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Roland V-Drums Catalog

V-Drums Artist Omar Hakim


Customize, Create,
Innovate with V-Drums
No matter the musical style or level of mastery, drummers can express themselves with
unmatched creativity, flexibility, and nuance with Roland's award-winning V-Drums. Beautiful
sound, quality construction, unreal editing, and limitless customization V-Drums let you build

your dream kit from the inside out with powerful COSM instrument modeling, add-on drum and
cymbal pads, and high-caliber percussion controllers.
V-Drums Sets V-Drums Sets

The V-Pro Series TD-20K is anchored by Rolands TD-20 module,

TD -20K-BK
famous for its stunning, ultra-expressive sound and powerful-yet-friendly
V-Pro Series
V-Editing. The patented mesh V-Pads provide a comfortable, natural feel,
a wide dynamic range, and authentic rimshot triggering, along with a cool look

Rolands Most Expressive and Dynamic V-Drums Kit Ever. and striking finish. The V-Pro Series TD-20K also features Rolands innovative
two-piece V-Hi-Hat and a drum stand* designed to hide the cabling. Its the
ultimate kit for the modern drummer!
*Not included

V-Pro Series
170cm / 66-15/16 inches
TD-20K-BK
Percussion Sound Module TD-20 X 1

140cm / 55-1/8 inches


V-Pad PD-125BK X 3 CY-14C CY-15R

V-Pad PD-105BK X 2 PD-105 PD-105


CY-14C
V-Hi-Hat VH-12 X 1 PD-125
V-Cymbal Crash CY-14C X 2 PD-125 KD-120
V-Cymbal Ride CY-15R X 1 PD-125

20
VH-12
V-Kick Trigger Pad KD-120BK 1

TD-
X
Drum Stand MDS-20BK X 1

Color Variation

V-Pro Series TD-20K-WT


V-Pro Series
TD-20K-WT
Percussion Sound Module TD-20 X 1
V-Pad PD-125WT X 3
V-Pad PD-105WT X 2
V-Hi-Hat VH-12 X 1
V-Cymbal Crash CY-14C X 2
V-Cymbal Ride CY-15R X 1
V-Kick Trigger Pad KD-120BK X 1
Drum Stand MDS-20BK X 1

*Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*Connection cables are partially hidden for photography purposes. *Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*Connection cables are partially hidden for photography purposes.

*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 U.S. Patent Pending

04 05
V-Drums Sets V-Drums Sets

Great feeling, great sounding the new V-Stage Series TD-12K makes the

V-Stage Series TD -12K-BK


middle range of the V-Drums line feel like first class.
With mesh V-Pads all the way around, the TD-12K lets drummers
experience the best-feeling pads in the business.
Professional Quality in a Compact Kit The new TD-12 percussion module share the same sound quality as
the flagship TD-20.

V-Stage Series
145cm / 57-1/8 inches
TD-12K-BK
Percussion Sound Module TD-12 X 1

120cm / 47-1/4 inches


V-Pad PD-105BK X 1 CY-12R/C CY-12R/C

V-Pad PD-85BK X 3 PD-85 PD-85


V-Hi-Hat VH-11 X 1
V-Cymbal Ride/Crash CY-12R / C X 2 PD-105 KD-85 PD-85
V-Kick Trigger Pad KD-85BK X 1

12
VH-11

TD-
Drum Stand MDS-12BK X 1

Color Variation

V-Stage Series TD -12K-WT


V-Stage Series
TD-12K-WT
Percussion Sound Module TD-12 X 1
V-Pad PD-105WT X 1
V-Pad PD-85WT X 3
V-Hi-Hat VH-11 X 1
V-Cymbal Ride/Crash CY-12R / C X 2
V-Kick Trigger Pad KD-85WT X 1
Drum Stand MDS-12BK X 1

*Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*Connection cables are partially hidden for photography purposes. *Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*Connection cables are partially hidden for photography purposes.

*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 U.S. Patent Pending

06 07
V-Drums Sets V-Drums Sets

V-Tour Series TD-6KV V- Compact Series TD -3KV


Mesh Snare and Dual-Trigger Cymbals Make this Kit a Smash Hit The TD-3KV is equipped with a PD-85BK mesh snare
drum pad, plus three tom pads, a kick pad that accepts
a double pedal, and dual-trigger, chokable cymbal pads!
It also includes the great-sounding TD-3 sound module
with Rhythm Coach features for improving timing,
speed, and endurance.

V-Compact Series
TD-3KV
 

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V- Compact Series TD -3Kit


The Roland TD-3Kit is the fastest and most affordable way
to get into a real V-Drums set. This expandable kit includes
Rolands TD-3 Percussion Sound Module with high-quality
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kick trigger, and an onboard Rhythm Coarch for improving
timing ,speed, and endurance.
The TD-6KV is one of Rolands most popular V-Drums kits. It offers great playability, thanks to its
natural-feel mesh snare pad, dual-trigger tom pads, dynamic cymbal pads with swinging motion, V-Compact Series
TD-3Kit
and a vertical kick trigger. The easy-to-use sound module sports a sleek black look with a blue LCD,  

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a multi-function sequencer thats perfect for practice, plus 99 kits and 170 "play-along" patterns.     
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08 09
Roland V-Drums Innovation File No.01 Roland V-Drums Innovation File No.01

