Professional Documents
Culture Documents
Alto Sax
A# # # : d 1
= 250
Chris Potter's solo from a London, UK Masterclass
Transcribed by
Chorles McNeal
#] # # / ' B B B' B E 1 ' B B B' B' B B B ' dB# bB1 ' B B' B H B B
28
#] # # ' 'B B B B ' B# B B B ' B B' B' B ' B' B' B B ' B 0 0 B B
60
#] # # B B B B B B B B B. bB D 0 1 bB B B B B A B B
65
#] # # 0 B B B B B B A A A A A Aa 1 A A A A Aa 1 A A bB1 B B B B0
81
#] # # / A' A# A' A A' A A ' A A A ' A A' A A' A A' ' A A ' A A' A A
94 3
3
#] # # A A. 0 01 Aa B B B B' A A A A A A A A . B B B B B B B B B B B' B
97 3 3 3
#] # #' B' B' B B' B B B B B' B' B' B' B' B B' B B B B B B B B B
111
#] # # B B B B B. 1 0 1 bB' B# B B# B B B' B# B A A A A
114
#] # # ' B' B' BB B B' B' B B B B B B B' B B ' B' B B B' B B B# B' B
140
#] # # B' B' B B A A' 1 ' bB B B' B' B ' A ' A 1 ' B' B' B' B 1 A A ' A
174 3
#] # # A ' A A# A ' A A A A' A ' A A ' A A A# A' A' A A ' A A A' Aw A A'
221
#] # # ' A A # A A ' A A# ' A A ' A A A ' A A' A A# A ' A # A A' A A' A A A'
229
--------
3 3
3 3 3 3
3
#] # # A A A # A A' A# A ' A A A A' c 21 0 A A A ' A A ' A A A# 8: A A A' A :
231
--------
3
end
#] # # A A A' # A' A A# A A A A' A A' A Aa 1 ' C / A A' ' A ' A' A ' A A
238
#] # # A A A' ' A ' A A# A ' A A A A A A' ' A A' A A' A ' A A' A A A' ' A
251
#] # # A A A A A A A' A ' A ' A A' A A ' A A A ' B' B B' B# B. bB
254
( )
#] # # ' B. ' bB B' B' B' B ' B B' B B# B B' B B B B' B B B B B B
279
#] # # B A A A A. A A A. A A A . B A. A A . B A A B A. B' B. B B B B
307
(lmplied Half-time 6/8)
3 3 3 3 3
3
3
3 3 3 3
3
pushed
3
3
3
3
#] # #' BA 0 0 0' B BA 0 0 0' B BA 0 0 0 B 'BA 0 BA 0 A A A A 0 A
336 3 3 3 3 3 3
3 3 3
3
3
3 3
3
368 3
C A
#] # # tB B At ' B ' At 0 : 0 B B' A A A' A A A' A A B B B
=
3 3
#] # # A A A A A A A A ' B B B B B B B B B B B B B B B B
407
#] # # B B B B A A ' A A ' A A A' A A ' A A A ' A ' A A A B B B B
410
w Hw H ' H w w
#]# # ' B' HH' B HH A A A Aa 1 0 B HH' HH HH B B HH B wHH B B
438 w w B
#] # # B B wHH B B B B B bB1 B B B B B B A' A A ' Aw A A A Aa 100 A G ;:
441
#] # # A Aw A A AAw A Aw A' A A' A A' A A' A B' B A' A 0 / ' A A' A' A
468
#]# # A a A Aa 9: 0 0 : Ao ' Ao Ao Ao Ao G G G
492
A Aw A A A
3
A A Ao
Approximation----------
3
no decernible pitches
495 A G G
----------
G o o
A o Ao A Ao
#]# # A Ao Ao Ao A A Ao A Ao Ao ' Ao Ao A# o . ' Ao # Aao 1
o 3
no decernible pitches
End approximation 3
#] # # bB 10 Aa 1 B B' bB 1 0 bB 11 bB B B B B B B B B B B B B B B B
521
#] # # A ' A A . bB ' B' bB1 A A' a 1 C 0 A A 1 Aa 1 Aa A' A' 1 Aa Aa 100 ' A ' A
531 Legato --------
#] # # 1 Aa 1 Aa' A ' A 0 Ax A. A. A. At A B BAt A At B tB xB xB D 0 ' At A At
536 3
Freely, no time
3 5
3
#] # # A' A' A ' A A A A A A # A A A A A C 0
542 3 3
#] # # A A A A A ' B B' B B B B B B A A # A A A A A A A A A A
542
3
#] # # A A A' A A A 1 C . 0 A A A A# A A 1 C . A ' C # C C A A A
542 3 3 3
3
#] # # ' C # A . Aa C 0 1 Aa A. A Aw A A A A A B B wB B
546
Ritard------------------------ --------------------------------
#] # # A A ' A A ' A A ' A ' A A ' A ' B ' B B ' B ' B B B B B' B
546
3
Ritard----------------------------------------
#] # # B' B B B' B B B B ' Aa. 1 A AA A' ' A A A ' A A A A' A 0 A A A A
548
Ritard---------------------------------------------
#] # # =: 0 A A A A A Aa. 1
584
#] # # ' B B' B' B B' B' Av ' B# B B' B# B B B B B B' B B B' B B ' B ' D
585
Faster
#]# # A . A A B. B B B. B B B. A A A . A A B. B B B. B B B. A A
590
Basic Chord Changes
#] # # -
591 C#m F#7
- B
- - Bm
-
#] # # -
596 E7 A
- - Am
- D7
-
#] # # -
601 G
- C#m
- D7
- G
-