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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 3

®
®
SOUNDPOINT SERIES

SP5II, SP6II, SP6CII,


SP6CSII, SP8II, SP8CII

OWNER’S GUIDE
Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 2

THANK YOU FOR CHOOSING JBL


For more than 60 years, JBL We’re confident that the Please take a moment to
has been involved in every JBL loudspeakers you have register your product on our
aspect of music and film chosen will provide every Web site at www.jbl.com. It
recording and reproduction, note of enjoyment that you enables us to keep you posted
from live performances to expected – and that when on our latest advancements,
monitoring the recordings you think about purchasing and helps us to better under-
you play in your home, additional audio equipment for stand our customers and build
car or office. your home, car or office, you products that meet their
will once again choose JBL. needs and expectations.

JBL, Incorporated

INCLUDED
SP5II, SP6II, SP8II

One pair of speakers with Template/paint


grilles. shield. Remove
paint shield
(inner rectangle)
at perforation.

SP6CII, SP6CSII, SP8CII

One pair of speakers with Template/paint


grilles (SP6CII and SP8CII). shield. Remove
Model SP6CSII includes only paint shield
one loudspeaker, since it is (inner circle) at
capable of reproducing two perforation.
channels of audio.

SPEAKER PLACEMENT
FRONT SPEAKERS

WALL

400– 600

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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 3

MODELS SP5II, SP6II, SP8II AS REAR SPEAKERS

5 – 6 ft.

WALL WALL WALL WALL

IN-CEILING MODELS SP6CII, SP6CSII, SP8CII

ble, they may be placed in a the other toward the right of the
wall (or in the ceiling) behind listening position, aimed at ear-
the listening position, facing for- level height.
ward. The surround speakers The SP6CSII may also be used
should not call attention to to play the left and right sur-
themselves. They should round channels in a 5.1-channel
Proper placement of the provide a diffuse, ambient home theater system, in which
speakers is an important step sound accompanying the main case it should be mounted in
in obtaining the most realistic program material heard in the the ceiling slightly behind the
soundstage possible. These front speakers. In Dolby® Digital listening position, centered
recommendations are for the and DTS® systems, aim the from left to right and with the
optimum placement of the loud- tweeters toward the listening tweeters pointing toward the
speakers. Use these placement position at ear-level height. left and right of the listening
recommendations as a guide.
position, aimed at ear-level
Slight variations will not dimin- MODEL SP6CSII height.
ish your listening pleasure.
Model SP6CSII has the capabil- For 7.1-channel systems where
The front speakers should be ity of playing two channels it is desired to use two SP6CSII
placed the same distance from through one loudspeaker, speakers, one to play both the
each other as they are from the thanks to its dual-tweeter/dual- left surround and surround
listening position. They should voice-coil construction. Since back channels and the other to
be placed at about the same the tweeters are close together, play both the right surround and
height from the floor as the in general they should be aimed surround back channels, mount
listener’s ears will be, with away from each other for best each SP6CSII speaker in the
the tweeters aimed toward the coverage. ceiling, slightly behind the lis-
listener at ear-level height.
For two-channel (stereo) appli- tening position, one closer to
In a home theater configuration, cations, e.g., as a single speaker the left side of the room and the
the two surround speakers in a remote room of a distrib- other closer to the right side.
should be placed slightly behind uted audio system, install the Aim the tweeters away from
the listening position and ideally SP6CSII speaker centrally in the each other, toward the front
should face each other and be ceiling for best stereo imaging, and rear of the room.
at a level higher than the lis- swiveling the tweeters so that
tener’s ears. If that is not possi- one points toward the left and

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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 4

