TC TNE ” DOLLAR PRINCES) AN WILLAER anol, GRUNBAV GEORTE GROSSMITH JR. "LEO FALL NEW YORK T.B. HARINS FRANCIS Rano ui res“THE DOLLAR PRINCESS” A Musical Play In Three Acts By A.M. WILLNER and F.GRUNBAUM American Version by GEORGE GROSSMITH Jr. Music by LEO FALL. Vocal Score $2.00 oO vy YORK T.B.Harms & Francis, Day € Hunter. x Copyright 1907 and 190% by Breitkopf & Hirtel. Copyright 1908 and 1909 by Ascherburg, Hopwood & Crew. Copyright 1909 by T. B. Harms & Francis, Day & Hunter. ‘The right to produce every number of this Musical Play on Mechanical Instruments is strictly reserved. Al Rights Reserved under the International Copyright Act. + Public performance of the whole or any part of the work strictly forbidden. Applications for the Right of Performance must be made to Mr. CHARLES FROHMAN- Empire Theatre~ New York City.Cast of Characters. Joun W. Cowper, president of Coat Trust... - . . E.J. CONNOLLY. ToM COWDER, his brother, elderly loater, always broke. . . ALBERT HART. DICK, his nephew, 7 . FRANK TIERNEY. Freppy SMYTHE. 7 . DONALD BRIAN. MARQUIS DE JOLIFONTAINE. . . : E. POPE STAMPER. LORD HERBERT FITZ JONES, CowderS office boy... . PERCIVAL KNIGHT. IVAN TARTAROFF, of the Cirque Tartaroff, . +... . WILL WEST. PAILLARD. . . . J.J, HORWITZ, ALICE COWDBR, Cowder’s daughter . : VALLI VALLI. DAISY, Cowder’ nice. : oa . . ADRIENNE AUGARDE. OLGA LABINSKA.. wo eee . . LOUIE POUNDS. Scorcn, GIRL. . woe . .NORA GUY. BLANCHE. . 5 a . JANE HALL. Rose... . .. : Le . . . KITTY MELROSE, MARIE... woe se . 7 wo PAULINE FRANCIS. Dou... . . : .. + - MARY MACKID. NELLIE, . . .. : . . . . HAZEL NEASON, Synopsis of Scenes. ACT I~ Hall in Cowder's house. Ne «York City. ACT 9~ Winter garden in Cowder's house. New York City. ACT 3=The Franco-British Exhibition, London. Music under the direction of ‘i W.T. FRANCIS, Produced under the stage direction of... ob0 J.A.E. MALONE.eae PeENeuee Bl0SR . Daisy, Alice, Freddy & Marquis Page 2 16 2h a 82 of 107 0) . Ro Daisy, Dick, Tom, Lord H., Melrose & Hall Cowder, Tom, Dick, Tartaroff & Lord H. Contents ACT I. Opening Chorus, “We're the Household” . Ensemble . Song, . . “A Self Made Maiden” . Alice Song, . . ... .“Marquis de Jolifontaine” Marquis oeecce “Riding Lesson", Daisy & Marquis . Song, . . “My Dream of Love”. . Freddy. Duet, . . . . . “Inspection”. Alice & Freddy. Trio, . “Hip, Hip, Hurrah”. . . Olga, Tom & Dick . Finale,. ao . Ensemble. . ACT II. |. Opening Chorus,” Tenni ee. Ensemble. Duct, “Typewritting” Alice & Freddy. . Sone, “Chewska", . Cowder . Duet, “Paragraphs” Daisy & Marquis Song, “Love! Love! Love!” . . Olga. . Quartette, . . .“Dollar Princess”. . Finale, “How do you do” . . Ensemble ACT If. Opening Chorus, “Exhibition”. . Ensemble . Song, “Not Here” Tartaroff Song, “Love's a Race”. . Freddy. Sextetie, “Red, White and Blue” Quintette, “There's a Boat? Duet, “Reminiscences” Daisy & Marquis Song, ... . .“Lion Queen” Olga. : Duet, “Then you go”. . Alice & Freddy. . Finale, Ensemble 153 161 164 m 176 m9 183 187 199The Dollar Princess. Operetta in 3 Acts. Text by N. M. Willner and F. Griinbaum, Music by Leo Fail. N01 Introduction. (Alice and Chorus.) Allegretto vivace. ers PIANO. 2s copys i800 by EH Ware tie ay E HunterCURTAIN. = ‘TYPISTS. Ty-pists Have fo work a - way, © -ver quick and cheer- y, Ney-er show and nev-er say they dee tee-fng weary. They mustlook Shove dad un- der, hat they fev-br fake & blunder, ‘ev-er {ype 4 Hne fn dou-ble, ffttley do,they get in . I the writ-ing ——— DPmust ap-pear, close dnd crisp andeleanandclear! —Ev-erwork- ing atyourbest, _nev-er rest! — Tick,tick,tack! Ev-er quick-er, bright-er! Tickticktack goesthe brisktypeawrit- er! Here we stay all the & fp Pp ick,tick,tack! Tickticktack, Ev-er quick-er brighter —— Tick.tick,tack, goes the brisktype-writ-er! Here we stay all the wea-ry day workand nev-er play! beSoprano tick, tack_______tick,tiek.tack, tick, tack_______tiek,tiek,tack, ticktiektack, tiek,tiek, Alto Tiektiok, tack tick, tiek, tack tickticktack, tick,tick, tack, ticktick,tack, ticktiektack, tick ticktack,icktacktick tack, tack, tick, tack, tick,tiek,tack, tiektick,tack, tick tik, tack,tick,tack,tick, tack, tack, tick, TI am!GoodALICE. orn - ingt Soprano Alto You are late; I giveyou warn- ing, is Miss A+ lice? Dn,good dag? 2 Slower, A that is dot the prop-er cuse us, we En-treat you! its it-tle Lite we are; Wemust come from home to meet you,and the way is rath-er far, ‘That's what makes the flirt-ing, courting talleing;meeting men while you are walking, raThis 1 will__not stand; Youve one mas-ter, on - ly one youmust xlm-ihy-ton; Afyoure ghow-ibg fate and slack youll get the sack! ALICE, Soprano we get the sack! ito” & we get ‘the DPFie Self Made Maiden. ALICE. a J. self made girl whos Yankeewith bustnessviews imbued, She does-sit_Iikethe lanky young 2.selfmadeYan-kee maiden shesdown on all pretense; Her heartandheadare lac-en with P dol-lar hunt-ing dudet ‘She sees the dan- dies wink-ing and ogelingfrom afar, dol-lars and withsense She ney- erminds the weath-er but works on all the while, a But all the time shes think-ing what sil ly fools they are! Un- till sherakes {o-geth- er a ti- dy lit - tle pile! Pin mosso, A fel - lowswears by Hea-ven he doves. her fin- til death, And if she finds it’ fun- ay to mar- ry while she can, behears one word in sev- en, ie got the mon-ey, woo-er int cattle, you less than alt a set - tle the Klows he’s gota af - ter Dake or cash! Count dance your best and — dbuitbe fan-ky flat = ter, flatter, flatter, Like a flan-key on ly wastes his breath! sap-pose T a - mount, 10 She ‘man! Its si- zesty her buy a just like buy - ing DP flash, For while he’s thik- ing: And that is all the to her, — she bat- tle youve p Wig- aie, Yag-gle, wig-gle, Wag-gle, mon- key! Chat ter, chat-ter, chat-ter, mis ~ ter” mon~ key! ~ i A jenp-ingdack,thats the " thing OnWJohnary_ on the shall jast pull the string be-hind your back, Oh! lic-tejump-ing DPul ALICE. — _———. Jumping Jack, Jumping Jack! 1, Wie-gte wagdleWig-ble, waggle monkey! danceyour best and doit be fun- ky! 2Chabtenchatterchatter, mig-ter mon-key! — flat-ten,flat-tenflatter, like a fluxkey? ——e Sf ——_. On! John- ny bn the string! Oh! “Tit = tle Jamp-ing_Jack! A. jumpsing Jack thats the ting: Jobn- fy on the string! — Just pull the string be-hind your back, -\ lit = tle jamp-ing Jac! =“The Marquis de Jolifontaine? Marquis, L.If youwant to see a gallant Marquis, whose fool-ish to be a gal-lant Marquis, and aay seutcheon is mi-nus a Youll find a most charm-ing ex - ample in me, in the sigh for a fortune in vain Im _- ag-in-ing dai . Iyyour her-ring and tea Are 2 tur-ies old, It out of the wool! Fare 2 Marquis de Jol-i -fon - taine!__- fresh eav - i - ar and cham - pagne—— ay Thank heaven at casctleyoull find Ince last UnB standstythe Rhone a - fay Bat cred i - tors had it all val-ued andsold, They ‘ell to a pau-pers gloom We dropped in ~ to” something re-mark-a ~ bly go08 They have 2 took it and there F they are!_— So when I had set-tled this ver - y last bill, 1 ta-kenme on as a groom,— Suchan 0 -ver-paid sin-e - cure sel-dom oc-curs; With swallowed my haugh-ty dis - din. out over tax-ing my — brain o - ver the her-ring-pond swam witk a will, Mar-quis de Jol - i - fon - ride as I did ix the Pri- vateChausseurs Of the Mar-quis de Jol - i - fon - The Marquis de Ju A For { have been told here, there is lots of gold here; You can myfriends for - get me, Tl not jet it’ fret_me. Its to - 2 fp = = =n» meet it in ey - "ry street Lying ‘round in ‘ry town Just stoop day, throw the past a - way I must con-quer soon or late Fick - le —— ft a Perrdolee , Poco mend. tune La dy For "The Marquis de J.you, till I get lit -tle pile! 1 te you But to give shrine I yrov ~ - el with a zeal you cant Landy For - lovely goddess = tune, Lady For- = = tune ‘The Maras de J 2 Ts6 Duet. “The Riding Lesson” ‘ Marquis and Daisy. Moderato. MaQuts, Andwill my pa - pil first of all -ttee, oS oe DaIsy. Of course, read-i-ly will state a tes-ti- mo - fi-al? # osteo, ON ete Asatéach-er you are sim - ply great! I am a master of my art, I nev -erdoubt.ed Copyright 1907 and 1908 by Breitkopf & Hirtel Copyright 1909 by TB Harms & Frnwcis, Day & HunterAsrid-ingmasferyou are smart__ But not po-lite a bit! No, not a Allegretto, quasi marcia. » A cowple are rid-ing,as I. have heard, Trot SS trot on the highway they 0, She thinksshewould like to say just one word So pulls upher po - ny MARQUIS. The mas - ter scolds.