Professional Documents
Culture Documents
welcome
Welcome to the 18th biennial Ausglass conference, (r)evolve. Our conference host city, Canberra, is a world-renowned
centre for Australian glass and we are lucky to be hosted by the Australian National University Glass Workshop,
Canberra Glassworks, the National Film and Sound Archive of Australia and the National Gallery of Australia. Over
four days delegates will hear from a diverse range of Australian and international artists and curators. Discussions will
be based around the pertinent themes of creating, sustaining and evolving within contemporary studio glass.
The discourse will begin with our keynote speaker, Glenn Adamson, who was previously Director of the Museum of
Arts and Design (New York) and Head of Research at the Victoria and Albert Museum (London), and has written four
books on craft including Thinking Through Craft.
Canberras hardworking glass community has done a fantastic job of putting together a program that brings together
Australian and international guests in a way that facilitates an exchange of ideas. Special thanks must go to the
Australian National University School of Art and Design and the Canberra Glassworks, which have both provided
facilities and support. Extra special thanks must also go to the Canberra-based steering group that has organised every
aspect of this event.
Our conference would not have been possible without the support and generosity of the Australia Council for the Arts,
our host institutions, conference sponsors, individual donors and a league of volunteers. We are indebted to them all.
I hope delegates will take full advantage of everything the conference has to offer and also enjoy the social evenings
as well as the many exhibitions, tours and activities. Its a great time to make new friends and contacts in the glass
community. As it becomes more difficult to be a practising artist in todays political and economic environment, it is my
hope that this conference will expose delegates to new ideas and methods of working as to leave us all feeling inspired to
take the next step in our own artistic evolution.
On behalf of the Board of Directors for Ausglass, I welcome you to Canberra and hope you enjoy (r)evolve.
Laurel Kohut
Ausglass President
January 2017
( where )
School of Art and Design, Australian National University (ANU)
Fitters' Workshop
Un
ive
St
Lake Burley Griffin rsi
ty
ers
Av
ild
e
Ch
St
ke
Eas
lar
tlak
e
sC
Par
ade
rcu
Ma
P ri n School of Art and Design,
uit
te
rs Australian National University
irc
W
nC
ay
( ANU )
oo
ry
El l
Cr
nd
e
es
Lo
c en
t
t
eS
Canberra Glassworks
W
idg
en
( CGW ) et
tw
ers
Stre
ort
don
Liv
Sound Archive
of Australia ( NFSA ) Ave
gh
bur
tree
t Edin
ss eS McCoy Circuit
Go
t
Qu
eS
ee
g
Park P liza
es Wa arkes Wa
er
y y be
L iv
th
Te
rrac
Bachelors e
Ln
lE
sP
rke
National Gallery
Pa
Lennox Cro
of Australia ( NGA )
e
Ave
s
gs
Pl Kin
ss en
ing Bow
Ave
Lake Burley Griffin gs
Kin
( 26 ) Thursday
PRE-CONFERENCE
create
8am DEMONSTRATION LEC-MO
WILHELM VERNIM GER GAVIN MERRINGTON AUS
Cold working Revelations for ecclesiastic stained glass
sustain
8am Brodburger open for breakfast (additional charges)
9am LECTURE
PABLO SOTO USA
10am LEC-MO DEMONSTRATION
KATE BAKER AUS
AMBER COWAN USA
Imagery on glass Flameworking
10.45am Tea break and Defining Moments gallery floor talk
11.15am DEMONSTRATION LEC-MO
PABLO SOTO USA REI CHIKAOKA JAP
Glass blowing Making the coil glass casting
12pm Bus transfers
12.30pm Lunch
12.30 to 5pm Trade exhibition
1.30pm LECTURE
BEN WRIGHT USA
2.30pm LECTURES
WILHELM VERNIM GER
TRISH ROAN AUS
3.30pm Tea break
4pm PANEL
SUSTAINING PRACTICE
Debra Jurss, Ruth Allen, Amber Cowan, Kathy Elliott & Brenda Page
5.45pm Northside gallery hop Northside gallery walk
(bookings required)
7pm Star gazing at Mt Stromlo Observatory (bookings required)
( 29 ) Sunday
evolve
5.30am Sunrise at James Turrell Skyspace (bookings required)
9am LECTURE
AMBER COWAN USA
10am IN CONVERSATION
WARREN LANGLEY WITH ERIN HINTON AUS
11am Tea break
11.30am LECTURES
DR LIENORS TORRE AUS
SCOTT CHASELING AUS
12.30pm Lunch
1.30pm Annual General Meeting
2.30pm LECTURE
KAREN LAMONTE USA
3.15pm PANEL
I KNOW WHAT I LIKE
Dr Glenn Adamson, Glenn Barkley, Dr Robert Bell & Julie Ewington
4.30pm Bus transfers
Ruth Allen
Ruth Allen has three strands to her professional practice her artwork,
community cultural development projects and a design range created by
repurposing manufactured bottles. Allen studied glass under Klaus Moje,
Elizabeth McClure and Stephen Procter at the Australian National University,
graduating in 1993. She was President of the New Zealand Society of Artists
in Glass prior to returning to Australia in 2000, where she completed a Master
of Fine Arts at Monash University. Allen now runs a multi-disciplinary studio
with her partner in Melbourne.