SPEAKER CONNECTIONS
CONNECTION TIPS

The wires for both speakers the correct polarity remains


should be the same length. If equally important in order to
one speaker is placed closer to preserve the proper ambience
the amplifier than the other, and directionality of the
hide the excess wire behind program material.
the wall. Speakers and elec- To use the push-type speaker
tronics terminals have corre- terminals, press the red (+) or
sponding (+) and (–) terminals. black (–) cap for the desired
Most manufacturers of speakers terminal, insert the bare end of
† † and electronics, including JBL, the speaker wire into the hole
use red to denote the (+) termi- below the cap and release the
nal and black for the (–) termi- cap. Gently tug on the wire
nal. It is important to connect to make sure that it is fully
both speakers identically: (+) on inserted.
the speaker to (+) on the ampli-
fier and (–) on the speaker to (–)
on the amplifier. Wiring “out
of phase” results in thin sound,
weak bass and a poor stereo
image. With the advent of multi-
† For model SP6CSII, the terminals channel surround sound
for both the left and right channels systems, connecting all of the
will be on the same loudspeaker. speakers in your system with

WIRE LENGTH RECOMMENDED SIZE


Up to 20 ft. 16-gauge
Up to 30 ft. 12-gauge
Greater than 30 ft. 10-gauge

INSTALLATION
The SoundPoint® Series in-wall TOOLS NEEDED
speakers were designed to be
easily installed. However, if you
are unsure of your ability to prop-
erly install these loudspeakers, Pencil Phillips #2 screwdriver
please contact your dealer or a
qualified installer.

Measuring tape Utility knife

4 Carpenter’s level Awl


Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 5

EXISTING CONSTRUCTION
SP5II, SP6II, SP8II

≥1/2"

≥1/2" ≥1/2"

Remove the grille from the Determine the correct speaker Note: Always allow at least
speaker frame by pulling on location. one-half inch between a wall
the paper tab. If the tab is Note: Remove the inner template, stud and the speaker cutout or
missing, to avoid scratching which is the paint shield, at the the locking tabs will not be able
the grille or baffle you may perforation. Use the outer tem- to swivel into place.
unfold a paper clip, insert the plate when cutting the drywall.
straight end through one of the
holes in the grille, and gently
pull up.

Cut the drywall. Connect the speaker wires Place the frame assembly
to the speaker. in the wall.

The SoundPoint speakers fea-


ture unique swivel mounts for
the tweeters that enable you
to aim the very directional
high frequencies toward the
listening position, at ear-level
height. Before installing the
speaker grille, gently press on
the outer edge of the tweeter
Screw down each of the four mount to adjust the position Replace the metal grille.
Phillips head screws. The of the tweeter. The tweeter
locking tabs will swivel into will not swivel more than 15
place and secure the unit to degrees in any direction; do
the rear surface of the drywall. not attempt to force it to move
further. You may also rotate
the tweeter to orient the JBL
logo as desired.
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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 6

EXISTING CONSTRUCTION
SP6CII, SP6CSII, SP8CII

≥1/2"

≥1/2"
≥1/2"

Remove the grille from the Determine the correct speaker Cut the drywall.
speaker frame by pulling on location. Note: Always allow at least
the paper tab. If the tab is Note: Remove the inner template, one-half inch between a wall
missing, to avoid scratching which is the paint shield, at the stud and the speaker cutout or
the grille or baffle you may perforation. Use the outer tem- the locking tabs will not be able
unfold a paper clip, insert the plate when cutting the drywall. to swivel into place.
straight end through one of
the holes in the grille, and
gently pull up.

Connect the speaker wires to Place the frame assembly Screw down each of the four
the speaker. Model SP6CSII in the wall. Phillips head screws. The
requires two sets of speaker locking tabs will swivel into
wires, one for each channel. place and secure the unit to
the rear surface of the drywall.

The SoundPoint speakers fea- the tweeter to orient the JBL


ture unique swivel mounts for logo as desired.
the tweeters that enable you The dual tweeters of the
to aim the very directional SP6CSII speaker may be
high frequencies toward the swiveled independently.
listening position, at ear-level Optimum imaging will be
height. Before installing the obtained by aiming the
speaker grille, gently press on tweeters to the left and right
the outer edge of the tweeter of the listening position, at Replace the metal grille.
mount to adjust the position of ear-level height, if your
the tweeter. The tweeter will application permits.
not swivel more than 15
degrees in any direction; do
not attempt to force it to move
further. You may also rotate
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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 7

NEW CONSTRUCTION
You will need to purchase the correct rough-in frame kit for your model:
SPEAKER MODEL ROUGH-IN FRAME KIT
SP5II RIF5
SP6II RIF6
SP6CII RIF6C
SP6CSII RIF6CS
SP8II RIF8
SP8CII RIF8C
Detailed installation instructions are supplied with the rough-in kit.

