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fll]{!r
PERSPECTIVES'
"*r!"{",1
Long& Mceuad
Acknowledgements
For their dedicatedefforts in th creationof Csl.rnlionse..esPe\p{til,s'. The RoyalConservatoryof Musicwishes
to thankcomoilerscarolynjoneslseniorexaminerfor RCMExaminations and formerfacultymembelwlth The
RoyalConservatory of Music).AastaLevenelChiefExaminer Emerituslor RCMExaminations and fa.ultymember
emerituswith The RoyalConservatory of Music).and AndrewMarkow(adjunctassociate professot Unlvrsity
of
Torontofacultymemberof the Glenn could School The Royal conseNatory ot Music.
and seniorexarniner
with
RCMExaminations)
of Musicacknowledges
In addition.ThRoyalConsewatory the invaluable of reviewers
adviceandsuggestions Reid
Alexander,Rebecca ArneSahlenMargaret
Corley. walket DiannewernerDalewheelrand Marcwidner

The coversof Cdrbrdtio,r fedturethi(y'one worksof art that span the Eutopeanand North
SpriAPrrspr.lircso
Americanafiisticpastand presentThepumoseoI the coverartproiectis to nurturea broadinterestin Ihe
visualarts amongthe studentsusingthesebooks The a.t workswerecarefullychosenand organized by
level so that each book (tupsrtoirdStrdids/ Et(d.s.and Slu/rhl w0rt6od[lpresentsa .ommon theme irom a
differentoercDective
TheArt callervof Ontarioposssses a rich collectionol historical.modern.and contemporary art from
Europeand North AmericaThe Galleryhas enthusiastically supported this proiectin a varietyof ways
from its inceptionForthe studentsand otherreaderswho may wantto explorethis collectionIurthet,an
excellent startingpoinl is the Callery's
websitewwwaeonet

BettyRoodishGoodwinlcanadian. b 192;r
Untitled d th, FoutlhPanl. 1982-1983
tstudufol Trypnh lheBeginhinq
oil andgraphiteon laldpaper
3S8x522cm
Art Calleryof Ontario,Toronto
Cift of Malrinand BettyGoodwinin memoryof ClareRoodishand PaulGoodwin
with the supportof the VolunteerCommittee in celebrationof its 50thAnniversary
1996
O Artist
Bttycoodwlnworksin a ranceofmediaincludingdrawing.etching.sculpture andinstallationHerpowrful
drawings of humanfieuresexploreboththe frailtyand the strengthinherentin the humanconditjonand all
of her work in somemeasureanvestigates the struggleof the individualin navieatjnc
the world Thiswork
is a study for the work entitled,T/iptr,, Ihekqinkikg 0JlheFounhPad which was included in the 1982 1983
"Okanada" at the Akademie der KUnste in 8rlin.Cermany
exhibition

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Printedin Canada
 Piano Studies/ Etudes 4

CelebrationSeries
PERSPECTIVES.

Library and ArchivesCanadaCatalogtlng ln Publlcatlon

Perspectivesmusicl studres= 6tudes/ RoyalConsewatoryof Music

serieslPreviously
lCelebration publishedundertitle Thepianoodyssey.
To be completein l0 volumes ]SBN978-l 554401758 (bookll
-ISBN978-l-55440-176 5 (book2) ISBN978-l 55440l?7-2(book3l
ISBN978 | 55440178-9(book4l ISBN978'l-55440'179'6 lbooktl
ISBN978 | 55440180-2ibook6l-ISBN978-l't5440'181-9 lbook7)
ISBN978 l tt440 182-6{book8)-ISEN978'l-t5440'l8l-3(book9l
ISBN978 I t5440-184-0 tbook l0l
I I Pidno Studiesand exercises I RoyalConservatory
of
Music ll Title lll Series
MT22P
2 161008 80 .2 c2007-9065D2:l