“Youre los-ingyour wits!” Hes ‘The Riding Lesson 818 rude and wn-pleas.. He flicks with his whip atid un - Iuek-i ly hits OK rit. Modto assai. ™ her skirt! Undluck-i- ly hits her skirt! 18, pro - Vid-ing Theyre go - ing on rid-ing, He hur-ries and flur-ries, She ‘aceelartindd _ poco_a poi worries, Real - fy, good sir, you are hor - fi-bly rude so rude! MARQUIS, (poco a poco avcelerando ‘The Riding Lesson 819 on, gal-lop ont “on! And light-ly, and bright-ly He answers her po- — Qe lite-ly, “Ive told you I hold you re- quire me to scold you So 1 am rude, but for- |e." Flt Rf e B | expert >= give,I be-seech, for - givel It is on-lywhile 1 teach! It is only while I _ Tempo di Gavotta. ‘Youarehor ridwhenyou teach u ai Only hor-ridwhile I teach ‘Tempo diGavotta. The Riding Lesson 8Pleasesir,pleasesir,pleasesir dont behardon me! w) But my dearyoungla-dy if must bel. wp. Not so fast it gives me such a fear - ful fright! Allegretto, quasi marcia. marquis. ‘The mas-terthe Ia dy, they both a-light Down under the sha-dow-y DAISY. Meno. ‘And thenshe thinks Why M isflushidand her eyesare sobright{The masterlooksat _hey— Meno, —— a ‘The Riding Lesson21 ‘int des hemenn? Theblosh rises hot on my cheek! Socheyes as he has T have nev.eryet seen Oh * ts a Se. should speak! Ohdear! if he should speak! sempre py sunshine has foundthem,And shimmers a round them, The pret-ty young Miss’ small DAISY, poco a pono mecclerande fingers he kiss-es can it be he whowas real - ly so rude, so a aa igs 5 4 poco a poco accelerandg — ¥ ‘The Riding Lesson 822 on! Gal-lop on! “ont on! And light-ly, and bright-ly she an-swers po - lite-ly, “Ive fe pe toldyou I holdyou De-serve I should scold you, You are so rude In your man-ner and 7 ana EEF RF | ccprewite St. ——=——_ speech! Your speech! But ith on-ly whenyou teach, But its Onely when you —{ — 2 FR Jo rit Tempo di Gayotta. teach!” ‘Yesyouirenice when youdont teach! MARQUIS. mT nice when I dont teach?. ‘Tempo di Gavotta. ‘The Riding Lesson 8Par-don{Par-don!Pardon! Dont be hard on me a On -ly try andall will come out i a ly try I dared to tell you thatwould be right! » ete = poe SS rer S — Sy try etal wit come out = os - I fans to tell you = j Crp ES =| pat ‘The Riding Lesson 8Song- My Dream of Love. (Preddy.) Moderato. Frevpy,__ Simply. VoIcE. { PIANO. lit - tle maid-en by the way, So father bade me stay and wed The 2 Let sim-ple,sweet and fair, _Is_not__ the love forwhom! pray, You meet her ev'- ry where! ‘sort of girl youdguess, Who blush-es_red and bowsher head And weak - ly mormurs“Yes!” — ——— want to catch & prai-rie horse, A fil - fy none cam tame, To stop her wild and rein-leéss coarse o-thers Jong toshare a nest With some do.mes tic dove, But in the freedom of the West That Is a fa-mousgame! Il nov-br lethorpass so, But rotnd T swing fry fas 50,1 T mean tofind my love! A ~xo-man in-de-pendlent Re - bol-lious and” resplendent, No Copyright 1907 & 1908 by Breitkopf & Hartel, Copyright 1908 by Ascherberg Hopwood & Crew23 catch my lit-tle fil-ly And tameher wil - ly-nil- ly! Right round the neck I noose her And lov - ertameandi- dle Can hope herheart to bridle! I want to chooseandclaimher, To moltg rit, A pull. the coils a-roundyou twine And you are And make heryield her will at length ‘To man - ly > nev - er more will Tose her! catch her and to tame her, > >> > mine! Ah then my lit- tle _trea-sure, Will have to yield to fate, will have to step in strength! She may re-sist and lin- ger, But I will hold her till, I twist her round my eS eS mea-sure, And on my bid ding fin - ger, And makeher do my en Jarre! My Dream of Love,In slow Waltz time. 6 PP. ee = ey wil love ter, es Ydaiygs Piu_mosso. a a Ms On-Fyhearts ke mine can dot \ find an-o, - ther fair Safe in my arms I will bear her And nev-er seek to Tempol___.__—" 2B own sweet-heart, Here at your feet, ‘Then T will say, My choose my part, i ia Prerrils PP raitentando Slowly. (irre! For in your eyes that shine a dove Y find my dream of oe love! My Dream of Love27 Duet. Inspection. Alice and Freddy. Allegretto grazioso. __s1ice, The peo-ple here that 1 shat Pa- pa Is always say-ing and tin his ——S = FREDDY. child,T say “it { quite a-gree withwhat you mention, Your JS Illstandhere feady at at - ten tion Youmay Inspectime allyou Copyright 1907 & 1908 by Breikopf & Hartel Copyright 1909 by 7 B.Harme & Francis Day & Bunterquite ‘de-cent! FREDDY. Moderato + Not so baa? “ Vo - ry glad? Tthink my height is fair- Right face! right mytéeth are sound and al-so Your tem-per? 's for tem-per,well iP DPNes2 ee ‘ = In judgement Iam sel-dom R, eae That's not an ea~sy thing to ‘wroug, to read Your face will not take ana Moderato assai. You're ac-complished,ve-ry self-ish, and un-yield-ing through and ( = through e you on-ly show me, I” can tell you that is D.P.NOS30 ing, pry-ing, Al-ways try-ing to be flirt-ing when you In your eyes a ro-guish twin-kle tells me you're —ifat sort of man myeyes a ro-guish twin-kle tells her lin that sort of aig, ste more I think a- bout you its Wet- ter not to jat_ more you think a. DENYSbout me Its A ———— = = Yala la la lala lala la la Poco vivo. acceleranto eee Ta lala lala Ja la FREDDY, ® = Hunt 1c Vivo. arcelenenao ee lala la la la la la la la DENY) OSla la lala ela la la Slow aFs or- dér, 1 do not When Io - bey — rw If she werefairdnd 1 £-doredher,1 might —- fm read-y here for your in- then for-get "uy place! DARNOS23 spee-tfon, I hope youllfind that 1 am suck As will not win a ——— tr. ts rreppy. y 5 Moderato. Front face! Not so bad zentie right manish! D-PLNOSMy height yousee is farfrom right, My téeth are sharpnd theycan bite! As fortemperwell, Thatsnot an easy thing 10 Your tem-per? ‘Mist let me looka trifle near!’ No tface of love I fan Moderato assai. not here nor here! ‘Tyr-ran-nous and o-ver bearing s D.RNOSmost ex-act-ing I can see; fon are pettishand coquett-{sh Fickle,always Ina girl! What more I tifink a~ & = £ Wifat more youtfink a-bout the, Ifs bet - tbr not fo bout you, its Wet-ter not to say. D.PNOSAllegro. Slow Waltz oe la lala lala lala la Int . Tempo —S = ne Poco vivo. ALICE, Yan ________——. re Poco vivo. = <—— Allegro. la Ja la lala, lala Ja la! fa py ‘a lala lala la Jal_— Allegro. accelerando Thala lala la la—____ Sy accelerando D.BNOSaT Trio. Hip, Hip, Hurrah! (Olga, Dick and Tom.) Hip, hip, hur-rah! We're com-ing back a fast-er lot than Up, hip, hur-raht We're ra-ther warm, I may say hot, We'rea8 — smart, we're smart! Hip, hip, hur- rah! We traveled like a king by speccial z= rah! And now boat and rah! And now we're again! ilip, hip, hur rah, Yes, now were back a - gain! a-gaint Hip, hip, hur- rah, Yes, now we're back a - gain! again! Ilip, hip, hur - rah, Yes, now were back a - gaint!39 oLea. v Eu- rope’s nice, although we're told That is a world. that’s rare wh = grow - ing made of, gold T mean "FT| OPER EEEFE catch a mil- lion ~ aire, You can - not pick them up else ~ "a5 TRF 757 raieligis $7 3 petoo much ness here and there! a lot, ex - treme-ly hot, Well do the Reu- bens turn things up - side down! We'llshow them what a style we've got and turn things up-side