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u ko s BSC
am barlo
Haris Z
Any theories
or philosop
your work ? hy you brin
g
Apart from
good taste an
theme of the d finding wha
project, Im fr t suits the
rules. Somet om
imes you have the school of no
Branagh or R a director lik
oger Michel e Kenneth
anyway, and who dont lik
who are very e rules
cameras for happy to set
a scene just up 2 or 3
moment or an to catch the
expression on dramatic
its fantastic a face. When
because you it works
able to recrea would never
te those mom have been
traditional co ents by shoo
verage. Then ting
that have to there are othe
be shot more r projects
conventional
ly.
I certainly do
use my prep
strategy that time to find
suits each film a lighting
good camera individually.
team with lo I have a
trust them. Th ts of experien
ey are part of ce and I
anamorphic the reason I
and work qu can shoot
knowing the ickly and effi
results can be ciently,
spectacular.
At the end of
the day, whe
its all about ther anamor
how much pr phic or not,
speed with w ep you do be
hich you light forehand, th
right decision the e
s you make un set, and how many
issues have no der pressure
thing to do w , and those
ith the format
of the film.
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