Roland V-Drums Innovation


File No.01 V-EDIT
Build Your Kit Frequency Plots
From the Ground Up
Percussion Sound Module If youve never experienced the power and user-friendliness
of Rolands V-Editing, youre in for an incredibly pleasant
level level

surprise. The TD-20 and TD-12s visual, icon-driven editing


screens make it dead simple to create your own kits from
scratch. Thanks to powerful COSM modeling technology,
you can choose the shell material for the drums, the shell
frequency frequency
dimensions, the head types, snare-buzz amount, the Snare (Wood Shell) Snare (Brass Shell)
amount of muffling, kick-drum beater type, the size of the
cymbals, microphone positions, and more!
Great-feeling mesh pads are only part of the V-Drums story.
The heart and soul of our award-winning kits are the advanced,
COSM-modeling sound modules. The TD-series modules are unsurpassed
in rich sound both acoustic and electronic and amazing expressiveness.
Decades of extensive R&D combined with an incessant desire to be
the very best has propelled Roland to the pinnacle of percussion technology.
Shell Material/Depth Head Type/Tuning
Build your own snare drum with COSM-modeled shell material, such as wood, Here you can choose the type of drum head (such as clear, coated, and
brass, and steel. The depth of the kick and toms can also be changed. Pinstripe*) and adjust the pitch. *Pinstripe is a registered Trademark of Remo Inc. U.S.A.
Essential V-Drums Elements Beyond Specs
In making the worlds finest electronic drum kits, Roland has mastered Tapping Into the Intangible
these key performance elements: comfort, pinpoint accuracy, full- Memory size and sampling rate alone do not determine the actual
spectrum sensitivity, realistic positional control, and stunning sound sound quality of an electronic musical instrument. Roland looks at
quality. In harmony, these elements combine to create the world- sound quality on a higher level. In addition to pristine audio capture
famous V-Drums experience. and modeling, we believe that the quality of source instrument, the
skill of the sampling-session player, the quality of the studio and Muffling/Strainer Adjustment Kick Beater Selection
Add a doughnut-style muffler on the snare or a weight-type muffler on the bass Choose from a variety of kick beaters, such as felt, wood, and plastic.
recording equipment, and many other intangible factors add up to drum. The snare strainer can also be adjusted. *Only possible on the TD-20.
give V-Drums an unbeatable edge.

1
Interface
2
Sensing
3
Sound Engine
Dimensions of Expression

pad, hitting strength,


dynamics,
cymbal, hitting position,
sound character
hi-hat hitting interval
Cymbal Size Sizzle
Strong center shot
Hitting strength

strong Here you can change the size of your cymbal from 1 inch to 40 inches. Add realistic sizzle to your cymbal with modeled rivets or a chain.
Flam shot with *The TD-12 only has rivets.
moderate strength

ll
weak ro Buzz roll near the edge
al
e rv
cente
r int
ot
g
in
Unmatched Power, Articulation, Hittin
g po
edge
sitio on
e sh
H
itt
n
& Sensitivity
The V-Drums magic begins with the location and strength of the stick Mic Position Snare Buzz
on the pad, as well as the intervals of the strokes. From weak to strong, Choose the placement of your virtual microphones. *Only possible on the TD-20. Add realistic snare drum buzz to give your kits even more expression. The
from the center of the pad to the edge, from single-shots to rolls, your amount of buzz* (the resonance created on the tom and bass drum) can be
varied to get just the right effect. *Adjustment of buzz amount is possible only on the TD-20.
performance data is translated with lightning-fast accuracy by the V- *The TD-12 can only switch the buzz on and off.
Drums central processor.
*Detection of hitting position and interval is only possible on the TD-20/12

10 11
Percussion Sound Module Percussion Sound Module

Percussion Sound Module Percussion Sound Module

TD-20 TD-12
The Best Sounds, Unbeatable Sound
the Most Expressive Performance With the same stunning sound quality as the flagship TD-20, the
TD-20 is Rolands best-sounding percussion module ever, with new TD-12 drum module provides hundreds of expressive
over 500 new sounds, plus superb dynamic range when used with instruments and play-along sequences in a streamlined,
the PD-125/105 V-Pads and VH-12 V-Hi-Hat. Superior sensitivity affordable package. Many of the sounds in the TD-12, from
lets drummers play more naturally and without having to adjust drums to cymbals, are COSM modeled for the ultimate in
their playing technique. Rimshot and bass drum sounds can be expression and realism. The module provides the same large,
varied depending on how they are played, and with Rolands new icon-based LCD as its big brother (the TD-20), and is housed in a
interval control technology, drummers can create more realistic road-tough, metallic black chassis with a friendly array of buttons,
snare rolls and cymbal swells. controls, and mix sliders. Twelve trigger inputs are provided, plus
four audio outputs and MIDI I/O.