Kate Baker
Kate Bakers work locks ghostly, elusive and suggestive images into layers of glass
and, more recently, metal. Her themes are of a complex human environment
layered with physical, psychological and emotional strata. Since graduating from
the Glass Workshop at the ANU School of Art and Design, Canberra, Baker has
exhibited widely both nationally and internationally. Her work has been featured
at the New Mexico Museum of Art in Santa Fe, and SOFA Art Fair in Chicago,
USA; the Alexander Tutsek Foundation in Munich, Germany; the International
Exhibition of Glass in Kanazawa, Japan and the Glass Biennale in Venice, Italy.
Both a finalist and winner of national and international art prizes, scholarships
and grants, her artworks are featured in collections globally.
who )
LEC-MO: 10AM SATURDAY @ CGW
Glenn Barkley
Glenn Barkley, co-founder of The Curators' Department, is an independent
curator and artist. He was previously senior curator at the Museum of
Contemporary Art Australia (2008 to 2014) and curator of the University of
Wollongong Art Collection (1996 to 2007). Between 2007 and 2008 he was
curator of the Ergas Collection. Barkley has written extensively on Australian
art and culture for magazines such as Art Monthly, Artist Profile and Art and
Australia as well as for numerous catalogues and monographs. He has a diverse
area of interest including public art, ceramics, outsider art and marginal art
forms, collection management and development, and horticulture.
Dr Robert Bell AM
Dr Robert Bell AM is the former Senior Curator of Decorative Arts and
Design at the National Gallery of Australia. Born in Perth, he was Curator
of Craft and Design at the Art Gallery of Western Australia from 1978 until
joining the NGA where, from 2000 to 2016, he developed its Australian and
international decorative arts and design collection. He is now an independent
curator and writer for design, craft and applied arts. He holds a PhD from the
Australian National University. In 2005 he was awarded the Australia Council
Visual Art Board Emeritus Medal and in 2010 was made a Member of the
Order of Australia for service to contemporary craft and design as a curator
and advocate.
Gabriella Bisetto
Gabriella Bisetto is the Head of Glass at the University of South Australia
and a practicing glass artist. Drawing on her abiding interest in the body as a
source of conflicted narratives, Gabriellas glass practice measures, translates
and interprets the mechanisms, forms and ideologies of the human body
through blown glass, hot sculpting and team projects. Gabriella was invited
to present a lecture about her work at the multi-disciplinary conference
Take a Deep Breath at the Tate Modern in London in 2007, was awarded
the Australia Council Rome Residency to explore the nexus between science,
religion and art in 2009 and in 2016 was awarded the Tom Malone Prize.
Scott Chaseling
Scott Chaseling has travelled widely developing new works. Research-led
expeditions include a 2000km walk through Spain and 2500km Murray River
kayak journey. In 2006 he was the Levehulme Research Fellow at University
of Sunderland (UK), and during 2007-2010 lived in Berlin, where he was
Director of Parkhaus art space.Recent solo exhibitions include the European
Museum of Contemporary Glass, Germany; the Musee du Verre, France;
and Canberra Museum and Gallery, Australia. Chaseling has been awarded
numerous prizes and his work is represented in collections internationally,
among them the National Gallery of Australia, 21st Century Museum of
Contemporary Art, Japan, and Museum Kunst Palast, Dusseldorf, Germany.
