Professional Documents
Culture Documents
absolute pitch
70%
40%Hurni-
Schlegel1983 Miyazaki1988
Profita1988
perfect pitch
Hz
1
C. Stump1883
Lang1993Rvsz 1913Meyer1899Abraham1901/1902
Copp1916
Gregerson1998
relative
pitchHurni-Schlegel1983
Costall1985
Verlernen lernen ver
Verlernen
1 Prgung
95% 5%Sergeant1969
Crozier1977
Fourier transformation
spectrum
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K. Lorenz
Lorenz
Lorenz imprinting
K. Lorenz
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20%Chouard1990
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oval window 20000Hzapex
20Hz
/a//e//i//o//u/
formant
formant
psychoacoustics virtual
pitch
spectral pitch
virtual pitch
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E. Terhardt 19741978 3
FFT
virtual pitch
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5
schema
Krumhansl1991 6
auditory cortex
Zatorre1988
Zatorre1991
Zatorre1998
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virtual pitch
virtual pitch Terhardt1982 virtual pitch
spectral pitch Zwicker1999:111-124
virtual pitchpure tone
spectral pitchWard1982Miyazaki1989
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temperate lobe
Milner1962Zatorre1988Johnsrude2000
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Spatial-temporal versus language-analytic reasoning: the role of music training.
(http://www.educationthroughmusic.com/musicbrain.htm)
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4
inferior frontal cortex
formant
intonation
tone language
animal bioacousticsHulse1985
D'Amato1987/1988Tooze1990
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Hulse1988 10
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G. Schlaug 1995 magnetic resonance imaging
PTplanum temperate
PT Schlaug1995
PT
Hirata1999 Schlaug Zatorre 1998Schlaug
2000
PT
PT
PT Chen2000
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D. Deutsch
Deutsch 1999
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Richards1984
Hulse1986
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inner and outer hair cells
feedback
otoacoustic emission
otoacoustic emission
Chouard1990 otoacoustic emission
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O. Sacks
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Takeuchi1993
Trehub1987
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Grove psychology of music S. E. Trehub
V, 3(v): Early development:
sematic
spatial
Saffran
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16
7
YAMAHA
......
......Slonimsky1988
Wolfgang Auhagen
Periodendauernanalyse
virtual pitch
virtual pitch
Kirnberger mitteltnig
a'=415Hz a'=439Hz
a'=440Hz 445Hz
a'=415Hz a'=445Hz
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Davidson, L. (1994). Songsinging by young and old: a developmental approach to music. In: Aiello, R.
with Sloboda, J. A., Musical Perceptions, Oxford, 99-130.
Gregersen, P. K. (1998). Instant recognition: the genetics of pitch perception. American Journal of
Medical Genetics, 62, 221-223.
Heaton, C. P. (1992). Air Ball: Spontaneous large-group precision chanting. Popular Music and Society,
16(1), 81-84.
Hirata, Y., Kuriki, S. & Pantev, C. (1999). Musicians with absolute pitch show distinct neural activities
in the auditory cortex. NeuroReport, 10, 999-1002.
Hulse, S. H. & Cynx, J. (1985). Relative pitch perception is constrained by absolute pitch in songbirds
(Mimus, Molothrus, and Sturnus ). Journal of Comparative Psychology , 99, 176-196.
Hulse, S. H. & Cynx, J. (1986). Interval and contour in serial pitch perception by a passerine bird, the
European starling (Sturnus vulgaris). Journal of Comparative Psychology , 100, 215-228.
Hulse, S. H. & Page, S. C. (1988). Toward a comparative psychology of music perception. Music
Perception, 5, 427-452.
Hurni-Schlegel, L. (1983). Das absolute Musikgehr: Analyse und Lernversuch zum Singen, Stimmen
und Hren. Diss. Bern: Psycholog. Inst. der Univ.
Johnsrude, I. J., Penhune, V. B., & Zatorre, R. J. (2000). Functional specificity in right human auditory
cortex for perceiving pitch direction. Brain, 123, 155-163.
Krumhansl, C. L. (1991). Music psychology: Tonal structures in perception and memory. Annual Review
of Psychology, 42, 277-303.
Lang, A. (1993). Absolutes Gehr. In: Bruhn, H., Oerter, R. & Rsing, H., Musikpsychologie. Ein
Handbuch. Hamburg: Reinbek, 558-564.