Advanced V-Editing
The modeling-based V-Editing starts from careful analysis of an
entirely new drum sounds. Drummers are free to change
Unrivaled V-Editing
parameters such as cymbal size, type of sizzle (e.g. rivets or
Enjoy the dozens of expert-programmed kits in the TD-12 from
chain), and microphone position. Several types of kick beaters
REAR VIEW REAR VIEW authentic acoustic sets to ultra-modern electronic flavors. But the
can also be selected, including felt, wood, and plastic. For the hi-
fun doesnt stop there; customize your snare drum, toms, bass
hat, you can also add a tambourine. The TD-20 can even model
drum, and cymbals with the modeling-based V-Editing. Change
snare buzz (the resonance created on the tom and bass drum)
sizes and materials, attach sizzles to cymbals, add snare buzz,
for startling realism.
and more. Then get out your sticks and enjoy! The TD-12
supports positional sensing on the snare and ride, as well as on
Enhanced Performance Features the toms when you play rimshots. The TD-12 is also brush
Eight group faders let drummers adjust the mix balance of the compatible, and features the authentic Interval Control feature for
kits components, while 15 Pad Compressors and EQs make the snare and ride/crash/china cymbal, which varies the sound in
SPECIFICATIONS shaping sounds easy. Theres also a 6-part sequencer loaded SPECIFICATIONS natural ways based on the speed of stroke repetition.
Sound Generator Variable Drum Modeling Maximum Polyphony 64 Voices Instruments with preset backing patterns and plenty of room for your own, Sound Generator Variable Drum Modeling Maximum Polyphony 64 Voices Instruments
Drum Instruments: 560 (1,300,021 variations), Backing Instruments: 262 Drum Kits 50 Drum Drum Instruments: 560 (172,161 variations), Backing Instruments: 262 Drum Kits 50 Drum Kit
Kit Chains 16 chains (32 steps per chain) Instrument Parameters V-EDIT (KICK): Shell Depth, plus onboard effects such as Ambience and a Mastering Room Chains 16 chains (32 steps per chain) Instrument Parameters V-EDIT (KICK): Shell Depth, Head
Beater Type, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT (SNARE): Type, Head Tuning, Muffling, Snare Buzz, V-EDIT (SNARE): Shell Material, Shell Depth, Head
Shell Material, Shell Depth, Head Type, Head Tuning, Muffling, Strainer Adjustment, Mic Position,
for adding compression and EQ to the overall sound. A choice of Type, Head Tuning, Muffling, Strainer Adjustment, V-EDIT (TOM): Shell Depth, Head Type, Head
V-EDIT (TOM): Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT Tuning, Muffling, Snare Buzz, V-EDIT (HI-HAT): Cymbal Size, Fixed Hi-Hat, V-EDIT (CYMBAL):
(HI-HAT): Cymbal Size, Add Tambourine, Mic Position, Fixed Hi-Hat, V-EDIT (CYMBAL): Cymbal
10 analog outputs and a S/PDIF digital output offer plenty of
Cymbal Size, Sizzle Type, Sustain, EDIT: Pitch, Decay Ambience Parameters Room Type, Room Tap Into a New World of Style and Groove
Size, Sizzle Type, Sustain, Mic Position, EDIT: Pitch, Decay Ambience Parameters Room Type, options when mixing live or in the studio. It also has 15 dual Size, Wall Type, Mic Position, Room Shape Mixer Parameters Volume, Pan, Minimum Volume,
Room Size, Wall Type, Mic Position, Room Shape Mixer Parameters Volume, Pan, Minimum Output Assign Effect Types Pad Equalizer (each pad), Pad Compressor (each pad), Multi-Effects: From rich studio kits to bombastic arena monsters, the TD-12 can
Volume, Output Assign Effect Types Pad Equalizer (each pad), Pad Compressor (each pad), trigger inputs, so if you own a standard TD-20K drum kit, you 5 types, Reverb (for backing part) Percussion Sets 8 Sequencer User Patterns: 100, Preset
Multi-Effects: 14 types, Master Compressor, Master Equalizer, Reverb (for backing part), Chorus Patterns: 150, Parts: 6, Play Types: Oneshot, Loop, Tap, Tempo: 20260, Resolution: 192 ticks
deliver amazingly authentic drum and percussion sounds. Pop,
have four extra inputs to add more pads.
(for backing part) Percussion Sets 8 Sequencer User Patterns: 100, Preset Patterns: 100, per quarter note, Recording Method: Realtime, Maximum Note Storage: approx. 20,000 notes, Click rock, jazz, hip-hop, you name it the TD-12 has you covered.
Parts: 6, Play Type: Oneshot, Loop, Tap, Tempo: 20260, Resolution: 192 ticks per quarter note, Sounds: 20 types Metronome Parameters Time signature, Interval, Volume, Output select
Recording Method: Realtime, Maximum Note Storage: approx. 20,000 Notes, Click Instruments: 20 (Master and Phones/Phones only) Click Instruments=20 (Voice counting, Click, Cowbell, etc.) But in addition to its acoustic-modeled kits, the TD-12 also offers
Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED), Trigger Level
Indicator (LED) Faders 8 Preview Button Connectors Trigger Input Jack x 15, Hi-Hat
Convenient CompactFlash Storage and More Tempo 20260 Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED),
Trigger Indicator (LED) Controllers Faders: 6, Preview Button: (velocity: 3 steps) Connectors a new crop of edgy, fun, and experimental sets that have been
Control Jack (VH-12, FD-7, FD-8), Master Output Jacks (L/MONO, R), Direct Output Jack x 8, Trigger Input Jack x 12, Hi-Hat Control Jack (for VH-12, VH-11 and FD-8), Master Output Jacks
The CompactFlash slot can be used for storing custom drum kits created for unique, modern music creation. With an emphasis on
Digital Output Jack (COAXIAL), Headphones Jack (Stereo 1/4 inch phone type), Mix in Jack (L/MONO, R): 1/4 inch phone type, Direct Output Jacks (1, 2): 1/4 inch phone type, Headphones
(Stereo 1/4 inch phone type), MIDI Connectors (IN, OUT/THRU), Foot Switch Jack (1/4 inch TRS and sequencer patterns with optional memory cards. An expansion Jack: Stereo 1/4 inch phone type, Mix in Jack: Stereo 1/4 inch phone type, MIDI Connectors (IN, fun, these new kits are laced with colorful COSM processing,
phone type), CompactFlash Card Slot, AC Inlet Output Impedance 1.0 k ohms Power Supply OUT/THRU), AC Inlet Output Impedance 1.0 k ohms Power Supply AC 115 V, AC 117 V, AC
AC 117 V, AC 230 V, AC 240 V (50/60 Hz), AC 220 V (60 Hz) Power Consumption 16 W bay located on the underside means theres room for upgrades 220 V, AC 230 V, AC 240 V (50/60 Hz) Power Consumption 13 W Dimensions 260 (W) x 248 filter fluctuations, auto-roll effects, tap-sequence patterns, loop
Dimensions 307 (W) x 256 (D) x 105 (H) mm / 12-1/8 (W) x 10-1/8 (D) x 4-3/16 (H) inches (D) x 108 (H) mm, 10-1/4 (W) x 9-13/16 (D) x 4-1/4 (H) inches Weight 2.6 kg / 5 lbs 12 oz
Weight 2.9 kg / 6 lbs 7 oz Accessories Owners Manual, Power Cord Options Pads (PD-8,
down the road. The TD-20 also features Rolands V-LINK technology. Accessories Owner's Manual, Power Cord Options Pads (PD-8, PD-85BK/WT, PD-105BK/WT, patterns, and more. Let the inspiration begin! And if you want to
PD-85BK/WT, PD-105BK/WT, PD-125BK/WT), Cymbals (CY-8, CY-12R/C, CY-14C, CY-15R), Using an optional DV-7PR Video Presenter from Edirol, drummers PD-125BK/WT), Cymbals (CY-8, CY-12R/C, CY-14C, CY-15R), Kick Triggers (KD-7, KD-8, KD-
build your chops (or perhaps steal the show), fire off one of the
Kick Triggers (KD-7, KD-8, KD-85BK/WT , KD-120BK/WT), Hi-Hat (VH-12, VH-11), Hi-Hat Control 85BK/WT, KD-120BK/WT), Hi-Hats (VH-11, VH-12), Hi-Hat Control Pedal (FD-8), Stands (MDS-
Pedal (FD-8), Stands (MDS-20BK), Cymbal Mount (MDY-10U), Pad Mount (MDH-10U) can trigger images or change cameras from the pads or kick. 12BK, MDS-20BK), Cymbal Mount (MDY-10U), Pad Mount (MDH-10U) 150 patterns built into the TD-12 and play along.

