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2001/3/3

BBC 2001 2 20 J. Saffran

absolute pitch
70%
40%Hurni-
Schlegel1983 Miyazaki1988
Profita1988

perfect pitch
Hz

1
C. Stump1883

Lang1993Rvsz 1913Meyer1899Abraham1901/1902
Copp1916

Gregerson1998
relative
pitchHurni-Schlegel1983

Costall1985
Verlernen lernen ver
Verlernen

1 Prgung

95% 5%Sergeant1969

Crozier1977

Fourier transformation

spectrum

1
K. Lorenz
Lorenz
Lorenz imprinting
K. Lorenz
2
20%Chouard1990

2
oval window 20000Hzapex
20Hz

/a//e//i//o//u/

/e/ 250Hz2000Hz 2600Hz formant


formant formant
/e//e/
/a/ 250Hz2000Hz 2600Hz
/e/

/e/250Hz2000Hz2600Hz /e/ formant

formant

formant

psychoacoustics virtual
pitch

spectral pitch
virtual pitch

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E. Terhardt 19741978 3

FFT
virtual pitch


4
5
schema
Krumhansl1991 6


auditory cortex
Zatorre1988
Zatorre1991
Zatorre1998

dorsolateral frontal cortex


conditional associative learning

3
virtual pitch

virtual pitch Terhardt1982 virtual pitch
spectral pitch Zwicker1999:111-124
virtual pitchpure tone
spectral pitchWard1982Miyazaki1989
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temperate lobe

Milner1962Zatorre1988Johnsrude2000
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Spatial-temporal versus language-analytic reasoning: the role of music training.
(http://www.educationthroughmusic.com/musicbrain.htm)
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4
inferior frontal cortex

formant
intonation
tone language


animal bioacousticsHulse1985
D'Amato1987/1988Tooze1990
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Hulse1988 10

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G. Schlaug 1995 magnetic resonance imaging
PTplanum temperate
PT Schlaug1995
PT
Hirata1999 Schlaug Zatorre 1998Schlaug
2000
PT
PT
PT Chen2000
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D. Deutsch
Deutsch 1999

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10
Richards1984
Hulse1986




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12


inner and outer hair cells
feedback

otoacoustic emission

otoacoustic emission
Chouard1990 otoacoustic emission

13

14

11
O. Sacks
12


13

Takeuchi1993
Trehub1987

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Grove psychology of music S. E. Trehub
V, 3(v): Early development:

sematic
spatial


Saffran

15
16

Perception in infancy & beyond


Rice1990
Gartner1993
440Hz La La

15



16

7

YAMAHA


......
......Slonimsky1988


Wolfgang Auhagen

Periodendauernanalyse
virtual pitch
virtual pitch


Kirnberger mitteltnig
a'=415Hz a'=439Hz
a'=440Hz 445Hz
a'=415Hz a'=445Hz

Abraham, O. (1901/1902). Das absolute Tonbewusein. In: Sammelband der internationalen


Musikgesellschaft, 3, 1-86.
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approach for identification of genetic and nongenetic components. American Journal of Human
Genetics, 62, 224-231.
Chouard, C.-H. & Sposetti, R. (1990). Contribution a l'tude de l'oreille absolute. Annals Oto-Rhino-
Laryngology, 107, 371-376.
Copp, E. F. (1916). Musical ability. Journal of Heredity, 7, 297-305.
Costall, A. (1985). The relative of absolute pitch. In: Howell, P., Cross, I. & West, R. (Hrsg.), Musical
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D'Amato, M. R. (1987/1988). A search for tonal pattern perception in cebus monkeys: Why monkeys
can't hum a tune. Music Perception, 5, 453-480.

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Cerebral Dominance, Baltimore, 177-195.
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Sergeant, D. (1969). Experimental investigation of absolute pitch. Journal of Research in Musical
Education, 17, 135-143.
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492.
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Tests, examples, and predictions. Journal of Acoustical Society America , 71, 671-678.
Tooze, Z. J., Harrington, F. H. & Fentress, J. C. (1990). Individually distinct vocalizations in timbre

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wolves 'canis lupus'. Animal Behaviour, 11, 723-730.
Ward, W. D. & Burns, E. M. (1982). Absolute pitch. In: Deutsch, D. (Hrsg.), The Psychology of Music .
New York: Academic Press.
Zatorre, R. J. (1988). Pitch perception of complex tones and human temporal-lobe function. Journal of
Acoustical Society America, 84, 566-572.
Zatorre, R. J. & Samson, S. (1991). Role of the right temporal neocortex in retention of pitch in auditory
short-term memory. Brain, 114, 2403-2417.
Zatorre, R. J. & others. (1996). Hearing in the mind's ear: A PET investigation of musical imagery and
perception. Journal of Cognitive Neuroscience. 8, 29-46.
Zatorre, R. J., Perry, D. W., Beckett, C. A., Westbury, C. F., & Evans, A. C. (1998). Functional anatomy
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Zwicker, E. & Fastl, H. (1999). Psychoacoustics . Berlin: Springer.

BBC News, 20/02/2001, 09:18 GMT. Perfect pitch may help babies speak.
http://news.bbc.co.uk/hi/english/in_depth/sci_tech/2001/san_francisco/newsid_1179000/1179664.stm
Chi Chen, Andrea Halpern, Ben Bly, Robert Edelman, Gottfried Schlaug. (2000). Planum Temporale
Asymmetry And Absolute Pitch. http://www.academicpress.com/www/journal/hbm2000/7233.html
Diana Deutsch, Trevor Henthorn, Mark Dolson. (1999). Tone Language Speakers Possess Absolute Pitch.
http://www.acoustics.org/138th/deutsch.htm
Perfect Pitch on the Internet. http://www.provide.net/~bfield/abs_pitch.html
Robert Zatorre's Homepage. http://www.zlab.mcgill.ca/

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