الأثر المفتوح - دراسة الشعرية في نماذج من القصيدة الخليجية

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The Open Impact

A Study in the Gulf taste poetry
Bahrain as a model
Dr Abdelqader Habib Fidouh

University of Bahrain
This research tries to look at a number of poetic texts in the Arabian Peninsula in the light of
what recent studies left of poetry reception, in parallel with the deepening of creative poetic activity
in mature aesthetic for pioneer poets, after that the experience for this region have gained on the
horizon of the maturity greater density and glow, and coalesced the orbits global, national, and
coincided concerns of the poet with the existential preoccupations. All by the poetic language
affecting its abundance both in terms of persuasion or interestingness and poetic image, which has
invested rhetorical heritage, and features of new writing, including the imagination, and the
exploitation of the symbols in all its forms at the level of the structure and significance.
Despite what may appear in the composition of creative texts selected from the discrepancy,
we note that there is common ground, both in terms of geographical unity lie in the Gulf and Arabian
Peninsula, or in terms of units of goal and result; it initiated the door; to dismantle the semantic
discourse through the generation of infinite formulas moral or icon tags, other metaphors, and spaces,
which makes semiotic sense by receiving efficiency level of the flow in many of these texts.
Poets of the Gulf and Arabian Peninsula have been innovative, and looked after the creation
of images derived from the core of their faith in their cases of nationalism and humanity, like the
contemporary Arab poets who did mobilize the power inherent in their world. This prompted many of
them to enhance the authenticity of their experience, including most of the poetry experiments and
promising creative abilities.
The reading of interpretation that we seek in the open impact to these texts goes indifferent
directions according to the varying level of creativity of each text. The first based on the
extrapolation of meaning under the final interpretation, based on the investment of the interactive
relationship between reader and text. The second does not believe in the existence of an original of
the semantics. In spite of this, we point out that the interpretation which we mean in this research the
texts adopted; because we refuse to be a mirror of the image, or a reflecting mirror, but our desire to
merge with the text is what occupies our minds and strengthens our assumptions.
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الأثر المفتوح - دراسة الشعرية في نماذج من القصيدة الخليجية

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