down! 6 = night, Well go. itright and tight, And till = f= a > ight, Well go itright and tight, And till w mo-ney fly! The a SS : z go itright and tight, And till a Ete ie = . i" ~H~ tan, Well shock hin all te can! 0 splash the Hi P == 3 Pace = = tan, Well © can! Oh, wont we splash the cash a - 7 — ee ihe, Well shock hi Zi Ge cant Oh, wont we splash the cash a -Az Tempo. ———— Ne bout A ~ me rica, look out tne ~ Fi-ta, lok 7 bout A ~ me ~ fica, 100k out I, bout A ~ ~me-~ ri-ca, look out! As me. “Ti-ca, look ‘Tempo : PP ° = Ra-ta-fa-fa ta-ta-ta-ta - fa tsching 2P C = — Out, look out, A. me - ri ~ eat tsching r = = = out, 1Bk out, A - me - ri - cat tasta-ta-ta - tf tsching 2 ( DP sempre pp a boom! Ra-ta-ta-ta- ta ‘Sempre pp 3) fa-ta-ta- ta Sempre pp 2.Boo sta, Miita-ta - ta! Rtata ta- tara ta-rat ea: Oh, wor't_we splash the cash a - bout! A - me. ri-ca, look > Sa > Oh,wont we splash the cash a - bout! A me = Ti €a, look Tempo. ri-¢a,look out! Look out! Le oe ppaA Finale. Moderato. COWDER. + Andnow I must have evry =bo- dy here, Let all my house hold fnstant-ly ap - pear! Be-fore in feast we give our joy ex-pan-sion, = tirr trer creer treeor opsa. in-tro-duce the la-dy of the man-sion. Your tact, dear sir, my high ap-pro-val row.-ses. Its like the style of good old no-ble = espressivo Copyright 1907-1908 by Breikopf & Hartel. Copyright 1909 by TB. Harms & Francis, Day & Hunter b?hoas-es fe -“inan, ‘The ind one wants fo meet but sel-dom can! But sel-dom Oh, she is splendid.splendid.splendid, Can-not bemend-cd. mended, mend-ed, not if you try! Not tt you try? Pork Not (you try! Not if you try! Mannersandgraces, graces,grac-es, Show that her race is,race is, race is, bP416 and high! Tm sure a pick-le, pick-le, pick le, > > no-ble and high! no-ble and hight no-ble and hight = How { will tick-le, tick-le, tick-le that dear old mant_____" that dear old mant that dear old mant pgco ritenato o| will col-lar, col-lar, col-lar Ev + ry dol- lar, dol- lax, dol - ‘poco ritento ppn We Tempe Moderato, All that T cant Allthat T cant All that I cant AIL that she CK. ‘All that she can! TOM. PE AU that she AMI that she cant man! Moderato. vo ra Y_amherman,am her est - ing, This will be = IIH HI ED for test - ing, By a meth-od sound and TID 9 Am T real- ly get™- ting Coun-tessryotre soThat I cant re - frain from stat - ing, top|? ee ee age If my words donot of - fend, Td he more than just a friend.Jfonor- a-bleyou can - —~ aro tell Cour-age! all will be well! Tve comefrom ve-ry far you — z PP now it, And Won > dered Ta suit or not Butnow 1 fechandglad-ty 4 a & — show it, Your weledme’s warm may say hot! The very moment thatwe met I felt a friendship fondand ies TF molto ritenuto0 Quitehon-or - a - ble. Dont for. get it, Mis-ter 4 o aeatibe D Cow - der, Abt for you! Abt, Ag her pos.tur- The af-fec-ted thing! what? T DP50 a piek-fe, Fast Seo Ker tiek-le Toor old Pa-pa a pick-fe, Just see her tick-te Your old Pa-pa Tiek-lish & - ha! This is a pick-le, Just see her tick-le oor old Papa TOM. : is Is & plek-le, Just see her tick-Te Poor old Pa- pa COWDER. Tiek-lish,’ - hat CS Fa-ther ken?Oh, dear!___ fat my fa-the at your father, ra-ther taken? Oh, dear! Dorit come so near! ‘at my fa-ther, ra-ther ta ken? Oh, dear my fa-ther, © taken? Oh, dear!D CHORUS. tL, 5 Allegro. Haha ha ha ha ha Ta. ken, Hla fv ha hahha — Hts ha fa ha ta Don't come Ta ha ha ha ha ha Ha ha haha ha ha hat oh, Wa ha ha ha ha ha Don't come near! Allegra. Spe semigre cree.prompt at your {will promptat your [will, Prompt at your will, z£ Stand-ing here |stea Stand-ing here |stea Stand-ing here stea - aod all 52 [Your ex-pect -|ta ve will ful - {fall four ex-pect -[ta will ful - [fins + Z Your ex-pect - ta will ful - fillt => > rait-ing your fealt, See, we are frea = dy— vait-ing your [eall, see, we are rea ~ dy— wait-ing your call, See, we are rea - dy— 2 pao POR Td oeSlower. COWDER, ‘This la-dys fami - ly Is old and splendid, And she is wor- thy inher kindness shehas condes-cended tobe the la-dy of myhouse to-day. + mere ad-ven-tur - Dear un- do hold your tongues! is ancient, T bsPoco meno. ALICE. May we ask you Can we take you at your word? May we ask yon Can we take you at your word? iguesst There are sto-ries That we of-ten-timeshave heard, — How a Ia-dy, Awkward sto-ries That we of - ten-times have heard, Rather shady, = eee => Slower. ‘Tempo Bogus e0-ro - nets Will wear But her castles and her vassals are,in fact,in air! eS + bogus-co-ro-nets Will wear But her castles and her vassals are,in fact, in air!cHuorus, Soprano & Alto May we ask her [ean we take her May we ask her can we May we ask her a ‘ean we take her at_her_word? at her word? |fWfere ave sto- ries i Her word? There are sto - ries #4 That we of - ten -| times have heard! ¥ That we of- ten {times have heard! Wow A Ta- dy Sf SI Bo-gus e9-r0 -|nets will wear, Bo-gus co-ro -|nets will wea Bo-gus co-ro - nets will wear, 2 laut her cas-tles —=— IBut her cas tes SS fat her castles her vassals fare in_fact_in nd her vassals Jare in_fact and her vassals are in factonea. Georges! Fair-fax! woman! She! rrr Freddy! Jack! MARQUIS (to Frediy) Tis O1- gat === Why meetingher a-gainwill be an awkwardthingfor met ee Con-found the a pp7 Tempo OLGA rit) to come) COWDER Too well! Tvemet them, yes, it Tempo You know the gentle - men? = ol ALICE. ‘You met at court! in Rer-Lint FREDDY (site) Jardin &Va-ris_ MARQUIS (ite) Aha Mt Maxi COWDER. FF ble Count-ess naw, as Twas tell ing, will this dwelling! | Pier pati peVast.(very light) OLGA(w Feet) You,Fred-dy,here? Thats quite too-too!_ I al-whys was fo fond of you! FREDDY (toe) Dont tell on met SS TOSS OO ALICE (wDaiey) By look-ing at them you can tell They know each oth- tr DAISY (wo Alice By look-iftg at thém you cdntell They know Each oth-er so ab-surd! Youll holdyourtongue? FREDDY. Right! Mumis the word! far t60 well! far too well! OLGA (to cower) wit. —— oe) Tin nbt Wok-ing so! Theres roth-ing So much___to see, you (c0 Ole 4 Why look at them so?CHORUS. 59 ‘Tempo di Valse. Woderato) So now il show you la-dies, Smythe, They know is Hot A myth! Soprano Atto. PP They know he's | not PP. They fknow he's | not Dp They know hes not quite, Taducedwithyou one night, Itwas at Court ‘MARQUIS (to Ota) myth. 1 re-col- leet it ‘Yy rank no mere pa-rade- is!_— The Mar-quis,Mis-ter DPOW, was it not time, De-light-ful - ly sub ~ lime? Those hap-py zee OLGA. (dances with Marquis) . days are gone be = yond re - call! re-col - lect 1 seh 3 ‘MARQUIS. OLGA. (tances with Fredty) danced with you one night FREDDY. at a Ball, Oh, was it not atime, De-light-ful - ly ‘sub - 2 DP61 slime? Those days are gone train and held And Bis - mark took you ‘The Kai in the brain - y. Bill, A bPD, round to he, 1 oe smile upon his ip Turned OLGA and FREDDY. T = i = still, re + mark - ing, “What, ; I. re-eol- eee MARQUIS. ar E 7 lect it quite! T danced withyou one aight! ALICE, DAISY, COWDER TOM and DICK, fedanced with her one night! Soprano Alto. Tt was at CHORUS. Tt was at DP63 PRIXCIPALS, yp » e, De-light-ful- ly sub-lime, Oh yes! Ol, Ohwasnt it at mf. on Jyes! Sf on fyes! tele Oh yest —— ff vit Tempo. days are gone —be-yond re - callt_____ The splen- did__ Tal-ace Ball! + rit, JGone are the |days of the |splen - ait|_ Pal-ace [Ball Sri Gone are the {days of the |splen - did|_ Pat-ace |Ball! SE rit. Gone are the days of the splen- did Pal-ace Ball! Tempo, DP6 Allegro bring cham-pagne aud pour -it out To cel- e-brate the day! You think it ra-ther COWDER. strange, no doubt, But thats my us way! You can ail guess the —— _— br‘ve Hey the — Count-¢ss, long may si PRINCIPALS and CHORUS. | Iferes | to the Count-ess, the |Countess, may the — Count-ess, may FREDDY, Moderato assai, My dear Miss A - lice, may lot T drinki you in spe-cial du - ty? If you