Rei Chikaoka
While enrolled in interior design at Musashino Art University, Tokyo, Rei
Chikaoka discovered an old kiln and started to teach himself glass casting.
After graduating, Chikaoka met Klaus Moje at a workshop in Ezra, Japan, and
subsequently went on to pursue a career on glass art.Constantly exploring the
possibilities of kiln formed glass, Chikaoka was a finalist in Bullseyes Emerge
2010, received the Kilncaster Award in Emerge 2014, and won first prize
in Glass in Japan 2015. He has exhibited as a solo artist and participated in
group exhibitions in Japan and USA.Chikaoka is currently a PhD student at
Tokyo University.
Spike Deane
Spike Deane is a visual artist who works primarily in cast glass, at times
combining it with textiles, animation and other materials. Her work focusses
on the underlying narratives found in folk and fairy tales to consider questions
of becoming, transformation and the hopeful journey. Spike graduated with
Honours from Sydney College of the Arts (Glass) in 2012 and was a finalist in
both Hatched the National Graduate Art Prize and the National Student Art
Glass Prizewith pieces combining animation and glass.
Nadge Desgentez
Nadge Desgentez has been a full-time academic staff member of the Glass
Workshop at the School of Art and Design, Australian National University,
since 2005. Her work in glass has led her to teach and exhibit in Europe,
North America, Asia and Australia. She has received many awards and
residencies, including grants from the Fondation de France, the Australia
Council for the Arts and Arts ACT. A migrant and a glass blower, Desgentez
mines the unique characteristics of glass to examine ideas of connection and
relationship to place.
Kathy Elliott
Kathy Elliott is a glass engraver and has been working in glass since 1991. Her
work is made in collaboration with her husband the glassblower Benjamin
Edols. In the course of their working life they have worked in shared studios,
public access facilities and their own custom built studio making exhibition
work and production items. Due to a lack of any other skill Kathy makes her
living solely from the work she makes in glass.
Julie Ewington
Julie Ewington is a Sydney-based independent writer, curator and broadcaster.
From 1997 to 2014, Julie was Head of Australian Art at Queensland Art
Gallery/Gallery of Modern Art, overseeing art from colonial settlement to
the present across all media, and a member of the curatorial team for the
Asia-Pacific Triennial of Contemporary Art from 1996 to 2012. Julie has
written extensively on craft, focusing on jewellery, writing essays for catalogues
and journals, and reviewing exhibitions in Australia and internationally,
including for The Monthly, eyeline and Artforum. She curated the major survey
exhibition for the late sculptor, Bronwyn Oliver, which is currently on show at
TarraWarra Museum of Art, closing February 5, 2017.
Jin Hongo
Jin Hongo is currently a Head Professor at Toyama City Institute of Glass
Art, which is the first public art school in Japan to specialize in glass. He
has taught there for 25 years and also he had many workshops and lectures
internationally. Themes of his recent work are based on the idea of sight,
light and site, and his mixed media approach to sculpture is fuelled by the
excitement of discovery and invention.
Debra Jurss
Debra Jurss first worked with glass in a Canberra Glassworks course in 2007.
She then studied glass in the ANU School of Art Glass Workshop, graduating
in 2013. She was a Thomas Foundation Artist in Residence at the CGW in
March 2014, completed a GLINT residency at Canberra Glassworks and
Megalo in 2015 and currently rents a studio space at the Glassworks. Debras
work is inspired by moments of joyous wonder those still moments where we
appreciate what is around us.
Karen LaMonte
Karen LaMonte makes art obsessively. Everyday. Daily.