12 13
Percussion Sound Module Percussion Sound Module

Percussion Sound Module Percussion Sound Module

TD-6V TD-3
Incredible V-Drums Sounds Amazing Drum Sounds at Your Fingertips
The TD-6V module serves up 1,024 of Rolands best drum and The TD-3 Percussion Sound Module boasts 114 world-class
percussion sounds and 262 backing instruments complete with drum and percussion sounds, and 32 kits including separate
99 drum kits and 170 patterns in the latest musical styles. Users head/rim triggering on the snare and bow/edge triggering on the
can first listen to the patterns with the drum part as an example, hi-hat. Its also easy to use, so you can start playing right way. To
and then mute it to play along. The TD-6V also lets players record find a drum kit, just use the Phrase Preview function, and a short
their drumming, so they can play it back for evaluation. demo will play. The TD-3 also comes with 15 types of built-in
Drummers can create their own custom drum kits and store them Ambience effects and compression, making it easy to enhance
to user memory, or add EQ and Ambience effects to beef up the the overall sound quality.
sound. Theres even a 6-part sequencer thats great for jamming
and practice with backing tracks.
Rhythm Coach Exercises and More
With Rolands Rhythm Coach onboard, drummers can improve
REAR VIEW their timing, speed, and endurance using seven types of rhythm
Cool Look and Friendly Interface training exercises with variations. Its a great way to hone your
The TD-6V sports a black case and blue LCD screen thats easy skills while having fun. The TD-3 also includes a stereo Mix input
to read under any lighting condition. Luminous rubber buttons for playing along with external audio sources, plus MIDI In and
REAR VIEW
make selecting different kits and editing sounds and effects quick Out for connecting with sequencers and other MIDI gear.
and intuitive. Even those new to electronic percussion will find
this module easy to understand. The TD-6V can be expanded
TD-3 Coach Mode List
with up to 11 pads and cymbals. Plenty of room to grow. SIDE VIEW
Display Parameter level/type Practice Content

An excellent warm-up exercise that also teaches note values. The metronome
Rhythmic Notes 3 types plays through a series of beat divisions every two measures, starting with half
notes, up to 16th-note triplets, and then back down to half notes again.

Designed to develop good timing skills through visual use of the display.

Realistic Sound and Time Check 2 levels As you play along with the metronome, your performance is measured
against the timing of the click, and the result is displayed.