douit mind, a z = our glass- es clink —_— drink to =~ beau-ty! The wine, I tink,has tdrmedyour head, I do not un-der-stand it! FREDDY. ALICE. Your pro-per taskshould be in- stead Topourthe wine and hand it! What,1? Go and67 see your Count-ess now, She likes your i- dle chat-ter! That pride of yours Tl SATEY to Bangs) Go and Ohatter to your Countess! lust like this glass 1 shat-ter! ‘The Countess and? Thatia cot! a MARQUIS. eertatuly shall not tre ALICE (initating Jomping duck) Chatter, cliat-ter,chat-ter, Mis-ter Mon-key! Flatter, flat-ter,flat-ter, Dp FREDDY (to +9) like a flun-key! I shall just pull the string be-hindyourback, My lit-te jumping jack! Youre pe68 ast. ALICE. A -- = Jea-lous of can see; Its child - ish ’ Youre (asie) to say such things to Just wait, TH make you pay! y Now clink and make the glass - es chime,And mind you break them ev - "ry = bPIa. Soprano Alto. la Tenor, DPla la Allegro vivo. Tempo. pp Now take a glass and drink with — me,Weve broughtyou joy and du- fy fre Allegro vivo ‘Tempo. a le DPpalsy 2» From OLGA PP From MARQUIS. PP? From FREDDY. PP From DICK»? From TOM.PP From COWDER.pP Fr Soprano Alto morn till morn till morn till ssorn till morn till morn. till morn till night Well do night Well do night Well do night Well do hight Well do night Well do night Well do PI Mtrightandtight! And till we rightand tight! And till we irightand tight!And till we itvightand tight! And till we Itrightand tight! And til we itrightandtight! And tilii we itright and tight! And till we > > morn til | night, > |= norm till morn till die Well makethemoney die Wellmake the money die Well makethe money die Well makethe money die Well makethe money die Well makethe money die Well make the money = Well went peThe Pu- ri - ‘an, Wellshockhhim all we cant Oh, worit we splash the cash a- bout! /A- SSS 5S SS tan, Well shocktiim all we can! Oh, wortwe splash the cash a~ bout! A- Seas —pP Well shocktim all We can! Oh, woritwe splash the cash a - bout! A- he Pu- ri - tan, Well shock Il We can! Oh, won't we splashthe eash about! A- SSS SSS, er i - tan, Well shocktim all we can! Oh, wonitwe splashthe cash a= bout! A- SSS SSS mvp Well shock him all we can! Oh, woritwe splash the cash a- bout! A- SSS SS SETS HP Well shockhim all We can! Oh, wonitwe splashthe cash a- bout! A- SSS SS SI ep Welll shock him all We can! Oh, worlt we splash the cash a- bout! A- Sars iA Oh, jvoutwe |splashthe leasha-|bout! SS Sle ctectta right, tan, right, oh, coritwe [splashthe Jeasha - bout! Sele tes pp‘Tempo di Marcia. me - ri-ea,look out! Dj ‘A- me-ri- ca, A-me-fi-ca,look out! ——$———_———, me = ri- look out! = 4- me ri- ca, A- me-fi-ca,look out! ———$ ——————_, {A - me- ri- ca, A-me-Fi-ea,look out! ———_——$_——__———,_, me ri-ca,look me - ri-ea,look out} A - me -ri-ca, A~ine-Fi-ca,look out! EE A. me-ri- ca, A-me-fi-ca,look out! me - ri-¢a,look ane - ri-ca,look me - Ti-ea,look out! Tewpo di Marcia. pp a, PP ne ~ ri-ca,look| out! ine ~ ri-ca,Jook| out! me- ri-ea look out! DPD, u »P A- Ine- ri-ca,look out! 2, A~ me- ri-ca,look out! P A+ me- ri-ca,look out! P A- me- ri-caJook out! St = >>> =P A- me- ri-ea,look out! Sn > >> Sf> > >>> >= A. me- ri-ca,look out! ffi = > > > — P A- me-i-ca,look out! pp A-| me - ri-ca,look! out! Sfen| = >>|>——| out! Ad me-ri-ea,Jook! out! a A- me-ri-ea,look out! one A - me-ri-ca, A- me-rica,look out!__ fT A - me-ri-ca, A-me-ri-ca,lock out! t— A+ me-ri-ea, A-the-ricaook out! eS A. me-ri-ca, A- ine-Fhea,look out! t— ‘A me-ri-ca, A-me-ti-calook out! t A. me-ri-ea, A- me-Fiea,look out!__ St A- me-ri-ea, A- me-Ficalook out! A me-ri-ca, A-me-ti-ea,look ou SS eS A 4me-ri-da, A-fne-ri-ea,look] out!__ 4 bPM. 2m B Allegro. Look out! a Look out! a a Look out! America,Look out! a Lok out! ) m _ Allegro. Loox] out! a Look] out! OY Look out! Allegro.6 Opening Chorus. “Tennis? Copyright 1908 by Ascherberg, Hopwood & Crew, DP= == pF _ Of sun = ny June____ A-eross the Was June for sport. All day the In aft-er ~ noon, court. The net You take your rack - et and your Were play ~ ing ey play this game like us, we es ee : =: ps oF —_ z : r = = ? — is Dek + and maid - ens say "Love Your arm you ei ea ot ag eos = == ——= 6 = ; = - = wn 7a The ball is In ser - vice swift,. Andina crack. ball. They both let fall. And had to For dou-ble 8 5 seese £2 fe = z A-ctoss the court you try And so they wan - dered out sin - gle maids and You nev-er stop a So now the game for it in the net. ly sky a - ove, be= ute Till you win is no more ten - ‘ rs we oe = 7 isthe finest game, And boy and The is thedear- est game, And boy and girl be - lieve ‘The \ a = is the fin~ et game, And toy and girl be - lieve The is thedear-est game, And boy and girl be - lieve The $9 9:4 f * 0 » _ » 2 f : Oh! ten - nis is the fin- est game, And boy and girl be - lieve The Oh! flirt - ing isthe dear- est game, And boy and girl be - lieve ‘The . SS —" i a game they love is just the same ‘That Adam played with game of love is just the same That Adam played with oe << = z = game they love is just the samo That Ad-am played with Eve! fame of love is Just the same That Ad-am played with Eve! * * 2 2 2. 2 ———— ey? game they love is just the same That Ad-am played with Eve! game of love is just the same That Ad-am played with Eve! Fi => > ey JS ‘ 33 Saas >>> s sts = $ soe80 SSS ee Z f == ea ‘Oh! ten - nis is the fin-est game And boy and girl be - lieve oe tent ome Ge cen Game Ant fey amt Git be Mowe - x eis SS SS 5 On ten 2 als the fin-e >= 3 => = FREDDY. (oeling master of the ssuatlon) No, thank you! That’ not what T meant. pote ees) Andante, = — would Tsay, and it would all be true, e love you, on - ly Butfirst she has ¢@ sue forlove be- fore my fect. a92 Pid vivo. that would be sweet, would be sweet! But the of- fer T ean-not ALICE, ut- ter-Fred-dy, No, It cant be so! No, the of-fer Tilnever ut - ter If shes provd 1 can- not speak! If hes proud I can not speak! For fist (hp ‘Then ak, that would be oY. oosweet! Adagio, == Slower than before.4 Ensemble “Chewska” (Cowder and Girls.) VOICE. PIANO. GIRLS. 1. Mis -ter, Mis -ter_ Cow - der, GIRLS.2-Real-ly, Mis-ter_ Cow ~ der, Whi-ther will you wan - der? You are like =a boy a ~ gain. You are grow-ing fon - der of some la - dy we can see! Copyright 1909 by Aschesverg, Hopwood & CrewWhy are you so ve - ry ju-ve-nile and mer - ry, May we ask you We will ‘not be jea - lous “If youll on ty tell us Who the one you to ex-plain? None of all the men such a boy at ten = nis, like may be. Ans-wer us is she Ai-ry Eu-1o-pe - an, | 6 Youte as fresh as a-ny clam, It is sim~ ply rip ~ ping Say a Coun - tess or Prine - ess? ‘Theres beensome dis - cus - sion cet y Sem Wien we see you skip - ping, Just ike Marys it - tle lamb. Of a love - ly Rus - sian, She's the one that We should guess. vot 6 =i 2 Ensemble "Chewaka.”96 SQwoeR Tin like a boy now, and fel - t must con-fess it, COWDERThat is the par - ty, You've guessed quite ac = cu - rate- ly, <__Pa sees an ‘Ther’s on = ly “one now with which can well ex-press it, She has ati -tle that _ both - ers me ve - ry great — ly, — ke Thats just the word that says quite wat feel like, bless it So oT have “taken teal Tin the la dy’ tae = ly cal Ling y tg: # £ ‘That is just so! Its you 1 love! Chew skay Chew ~ ska, Chew-ska, Chew ~ ska, Chew ska, Chew - ska, Chew- slr, Chew 4 —$——_ Ensemble “Chewsta.”97 EYRLS, Youre like a= oy now and feel - ing, we mls con -fess it, IRLS. That is the par - ty we’ veguessed her quite ac - cur -ate - ly — hye Ce Theres on ‘one word with which you can well ex = press it, She has ti tle that both-ers mee = ry great ~ ly = ‘Thats just the word that says quite what you feel Like, bless it! So you have ta ~ ken to _ cal sling tie la = dy” late - ly _—~ oS 4 Chew-ska, Chew- ska, Chew-ska, Cilew - ska! That is just