As a person who identifies in the LGBT community and with personal
connections to those who identify as trans* and genderqueer, I am often
skeptical of media that tries to represent these identities in an unbiased, accurate, and fair way. As mentioned in the powerpoint, kids media is commonly hetero-normative in expressing romantic orientation, and in my opinion, has just recently begun to be less hetero-normative in doing so with sexual orientation as well. Steven Universe seems to be the first childrens show, and arguably one of the only shows (period), to recognize transgender and gender nonconforming identified people. As Eli Dunn points out, Steven Universe presents gender fluidity throughout their cartoon characters as a positive way to learn about these less often represented identities. Even in movies such as Lilo and Stitch and shows including Glee, which are not so by the book when it comes to gender stereotypes, there is not much of a space for viewers to ask questions and be challenged by pushing identity boundaries. As it becomes more and more popular to have gay characters, transgender characters, or gender-nonconforming characters like Eleven from Stranger Things, the idea of respectful treatment has not yet become as popular as inclusivity in itself. The first episode we watched in class, The Answer, took me by surprise with the bravery and rather ambitious story it aimed to tell. When Ruby and Blue Diamond mold together, the society around them gets angry and has a very hard time understanding. At first, I immediately thought fusion solely meant coming together (versus the later-given meaning of sex) and interpreted their fusion as a symbol of two genders becoming one, or one gender becoming the other; I believed Ruby+Blue Diamond= a new gem who was transgender. If they werent transgender, I thought there was a potential that the new gem was gender-nonconforming. I believed the song playing and the singing was a song about learning to accept who you are, and after the rebellion leader accepts their new form on earth, I believed this was them finding their community and the answer was self-love and loving those who dont fall into an often-seen nor often-represented identity. After discussion in class, however, it was interesting to find out that performing fusion was the terminology used in Steven Universe for sex. In the episode Alone Together, Dunn expresses the awkwardness of the donut shop scene where it is obvious both the girl and boy workers feel uncomfortable with being in the presence of the combined Steven and Connie, which I had understood as a different yet comparable figure like Ruby and Blue Diamond made. I immediately assumed Stevonnie was another fusion that could identify as transgender, especially after the uncomfortability of the donut shop encounter. Just as Dunn described, I understood the representation of the pain of being misrecognized or misgendered the second one walks into a public place, even if they accept and love themselves (as learned in the more recent episode, The Answer). The pain that transgender and gender-nonconforming individuals face seems to be something most of us gender-conforming folks could not possibly understand. In Borderlands chapter three, Anzaldua presents readers with the idea of religion and how it often encourages us to kill off parts of ourselves (p37). I believe this idea of religion can also be applied to the idea of society and the lack of representation for nonconforming individuals when it comes to our gender representation and even our sexual and romantic orientations. Society encourages a split between the body and the spirit and totally ignores the soul, potentially just as a transgender individual might feel like they must choose between their body and their soul. A gender-nonconforming individual might feel pressure from those around them, whether that be verbally from their family or the lack of representation in media, to kill off that piece of themselves. Just as I began watching Steven Universe in class with a skeptical view, Dunn acknowledges the fear that producers and other media professionals face when trying to be gender-progressive and usually deem it as too complicated for television. Steven Universe does a respectable job of not specifying, but allowing viewers to interpret scenes themselves and taking different lessons away from each episode.
From Ankle-Deep: Surviving Child Sexual Abuse: A Tell-All, Self-Help Book for Fellow Victims & Survivors of Child Sexual Abuse (Csa) by Scott Thomas Sieg