O Copyright2008The FrederickHarrisMusic Co Limited

All RightsReserved

t 7 t 6 1 5t + 1 l t 2 l l l ( ) 0 90 8 t2t+i678910
 Celebrotion Sefies Perspectives@
The RoyalConservatoryof Music is pleasedto presentCeiebrdtioh SeiesPerspe(tives@,
the iourth edition of
piano 'fhe wasfirst publishedin 1987to internationalacclaim
this renowned series. celebrution Sen?so
Subsequent editions havebuilt on this success:
Celebration The
Sedleso, Piaho (2001) in particular
Odtlssel@
tappedinto the wealthof new repertoireavailableat the dawno[ the new millennium,and took into
accountthe changinginterestsand needsof teachers.This achievement was recognized when The
Frederick HarrisMusicCo.,Limitedreceivedthe 2007MTNA-Frances ClarkKeyboardPedagogy Award
far tlte Celebrdtioh
Seies@.

SeiesPespectirrso
Celebration is breathtakingin its scope,presentinga kaleidoscopicoverviewof keyboard
music from the last four centuries.The graded PianoRepeftoire books encompassearly elementaryto
earlyintermediate levels(Preparatory to 4); intermediateto late intermediate ievels(5 to 7);and early
advanced to advancedlevels(8 to l0). Therepertoire comprises a carefullyselectedgroupingof pieces
from the Baroque,Classical,Romantic,20th-,and 2lst-centurystyle periods.PianoStudies / Etudes
books presentcompositions especially suitedfor boildingthe techniqueand musicalityrelevantto the
repertoireof each le'rel.StudentWothboo&s and the correspondingA,aswer Book(Preparatoryto 8), as well
as the outstandingrecordings ol the entireseries.areavailableto assistin the studyand enioymentof
the music.In addition,the comprehensive HandbookforTeachers is an invaluablepedagogical resource

A Note on Edlting and Performance Pracdce

Most Baroqueand earlyClassical composerswrote few dynamics,articulation,or other performance

indicationsin their scores.Interpretationwas left up to the performer,with the expectationthat the
performance practicewas understood. Eveninto the l9th centurycomposersscorescould varyirom
copy to copy or edition to edition. The editorc of Celebrotion have consulted original
SeiesPerspectives@
sourceswherever possibleand havekepteditorialadditionsto a minimum.

Metronomemarkingsincludea rangeto assistthe studentand teacherin arrivingat a suitabletempo

for eachpiece.Editorialmarkings, are intendedto
includingfingeringand the executionol ornaments,
be helpfulratherthan definitive

Thiseditionfollowsthe policythat the bar Iinecancelsaccidentals. with currentpractice,

ln accordance
cautionaryaccidentalsareaddedonly in casesof possibleambiguity.

Studentsand teachersshouldreferto the companionguides the Student \Norkbaaks

and the Handboak
forTeachers-forfurtherdiscussionof style and pedagogicalelements.For examinationrequirementsof
The RoyalConservatory of Musicand the NationalMusicCertificate Program,pleasereferto the Pia@
Sullabus2008Edilion.

Dr TnshSauefirei
Editor-in-Chief
 Contents
Study/ Etudeno I A.lleqra
ihc Major.op 38 no 19 ,ohannwilhelmHassler 4
scalesand alternalingnotepatterns
Study/ Etudeno 2: StudAin B fldt Mdior,op. 599.no 8l CarlCzerny
gracenotes
Study/Etudeno 3: Masquerade LindaNiamath
arpeggios
Study/ Etude no 4, StudAin C Major,op 176 na 24 Iean Bapliste Duvernoy 8
staaadto
6ths and lrds
Study/ Etude no 5: S|udttin E Mihor.op 65 no 42 Albert Loeschhorn
continuityof line
Study/ Etude no 6 TheAvalanche op 45. no 2 StephenHeller l0
evennessof tripletsdividedbetweenthe hands
Study/ Etudeno.7 Came Arpiid Bal6zs t2
stdaadto
triads
Study/ Etudeno 8, Stnd4ih A Miljo/.op 176.no 15 lean BaptisteDuvernoy \3
RH adatdbil,and balanceabovean Alberti bass
Study/ Etudeno.9 TfteWd4idilop 100,no ll lohannFriedfchBurgmuler 14
brokentriadsin contrarymotion
Study/ EtLrdeno l0: DragonFlq williamL Cillock l5
dexterity and rhythmic accents
Study/ Etudeno. l1: Bl&esN, I ChristopherNorton l6
varietyof touchand rhythm
Study/ EtLrdeno 12: La loupie
/TheTop Mel Bonrs 17
repeatednotes in close position
Study/ Etudeno 13: \aure lakikql Clfford Crdwley 18
non-1d4dt0touchand contjnuityof line
Study/ Etude no. 14: BikeRide Dale Reubart l9
facility in black-and white-keycombinations
Study/ Etudeno 15, Hotsftot StephenChatman 20
syncopation
Study / Etude no. 1 Allegro in G Major
op. 38, no. 19