Chew- ska, Chew -skt, Chew- ska, Chew- ska! Its she you 2 # Ensemble “Chews?”98 Ensemble “Chewska!?99 Duet. Paragraphs. (Hansel and Gretel.) Daisy and Marquis. bask, 31 : Se eae =] 7 7 Far-a-graph one! the dow - ry do not cut’ a dash MARQUIS. part - ing all be-lbngs to Copyright 1907 & 1908 by Breitkopf & Hartel Lopyright 1909 by TB. Hanms & Frances Vay & Hunter100 Dalsy, M = oth-er clau-ses too! Par-a-graph three! most_at - trac-tive Thereare i a real-ly es 3 Allegretto, You shall be my great big broth-er. I your lit-tle si Allegretto. a =< (oo Allee £ Oth-er feel-ings 1 must smother, that shall be to me quite clear, You may call meDar-ling” M . bold ly. When with oth-er folks Tan When a-lone Til treatyou cold-ly ea * Ine DuetWe shall be Mon-sieur Ma-dame! You prom-ise me. my broth-er dear — (he xe ee 8 te te am say - ing? poco rit. sO Tempo tra-vel lit : ae te sis-ter dear Like —— bate : lit - tle child - ren poco Pike zi rit. » Tempo 0 See stray - ing To-geth-r hand in hand oly Like lit-te 2 —E Tempo PLP Duet102 ppmotto rit. do. And when the si man scatters sleep on eyes and ra iv-mnan seat-ers sleep on eyes and Tempo poco -~ a- an-gels whisper “Oh, the fret-ty pairy___——_the lit- tle M. == ~ = an-gels whisper “Oh, the pret-fy pair” the lit- tle = = poco rit. Au-gels whis-per “Oh, the pret- ty angels whis-per “Oh, the pretty, Allegro moderato. Siangers, Then with mar riage non - sense DR Duet103 ling, coo - ing, bid as the mom - ing we a 7 ti dor MARQUIS. rea - fly quite, For molto rit, jour - ney gives one such asplen- did ap - eee ectee® mailto Pit D.P, Duct104 MARQUIS. DAISY, Afternoon in some Mu - Se - fim I adore ar-tis-tie shows Well do theatres ev'- ry (giana peneart low Slower. eve-ning and to sup-per when they close 7 of-course its time for parting! £ motto rit. find the num-bers on our doors, that must be my room fan-cy, so the oth-er one is 24 £f 2 motto rit yours And so yood- too late PLP DuetSa emo are de - lay - ing! Sleep well my lit - = tle broth-er dear, GB Tem — — % 5 - Hi pp b And dream tat we are stray- ing To-geth-€r hand in hand on-ly T ahd om Tempo a ppmotto rit RQUIS. ‘And when the Like lit-fe Han-sel and his Gre-fel used f6 do. ‘And when the =~ oo 2 & + Tempo sand-man seatters sleep 0 ‘and hair the lit- fle n-gels Whisper “Oh,the piret-ty ‘sand-man scat-ters sleep on eyes a the lit-tle n-gels whisper “Oh.the pret-fy Topo ——— DP. Duet106 motto rit. Tempo the 1it- fle n-gels whisper “Oh the Pretty pair m : z the lit-te an-gels whis-per “Oh the pret-ty pair patsy, alto rit. Tempo And when the sand-man seatiers sleep on eyes the tittle In (nis-per And when the sand-man scat-ters sleep on eyes and hair the litle _n-gels whis-fer Iwolto rit Tempo oltority nit. eet », “Oh,the fret-ty pair’ the little fn-gels whisper"On,the pretty pai a M. 7 “Onthe prevky pain’ the lithe la-gels whi er“Oh,the pret-ty pair’ D.r Duet107 Love! Love! Love! . Musi ADRIAN Hoss. PRANK E-TOURS. Andante. das 8 ZN, £¢- 5 Ey-er # queenand the ar-dent or cold not a = <5 men are as slaves be- fore ame, Just a chance word or a man of them can re-sist me, Each would pay millions to iF FRPFFLI F N—_ © glance and the best of the all a-dore me! If 1 but say, that he conquered my heart and kissed me If ve a —F = t Copyright MCMIX by Asherberg, Hopwood & Crew: Ltd, Copyright 1909 by T.B.Harows & Fravieis, Day Hunt.108 Once in a while, Some one in haste dis -co - mind, I may be kind, Smile on him as a bro - r — vers He is my Love, favored a - all of the ther - Then I may soon, changelike the moon leave him and PS rest of my you look for an - throne And my roy Love Love Love109 long for a - lone Till my you can give,There is rose of the world,and T = oS P t Love Lore LoveHo NO11. Quartet.“The Dollar Princesses” (Alice, Daisy, Marquis and Freddy) MARQUIS. Know you @ girl whose glit-ter and glance, Flash like the stars of the night? Life is fo her but a laugh and a dance a tempo Know you this beau ty bril-liant and bold, Jew-elled and gemmed as a queen? Copyright 1907 & 1908 by Breitkopf & Hartet Copyright 1909 by TB.Harms & Francis, Day & HunterMu Know you this fair one swimming in gold? Tell me the maiden I > MARQUIS, When she comes, a queen of witch - a Ch Alleseee re te) : FREDDY. world be-fore her bends my hope to share her a She has gold throw her friendst!___ ‘The Dollar Princesses 1042 She can cap - ture all she cares is her whimand likeswith no de - lay, — there - fore it FREDDY, DAISY. _ MARQUIS. Her name is ea- si- ly And she, And she13 FREDDY, — _—<—S= is, She is, She is___ Sho is theGoddessof Gold!______Prin.cess of Dol-lar prin- DAISY. MARQUIS. cess . es, All made of the pur-est gold," Whom for-tune ev - ex bless - es,Whose --}—_$ pleas.ure is theirs to hold. for-tune she is Allegro, Tempo I. Prin-cess of Dol-lar prin-cess - es Is some-times the poor-est on earthi ‘The Dollar Princesses 101K FREDDY. Know you a girl So haugh-ty and chill, Hay-ing a heart but of — stone? Love and its pow-er, she laughs at it still, MARQUIS. it. a tempo Liv- ing for free-dom a - lone! Know you a girl for. ev-er in fear, ALICE. ‘Thinking she's wooed for her wealth? B-ven if one to her fan-cy is dear The Dollar Princesses 1015 Allegro. MARQUIS. She can but love him by stealth! AI the joys of love and a-dise of sweet de-sires FREDDY, MARQUIS. FREDDY. the bliss that two dis - cov - love in spires, ___ set - ting hearts a ‘The Dollar Princesses 10Hap - py in theirhum-ble Iot, Do you hear the song en - trane - ing? 5 las! she DAISY. MARQUIS. FREDDY. knows it not! For she, For she, For she, Sus-pi- cious proud and “aus F z= FREDDY—$—$———= ALICE, DAISY. MARQUIS. coll" She is, She is, She is, She is the Goddess of ‘The Dollar Princesses 10ALICE. Pp wv Prin- coss of Dol - lar Prin - cess . es, All pDalsy, The Dollar Princesses 10 Prin - cess of Dol - lar Prin - cess - es, All Whom for. tune ev > Prin. cess - bs made of the pur - est — made of the pur - est MARQUIS, p=pleas-ure is theirs to pleasure is Whom for. tune ev - er bless P. Prin - Pv Prin - cess ‘ac-tion con - fess - es — > Her ev-'ry ac-tion con - fess S> > > > > ‘ac-tion con - fess Her ev'ry S= a Her ev-'ry ac-tion con - fess ry zx t of Dol -lar Prin - cess - es fol - lar of Prin - cess eet Prin - BP for - tune for - tine Prin - ‘The Dollar Princesses 10 cess of Dol -lar Prin - cess of Bol -lar Prin - cess - es motto rit]49 ‘Tempo di Valse. Sz = some-times the poor- est > S = some-times the pbor-est some-times the poor. est = some-times the poor-est on earth! ‘Tempo di Valse, The Dollar Princesses 10Allegro, | aie A) BB a7 7 27 ae aes COWDER (Shaking hands withthe guests) How do you do, how do you do, Ladies and Gen-tle . men? How do you How do you do, how do you do? how do you do? Glad to seeyou again! __ _ # Copyright 1907 -1908 by Breikopf & Hartel Copyright 1809 by TTB. Harms & Francis, Day & Hunter pp221 Kind of you to How do you do? Make yourselves all 2 quite at home! Sopra Alto. (Shaking hands) How do you how do you, how do you, how do you, ‘Tenor. (Shaken hands) How do you | do, how do you, |how do you, how do you, (Shaking hands) How do you do, how do you, (All pressing around Alieg and Cowder) ressing . how do you, how do you pharm - ing! how do you, how do you harm - ing! how do you, how do you — do?