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1. What is this movement scored for and how does it compare to the outer two
movements in terms of instrumentation?
Score for solo flute and continuo, whilst the outer two movements are scored for
solo flute and string orchestra.
In a singing style
D Major
4. What structure is this movement in and how many bars are in each section?
Binary form (rounded binary with the return of a 3 bar phrase to end the
movement and the return of the melodic leaps.)
5. How would you phrase the melody in this movement? (e.g. 2 bars, 3bars, 2 bars
etc.)
3, 3, 2, 2, 3
Perfect
7. The first section modulates to which key by the end of the movement? What
cadence occurs at bar 6?
8. The second section begins in a new key. What key is this? (Hint: Identify the
cadence in bar 8 to help you?)
Bar 10
10. What is a key characteristic of the melody in the first section of this
movement?
11. How does the melody of the second section compare with the first (with
the exception of the final three bars)?
Minor 9th
14. Comment on the rhythm used in the bass throughout this movement.
15. Identify a key rhythmic motif used throughout the melody in this
movement?
16. On what beat of each bar does this rhythm usually occur, and where does
this pattern change?
Usually on first beats of bar, however this is changed to weaker beats of the bar
in the final two bars.
18. Compare the harmonic rhythm of the first three bars. What could you say
happens to the harmonic rhythm as we approach cadence points?
Bar 1, one chord, Bar 2 and 3, two chords. Harmonic rhythm tends to increase
as we approach cadence points.
The piece uses tonal harmony with clear cadence points throughout.
20. The movement uses diatonic harmony with the exception of a few chords.
Find an example of one of these.
21. Locate all of the cadence points in this movement (you have already
found two of these).
Bars 11-13
23. Describe the texture of this movement. (There is more than one answer
for this question).
Bar 7