PAINTING THE SPEAKER


FRAME AND GRILLE
SoundPoint Series loud- baffle. This will protect the Note: Gently remove the
speakers can be painted to speaker components and baf- acoustical foam blanket from
match any décor. If you wish fle from paint residue. Use a the grille before painting.
to change their color, the satin high-quality spray paint, and Reattach the blanket after
finish on the grille and frame apply a thin coat of color. the paint has dried.
will function as a primer coat. Be certain the grille perfora-
Before painting, install the tions remain free of paint.
paint shield (inner section of Filling them with paint will
template in the assembly kit) diminish the sound quality.
securely into the recess in the

TROUBLESHOOTING
IF THERE IS NO sure none of the speaker wires owner’s manual for futher
SOUND FROM ANY are frayed, cut, punctured or information on correct speaker
OF THE SPEAKERS:
touching each other. configuration in Dolby Digital,
• Check that receiver/amplifier DTS and other surround sound
is on and a source is playing. IF THERE IS LOW (OR modes.
NO) BASS OUTPUT:
• Check all wires and connec-
tions between receiver/ampli- • Make sure the connections IF THE SYSTEM PLAYS
to the left and right “Speaker AT LOW VOLUMES
fier and speakers. Make sure BUT SHUTS OFF
all wires are connected. Make Inputs” have the correct polar- AS VOLUME IS
sure none of the speaker wires ity (+ and –). INCREASED:
are frayed, cut, punctured or • Consider adding a powered • Check all wires and connec-
touching each other. subwoofer to your system. tions between receiver/ampli-
• Review proper operation of • In Dolby Digital or DTS modes, fier and speakers. Make sure
your receiver/amplifier. make sure your receiver/ all wires are connected. Make
processor is correctly config- sure none of the speaker wires
IF THERE IS NO ured. When using a subwoofer, are frayed, cut , punctured or
SOUND COMING touching each other.
FROM ONE SPEAKER: make sure the subwoofer
output of the receiver/ proces- • If more than one pair of main
• Check the “Balance” control
sor has been enabled. If no speakers is being used, check
on your receiver/amplifier.
subwoofer is being used, the minimum-impedance
• Check all wires and connec- make sure the left and right requirements of your
tions between receiver/ampli- front and rear speakers have receiver/amplifier.
fier and speakers. Make sure been configured as “LARGE.”
all wires are connected. Make See your receiver/processor’s
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Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 2