Johann Wilhelm Hassler

(1747-1822)

Source:50Pie?slot Besinner. op 3a
Study/ Etudno. 2 Studv in B flat Maior
op. 599, no. 83

Carl Czerny
(1791-'t8s7)

Allegro ,,1.=66-72

l - 5
E t 1 ai-l..--.'.I
d E = -
Nf
Cresc.
I'
.--- ; ./--- ; .-> ) --- a . * c t t a***

Source:5?qrr'lrn tk PnnotortpPtincr, oP.5ae

Study / Etudeno. 3 Masquerade

Linda Niamath
(b. 1939)
With erace and charm J = 138 - f52

L t
2-

/'-8, t t . t J: t#

. 5

:)

t (ti
l-;.-\' 5

a)
l -
/--" ? ! J l- t*

@Copyright 1982The Frederick Harris Music Co., Limited, Mississauga,Ontario, Canada.

E Mysteriously

np ^ f + + t t
nw

FN

ryp 4 | ? * '
ryP

E
o J t I
,*

2 2

fin
Lll

' r y \ r
t J'^4 'a t
I
3
Study / Etude no, 4 Study in C Major
op.'176,no- 24

Jean-BaptisteDuvemoy
(1802 1880)
Allegretto, =10t-116
i _.,1

l3
i l
a)
p

l.==:-'--

@ t l

tlp
i i i i

SolJJce:EbmentdrySLudies,
op.176
Study/ Etudeno. 5 Study in E Minor
op. 65,^o. 42
Albert Loeschhorn
Andantino ) =92 - 199 (1819-1905)
5 2

L,_n- ,_33--=_ ; -
F
."2->
,'
/->
'Z? 1/ 3
12"
.a 3
tci nr:i

tr
" ^f-o p
\v \-,

$
Ci -, a> /') a'> /'>

tr
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poco a p(
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2 2 l

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,

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E 7 l 2
5
I

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I I
l0
Study / Etude no- 6 The Avalanche
op. 45, no. 2
StephenHeller
(1813-1888
AllegrovivaceJ =Oe -tU

a.) /-
'ttt- >J-
/ , -'"i^ir"
--.+

poco meno mosso

r
L-"
o w e
^_-J ---
.-.-- e t +

l.

RH (C) a ;a 8 =8,
f 1-Tr i I

Source:Etud$ factl.<.op 45 {Brlin. 1844)

..-\:

- r
.t,.-1->j
\)

f _ p
.='.- {
RH
t2
Study / Etudeno. 7 Game

Arpdd Balizs
$.193n
Allegro leggemente ./ = t08- 116

? ,
=tr--"
7..--

E
a)
?
/i

Soulce,1l Eas! Piecesfor Piafio

@Copyntht 1973Editio Musica Budapest.Rep nted by permission.
 t3
Study/ Etudeno. 8 Study in A Major
op. 176,no. 15
Duvernoy
Jean-Baptiste
(1802-1880)
Andantino .l = f(M - 138

'.=--
--'-----> ---"47---; .:"777-:>
^f
,+(+ttt-? "?+?cttt " e c ? " e p ?

.tr* t -? .4----

Sol'tce:ElefientaryStudies,op. 176
 Allegretto .l = 92 - lM

h: -.t

a)
I, legeiero {
,/-; -.-.

l-r-- D.

