Professional Documents
Culture Documents
Arch
Portfolio
architecture + design
selected works 2007 | 2012
Ljiljana Vidovic
-
likicav@gmail.com
Luxembourg: +352621719671
03.10.1987.
Serbian nationality
OBJECTIVE: Seeking a position as a Junior Architect / Designer.
educational background
June-Aug. 2012 Arrebita! project for refurbishing derelict buildings, Porto, Portugal | Architect volunteer
Aug.-Nov. 2011 Atelier Marko Brajovic, Sao Paolo, Brazil | Architecture Intern
June/July 2009 Company for engineering and design Yelmar, Ruma, Serbia | Architecture Intern
publications
March 2012 Filip Mitrovic, Ljiljana Vidovic: Master thesis M9.2. Towards water. Identification, Analysis
and Design; Proposals of the Abandoned Area at Nemi Lake, Italy. 2012, 116 pages
competitions
March 2012 Participation in the competition for the best student work (newspaper Novosti)
October 2012 Master thesis proposal | Author exibition at Italian Cultural Center, Belgrade, Serbia
June 2012 Workshop on parametric design of free form building facades | Belgrade, Serbia
June 2011 Sense Istanbul through photography | BEST Summer Seminar, Istanbul, Turkey
April 2011 Atelier of Public Design Final project exibition | Laboratorio Design Factory, Rome, Italy
February 2011 Roma d+ | Seminar on the Design of Special Effects, Rome, Italy
May 2010 Exibition of Projects Parametric Housing and Wall | Mixer festival, Belgrade, Serbia
Fall 2008 Exibition of student work Clock | Cubo gallery, Belgrade, Serbia
skills
Collective housing | Lazarevac Material analysis workshop | ZEED Grid shell optimization
residental | public | urban parametric | architecture parametric | construction
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28
The idea is to revitalize the abandoned area next to the existing Museum od
Roman Vessels. The new project contains four different buildings and a public
space in between, all of which functionally supporting the existing museum at
Nemi lake near Rome, Italy. Of immense importance is the lake that lines the
area and the untouched surrounding nature.
The idea is to create a space that flows: it privides and encourages peoples
interaction and integrates the existing with the new. The area is fisically (and
functionally) divided into stripes, which overlap with each other in two direc-
tons, and thus create diverse situations which suite to the needs/program.
water vegetation trees comunication built structure
1
2 3
4
situation | base | section
interweaving between comunication and building formation
The enter for seminars and conferences is the third building in the se-
ries of four planned additional facilities. The stripes actually grow from
the ground level, and therefore form the skin/roof of the building. Two
of these (out of four in total) remain covered with grass. At the micro
level, the system of overlapping stripes in the longitudinal and transverse
direction is beeing again applied. In this way, the system becomes stron-
ger and more stable. The building itselfs contains two/three conference
rooms, bar and restaurant with kitchen and service area.
Sezzione A - A / A - A
* project exibited at Italian Cultural Center, Belgrade, Serbia
Re
MULTI CUBE competition entry 02
year spring 2012
place Lazarevac, Serbia
collaboration Filip Mitrovic, TIjana Jovanovic, Milica Vujovic, Natasa Saric, Nikola
Todorovic, Damir Alispahic
Our idea was to play with cubes: by placing them on top of each other, and
one next to another, we would create vivd facade from the street view. The
difference between facade plans would give space for bedrooms and balco-
nies. The inner part, that is the courtyard, is designed to be a platform for the
day zone. We created special net, a second facade, that gives the day zone
certain privacy.
The building itself is a cluster of boxes. The boxes went out of the initial
volume in order to provide space and light for the growing subvolumes. As
an outcome, there is a game of shadows between different facades levels/
depths.