Expressive Performance Control Quiet Count 6 types


A timing exercise designed to develop "internal" timing. The metronome will play at the
set volume for the first 1, 2, 3, 4, 6, or 8 measures, then play the second 8 measures
at a reduced volume, challenging you to maintain the proper tempo throughout.
SPECIFICATIONS
Maximum Polyphony 64 Voices Instruments Drum Instruments: 1,024, Backing Instruments:
This friendly module is packed with top-grade drum and Similar to Time Check, except that the metronome advances five beats per
Speed Check 2 levels minute whenever a rhythm is played for eight measures with the correct
262 Drum Kits 99 Effect Types Ambience, 2-Band Master Equalizer Sequencer Preset percussion sounds, but great sound quality is just the timing. This continues until the metronome's maximum tempo is reached.
Songs: 170, User Songs: 100, Parts: 6, Play Functions: One shot, Loop, Tap, Tempo: 20--260, SPECIFICATIONS
Resolution: 192 ticks per quarter note, Recording Method: Realtime Recording, Maximum Note beginning. The TD-6V enables realistic and expressive Instruments Drum Instruments: 114, Click Instruments: 10 Drum Kits 32 Effect Ambience Designed to build stamina by increasing the metronome one beat per
Gradual Up/Down 2 types minute every two beats until the maximum tempo is reached. The tempo
Storage: approx. 12,000 Notes Display 20 characters, 2 lines (backlit LCD) Connectors Trigger (15 types) Click Tempo 20--260 Coach Mode Menu: 7, Variation: 20 Display 7 segments, 3 then decreases in the same manner and the process repeats.
Input Jacks: 9 (11 Inputs), Hi-Hat Control Jack, Output Jacks (L/MONO, R), Phones Jack (stereo performance control, such as cross-sticking on snare, rimshots characters (LED) Connectors Trigger Input Jack x 9, Hi-Hat Control Jack, Output Jacks
miniature phone type), Mix in Jack (stereo miniature phone type), MIDI Connectors (IN, (L/MONO, R), Phones Jack (stereo phone type), Mix In Jack (stereo miniature phone type), MIDI Designed to develop playing endurance by increasing the metronome's tempo five
on the toms, cymbal chokes and cymbal-edge shots, and pitch Step Up/Down 3 types beats per minute every eight measures until the maximum tempo is achieved. The
OUT/THRU) Output Impedance 1.0 k ohms Power Supply AC Adaptor (DC 9 V) Current Connectors (IN, OUT) Output Impedance 1.0 k ohms Power Supply AC Adaptor (DC 9V) tempo then decreases in the same manner and the process repeats.
Draw 1,000 mA Dimensions 266 (W) x 199 (D) x 75 (H) mm / 10-1/2 (W) x 7-7/8 (D) x 3 (H) control with hi-hat control pedal. Current Draw 1,000 mA Dimensions 220 (W) x 144 (D) x 59.5 (H) mm / 8-11/16 (W) x 5-11/16
A voice count-in function that can be very useful for practicing. There is
inches Weight 1.1 kg / 2 lbs 7 oz (excluding AC Adaptor) Accessories Owner's Manual, AC (D) x 2-3/8 (H) inches Weight 550 g / 1 lb 4 oz (excluding AC Adaptor) Accessories Owner's Count In
also a visual measure counter in the display.
Adaptor (ACI/ACB Series), Screws (M5 x 8) x 4 Manual, AC Adaptor (ACI/ACB Series), Screw (M5 x 8) x 4

PRESET SONGS Ambience Type.


