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This content downloaded from 150.131.192.151 on Mon, 25 Jan 2016 21:06:25 UTC
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Kathleen Raine
theory that the universe was created not by the 'word of God' but by
a 'big bang', purposeless and meaningless. Thus 'faith' has become
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2 / The ground offaith
knowledge grows.
The Vedic hymns, civilization's heritage from time immemorial,
express the dawning of faith in this sense, as mankind experienced the
emergence of living agents, the 'gods', of both inner and outer worlds,
still inseparably one: Usha, goddess of dawn and of promise, Savitr
the rising sun and awakening consciousness, beginning and setting
forth, Surya the sun in his glory and the fullness of life. The world is
England and France at the end of the the eighteenth century: in the
wake of the French Revolution it was already becoming current to
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Kathleen Raine / 3
repeated by the whole congregation, begins with the words 'I Believe
..." and is followed by a string of affirmations of belief to which every
Christian is asked to subscribe. But 'belief' is not 'faith': belief is
rational andvoluntary, or may be mere opinion, whereas faith is a
company of the Heavenly host crying Holy, Holy Holy is the Lord God
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4 / The ground offaith
and for the mainstream Indian tradition,is the divine presence in man,
called by Blake the 'divine humanity' or (Jesus being God made Man
in the Christian creed) 'Jesus the Imagination', an understanding that
comes close to the Upanishadic understanding of the Self. Faith is an
Imagination, has from time immemorial flowered not only in the arts
of poetry, painting, music, sculpture and architecture but also in the
alone', and in the capitalist West material goods in excess, but without
producing its own food and means of livelihood, but at the same time
she understood that the soul too must be fed, and she encouraged
theatre and music and above all, the arts and crafts produced by
human hands, the marvellous skills of the innate creativity of India's
objects but to create them; Blake called poetry, music and painting 'the
three Powers in man of conversing with Paradise'. Might we not say
that 'Paradise' is the object of 'faith' and is both created and ex
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Kathleen Raine / 5
symbols.
Yeats gave a simple answer when near the end of his life he wrote
in a letter: "It seems to me that I have found what I wanted. When I
seek to put all in a phrase I say 'Man can embody truth but he cannot
know it.' I must embody it in the completion of my life. The abstract
is not life and everywhere draws out its contradictions. You can refute
Hegel but not the Saint or the Song of Sixpence..." Yeats, it should be
remembered, is Blake's first editor and greatest
disciple and he too
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6 / The ground offaith
feelings, a 'big bang' for the divine creation of the world Keats calls 'a
vale of soul-making'.
itmachines, robots,
computerswhile treating the living world of
animals and plants, earth itself and ultimately humanity also, as pieces
of mechanism. Need we be surprised that the same mentality has
'Everything that lives is Holy' already taken place for us to restore the
old certainties and securities? Or can we, even now, raise our vision
beyond the nihil to the unknown unknowable source, once called God,
whether that source be in ourselves, or in and beyond the marvels of
the phenomenal world, rediscover 'that things which are seen were
not made of things which do appear'the ground of 'faith'?
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