Professional Documents
Culture Documents
Frida Kahlo
Gannit Ankori*
Gannit Ankori is a professor of Fine Arts and Chair in Israeli Art at the Department of
Fine Arts, at Brandeis University. Ankoris focus lies within Mexican, Palestinian, and Israeli art
history. Her research pertaining to Frida Kahlo was facilitated by various scholarships, private
collections containing Kahlos work, and the National Museum of Women in the Arts. Her book
not only offers insight into Fridas personal life, and artistic influences, but writings by Kahlo.
Ankori introduces Frida by discussing factors, and insecurities throughout her life that made her
have a deeply immersive relationship with her art. Ankoris excerpts of Fridas writings about
herself, include how she perceived herself and her art, help readers decode why she had such a
biographical relationship within her work.
*Ankori, Gannit. Critical Lives : Frida Kahlo. London, GB: Reaktion Books, 2013. Accessed
November 13, 2016. ProQuest ebrary.
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and Autobiography.
Caitlin S. Davis*
Caitlin S. Davis wrote her dissertation on the war photography of Lee Miller. She most
recently worked as a Research Associate in the American Art Department at The Newark
Museum. Davis explores Lee Millers beginnings with Man Ray as a model, to redefining war
time photography and implementing surrealistic content to her work. Instead of ignoring World
War II she incorporated it into her photography, along with the attitudes, and opinion of her
country. Davis discusses that her surrealistic background shows up in the objects she chooses to
photograph, and how she selected items destroyed by war to be portrayed.
Carrington.
Janice Helland*
Janice Helland specialises in the late 19th-century arts and crafts movement in Britain
and Ireland, gender studies, and women in surrealism. She conducts her research with the
assistance of Department of Art History, University of Victoria. Helland delves into Carringtons
choice of iconography and how it contrasts to her male artists counterparts in Surrealism.
Helland discusses that Carringtons imagery was heavy with animals, which she used to
represent either herself or her relationships with others. Helland argues that one of the things that
set her apart from traditional surrealist, was that Carrington was more interested in magical
qualities in her work, versus Freudian psychology.
*Helland, Janice.. "Surrealism and Esoteric Feminism in the Paintings of Leonora Carrington."
RACAR: Revue D'art Canadienne / Canadian Art Review 16, no. 1 (1989): 53-104.
http://www.jstor.org/stable/42630417.
4
Dorothea Tanning.
Carlo McCormick lectures and teaches extensively at universities and colleges around
the United States on popular culture, modern and contemporary art. He is a culture critic and
curator currently living in New York City. McCormick was able to interview Dorothea Tanning,
during this interview they confer on what it means to her to be a female surreal artist. Tanning
wishes to be recognized simply as an artist, and states that gender is not a factor for her.
McCormick explores with Tanning how shes categorized as a surrealist, but Tanning no longer
identifies as such. Tanning accepts this is apart of her artistic identity, however believes that
Surrealism is a philosophy, a way of life, and one she did not choose to explicitly follow.
Tanning speaks of how this set her apart from other artist during the movement.
*McCormick, Carlo, and Dorothea Tanning. "Dorothea Tanning." BOMB, no. 33 (1990): 36-41.
http://www.jstor.org/stable/40424069.
5
Edward D. Powers*
*Powers, Edward D. "Meret Oppenheim - or, These Boots Ain't Made For Walking." Art History
24, no. 3 (June 2001): 358. Academic Search Complete, EBSCOhost (accessed November 13,
2016).
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Louise Bourgeois in Conversation.
Suzanne I. Trimble*
Suzanne Isabella Trimble (aka Bella Land) is a British painter, writer and multimedia artist.
Raised in England and then the US, her research centers around art, poetry and behavioural
science. Trimble examines Bourgeois works, and the psychological elements found heavily
throughout. Trimble interviews Bourgeois and her contributions to not only Surrealism but
women in the artistic realm (she was the first female artist to be given a retrospective at the
MOMA). Bourgeoiss works produced had heavy Surrealistic tendencies (i.e. psychological
factors, the unconscious), and strong emotive qualities helped her defy categorization.
*Suzanne Isabelle Trimble Louise Bourgeois in Conversation. Third Text 23, no. 6
(December 6, 2009): 77988. doi:10.1080/09528820903371180 dummy note.
References: Women artists in the Surreal Movement
Ankori, Gannit. Critical Lives : Frida Kahlo. London, GB: Reaktion Books, 2013. Accessed
November 13, 2016. ProQuest ebrary.
Helland, Janice.. "Surrealism and Esoteric Feminism in the Paintings of Leonora Carrington."
RACAR: Revue D'art Canadienne / Canadian Art Review 16, no. 1 (1989): 53-104.
http://www.jstor.org/stable/42630417.
McCormick, Carlo, and Dorothea Tanning. "Dorothea Tanning." BOMB, no. 33 (1990): 36-41.
http://www.jstor.org/stable/40424069.
Powers, Edward D. "Meret Oppenheim - or, These Boots Ain't Made For Walking." Art History
24, no. 3 (June 2001): 358. Academic Search Complete, EBSCOhost (accessed November 13,
2016).
Trimble, Suzanne I. Louise Bourgeois in Conversation. Third Text 23, no. 6 (December 6,
2009): 77988. doi:10.1080/09528820903371180 dummy note.
Contents
Introduction: Female Artists in the Surrealist Movement
Kallista Toconis
rida Kahlo
1. F
Gannit Ankori
orothea Tanning.
4. D
Carlo McCormick and Dorothea Tanning
Kallista Toconis
Kallista Toconis
Professor Daniels