Roof plan
The old building contained apartments and small scholl, but was abandoned
around twenty years ago. The new concept considers division of functions into
two main categories: comercial and living zone. The basement, ground floor
and mezanine are designed to be public spaces, with possible future Arrebita
office, workshops and places for the local comunity. Separate entrance on the
top left leads to the first and second floors, that is, two separate apartments.
entrance
storage
living room
living room
entrance
W
kitchen
kitchen bathroom
bathroom
sleeping room/s
sleeping room/s
The spatial element used to organize the coffee shop is a circle. It represents
a table, or a circular separated space. Elements have different scales depend-
ing on the number of people that are using a circle.
1. people are sitting in the middle of the circle (more social, open) / sitting
2.customer looks outside the circle (the most private, intimate, quick to con-
sume coffee) / standing
services
kitchen
1a 1b 1c
WC
2a 2b 2c
green space
3a 3b 3c
4a 4b 4c
same dimension different dimension same dimension different dimension same dimension different dimension
centralized
decentralized
THE COVER
fixes the shell from up
protection role
COLUMNS
construcion role
RAILS
base for shells and columns
* project exibited at Laboratorio Sapienza Design Factory, Rome, Italy
Pa
Habitation hill in Rijeka 06
year fall 2009
place Rijeka, Croatia
The information gathered to start the project comes from the two main as-
pects: topographic condition or steepness of the terrain and a visual presence
of the sea. Design process, structured in the algorithmic way, begins with the
formation of the polygonal mesh onto which subsequent data is transposed.
In a series of steps, polygonal mesh lends itself to become an architectural
form. Traffic ways are accommodate in a gradual transformation of the ter-
rain.
Key isolines are extruded to become front facades of the housing units with
unobstructed views of the sea. Cascading nature of the form provides for the
segregation between the private and communal spaces.
OBJECT IN THE INNER LOWER PART FREE SPACE IN THE INNER PART
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456
789
STEPS TO FORM THE ORGANIZATIONAL NET
3
The algorithm that generates the deformations establishes a relationship be-
tween network elements - polygons. Depending on the number of procedures
that are included in the action, that is, the number of iterations, complex struc-
tures occure, as different inter relations.
By using the primary input data, such as position location, exposure to the
water, topography, terrain in the fall, the secondary input data is developed
- the network.
A certain applied algorithm forms a network and generates visual data. In the
first iteration concrete architectural forms are being obtained: objects; in the
second the individual elements within the object are defined; in the third details
and materialization.
The main idea was to generate the topography - which in this case turned
into the parametric hat, which growth/changes would be easy to control. In
this sense, a spiral line formed the outline of the hat, which was later filled
with triangular geometry. Each of the 220 triangles had a offsetted upper
point, which would be the peak for future pyramid. The direction in which the
pyramid grown is well controlled by several attractors, that are put in virtual
hat surrounding space.
The worshops were done in different courses, all based on the research of
materials and their use. The explored materials were cardboard, glass, plaster
and wire.
The methodology was mainly parametric, thus the projects were developed
by the use of diagrams on different scales. The main used software is Rhinoc-
eros with Grasshopper plug-in.
The wall and the hat were later exibited on Mixer festival in Belgrade.
The functions that the objects contains are: comercial zone, with bar/restau-
rant , service area and two-floor underground garage; administrative area,
with different size officies and service area; at the top floor there is a pan-
oramic bar/restaurant with all the necessary services.
SOUTH FACADE
As for the concept, the idea was to create a museum with a circular com-
munication system. The model shows two main parts: simply presented as
the black and the white part (which in reality would mean different outside
materials). These parts are represent different types of users: the white one
is higher, and exclusively serves as a place for exponates. Its inner facade
can also be transformed, that is completely opened into inner yard, which ex-
pands the exibition space to outside. The black part contains services: toilets,
offices, bar and restaurant, and all the necessary storage rooms.
RESIDENTAL AREA
SPORTS CENTER
KALEMEGDAN FORTRESS
view to be preserved
Pu
Concrete hall 11
CONCRETE HALL.THE END
year spring 2010
place Belgrade, Serbia
The new skin of the hall can be transformed on a daily or a year basis. Once
acepts the people, the hall is chaning without stop.
BRANKO.S BRIDGE
connecting old with new belgrade
overlap version 1 single block
likicav@gmail.com