I \:-r 'f- {t .)
The Wagtail is a European songbird with a slender body and a long tail that constantly h'a8s
 l5
Study / Etude no. 10 Dragon Fly
William L. Gillock
(1.917-1.993)

Moving quickly; in strict time J = lffi - 112

l r

>,/' t I

-
,ryp

1-'--------

Source:Lyli. Prclrd.s tu Rntna tic SlVle:TioenlvJotr ShortPianoPircesit1AII KcVs

@Copyright 1958(Renewed)Summy Birchard Music. Exclusivep nt rithts controlled by Alfred Publishing Co., Inc.
All riShtsresened. Reprinted by permission of Alfred I'ublishing Co., Inc.
Study / Etudeno. 11 Blues No. 1

Christopher Norton
(b. 1953)
Steadyfour ) = 116- 126
5

Y '-:_-i bt t 1
*f

tr
\j:
'-:_tvr_ t 1
vo.

-==.---/-

tr
a. iJ J} iJ JJttt iJ JJ
t
t
a \! \.i
E
" E ' t t t t \j: ":_-t b! I

u -u -o.- -U
dim. z\

v l + \ - , . - - \ J \ J

Solulce: TheMicrojrzz Collection 2

@Cop'.right 1997 Boosey & Hawkes Music Publishe6 Ltd. Reprinted by Permission
 t7
Study/ Etudeno. 12 La toupie
TheTop
Mel. Bonis
(1858-1937)
AllegroJ =132-152
RH
2

o t l f 7 r t / r p f r f f /
2
P

5 5 5 5 5
2 2 1 l
l)l

o r f . / t / y l f / 7 . , / V Y
f

tr
2 r f 7
p

E
.)f t/ r l r r l f v r f
V

wcetAlbumporr leslout-pefits
t8
Study / Etude no. 13 You'reJoking!

Clifford Crawley
G. 1930)
Vivo J =120-132
5

f nontesai

tr 2 bi tz->
2 :

2 | 2 | I 't

"fr

O CopyriSht 1t96 The Frede ck Harris Music Co., Limited, Mississauta,Onta o, Canada.
 l9
Study/ Etudeno. 14 Bike Ride
Dale Reubart
(b. 1926)

ScurryingJ = 108- 120

I

..-.----

. - - . - / . . - . - z - - - - - . / \ - . - /

Source:K,,tleidoscope
O Copydght 2002The Frederick Harris Music Co., Limited, Mississauga,Ontado, Canada.
20
Study / Etude no. 15 Hotshot
StephenChatman
(b. 1950)

DeliberateJ =96-ll2
I
I

? f

l f a
? f

le l i ;
a) r r I r t
pp
. i ? i
tr tm
. a 2 t tr

i r

? i
tr pp
. '? i tr

Source:P/.lrdesfol Plrno,book 3
O Copyright 2002The Frederick Harris Music Co., Limited, Mississauga,Ontario, Canada.
 Zfte ROYAL CONSERVATORYa/ MUSIC

Sinceits beginningsin 1886The RoyalConservatoryof Musichas becomeone of the world's

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 celebrati\n
Series
Pesw,tivrso is a comprehensiveand progressiveseriespresentinga kaleidoscopic
viewof keyboardmusicfrom the Baroqueera to the presentday.Featuringan outstanding
selectionof piano literaturewith supportingteachingmaterials,Celebration
SeriesPerspectives@
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rion9

PtanoRepertol.e
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v c

PlanoStudles/ Etudes Studntworkbooks

Preparatory
to tvel l0
Eachlevelof the PidruRrprdot,books
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Classical, Romantic.20th-.a nd 2l st century
stylepeiods The PiaioRryedoia boots are
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and forenioyment
ThePiamStudi.s / Etud6booksaredesigned
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Gn be usedfor rccitals.comptitaons.or
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Prepa.atoryto t vel a
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2008Edttton
This rcsourceis essentialfor teacheB preparinsstudents for RCl,
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ARCTlevelsincludinsanextensivelistingol repnoirefromallelas and
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