__ charm - ing! bPie COWDER. We are the height of the sub-lime,the ten theyeall the too! asdeture ¢- Moderato assai We've sil-ver plate at break-fast time and gol-den plate for sup-per! lsup-per! For |sup-per! = |= = sup-fert be3 For all our friends it's et - i - queite Tohave atleast 2 mil - yee - _COWDER, But I'm the rich ~ est So wel-come to thy <——~ i are, yes, we are Tip Top! Asthey say, as they say, First — yes, for we are,yes,we are Tip Top! Asthey say, as tliey say, First Wehave mo-ney Uke the sand, So we're ve-ry high and grand! We are = So we're ve-ry high and grand! We are AD We have Uke the sand, mo-ney beTip, we are Tép, First Chop! pICK. 1 » Tip Top, “rom. 1 Top. Tip Top, Tip Top, Yes, we [aro, yes we are Tip [Top, Astley [say, Yés, we fare, yes we are Tip| Top, As they shy, 2 Yes,we are,yés we are Tip Top, Asthe, y Dp Tp v Tempo Slow Tempo i ° = Tip, we are Top, First Chop! a g z & £ 8 a First Chop. ». Fist Chop. ?. z First Chop. First Chop. We are We are io-ney Itke the sand, So we're| ve-ry hfgh aud grand, We ‘We have | mo-ney Ifke the sand, So we're|ve-ry hifgh and grand, | fehave money like the sand, Sowe're ve-ry high and Brand 2 as they cay, First ap they Lay, First ‘as they say, First we are Tp First we afe Tp First we ale TSp First wo ate Top FirstChop! Chop! Chop! Chop! not with a nought 0 - mit- edt I. can-not spend my in-ter ~ est, be26 For trough the win» dow Hocney omen Weve fat to lock) af - nooRey cotta — We ae ‘And if we lost e - 1ormous sums, Why that would cwse us laugh-ter! Yes, yes, for we oe oes —_ Yes, yes, for we eo we sige are, yes, we are Tip say, as they say, First Chop; We have —— ‘Tip are, yes, we are aD Slow y lke the sand, So we're ve-ry high and grand! We g Ps ate Top, y |, So we're ry gh ahd grand! We gre Tip, we P, mno-ney Uo the sand, So were very Mgh and grand? We are Tip, we ate Top, ¥ seh ant grand! ND slow 7 (6 oe becHORUS. 1 Tempo. Pv pick. Tip Top! First Chop! “rom. Tip Top! First Chop! Tip Top? FUR Chop! GOP sp, ley pe cir ren, Yes we [are, yes we ary Tip |Top! As they [say, as fey say, First [Chop! We have Yes we are, yes we are Tip (Top! Astley |say, ay they ay, First Chop! Wehave as, Vis we are, yes we are Tip Top! As they say, as they say; First Chop! Tempo. far 2 We are Tip, we areTop, First Chop! ‘Tip, we ate Top, First Chop! Tip, we are Top, First Chop! We are Tip, we are Top,First_ Chop! money like the sand, So we're] vo-ry high and grand, We est hop! we are Tip, money like the sand, Sowere| voary Meh ahd grand, We [are hoptwe ate Tip, Toney ke townd Sotere eiyhighandganes we Tanke etn ease fet , £ sit be Js28. First Chop! P Weare Top, Yeswe are, yeswe are yeswe are, yeswe are, First Chop! = " Ped lh, 3 eTip, Weare Top, Yesweare, yesywe are, yeswe: First Chop pts = . = = Se Tip, Weare Top, Yes,we are, yeswe are, yesweare, yeswe are ________First Chop! = Saas Weare Top, Yeswe are, yesywe fare, yeswe are, yesywe | are First}thop! P Weare Top, Yesswe are, yesywe fare, yeswe are, yes;we | are, First|Chop! - i, » Weate Top, Yes,we are, yoswe are, yesweare,yeswe are, First Chop! 2 ‘Tempo di Polacea, (Ons appears onthe Terrace, Comer goes to meet her) COWDER, Count. és OL. ga Pre - bi cxews - Tve the plea-slire to pre- + FfBo , ah e > == - 4 pee 2 ee = ea sent Ox the 9 - ther side of Nos - cow ‘She ds lands of vast ex- Ea Sop. Alo, LADIES (Asie) She is ex-o- the, ‘but has chic, (to O1ga) How ae YouCountessilo wi The high-est cir - amused to beCHORUS. 380 Wher-e-ver I've been, now your set fm in-tro- duced to, GENTLEMEN (to each other) Tenors Up- on my word, Busses. e iad Her, its plain! on her, its plain ie@' se 28 se 98 I feel the honor ve-ry Cow-der’s Fast see the [old man round her skip-ping Just see the old wt ¥ man round her skip-ping, be131 men, al-So la~ dies, Tho I = a sim~ ple |shep- herd swain! sim - ple shep~ herd swain! * ape es Moderato. 6a e ~~ eee ear ee aoe neces aoe) ee a 7 So Tllmake no long pre - am - But the fact to you con~ That the Count-ess Pr2i-bi-czewska Is to - day = = Ei becuoRUS 1B Tempo di Polacca Moderato. oLca Te ay bride Dg: |Ah, this is a bit Of news, tf JAh, this is a bit of news, It, 7 2 Ab, this is a bit of news, ‘Tempo di Polacea Morerato. And we can-not ‘And we can-not | well fe-fuse lour And we can-not Its a great sen -|sa - tion! — Its a great sen sa - Its a great sen. sa Thanks with n-gvat-u [Ia = con-grat-u fla - tion! bP133 and voice! You have made a charm-ing You have made a charm-ing iow Have made a charm-ing joy and pride the bride DICK (to Cowier) Con-grat-u - late you, choies ehpice! ey choice! groom and the groom and the groom and the Bride! TOM (to Cowier)Bt DICK (to Olga) Dear Aunt-ie, this al - li- ance makes me ex - tremely glad! To cel-e-brate the mar - riage, ‘The mo - ments 2 be-guile, Sup-pose we call the dance in good old_Rus - sian style! a aa CHORUS OF COSSACK GIRLS.133 from the Vol-ga We all con-grat- uu - late, We ga- ther here Te-ther the day to cel-e - brate! © A - mong the guests in - vi-ted We Meno. e - cho far and wide. Hail to Ol-ga from the Vol-ga, Love-Iy Rus-sian Bride! F Soprano & alto. Af thom the Yor-fa, |love-ty Kus-sian Bride! from the Vol-ga, |love-ly Rus-sian [bride to QL ga from the Yol-ga, love-ly _Rus-sian bride! ~ — — SigsBE Moderte. Cowper w atice) ave You ar-ranged it 100? Does the man Now its your turat Myheart beats fast Pa-pal I feel a - fraid, Pa-pa! know what he has got to do? All COWDER. Why so? All- right? bP~_—_ Tempo di marcia moderato. is dur lot! prove to-day that she Is noi! BT ALICE (to the Guests) Theyeall us milYfonairestoo haughty, And proud of wealth that John Cow- ders de - mo-cra-tic daugh- ter will COwDER. My daugh-ter makes Her choice thismat - ter what______ TH have him— A '3 Tempo clerk! FREDDY. (Invututarity coming forwarte aside) What can this bet Some ho vel whim? 7 Soprang & Alto Some no - vel whim Tenor. aay. Here will she ‘Where will she 2 fe Fast. ‘COWDER (ase bolt Now, A - lice,choose and let us see! T'mset - tled now. Alls one to ‘Tenor, Tos Piteh on him ia him > pitch Fast. aw bP139 Moderato, me! A. pro- per self made maid-en Is. not the © U-stal kind, Moderato yeoss If she’s a whim to seru-ples o-ver- la-den Who dont know her own mind. She knows at once she — can; She does - mt n find -ing out the man.40 sh, A Platterflates lates Whe a flan-key, I shall jos pull the string Behindyonrback My ile jump-Ing =a B Poco vivo. be ViVO — Jamp-ing Jack? Jumping Jack!, rat-ter, | Mi ter Monkey, Flat-ter, flat-ter, flat-ter, t-ter, chat ter, chat-ter, | Mis-ter Monkey, Plat-ter, flatter, Flat-ter, ft ae ‘Chat-ter, chat ter, Poco vivo. eres eee), -tor, Mis-ter Monkey, Flat-ter, flatter, flatter, ee er ~ fle jump-ing lke a flun.key!/ Shell just pull the |string be-hind your back— = tle like a flun-key!| Shel just fut the Isteing be-hind your back— jump -ing. like a flun-key! Shell just pulh the string be-hind your juunp- ingAllegro. Jack! FREDDY (asie) In- so -lent___ grad.ingywhat'a knave a - lone would and o - ver -bearing!There'sa gulf be-tweenus two, M1 To ac-cept her is We're wait-ing,| tell We're wait-ing,| tellus, P if — you) can Werewait-ihg, tell fs, if_—_ you can __ ig ae - peALICE. = Well, — then, ‘Moderato. oits ta Preity) nm You Yes, You! That Is not ae FREDDY (isaas back) me? AD fool-ish joke! Soprano & Alto Who is he? a What i he oie oa A man of COWDER. (ea Prey) 4 zl bas P btessfouall-right! Youll sot-tle it = Siks| oFHe FREDDY. COWDER, aco Excuse me,sir, but I say xo! Thafsmonstrous’ What? Youmustbe cracked 101d if youplain-fy thats © fact! He }wonlt con-sent? Extreme - ly queer! He mast be mad, 1ts Fery Me must be mad, Its very FREDDY (evite) 7 2 —— and true, ‘eduld love fer well COWDER (othe Guests) Ah, a Good luck hasmadehim mad.poor foolish lad! pemw Tempo di Valse. DP ‘As on-ly one like me could do, My will to hers Yd sur- ren - der emotion ‘Tempo It breaks my heart to part from you, Butyet good-bye I _ ALICE (leans on Comer, ‘What a shame! I can-not bear it! rit. For you would have it pP5 FREDDY. COWDER (to tice) (to Pretty) (Ghruguing. his shoulders) Let metry and I cansquareit! You will have five mil-tion dol-lars'Not so bad, but I say FREDDY (curtly) cowDER + Praps that will suf-fice you'Sor-ry, but its far too lowt Twenty! Zz, Pra te oe FREDDY (to Alice ratty) Thirty! Well then Fif-ty! Thats the high-est I can go. Six ty, Sevinty, Eight rit. 3 a tempo = 7 z= > hun - dred! Many thanks," a tempo DP46 Vhile he's proud Til ney- er speak!