exchanged with Djed pillars in this picture.
Mariette, Denderah, IV, 71.
At the coronation of the new Horus-King, four birds each bearing the name
and head of the one of the Four Sons of Horus were released towards the four
directions marked by the four pillars of Heaven. 15
When the four pillars are combined they form the Djed pillar, a symbol
synonymous with the body of Osiris. Another way in which these gods were
related to the body of Osiris is through their association with his four bodily
organs. These were removed from the body during mummification,
individually embalmed and placed inside jars, then reunited inside a funerary
box and entombed with the body. 16 Inside the tomb of Horemheb in the Valley
of the Kings, his canopic chest containing the four organs was placed in a
small room, featuring a life sized image of the Djed pictured together with
Osiris. The Four Sons of Horus are again related to his body by them
featuring on the four sides of his sarcophagus together with their protective
goddesses, Isis, Nephthys, Serqet, and Neit much like the canopic chest of
Tutankhamun pictured below.
The Four alabaster canopic jars of Tutankhamun
(photograph courtesy of Jon Bodsworth of Gizaview)
After having passed through the night sky in utterance 334 of the Pyramid
Texts, the King grasps the tail of the sun-god Re and after claiming to be the
son of a god, declares that he is a flower rising from the waters of the Nile. In
utterance 512 the King is given Four jars full of provisions and is purified on
top of the lotus flower describing a scene not unlike the one depicted in the
vignette above:
"Raise yourself, my father, receive these your Four pleasant
provisions-jars 20
The Four Sons of Horus also provide the deceased with food and drink that
will sustain him in the afterlife as evidenced in utterance 338 of the Pyramid
Texts:
Perhaps the four canopic jars in which the bodily organs were placed were
originally intended to represent these four jars of provisions that are
mentioned in the texts. In life, these four organs process the air, food and
drink and convert it into the energy that can be assimilated by the body, the
generators of 'Life-Force' as it were. It may be interesting to note a similar
belief amongst the Taoists of ancient China where four containers are mentally
constructed around the navel, into which the energies generated by the
organs are collected. The contents of these four containers are combined to
form a ball of energy that is then circulated through the body in what is
referred to as the "Microcosmic Orbit". 21
In death, however, the Ancient Egyptians put these organs inside jars,
perhaps to simulate the absorption of the provisions by the organs thereby
providing sustenance for the King in the afterlife. Like the ancient Chinese,
the Egyptians associated the characteristics of each of the organs both with
young children and with different animals. These four 'sons' of Horus may be
viewed in this regard as being the four elements that together form the soul,
the hawk being the symbol of both the god Horus and at one time the soul,
or ba. 22
In utterances 544, 545, 670 and 688 of the Pyramid Texts, the Four Sons of
Horus lift the king into the sky to be reborn. The same four youths are also
responsible for binding together the reed boats on which the Sun god Re goes
to the horizon in utterance 519, and in 522 they bring the boat built by the
Ram-god Khnum.