Jeremy Lepisto
Lepisto received his Bachelor of Fine Arts from Alfred University (in Alfred,
New York, USA) in 1997. Following graduation, he was employed at
Bullseye Glass Company where he was engaged to teach classes and research
new glass chemistries and processes. In 2001 he started the independent
studio, Studio Ramp LLC, with Mel George. As well as exhibiting his work
and lecturing internationally, Lepisto served on the Board of Directors for
the Glass Art Society for over seven years (two years as President). Lepisto
re-located to Canberra and is currently a PhD candidate in Sculpture at the
Australian National University.
MASTER OF CEREMONIES
Jenni Kemarre Martiniello
Jenni Kemarre Martiniello, an award-winning visual artist, poet and
writer of Arrernte, Chinese and Anglo-Celtic descent, graduated from the
Canberra School of Art in 1985, majoring in Sculpture, and started working
in glass in 2008. Her works are held in the National Gallery of Australia;
Canberra Museum and Gallery; Art Gallery of Western Australia; Australian
Parliament House Collection; Art Gallery of South Australia; National
Museum of Palau; National Art Gallery of the Solomon Islands; Corning
Museum of Glass, USA and the British Museum, UK. Jenni works from her
studio at Canberra Glassworks. She is represented by Sabbia Gallery in Sydney.
Gavin Merrington
Gavin Merrington is a stained glass artist and conservator. A recipient of
a prestigious Churchill Fellowship in 2014, he has recently returned from
visiting the UK, France, Germany and the USA, researching the latest
developments in historic stained glass conservation, restoration techniques and
isothermal protective glazing. He has earned his living solely from glass art
work, concentrating almost exclusively on the restoration and conservation of
historic stained and leaded glass.
Brenda Page
Brenda Page graduated from Monash University in 1992, and has practised
as a studio glass artist under a number of umbrellas. She has taught in adult
education, run a commission-based studio, developed a production line,
exhibited and practised as an artist and now runs and owns the Melbourne
glass studio, Blue Dog Glass. Blue Dog Glass allows Brenda to combine the
varying threads of her practice, and also offers other artists and hobbyists a
place where they can pursue their interests in the medium.
Amy Schwartz
Amy Schwartz is the director of The Studio at Corning Museum of Glass,
an internationally renowned facility that offers glassmaking classes for a
variety of skill levels and techniques, as well as artist residencies and rentals.
Schwartz has attended glassblowing classes at UrbanGlass and The Haystack
Mountain School of Crafts, Deer Isle, Maine. She has studied extensively with
William Gudenrath, Ruth King, and Lino Tagliapietra, and maintains her
own glassblowing practice. In 2007, Schwartz received a MS in Leadership in
Museum Education from the Bank Street College of Education.
Pablo Soto
Pablo Soto fell in love with glass at age five watching Lino Tagliapietra work. He
received his Bachelor of Fine Arts in glass from Alfred University in 2001 and
was apprenticed in Ben Moores studio in Seattle, Washington. Since then, Pablo
has been a glass resident at the Energy Exchange in Burnsville NC, a three-year
program designed to offer renewable energy sources to support glass and ceramic
artists. In 2007 Pablo was awarded Excellence in Glass at the Philadelphia
Museum Craft Show, ACC Baltimore, and the Smithsonian Craft Show. He has
taught widely across the USA and his work is represented far and near.
Wilhelm Vernim
Wilhelm Vernim trained as a glass engraver and designer at the Zwiesel Glass
Skills College, Germany, and then as a Master of Glass Engraving at Zwiesel. He
has completed various courses in fine arts, including classical painting with Tom
Buechner at Bild-Werk-Frauenau, the Dominik-Biemann School with Ji Harcuba,
and kiln casting with Max Jacquard. Wilhelm has taught at the Glass Skills School
at Rheinbach and Hadamar, Germany; Bild-Werk-Frauenau, Germany; The Glass
Furnace, Istanbul, Turkey; at IKA-Mechelen in Belgium; Lysees Jean Monnet in
Moulins, Yzeure, France and Corning Museum of Glass, US.
Ben Wright
Ben Wright holds a Bachelor of Science in Evolutionary Biology from Dartmouth
College, a Bachelor of Fine Art in Glass from the Appalachian Center for
Crafts, and an MMaster of Fine Art from Rhode Island School of Design. His
background in biology figures strongly in his artwork, examining the relationship
between humans and their environment. He has taught at Pilchuck Glass School;
Penland School of Crafts; abroad in Germany, Turkey, Denmark and Japan; and is
currently the Director of Education at UrbanGlass in Brooklyn, New York.
