Professional Documents
Culture Documents
Course Description:
The course is a focused examination of a selected topic in literary studies. Among possible topics
are the following: a specific author, literary movement, historical period, genre, or critical theory;
creative writing or literary journalism; an emerging interdisciplinary area such as digital
humanities, literature and the other arts, or the graphic novel.
This interdisciplinary course explores the aesthetic and cultural interactions between literature and
music. It focuses especially on the transposition of the written word into various musical forms,
from classical lieder, symphonies and dramatic cantatas, to stage musicals, pop songs and rock
opera. There is also discussion of the literariness of contemporary verbal-musical expressions
such as song lyrics. Students are encouraged to appreciate the ways shared cultural material and
iconic texts are communicated in the two art forms, and how they have been shaped by historical
contexts and ideologies. In this way, they gain a more holistic understanding of literature and
culture.
pop songs
Killing an Arab (1980) by The Cure
Cemetery Gates (1986) by The Smiths
Off to the Races (2012) by Lana Del Rey
Whiter Shade of Pale (1967) by Procul Harem
Scentless Apprentice (1996) by Nirvana
ReJoyce (1967) by Jefferson Airplane
Rave on John Donne (1983) by Van Morrison
Broadway musical
Man of La Mancha (1965) by Joe Darion (lyrics) & Mitch Leigh (music)
pop songs
Don Quixote (1972) by Gordon Lightfoot
short story: The Man Who Loved A Double Bass (1962) by Angela Carter
(from Burning Your Boats. The Collected Short Stories; 1995)
Week 13. Brief Student Presentations: Term Paper Topics, Texts and Theses
Assessment
Participation, Worksheets and Discussion 15%
Response Paper 15%
Presentation 20%
Literature Review / Bibliography 10%
Term Paper 40%
100%
Primary Texts
Burgess, Anthony. Napoleon Symphony: A Novel in Four Movements. New York: W. W. Norton,
2014.
Cervantes, Miguel De. Don Quixote. Trans. John Rutherford. London: Penguin, 2003. (excerpts)
Dick, Philip K. The Preserving Machine. The Preserving Machine and Other Stories. New
York: Ace, 1969.
Goethe, J. W. von. Faust, Part One. Trans. David Luke. Oxford: Oxford UP, 2008.
Ishiguro, Kazuo. Cellists and Crooners from Nocturnes: Five Stories of Music and Nightfall.
New York: Vintage, 2010. 3-33, 189-221.
Pinsky, Robert. The Inferno of Dante. A New Verse Translation. New York: Farrar, Straus and
Giroux, 1991. (Cantos 1-5, 26)
5
Rhodes, Dan. The Violoncello. Dont Tell Me the Truth About Love: Stories. London: Fourth
Estate, 2001.
Supplementary Texts
Adorno, Theodor. Music, Language and Composition. Essays on Music. Ed. Richard Leppert.
Trans. Susan H. Gillespie. Berkeley: U of California P, 2002. 113-126.
Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts.
Chicago: U of Chicago P, 2000.
Benon, Stephen. Literary Music: Writing Music in Contemporary Fiction. London: Ashgate,
2006.
Boucher, David. Images and Distorted Facts: Politics, Poetry and Protest in the Songs of Bob
Dylan. Eds. David Boucher and G Browning. The Political Art of Bob Dylan. London:
Palgrave Macmillan, 2004. 134-169.
Brown, Calvin S. Music and Literature. A Comparison of the Arts. Hanover, NH: UP of New
England, 1982.
Bucknell, Brad. Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce and Stein.
Cambridge: Cambridge UP, 2002.
Butler, Christopher. Dylan and the Academics. Ed. N. Corcoran. Do You Know Mr. Jones? Bob
Dylan with the Poets and the Professors. London: Chatto & Windus, 2002. 51-71.
Clayton, Martin. Music, Words and Voice. Manchester: Manchester UP, 2007.
Cott, Jonathan. Ed. Dylan on Dylan. The Essential Interviews. London: Hodder, 2007.
Dayan, Peter. Music Writing Literature, from Sand via Debussy to Derrida. London: Ashgate,
2006.
Dillon, Sarah. The Palimpsest: Literature, Criticism, Theory. London: Continuum, 2007.