Ba-Neb-Djed
The backbone of Osiris was found at a place called Djedet, the Greek
Mendes, 23 a well-established site of importance in the Delta during the Early
Dynastic period. 24 The god of the city was the sacred ram called Ba-Neb-
Djed, meaning 'Ram, Lord of the Djed', though sometimes he was called 'Ram
with four heads upon on neck' relating to a legend in which he unites within
himself the souls of Re, Osiris, Shu, and Kheper. 25 The god was worshipped
as a form of Khnum and was also identified with Osiris. 26 A local form of Osiris
was made by merging with the Ram as 'Osiris the Ram, Lord of Djedu'. 27
The Djed has been said to represent the support of the sky, the pillar of
cosmic stability. Khnum is often pictured holding up the arms of Shu helping
him to support the body of the sky goddess, Nut. Sometimes he even replaces
Shu, in his role of the supporter of Heaven and at times he was referred to as
the "raiser up of heaven upon its four pillars and supporter of the same in the
firmament".30 In this capacity he is depicted as the Djed with arms upheld
supporting the sky as pictured on the right. 31 In a hymn inscribed on the walls
of the temple of Esna, Khnum is called "The prop of heaven who hath spread
out the same with his hands" 32 and in the Pyramid Texts, Khnum is referred to
as a "Pillar of the Great Mansion."33 In utterance 586 of the Pyramid Texts
Khnum makes a ladder for the king to use to ascend to the sky. The word for
'ladder' in this case, however, is spelled with the symbol for 'ribs'34. This would
seem to be alluding once again to the backbone of Osiris, upon which, the
King ascends to the sky with the sun god Re in utterance 321 of the same
texts. The Old Kingdom variant of the determinative hieroglyph in this word
'backbone' is F41, the top part of the Djed Pillar:
The Djed is frequently used to symbolize the Sun in its rising, and like the
Djed, is a commonly used metaphor for the rebirth of the King's soul. In
chapter 17 of the Book of the Dead, the soul of Osiris finds the soul of Re in
Djedu:
This notion of the King finding the soul of Re in Djedu was developed at a much
earlier time and it is described in the Pyramid Texts where it is written:
"O you of Djedu, O Djed pillar which is in the 'Place Where his
Soul is Found', 35
Returning to utterance 410, the King finds Osiris seated "...on the 'Tower of the
Mummified body', which is associated with the Four Sons of Horus on the east side of
the sky in utterance 507.
The object of mummification was not so much the preservation of the body as it had
been during life, but the transfiguration of the corpse into a new body 'filled with
magic', a simulacrum or statue in wrappings and resin. 39 The King's ba could not be
released from his body unless the corpse was made 'firm', 'established', 'stable',
'enduring', 'whole', 'sound',40 in other words, made Djed-like. The 'Tower of the
Mummified body' is therefore an accurate description of the function and meaning of
the Djed pillar and is reminiscent of the imagery evoked by the Legend of Osiris, in
particular, the body of the dead Osiris-King becoming enclosed inside a huge pillar.
This connection of the 'Tower of the Mummified body', with the Djed Pillar, Osiris,
his soul, and the Four Sons of Horus in the east with their staff(s), reinforces a number
of the interpretations of the Djed symbol that have been suggested in this article.
Pyramid of Man
In the texts relating to the deification of the members, the deceased's hands are said to
be those of the Ram god Ba-Neb-Djed, and his fingers associated with the
constellation of Orion in the southern sky. 41
"The Netherworld has grasped your hand at the place where
Orion is,
the Bull of the Sky has given you his hand....."
- PT 437
"May a stairway to the Netherworld be set up for you to the
place where Orion is,
may the Bull of the Sky take your hand..."
PT - 610
The presence of the unique 'air-shafts' in the Khufu's pyramid has been and still is a
topic of much discussion. A number of Egyptologists have in the past expressed the
possibility that these inaptly named 'air-shafts' were actually intended as release
passages for the soul of the King entombed within the chamber that they emanate
from. In 1964 Egyptologist Dr Alexander Badawy, with the help of Virginia Trimble,
realised that Orion was most likely the target of the burial chamber's southern shaft
during the time of Khufu, which he deduced was designed to help the soul of the dead
King rise up to his dwelling place in Orion as mentioned in the Pyramid Texts. 42
Flinders Petrie had previously observed the southern shaft's alignment with the
Midday Sun on the 2nd of November, a date that may even correlate with the Raising
of the Djed ceremonies on the last day of Khoiak during the reign of Khufu, about
four and a half thousand years ago.43
Such an alignment would have allowed the soul of Re to enter the Djed-shaped tomb,
thereby fulfilling the textual declaration of the soul of Osiris and the soul of Re
meeting in Djedu.44
The notion of the Djed inside the pyramid of Khnum-Khufu can be explored further at
my website by clicking on the banner below. The site looks at the architectural
metaphors formed by the innovative arrangement of the chambers inside the Great
Pyramid following the theory proposed by James Allen and supported by other
Egyptologists such as Jean Leclant and Mark Lehner, that the substructure of the Old
Kingdom pyramids were designed to correspond to the geography of the Duat.