SPECIFICATIONS
SP5II SP6II SP6CII SP6CSII SP8II SP8CII
Frequency Response Frequency Response Frequency Response Frequency Response Frequency Response Frequency Response
45Hz– 20kHz (–10dB) 38Hz – 20kHz (–10dB) 40Hz– 20kHz (–10dB) 40Hz – 20kHz (–10dB) 30Hz – 20kHz (–10dB) 32Hz – 20kHz (–10dB)
Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum
Amplifier Power † Amplifier Power † Amplifier Power † Amplifier Power † Amplifier Power † Amplifier Power †
60 watts 80 watts 80 watts 100 watts total (50WPC) 100 watts 100 watts
Impedance Impedance Impedance Impedance Impedance Impedance
8 ohms nominal 8 ohms nominal 8 ohms nominal 8 ohms nominal per input 8 ohms nominal 8 ohms nominal
Sensitivity Sensitivity Sensitivity Sensitivity Sensitivity Sensitivity
87dB (2.83V/1m) 88dB (2.83V/1m) 88dB (2.83V/1m) 88dB (2.83V/1m), both channels driven 89dB (2.83V/1m) 89dB (2.83V/1m)
Crossover Frequency Crossover Frequency Crossover Frequency Crossover Frequency Crossover Frequency Crossover Frequency
3,000Hz 2,800Hz 2,600Hz 2,600Hz 2,400Hz 2,400Hz
Woofer Woofer Woofer Woofer Woofer Woofer
5-1/4" titanium-laminate 6-1/2" titanium-laminate 6-1/2" titanium-laminate 6-1/2" titanium-laminate 8" titanium-laminate 8" titanium-laminate
cone w/rubber surround cone w/rubber surround cone w/rubber surround cone w/rubber surround cone w/rubber surround cone w/rubber surround
Tweeter Tweeter Tweeter Tweeters Tweeter Tweeter
1"titanium-laminate 1"titanium-laminate 1" Dual 3/4" 1"titanium-laminate 1"titanium-
dome, w/Elliptical Oblate dome, w/Elliptical Oblate titanium-laminate titanium-laminate dome, w/Elliptical Oblate laminate
Spheroidal™ waveguide Spheroidal™ waveguide dome, domes, Spheroidal™ waveguide dome,
and swivel mount and swivel mount w/swivel mount w/swivel mounts and swivel mount w/swivel mount
Plate Size (W x H) Plate Size (W x H) Plate Size (Diameter) Plate Size (Diameter) Plate Size (W x H) Plate Size (Diameter)
7-1/2" x 10" (191mm x 254mm) 8-1/2" x 11" (216mm x 279mm) 9-3/16" (233mm) 9-3/16" (233mm) 10-1/8" x 13-1/8" (257mm x 333mm) 10-7/8" (275mm)
Mounting Cutout Size (W x H) Mounting Cutout Size (W x H) Mounting Cutout Size (Dia.) Mounting Cutout Size (Dia.) Mounting Cutout Size (W x H) Mounting Cutout Size (Dia.)
6-1/8" x 8-11/16" (156mm x 221mm) 7-1/8" x 9-11/16" (181mm x 246mm) 7-7/8" (200mm) 7-7/8" (200mm) 8-7/8" x 11-13/16" (225mm x 300mm) 9-1/2" (240mm)
Mounting Depth Mounting Depth Mounting Depth Mounting Depth Mounting Depth Mounting Depth
3-3/4" (95mm) 3-7/8" (98mm) 4-1/4" (108mm) 4-1/4" (108mm) 4" (102mm) 4-1/4" (108mm)
Weight per Speaker Weight per Speaker Weight per Speaker Weight per Speaker Weight per Speaker Weight per Speaker
4 lb (1.8kg) 5 lb (2.3kg) 4.5 lb (2.0kg) 4 lb (1.8kg) 7.8 lb (3.5kg) 5.6 lb (2.5kg)
Declaration of Conformity
All features and specifications are subject to
change without notice.

We, Harman Consumer Group International


† The maximum recommended amplifier power

2, route de Tours
rating will ensure proper system headroom to
72500 Château du Loir
allow for occasional peaks. We do not recom-
France
mend sustained operation at these maximum
declare in own responsibility that the products described in this
power levels.
owner’s manual are in compliance with technical standards:
Dolby is a registered trademark of Dolby
EN 61000-6-3:2001
EN 61000-6-1:2001
Laboratories.
DTS is a registered trademark of DTS, Inc. Laurent Rault
Harman Consumer Group International
Château du Loir, France 7/06

OWNER’S GUIDE PRO SOUND


COMES HOME™
PRODUCT LINE:

SOUNDPOINT ® SERIES JBL, Incorporated


250 Crossways Park Drive, Woodbury, NY 11797
MODELS: 8500 Balboa Boulevard, Northridge, CA 91329
SP5II, SP6II, SP6CII, SP6CSII, SP8II, SP8CII 516.255.4JBL (4525) www.jbl.com

NOTE: For new-construction applications, be sure


DESIGN GOAL: Combine the superior performance of traditional to purchase the correct rough-in frame kit.
JBL loudspeakers with the convenience of in-wall installation.
©2006 Harman International Industries, Incorporated. All rights reserved.
TWEETER TYPE: Titanium-laminate-dome with swivel mount
JBL, Harman International and SoundPoint are registered trademarks of
WOOFER TYPE: Titanium-laminate cone with rubber surround Harman International Industries, Incorporated.

CROSSOVER NETWORK: Straight-Line Signal Path™ (SSP) Part Nos. 406-000-05268-E, 170-0091
7/06
2PROFESSIONAL REFERENCE: Studio Monitor

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