Latin Styles For Guitar by Brian Chambouleyron Photos: Miguel Mitlag and Brian Jat “The author wishes to acknowledge the valuable contributions of Luciana Gadulfo, Fersando Beckerman, Javier Cie, Ivan Chambouleyton, Dario Libertella and Jorge Pelanuer “The following people participated in the recording Brian Chambouleyron: guitars, charango and keyboards Remand “Lechuga” Beckerman: percussion Techudipresidemechamuyecomar ‘All the songs are composed, arranged and produced by Brian Chambouleyron (CD Recorded at the. "Cerda al Aire” studio, Buenos Aires, Argentina smusiclses@yaoo.com, ISBN-13: 978-1-57424-221-8 ISBN-10:1-57424-221-0 QC renstreyt Copyright © 2007 by CENTERSTREAM Publishing LLC ‘PO. Box 17878 Anaheim Hills, CA 92817 Allrights for publication and distribution are reserved Nopart of hs book may Be reproduced in any frm a by ay Electron mechani! daa rae ting information storage and retrieval systems without permission in Writing MS i Taner except by reviewers who may quote brief pasages in review,Contents and 6: ‘Themes (guitar and accompaniment) are recorded on CD tracks 1 to 12 CD tracks 14 to 25 are accompaniment without the lead guitar (Play-a-long.) CD track 13 is the guitar tuning notes. Preface 1. & 14. Bolero from México... 2. & 15. Chorinho from Brasil... 3. & 16. Cancién from México... 4. & 17. Joropo from Venezuela... 5. & 18. Guarania from Paraguay... 6. & 19. Huayno from Bolivia... 7. & 20. Chamarrita from Uruguay. 8. & 21. Samba from Brasil. 9, & 22. Tango from Argentina.. IL. & 24. Vals from Peri.. wo 39. 12. & 25. Guajira from Cuba.. | 13. Guitar TuningPreface cami » conquistad ‘The arrival of the Spanish and Portuguese conqui s process includes several © of culture intermixing that remains up to the present day. ane eo, c 4 the native people that prevailed fo, s, First, the racial mixing between conquerors am 2 7 ‘iy long tate. Sante ing etainly no less important than the first, was the arrival to the : : 1 ee inally the arrival ofa large number of European mericas a large contingent of African sl ae immigrants, particularly n the second half of the 19th and the beginning of the 20th century, ors to America started an original procesg of rich musical styles developed. The beauty and variety of the many musical styles ofthe region have fascinated me since my early student days, The twelve especially composed tunes in this book address some of the different, original styles characteristic of the Latin American people. In them, I have carefully respected the particulari- ties that contribute to the unique beauty and richness of the musical style of the different coun. tries. From these cultural exchanges a vast diversity For each piece I have suggested fingering based on the economy of movements. The numbers by the notes indicate the finger with which that note should be played, the encircled number refers to the string, There can be other ways of fingering which might be more practical for you; that being the case, feel free to modify it accordingly. There's a way to play for every instrumen- talist! The pieces present different degrees of complexity; therefore, they could also make an excellent complement in learning how to play the guitar. Thope you find this approach useful and you feel like filling yourselves with Latin styles Enjoy it! BrianBrian Chambouleyron 13, composition, musical analy- Brian Chambouleyron became a 1 al disciplines (guitar, sit sis-arrangements and orchestration), Always fascinated with popular music, he traveled to different Latin Am |EnyD_ Env/C# 19== ; Al ." é , Em? & pub FRm7¢5) yo Gm7/BbG7/B 765) p7syab Am’ 20IEHm7¢5) Em Em/E> | Em/D Em/Ct = 21Huayno from Bolivia Written by Brian Chambouleyron (Copyright by Brian Chambouteyron, All rights reserved 2224Chamarrita from Uruguay Wrinten by Brian Chambouleyron Copyright by Brion Chambbouleyron llrightsreserved 25262728Samba from Brazil Written by Brian Chambouteyron 8 —— oF Fmaj/A FO/A Fmaj7/A. Fo/A Fmaj7/A 7. — — = | Fmaj7/A Abdim Am7¢s) To Coda GB G70% | Cust C7) SSS= Copyright by Brian Chambouteyron, all igh reserved 30Fmaj? © ; ff 31Tango from Argentina 0-878 0874 | 910-9 10910-9100 FF Copyright by Brian Chumbeouleyron, all rights reserved 32 Written by Brian Chambouleyron AmEm7¢5) ATVis 2s Fm?Murga-Candombe from Argentina and Uruguay o - ber = pent oe Gm Bhmaj? Copyright by Brian Chombouleyron allright reserved 3536Alsust Em7¢5) 37Vals from Pert Written by Brian Chambouleyron t Bm7¢5) Am(@4d9) Am Am(™j7) Am7 Copyright by Brian Chambouteyron, all rights reserved 39Dmaj76/A, DméGuajira from Cuba Wriuen by Brian Chambouteyron SS Am? Dm7 E7 Dm Am? Dm? E79) E7 A7¢13) Copyright by Brian Chambouteyron, al rights res 42RES errr Dm? GB maj? Fmaj? | Bm75) £7 | Am? A7613) = SA Steer E7 Dm? .Bm75) E7 a. Am7 A7¢13) | ——————} twat maj? Fmaj’ Bm7¢5) 57 = 1079045TANGO FOR GUITAR By Brian Chambouleyron At the beginning of the 20th century, the tango was born in Buenos Aires, and it was a style that spread dramatically all over the world. Tango is a dance, a rhythm and a char- acteristic musical color. The 13 solos in this book were written especially for guitar by award-winning composers Jorge Polanuer and Brian Chambouleyron, and each tune is performed on the CD by Brian, one of the most popular Suitarists in Buenos Aires. The solos are presented in different degrees of complexity - tune up with the tuning notes on the CD and play along with the tangos, milangos, waltzes and even a guitar duet. The songs are also repeated on the CD without the lead for you to play thesolo part. 00000379 Book/CD Pack...... wane $19.95 46ixing of Spanish, Portuguese, African, European and native people in Latin mixing of Spanish, an rica has blended into many music styles of the Argentina region. The beauty merica ha : neent Deauty and variety of these musical styles have fascinated Brian Chambouleyron since his a days as a student. -> ; e 12 tunes in this book specially composed by award winning Argentinean Brian Chambouleyron, display some the different, original styles uitarist, mn of the Latin American people. Particular attention is paid to these al differences that contribute to the unique beauty and richness of the musical styles of the various countries. The 12 songs, in notation and tablature, present different “egrees of complexity, from intermediate tv advanced. The CD has 12 tracks of Bri; laying the lead part and 12 tracks wit.. just the rhythm accompaniment, plus ay ar-tuning tr. ck. Some of the titles are: Bolero from Mexico, Samba from Brazii, Joropo from Venezuela, Tango from Argentina, Huayno from Bolivia, h plus many more. =a 123 ° yt 000011: HALeLEONARD”