No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig No. Song Name Time Sig
Type Description
DRUMS 18 HARD POP 4/4 34 SHFL GRV 4/4 49 CNTRYBLD 4/4 66 3/4 FS 3/4 83 REGGAE4 4/4 99 8BEAT2 4/4 118 RAVE 4/4 135 BRS FALL 4/4 153 SYNCHRD1 4/4
1 DRUMS 4/4 METAL BLUES 50 CNTRYROK 4/4 67 BGM FS 4/4 84 SKA 4/4 100 8BEAT3 4/4 119 REGGAE5 4/4 136 ENCORE 4/4 154 SYNCHRD2 4/4 n 1, n 2, n 3 Natural room reverberation.
ROCK 19 EARLYMTL 4/4 35 BLUES1 4/4 JAZZ 68 CTMP'FS 4/4 LATIN 101 SHUFFL1 4/4 120 BOSSA BT 4/4 TAP 155 A_GTRTAP 4/4
2 US ROCK
3 ACO ROCK
4/4
4/4
20 THRASH
BALLAD
4/4 36 BLUES2
37 BLUES3
4/4
4/4
51 SWING1
52 SWING2
4/4
4/4
DANCE
69 HIPHOP 4/4
85 LATIN1
86 LATIN2
4/4
4/4
102
103
SHUFFL2
SLOW1
4/4
4/4
LOOP
121 4/4SHAKR 4/4
137
138
SAMBA
ACO BASS
4/4
4/4
156
157
E_GTRTAP
D_GTRTAP
4/4
4/4
b 1, b 2, b 3 Light, airy reverberation.
4 8BT'ROK1 4/4 21 6/8BLD 6/8 POPS 53 JAZZ WLZ 3/4 70 EUROBEAT 4/4 87 LATIN3 4/4 104 SLOW2 4/4 122 6/8SHAKR 6/8 139 BRS SECT 4/4 158 C_GTRTAP 4/4 As the number increases the room size changes,
d 1, d 2, d 3 Warm and mellow reverberation.
5 8BT'ROK2
6 MED ROK
4/4
4/4
22 POPBLD
23 ROCK BLD
4/4
4/4
38 BGM POP
39 REFRESH
4/4
4/4
54 JAZZ BLD
55 LATINJAZ
4/4
4/4
71 HOUSE
72 FUNK1
4/4
4/4
88 MAMBO
89 MERENGUE
4/4
4/4
105
106
R&B1
R&B2
4/4
4/4
123 LATN PTN
124 CLAVES
4/4
4/4
140
141
GRV BASS
GRV PAD
4/4
4/4
159
160
G_GTRTAP
A_STRUM
4/4
4/4
making the effect more obvious.
7 SHFL ROK 4/4 24 PIANOBLD 4/4 40 DANCEPOP 4/4 56 6/8 JAZZ 6/8 73 FUNK2 4/4 90 SALSA1 4/4 107 BLUES 4/4 125 TABLA 4/4 142 GRV CHRD 4/4 161 GTRCHRD1 4/4 Boosted attack gives the sound greater punch.
8 FUNK ROK 4/4 25 16BT'BLD 4/4 41 POP ROCK 4/4 57 SMTHJAZZ 4/4 74 FUNK3 4/4 91 SALSA2 4/4 108 POP X 4/4 126 SITRDRON 4/4 143 ADLBSOLO 4/4 162 GTRCHRD2 4/4 c 1, c 2, c 3
9 SLOW ROK 4/4 R&B 42 ACOUSPOP 4/4 58 BIGBAND 4/4 75 808HPHOP 4/4 92 SALSA3 4/4 109 DIXIE 4/4 1SHOT 144 JAZZEND1 4/4 163 PAD&BASS 4/4
Warm reverberation is also added.
10 URBAN 4/4 26 OLD R&B1 4/4 43 ELEC POP 4/4 FUSION 76 JAZZFUNK 4/4 93 SONGO 4/4 110 FUNK1 4/4 127 DRUMFILL 4/4 145 JAZZEND2 4/4 164 ACO GTR 4/4
11 UPBEAT 4/4 27 OLD R&B2 4/4 44 POP WLTZ 3/4 59 FUSE 4/4 77 ACIDFUNK 4/4 94 TJANO 4/4 111 FUNK2 4/4 128 DBL BASS 4/4 146 FUNK BRK 4/4 165 WAH GTR 4/4 Boosted attack gives the sound greater punch. More compression is applied as the number increases,
12 TRIPLETS 4/4 28 OLD R&B3 4/4 R&R 60 ACID FS 4/4 78 HPHPJAZZ 4/4 BRAZIL 112 16BEAT1 4/4 129 ROLL T1 4/4 147 FUNKEND1 4/4 166 CUT GTR 4/4 C 1, C 2, C 3
13 16BT'ROK 4/4 29 OLD R&B4 4/4 45 ROCKABLY 4/4 61 SLOW FS 4/4 79 TEKPOP 4/4 95 BOSSA 4/4 113 16BEAT2 4/4 130 ROLL T2 4/4 148 FUNKEND2 4/4 167 VOICES 4/4 Shallow room reverberation is also added. giving the sound greater punch.
14 CYBER 4/4 30 R&B SHFL 4/4 46 ROCKIN' 4/4 62 MED SHFL 4/4 REGGAE 96 SAMBA1 4/4 114 HIPHOP2 4/4 131 ROLL T3 4/4 149 SITARRAG 4/4 168 ANLGPERC 4/4
15 HARDROCK 4/4 31 R&B HOP1 4/4 47 SURF ROK 4/4 63 UP SHFL 4/4 80 REGGAE1 4/4 97 SAMBA2 4/4 115 AMBIENT1 4/4 132 LATNFILL 4/4 150 SANTUR 4/4 169 SFX TAP 4/4
16 FNKYHR 4/4 32 R&B HOP2 4/4 COUNTRY 64 FUNK FS1 4/4 81 REGGAE2 4/4 BASICPTN 116 AMBIENT2 4/4 133 ROLLBNGO 4/4 151 STRINGS 4/4 170 CAR CELL 4/4
17 BOOGIE 4/4 33 SMTH GRV 4/4 48 BLUEGRSS 4/4 65 FUNK FS2 4/4 82 REGGAE3 4/4 98 8BEAT1 4/4 117 TRANCE 4/4 134 SPANISH 4/4 152 RESOBASS 4/4

14 15
V-Pads , V-Kick V-Pads , V-Kick

V-Pad V-Pad V-Kick Trigger Pad

PD-125BK / PD-125WT PD-105BK / PD-105WT KD-120BK / KD-120WT


Natural Triggering
with Double Pedal Support
Rolands time-tested KD-120 V-Kick Trigger Pad, is
available in black or white finishes to complement the rest
of the pads. The 12 V-Kick Trigger Pad offers fast, natural
kick-drum triggering, and is compatible with double-bass
pedals (sold separately).
KD-120BK KD-120WT

PD-125BK PD-125WT PD-105BK PD-105WT V-Kick Trigger Pad

KD-85BK / KD-85WT
Our Most Sensitive V-Pads Ever!
How do you improve upon the worlds most popular electronic percussion both feature Rolands latest dual-triggering technology, resulting in more A New Rock-Solid Foundation
pads? Start by designing a brand new sensor mechanism for more accurate even and accurate sensing between the head and rim. They are also the first Sink your beater into this solid, great-feeling mesh kick pad
triggering, and then give em a cool black or white finish! The 12-inch V-Pads with rimshot capabilities on the toms including the actual rim available in black or white finishes. It offers improved pad cushioning
PD-125BK/PD-125WT and 10-inch PD-105BK/PD-105WT mesh V-Pads click sound*. *Rim triggering on toms requires TD-20 or TD-12 Percussion Sound Module. for a better feel, and can accommodate double bass pedals (sold
separately). Torture-tested for quality assurance, this new pad has
the stamina and stability to handle the toughest poundings.
KD-85BK KD-85WT
V-Pad Mesh Replacement Heads