REI CHIKAOKA: 11.15AM SATURDAY @CGW AMBER COWAN: 10AM SATURDAY @CGW
Release, 2014 Chocolate with Thorny Vines, 2015
SPIKE DEANE: 2PM FRIDAY @ CGW MARK ELIOTT: 2PM FRIDAY @CGW
Into the woods, 2011 Mark Eliott & Jack McGrath, Experiments in Living Glass #2 (still shot), 2015
GAVIN MERRINGTON: 8AM FRIDAY @ ANU PABLO SOTO: 11.15AM SATURDAY @ CGW
Cathedral of Rheims, France. Brigitte Simon-Marq, daughter of Jacques Simon Fitted Forms
Title, Greyness
WILHELM VERNIM: 8AM FRIDAY @ ANU BEN WRIGHT: 3.30PM FRIDAY @ CGW
From the Witches and Magicians Kitchens series Ah Wa Ni Wah, 2013
demos )
( exhibitions ) ( tours )
Australian National craftact.org.au Southside gallery hop
Botanical Gardens History Repeated Conference transport will take
Clunies Ross St, Acton Group exhibition you to and from Canberra
parksaustralia.gov.au/botanic- 9 Feb to 25 Mar 2017 Glassworks to two of the citys
gardens OPENTue to Fri, 10am to 5pm
principal glass galleries; both
Build Up, Break Down Sat, 10am to 4pm of which are hosting delegate
Group exhibition SPECIAL AUSGLASS VIEWING 6pm
viewings of their specially
14 Dec 2016 to 4 Feb 2017 to 7.30pm Sat 27 Jan commissioned glass exhibitions.
OPENMon to Sun, 8.30am to 5pm
Drill Hall Gallery Beaver Galleries Refraction
Beaver Galleries Kingsley Street, Acton Bilk Miniature Glass
81 Denison Street, Deakin dhg.anu.edu.au
beavergalleries.com.au this body here 5.45 to 8.30pm, Friday 27
Refraction Nadge Desgentez January
Group exhibition 24 to 30 Jan 2017 Bookings required
7 Jan to 12 Feb 2017 OPEN Wed to Sun, 12pm to 5pm
OPENTue to Fri, 10am to 5pm EXHIBITION LAUNCH Saturday 28
Sat to Sun, 9am to 5pm Jan, 5.30 to 7.30pm with The Northside gallery hop
Magic Lantern by Dr Martyn Jolly Conference transport will take
Belconnen Arts Centre (5.30 to 6pm) you to and from the ANU to
118 Emu Bank, Belconnen two galleries that have long
belconnenartscentre.com.au M16 Artspace
supported glass artists in
Intrinsic Properties/Inherent Vice 21 Blaxland Cres, Griffith
Canberra and beyond. These
Group exhibition Aether
galleries are hosting exhibitions
Ontogenesis Lucy Palmer
that have been specially curated
Group exhibition 19 Jan to 5 Feb 2017
with the Ausglass Conference in
26 Jan to 5 Mar 2017 OPENWed to Sun, 12pm to 5pm
mind.
OPENTue to Sun, 10am to 4pm
Peter Minson Gallery Craft ACT: Craft and Design
Bilk Gallery 21 Queen Street, Binalong Centre History Repeated
12 Palmerston Lane, Manuka minsonartglass.com.au Belconnen Arts Centre Intrinsic
bilk.com.au Gateway to the conference Properties / Inherent Vice and
Miniature Glass Peter Minson Ontogenesis
Group exhibition OPENFri to Wed, 9.30am to
27Jan to 25 Feb 2017 5.30pm (Closed 27 to 29 Jan 5.45 to 8.30pm, Saturday 28
OPENWed to Sat 11am to 5pm 2017) January
www.artisansupplies.com.au www.hisglassworks.com
www.artsmansfield.com.au www.packsend.com.au
www.serafin.net.au www.suhner.com.au
( other )
canberra glassworks