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Just like an original, its hard to know where to start. You sit down at your DAW
withendless possibilities and combinations of sounds in front of you.
Itsoverwhelming.
This takes a bit of practice, and you might not come across any ideas. If so,
dont worry; just move on with your remix, forming ideas inside your DAW.
Before starting a remix, why not do a bit of brainstorming? If youve got ideas
from tip #2, then this is the time to write them down.
The result? Youll sit down to produce your remix with clear intentions and
objectivesinstead of blankly staring at the screen feeling sorry for yourself.
Note:some songs have very little going on, e.g., piano and vocals.
Thesetracksare a joy to bootleg as a lot of the content can be used.
7. Arrangement ASAP
One of the main reasons people dont nish remixes is because they dont get
the arrangement down soonenough. Just like building a game plan, the
arrangement gives you a sense of direction and allows you to step back
tolook at how your remix is developing as a whole.
As soon as you have ideas down, sketch out a basic arrangement. You should
have it down quicker than you would normally when working on an original,
because you already have a few ideas handed to you.
Note: this is extra important when working on bootlegs where youre cutting
and choosing material.
Heard any other remixes that do the same thing? Let me know in the
comments!
9. Keep it Similar
A remix doesnt have to be incrediblycontrasted to the original. Sometimes
you might just want to add a little extra to the original, or expand on ideas.
Youll often hear remixes where the artist has changed just the bassline and
drums, but kept the overall vibe of the song.
This doesnt work for every remix, but sometimes its exactly whats needed.
Dont be afraid to keep it similar and add a slight touch.
12.Treat it as an Original
Sometimes we get too involved in the concept of remixing that we forget
remixing requires originality to actually work. I nd it helpful to think of a
remix as an original track. This is easier when youre not familiar with the
original track, and less likely to copy its style.
Bonus tip:try remixing a song without listening to it at all. Grab the stems
and then go from there.
14. Collaborate
I cant overemphasize the importance of collaboration. Not only is it ultra fun,
but you learn a lot about how other people work and oftenend up in a more
motivated and creative state than you would working by yourself.
Just because youve been gifted with an abundance of audio and MIDI les it
doesnt mean you have to use all of them. Takewhats necessary and build
your remix ontop.
The best way to do this is to practice; remake a melody every day. You could
also check out the music theory ear training exercises here.
(http://www.musictheory.net/exercises)
This also helps with Tip #13. If your ears arent primed then youll have a much
harder time creating your own melody underneath an acapella or something
else. Learning music theory is important as well. (http://edmprod.com/music-
theory-the-tldr-version-ebook/)
Not sure what I mean? Learn about howPharrell Williams always has the same
intro on all his songs. (http://www.stereogum.com/1682908/every-pharrell-
song-starts-the-same-way/news/)
The original.
Note:this can also be applied to original tracks if you have too many ideas.
Remix competitions have deadlines by default, and picking one that ends
fairly soon is a great way to get back into gear (I often do this if Im stuck in a
rut with production to test myself and see how fast I can work). If you choose a
remix competition that ends in 60 days then youre less likely to feel driven
and pressured to nish the track.
Wrapping it Up
This isnt a all encompassing guide to remixing, its simply a collection of tips
that I and others use. Remixes should be enjoyable, they shouldnt take
months, and you should aim to be creative. Next time you do a remix, why not
use a few of these tips? Try adding a second hook, or collaborating.
What would you add to this list? Let me know in the comments section
below.
(http://getworkowbook.com)
Great article! I make a lot of deep house bootlegs. Personaly i'd like to work with just the
vocals from a song and make something completely different with it.
Gr.,
Colin
Colin
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