PD-85BK / PD-85WT MH-12/10/8 Kick Trigger Pad Kick Trigger

KD-8 KD-7
Patented V-Drum Mesh Heads
These replacement mesh heads (developed in
partnership with REMO USA) are designed to
perfectly fit Rolands full range of V-Pads.
*Available as replacement parts.

Dual Trigger Pad


Slim-Line Pedal that Feels Great Responsive Kick Triggering for Any Percussion Setup
PD-8
The KD-8 Kick Trigger Pads sturdy, vertical design gives drummers a This velocity-sensitive kick drum trigger can be used with a standard kick
better feel and solid, accurate triggering. The upright KD-8 can even drum pedal. It features a mix input for chaining two KD-7s together for a
PD-85BK PD-85WT
accommodate double bass pedals (sold separately) perfect for double-bass setup, and comes with a beater and connection cable (kick drum
drummers who want to create complex rhythms. A convenient folding front pedal not included). The KD-7 is the ideal kick trigger for use with the HPD-15.
The Rock-Solid, Fast-Action Pad leg makes transportation easy.
Rimshot-Ready Mesh Pads This durable 8.5 inch rubber pad offers super-
The new 8 dual-zone V-Pads feature Rolands latest dual-triggering accurate triggering and a time-tested design for
technology, resulting in more consistent and accurate sensing years of reliable use. The PD-8s dual-trigger Hi-Hat Control Pedal
Perfect for Compact Kits and Roland Percussion Pads
between the head and rim. Built tank-tough and ready to take a
pounding, these new-generation pads are available in black or white
capabilities make it perfect for triggering
rimshots on the toms or bow/edge sounds on FD-8 Thanks to Rolands new FD-8 Hi-Hat Controller, drummers can get
finishes with chrome brackets. When used as tom-toms for the TD- the hi-hat when used with the Roland TD-series realistic hi-hat sounds with smooth transitions between open and
20 and TD-12 sound modules, the pads let you play rimshots, and percussion modules*. closed. The updated look makes the FD-8 fit perfectly with the striking
the sound will change depending on the strength of your stroke. *The TD-3 does not support head/rim triggering on the toms. new look of the V-Tour and V-Compact Series.

Roland V-Drums Innovation What is a mesh head? How it works


File No.02
Acoustic Drumhead Mesh Head
Mesh drum pads have the distinct advantage of being quiet and realistic When an acoustic drumhead is struck, the surrounding air vibrates and
V-Pad & V-Kick Trigger Pad in feel. The secret is the material, woven from special fabric. This material
is very durable, and provides a
a sound is produced. The harder it is struck, the more the head moves
and the larger the sound. With Rolands patented mesh head (multi-
Sound

Vibrating Air
Roland proudly offers the best-feeling drum pads in the business. Experience the Head
remarkably natural touch, just like layered for superior feel and strength), the air is released from the gaps
comfortable feel of our patented mesh-head pads, and enjoy the realism and quiet
an acoustic drum head. Now you in the mesh fabric, so the surrounding air does not vibrate. This is what
action that these pads provide. For the utmost in personalization, the head of
can practice in silence without ever makes a mesh head so quiet.
each pad can be tensioned to your taste, just like real drums. And speaking of quiet
having to worry about sore wrists.
comfort, the V-Pads rims are rubber-coated to keep rimshots as quiet as the mesh.

16 17
Roland V-Drums Innovation File No.03 & 04 V-Hi-Hat & V-Cymbals

Roland V-Drums Innovation


File No.03 V-Hi-Hat

V-Hi-Hat VH-12

Advanced Sensor Technology for Ultimate Realism VH-12 Technology in a Compact, One-Piece Format
In creating the worlds finest modeled hi-hat, Roland embarked upon Derived from the groundbreaking VH-12 hi-hat, Rolands new VH-
a time-intensive mission to create a virtual hi-hat that would perform 11 combines two hi-hat cymbals into one with an ingenious one-
like the real thing. The winning formula features three different types piece floating design. Amazingly, it performs like a real hat, and
of sensors on the top of the cymbals bow, the edge, and in the center provides a realistic up/down pedaled response thanks to the
of the bottom cymbal where it detects the foot pedal movements. stationary base mounted below the cymbal pad. With the
Sophisticated triggering data, such as the distance between the top combination of two sensors on the bow and edge, plus a motion
and bottom cymbals, sensor unit mounted
are detected by having in the center, subtle
VH-12 Sensors [highlighted in blue] VH-11 Sensors [highlighted in blue]
the three sensors nuances (including The First Electronic Hi-Hat
working perfectly in foot movement) can
Designed Like an Acoustic
sync. The end result is be achieved. The one-
Wow! Thats what youll say once you try the VH-12 V-Hi-Hat. This work with the TD-20/12s enhanced dynamics. The dual-trigger VH-12
amazing playability piece design makes
breakthough electronic hi-hat is designed to precisely model the look creates smooth hi-hat sounds from open to closed including the half-
and realism, with the for easy setup on
and feel of its acoustic counterpart. So much so, it mounts on an open position with all of its delicate nuances. By applying pressure to
same nuances and conventional hi-hat acoustic hi-hat stand! The VH-12 uses top and bottom cymbals with full the pedal (even after closing), you can vary the pitch and decay for
tonal coloration of an stands. motion capability for ultra-natural stick/pedal work, and is designed to playing fast and tight articulations.
acoustic hi-hat.