— While shes prond I'l nev - er speakt__ Sx Moderato. for first he to sue for love before my feet, Then, ah a — ~ia For first he hus. to sue for love be -fore my feet, —_ ed Soprano, Alto 7 Why the fel-low is} mad,. mad! yp —— ft is real-ly too | bad! Yeshe is | mad! $= | ~— DP. e cuorus, Why the fel-low is Moderato. prNT ‘hat would be sweet,wouldbe sweek———— — SG > > that would be sweet, would be sweet————— ‘Thus do T treat all COWDER, Ourschemein a hope-Tessmessis, (Sabin on Cowra breast) = SoS = p= A 7 E Thus does he treat alll Dollar Princess. - es fol-tar Princess g0 50. ¢0_————— peus Slow. Know you girl whose glitter aud glance Flash like the starsof the night? Life is fo her but & laughand a dance, mus-i-calmag-ie de light. a heartbut of stone? Loveand its pow-ér she 2 |, Living for pride @- lone! amnot a slave to I tram-ple on yourM9 Coane cere Find a_knave ‘to serveyou bet - ter ‘There are plenty to 7 i 5 Prin-cess, the love that’s paid Ts__ not what I offer you—— That és notwhatheartsare child, that will not dot. cHoRUS.cHORUS 150 Its so! he tale is easi- ly told Soprano & Alto, sot Its sot fes| sot Tey ALICE, ee Slow walt. hho she's the Goddess of Gold, —___________Prin-cess of (corrowtalls) Slow Waltz. = Dol-lar Prin - cess AN made of the pu- rest gold; pepwhose pleasure is hers to FREDDY, Ay ‘Tempo al Ee Her ev-‘ry ac-tion con- fess - ‘The for. tune she is worth, accel, ee S'S Prin-cess of Dol-lar Prin Is sometimes the poor-est_on Aller <4ion is pushing tier Pry, tut masters her yk dance, foclings stamps her fost aud'saye, soit earth! Ss = 2 + bP(Dances with James, then fale Weeping 48 her furher® arms) 7 FREDDY (with freed Gale er evry ac.tion confess - es, The for - tune she is 1 FREDDY. Allegro. - motto rit, ALICE (weeping. woking after Fredy) (curtain) Prin-cess of Dol-lar Prin As sometimes the poorest on’ earth! wolf Pik —o153 Opening Act III. W. T. FRANCIS. At this gorgeous Ex-hi'- bi-tion Evry kind and each eon ~ i ~ tion ddd d (S45 (azo ps Copyright 1909 by TB, Harms & Francis Day & Hunter New York. Tnternational Copyright Secured.1 po OF mankind — you will find ay And a-mongst the man-y-mil-lions ala he PPP R PS i Who Parade the white Pa-vil-ioms Scoresthireare, from the far, rd yd d ‘2 J train, or some bus v des = cen-dants of Co - lum - bus, Opening Act IIL 8NAdvA Anddes-cend, here to spend heaps of Yes! the dungeest share of dolls : yd sa | N22 ae i i T ‘That the calm Ki - ral-fy collars Em-an-ates from the states we are told 2 paddy dd) Jl 2 PD) prt Em-an-tes from the states Daye Opening Act IIL 8(YANKEE GIRLS) When a Yan- keomakes a pile at home earn it, Then in sem - i= rey - al style he goes —— burn it, He takes his wife and fi Lon ~ don, Par- is,157 For all thesights he’s got tose Before hy dare go home. ‘This way for the Flip-Flap try the Wigegle Womegle. —— Mere’s the se raileway too ypddpd Jd dda Come and see the splendid view. Come and spend the — will-ing shii - ling, Opening Act IIE. 6so) dd dy, dgdd add Stand in line and push, ‘That's the way to spend a day Down at. Shep-herd’s L (Peete ger re lb , 224 ‘That's the way to sped_a day Down at Shep-hérds Bush, : dd2 Thats the way to spend a day at Shop - hens Bush wv oO « it this gor-geous: Ex - hi - bi- tion By-‘ry kind and each con ~ di ~ do 5 5189 Of mankind you will find i a And a-mongst the — man. y millions d » } Who par-ade the white pa-vi scoresthere are, From the far ddd mer! train, or some bus The des - cen-damts of Co - Jum bus, Opening Act IIL 8Yes! the larg ~ est f Aad dex-cond, here fo. spend heaps \ | Be ) Em - an - ates 2d share of dol-lars That the calm Ki = ral- fy collars I \ trom the states We are told, doi 14 1 Opening Act IML. 8Not Here! Not Here! Words by Tartaroff and Men. . M.E.Rourke. ; Music by Jerome D.Kern. use ppt EL Piano. tS Ss abs ten dol - lars one af - ter - noon @ took a ride in a Tax- i - cab and =SG aa I = W beau - ti - ful ‘hew dill And might have been but for as we whirled a - way T watched the cir - oul ar = = = ~ =o = — ——— fetes — one young man just that much poor - er —_— still, I thing go ‘round knew what I had to pay. And Satt Etee = Copyright MOMIX by 2 P.Harms & Francie Dey & Hunton MY. Inecrnattoaat Coppright Securednow be-lieve though I did - nt oncethat mir - a-eles oc - cur, when I got to thejour-neys end "1 paid the prop-er fare, picked it up ran af -ter me and said youdropped this sir. chauffeur said,“I thankyou sir” he did I do de - clare. gg ey ==, SSS here, not here, not — here. It might have hap-pened in Se = Not herelnot here! 8here, not here, not. did - mt say not tra~ ta -la-la-la tra- la-la-la-la - la Not horetnot here! 3168 Love's a Race. (Fredy) LEO FALL, Allegro. —=Ts oe Go the pace, go thepace, go the go the pace, For in Copyright 1908 by“Harmonie” Berli. Copyright 1909 by TB. Harms & Francis, Day & Hunter, New York,its just like a + ly will fol-tow my tips, You will win by a head and two Go the pace, for in love, it’s just like a ¢ = t P Vio = toxy charms, By a neck andtwoarms, Go the pace, go thepace, go (he pace.166 Now when youre a woo - ey Of eyes that are pace must be gen - tle, The slow sen -ti- men - tal Then win post with a rush! Gothepace inthe great Love race, Low's a Race =fol- - low in pas- - sion, A dif - <7 > court = ing tack her, Your pace —~ mark Go the pace, go the pace, Ix the race, Love's a Race -¥ > in the ~ fer - ent race,‘Slow Waltz. That's En - ter Dark or So You will = ‘Whats the pro - per cours - —~ Lows a Race = Ja ~ dies? smile____ for the kis be a - ware. ~~~169 Slower. some are slow, a best and risk a Go— the pace. That's (ae a Love's a Race-w170 Go the pace, gothepace, gothe pace, gothe pace, For in Jove ith just like a race If you on ~ ly will fl-low my tips You will —™~ —= JP win dy a head and te lips, Go the pace, For in Love its just like a race Love's a Race -8mw Slow Waltz. Hf you un - derstand them You can al - ways land a your best and risk a fall, Go the pace, Thats all. Love's a Race -8I N° Sextette. Red,White and Blue. (Daisy, Dick, Kitty, Tom, Jane and Lord Herbert.) Words by Music ADRIAN ROSS. JEROME D, KERN. Vivate. eete Moderato. (DaIsy.) Were go- ing to do the white Ci - ty ith pret-ty, Well Well ride on a line that is bree zy ith ea - sy! Well b (LORD HERBERT) all of us go to Pail - lards; Well dine on French Klck-shaws And feed with the Ly-ons, per - haps; And that will be —rip- ping To —————————————— 10RD.) (xrrry.) (si) (aektbekn ride round in rick shaws While set the flap flip-ping And ee are burst-ing fp stars. Whiz! And flip as it flaps Whoop! The ST Copyright 1900 hy TB.Hacms & Francis Day & Hunter, International Copyright Secured.8 4 : \ ‘ Nn sven hesitates eae Se Sale — ae ee ‘then ou the wa -ter well wan-der, Down yon- der, A beau-ti. fu boat well be col-leens of Bal ly-ma - elin-ton Will squint on Such beansti - fi lovers as 0% ON = FEE ———— = 4 fa; THe boat-man just strad-dles A svan as these, ——DMSY, Each dark “Cey-lon dan — cer Will think rest of us lie low he - give up her sweet sin and -gle Lo - hen grin! Cin - ga - lese! grin! ease, ~ 3 he pad -dles, it would an-swer’ To The hea - grin! Cin - ga - lese! 7 Refrain. SSS SSS ae ==] SS > Test of us le low dad grit ie Give up Yerswest single’ Sate — Pee Red White and Blue. 4mM ——— ty of Red, White and Blue, In the old “Crp (Ear cet t Jack Theyre on view; Or if_youshould pre-fer 7% py k 4 og oy Gs =e ee o SE ang Pp French tri - cou - leur cant get a= way, —— J (SSS eee lho ttt a tare ——$ SSS Get a-way from the two En-tenteCor-di - ale! But the ban - ner for me nd for Red Whe and BlveHas the stars that «are white Ss —- And the red is just right done in. stripes with the Here’ to the Red and te White and Blue, "Vivace? Ws Red,White and Blue 416 “A Boat Sails On Wednesday.” Hornpipe Quintette. (Cowder, Dick, Tom, Tartaroff and Fitz Jones.) Words by ADRIAN ROS Music by GEO, GROSSMITH Jr JEROME. D. KERN, (row) Vivace. It (TARTAROFE) A N meno yHOsso —— vs 4 ——— ee es + wis my plan, as a sin-gle man, To sail a Nor-way ond, horse Pvebacked,for a lot, in fact For more than I am worth; | pam We (orc) But Tu get home soon - er, In a Cu-nardschoon-er So all. on _—_board! And thenews to-night is He's ap-pon-di- ci - tis! You book your _ berth! cho - rus girls, whohave gol - den curls,llave asked to sup with had dis-putes a-bout ten dress-suits, From some one’s Bond Street shep, ° Copyright 1909 by TB, Harms & Francis Day & Hunter, Now York Taternational Copyright Secured(au) fd I won-der wheth- er, They'll get on to- geth - er, Don't stay to And the man is fun - ny, For he wants the mon - ¢ Well then, don’t (TARTAROEP) see! Ive found my lov. ing lit - de— wife, Who quit-ted me im re - stop (COWDER) Ano - tice I re - ceived to - day; For my in - come su- per - Bs Nowshall I re- new our mar - ried life Or what do you say? slust a mil-lion’s all 1 e to pay What shall I ‘do? Make (UH) evratn. Bolt! There's. A boat sails on Wedn’s - to dear old New York tracks! tele Ft °ws an-y old cork! may getthere in five days or Paige or seven, or eight days or nine days or ten ore - lev- en But all that I know is a boat will go.19 Duet— Reminiscence. (Daisy and Marquis.) Moderato assai. _DAISY pp rige! Margurs PP There issome thing I would atk you, ane Piano. Dono let mis-giv.ings taskyou, On-lyaskand I will say! Willyou tell me if 1 may? MARQUIS Shall we be here al-ways — lone-ly? Just a coup-le is that Copyright 1907 & 1908 by Breitkopf & Hartel. Copyright MCMVIII by Aschenberg Hopwood & Crew, Lid.180 molto ri. Poco vivo. wh I could not answer on-ly It maybe, ‘T don’t say no! Some day, per hapss —— Poco vivo. $2 xe A sis - ter too, hed be glad, — tempo Just Like ny - self, aba - by! They'll dance'a ring of roses, 7 ——~ + Duet Reminis.Gai -ly to and fro.____ 181 Han-Sel and a Gretel al-ways do it ppMeno, PP. M “And when the Meno. Then lit~ fle an-gels whis-per: z —— Then lit-fle angels whis-per- Duet Reminis. 4 And when the Sand minstrews the sleep on eyes and — hair, manstrews the sleep on eyes Slowly. ik-le pair! Then it -tle _———_ ick - le pair!”________ Then lit - tle Slowly.182 dh ~ gels whis - per it - ty fan - géls whisper “hit - fy Meno. ne Tengo. Then Lt-Ne af-gels Whisper ‘And when the Sanduanstrows the sleep on eyes and hair, yp x. “Amdwhen the Sandman sttew thesleep oneyes and hair, Then lit-fle angels whisper Tx megs Slower —_——""'» Fit-ty tele Mw Vit-ty iicte {: Duet Reminis. &183 The Lion's Queen. olga Song. Music by RICHARD FALL. nthe gloom y Li ~ Known as Mun - go Old and. grim, aS When Theres a li ~ on on’s den, Al the i dns want fo woo 1 have not seen an one Copyright 1999 by T.B.Harms & Francis, Day & Hunter, New York.Ist T have found it most @x- cit - Ing For they growl and look like bit - ing Hes so ve - ry fond of flirt-ing That he ra - ther dis - con - cert - ing -_ a Love will al - most set them fight - ing Now and Though he ne - ver dreams of hurt - ing Life or them and soothe them All I Hes a fa ee ci: pers And euch in -fy hand soothe them Thats — my ble at slip - pers Fond - ly ure —— ‘The Lion’s Queen185 And I look so ve - ry pret- ty An-y boy who hears my dit - ty Then I plain - ly hear him talk. ing To and fro mo - rose - ly stalk ing, Thinks it is an aw ful pit. ty Hes a man! Luck - y men to go out walk - ing Now with her. — REFRAIN For Tm the — love-ly ve - ry most ev - er © Wi = ons purr = ‘The Lion's Queen186 rub a-gainst my knee, It makes the men so jea-lous when they see! SS es £ =fe the charm-ing Li - on Queen The la-dy of the li-ons I have al - way been, not the fraid of man or beast I am the on-ly man and Ji- on Queen! The Lion's Queen187 7 NO 20. Duet.“Then You Go?” (Alice and Freddy) Allegro moderato. ALICE. en Yor ? at must Then you 50% fae What must 1 ‘Allegro moderato, Ant you stay! Et feo for me when Im a - used to do for keep the books And tell you how the Copyright MCMVUI by Ascherberg, Hopwood & Crew Ltd. be188 so, Miss Con - der, that is AL ve have not I are the terms you Ti give you all you chre to take! Animato. ALICE, give You back your DR189 proud as you, in turn! TH phe on - ly FREDDY. Once col - leet would ask, and more! taught "me to re- gret will serve You as190 fore! ore FREDDY. “nlet Of course, 1 un-der- stand" The past we wont fe- Meno. (aside) Malou) He loves the not, ene - verloved at all! You Moderato. ALICE. need but give me what I gave you that Isquite a fair Fe- Sac e att "E> bP,in ffrettando rien Teast as much As what = Ts earn! preppy. Per- haps a lit- tle Im sure you will! aaffrstiande riten ask me what you will. She's caught, she’s caught, Tempo di Valse. ALICE. ‘That par- a thought! Tempo di Valse.192, la ~ dys here then, you con - fess} You like her, per- Shes young and fair? Allegro. (mimics him angrity) (breaks out) Oh,yes! Oh, yes!_—-Oh, yes! oh, yest oh, yes! ob, yest You leo ferfoo! Allegro. DR193, You dare to tell me that you {0 pass the time! a —— This is some-thing more than blame-ful, Lov- ing just time! Sir, your im pu-dence js shame- ful, * crime! Is she fair, is she dark? De194 is what 1 make you tell me, or Til tind *R Theg your pardon! Do not Yes,shes modest, yes, she’s shrink-ing,Well I ‘The Indy! name you must not know Her and her kind! Am I sil=ly,are you. think-ing? Do you fan-ey Tam 2t bina? Shes like your-self, and shame-less! Why ask her name?shes name-ess!No, no, no, it can't he sot No, to, no, It shanlt_be so! No, no, no, no, No, 10, no, no, nol ‘I woxlt_have it EREDDY. ALICE. # Tonly meant - beg and pray you~ You beg and pray me? T-1 -[ eee dfx! Fredy! is i true you kiss this woman? fat love her thea? Slowly. ALICE PPR One of the Dol lar Prin- ces care no more fur gold, ae | el peleel ee] Se ie : 7 De,196 My heart cam ney - er 1" FREDDY. Shtake mejove, 1 loved you, theuwhat wouldyou say? Animato. i sop >> 2. = uo Aynolto rit (== take me = aS —— SS SES aS eo p o Bi, now my tittle treasure Mas tad to. yield to ~ Come primo. = Caan eo Ta semoito rit y ee measure, And on my bid-ding 50 now earns to step itt wait; So now, so now, DR‘Tempo di Valse lente. ee ye nimato, Now I will love you, love you ‘As on-ly hearts like mine can FREDDY. Now I will fove love you too As on-ly hearts like mine can you, Tempo di Valse lente. oe f b ag Animato, do! Safe in my arms I will fold you, Andcomewhat may, 1 will for rattentando , : _riltentande = pp Slowly. > ——a My own swoot-heari! Here at your feet 1 clwore my Le pp, Now Iwill say, My own sweetheart! Tere at your feet 1 choose ny os Slowly. Dee198 Allegro. part! For inyour eyes that shine a - bove found my dream of part! For inyour eyes that shine Tve found my dream of Allegro. Srit Allegro molto, — = ————_mydream of tovet_—__. — my dream of — love! __ Allegro molto.199) NO 21. Finale. “Hip, Hip, Hurrah!” Vivace. 7D PRINCIPALS ip, hip, bur - rah! We're mar. ried soon, This PRINCIPALS. D&O. have hon- ey - moon, For lip, hip, hur Hip, hip, bur rahi As Copyright MCMVIIT by Ascherherg, Hopwood & Crew, Ltd 7200 jol-tar Wing and Queen We share our joys and cares. Hip, hip, hur = ao} = Faht We Mall the hap py pairs!’ Hip, hip, hur. SSS 5 vr hail the hap- py pairs, So Moderato, off we lyou Moderato. (eF— DR20! ly! Pray re-mem- Ber that, Joy the DRLt Anda Ufe with & wife may be pea - Or elsewhere, If you on- ly thke ryldnda life win & wife maybe eo - ven, Orcleewhere IT sou on fy ike ryldnd'a life with @ wife maybe hea ~~ ven, Orelsewhere,tt you on- by thke