Marvin, E. W. & Brinkman, A. R. (2000). The effect of key color and timbre on absolute pitch
recognition in musical contexts. Music Perception, 18, 111-137.
Milner, B. (1962). Laterality effects in audition. In: Mountcastle, V. B., Interhemispheric Relations and
Cerebral Dominance, Baltimore, 177-195.
Meyer, M. (1899). Is the memory of absolute pitch capable of development by training? Psychological
Review, 6, 514-516.
Miyazaki, K. (1988). Musical pitch identification by absolute pitch possesors. Perception &
Psychophysics, 44, 501-512.
Miyazaki, K. (1989). Absolute pitch identification - effects of timbre and pitch region. Music
Perception, 7, 1-14.
Peretz, I. & others. (1994). Functional dissociations following bilateral lesions of auditory cortex. Brain,
134, 1283-1301
Profita, J. & Bidder T. G. (1988). Perfect pitch. American Journal of Medical Genetics, 29, 763-771.
Rvsz, G. (1913). Zur Grundlegung der Tonpsychologie. Leipzig: Veit.
Schlaug, G. (1995). In vivo evidence of structural brain asymmetry in musicians, Science, 267, 699-701.
Sergeant, D. (1969). Experimental investigation of absolute pitch. Journal of Research in Musical
Education, 17, 135-143.
Slonimsky, N. (1988). Perfect Pitch: A Life Story. Oxford.
Takeuchi, A. H. & Hulse, S. H. (1993). Absolute pitch. Psychological Bulletin, 113, 345-361.
Trehub, S. E., Thorpe, L. A. & Morrongiello, B. A. (1987). Organizational processes in infants'
perception of auditory patterns. Child Development, 58, 741-749.
Terhardt, E. (1974). Pitch, consonance and harmony. Journal of Acoustical Society America , 55, 1061-
1069.
Terhardt, E. (1978). Psychoacoustic evaluation of musical sounds. Perception & Psychophysics , 23, 483-
492.
Terhardt, E., Stoll, G. & Seewann, M. (1982). Pitch of complex signals according to virtual-pitch theory:
Tests, examples, and predictions. Journal of Acoustical Society America , 71, 671-678.
Tooze, Z. J., Harrington, F. H. & Fentress, J. C. (1990). Individually distinct vocalizations in timbre
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wolves 'canis lupus'. Animal Behaviour, 11, 723-730.
Ward, W. D. & Burns, E. M. (1982). Absolute pitch. In: Deutsch, D. (Hrsg.), The Psychology of Music .
New York: Academic Press.
Zatorre, R. J. (1988). Pitch perception of complex tones and human temporal-lobe function. Journal of
Acoustical Society America, 84, 566-572.
Zatorre, R. J. & Samson, S. (1991). Role of the right temporal neocortex in retention of pitch in auditory
short-term memory. Brain, 114, 2403-2417.
Zatorre, R. J. & others. (1996). Hearing in the mind's ear: A PET investigation of musical imagery and
perception. Journal of Cognitive Neuroscience. 8, 29-46.
Zatorre, R. J., Perry, D. W., Beckett, C. A., Westbury, C. F., & Evans, A. C. (1998). Functional anatomy
of musical processing in listeners with absolute pitch and relative pitch. Proceedings of the National
Academy of Sciences (U.S.A.), 95, 3172-3177.
Zwicker, E. & Fastl, H. (1999). Psychoacoustics . Berlin: Springer.
BBC News, 20/02/2001, 09:18 GMT. Perfect pitch may help babies speak.
http://news.bbc.co.uk/hi/english/in_depth/sci_tech/2001/san_francisco/newsid_1179000/1179664.stm
Chi Chen, Andrea Halpern, Ben Bly, Robert Edelman, Gottfried Schlaug. (2000). Planum Temporale
Asymmetry And Absolute Pitch. http://www.academicpress.com/www/journal/hbm2000/7233.html
Diana Deutsch, Trevor Henthorn, Mark Dolson. (1999). Tone Language Speakers Possess Absolute Pitch.
http://www.acoustics.org/138th/deutsch.htm
Perfect Pitch on the Internet. http://www.provide.net/~bfield/abs_pitch.html
Robert Zatorre's Homepage. http://www.zlab.mcgill.ca/