V-Hi-Hat

Roland V-Drums Innovation VH-11


File No.04
V-Cymbal Realistic Feel,
Streamlined Design
With eyes closed, drummers will think theyre playing
a regular two-piece hi-hat. But examine the
innovative new VH-11 floating hi-hat, and youll see
Quest For the Perfect V-Cymbal The Technology Within that its actually comprised of one floating cymbal
pad atop a fixed lower base. Great for fast setup and
Developing the ultimate electronic cymbal required the What may look like a simple rubber/plastic disc is actually a sophisticated slice of easy transport, the VH-11 mounts on conventional
Roland design to create numerous prototypes cutting-edge technology. Inside the V-Cymbals bell and edge is a thin film-like sensor hi-hat stands, and provides a similar playing feel to a
comprised of a wide range of materials. After extensive that lies beneath the rubber playing surface. The sensors detect sticking position, 2-piece hi-hat. The VH-11 is fully compatible with
research, the team arrived at the perfect combination of velocity, and edge pressure (for cymbal choking). This complex detection and Roland's TD-20, TD-12, and can be used with the
internal and exterior materials that are durable and can calculation happens instantly, providing drummers with a realistic and accurate TD-10 w/TDW-1, TD-8, TD-6V, and TD-6.
properly simulate the resistance and swing amount that playing experience. A small but important Roland design principle is that the cymbals
drummers feel when an acoustic cymbal is struck. are not completely round, which minimizes vibration that can cause mis-triggering.

Swing Mechanism of V-Cymbals V-Cymbal Explained (CY-15R)


Ultra-sensitive sheet-like
sensors (shown in blue)
are located beneath the
bell and the edge. Under
the bow area is a sensor
for detecting the
strength and location of
the impact.

18
V-Cymbals Stands

V-Cymbal Ride V-Cymbal Crash Drum Stand

CY-15R CY-14C MDS-20BK


Ergonomic Design and Striking Looks
Rolands MDS-20BK Drum Stand offers a stylish curved look that keeps
everything within reach. All cabling is hidden neatly inside the tubing, and the
hardware is extremely durable, thanks to aluminum T-fittings. The raked design is
perfect for mounting additional pads, such as VH-12 V-Hi-Hat or SPD-S using
optional stands. And changing the height is quick and easy; vertical adjustments
with quick-release cam levers are provided on each of the stands legs and the
two cymbal stands, allowing the tiers to remain in place.

Natural, Three-Way Triggering and


Swinging Motion This Crash Cymbal Really Swings!
Drum Stand
The CY-15R V-Cymbals Ride is a 15-inch cymbal that offers natural The CY-14C V-Cymbals Crash is a 14-inch crash cymbal featuring the
swinging movement and ultra-dynamic three-way triggering
(edge/bow/bell) when used with the TD-20 and the TD-12, making this the
same dimensions and natural movement of an acoustic cymbal. A dual-
trigger system with individual sensors for the edge and bow gives you
MDS-12BK
most expressive electronic cymbal ever designed. With edge/bow or more dynamic response, allowing for expressive cymbal chokes.
bow/bell output jacks, this cymbal can be used as a ride cymbal or large Concentrated mass around the rim ensures uniform sensing whenever
crash cymbal, expanding the possibilities of any Roland drum system. the cymbal is struck. Solid, Stylish Drum Stand
Mount your V-Drums in style and stability with the MDS-12BK. Featuring Roland's sturdiest
grip clamps, this rock-solid rack let's you play with confidence, knowing that your drum and
cymbal pads will remain locked in position. For a clean appearance and quick setup, the
V-Cymbal Ride/Crash Dual-Trigger Cymbal Pad cabling can be concealed inside the pipes. The MDS-12BK's open-leg design makes hi-hat
placement more convenient, and its wide design lets you to easily expand your kit with
CY-12R/C CY-8 additional drum, cymbal, and percussion pads. Optional PM-3 Satellite speakers can be
mounted on the center poles without the need for boom clamps (speaker bases are required).

Drum Stand Cymbal Mount Pad Mount

MDS-3C MDY-10U MDH-10U


The Perfect
Compact, Triple-Trigger Cymbal Dual-Trigger Cymbal with Choke Control Portable Partner
This 12-inch electronic cymbal brings breakthrough V-Cymbal technology Sporting a refined look that more closely resembles an acoustic cymbal, A sturdy and ultra-affordable
to a very affordable price point. This expressive 3-way trigger* cymbal the CY-8 Dual-Trigger Cymbal Pad offers precise and accurate triggering drum stand for use with the
offers the natural rebound, inertia, and natural swinging motion of an for both crash and ride purposes complete with natural swinging V-Drums V-Compact and The MDY-10U is a flexible, sturdy cymbal mount for V-Cymbal Pads or a
acoustic cymbal, plus cymbal choke capabilities. Use it as crash or a motion and cymbal choke capability. V-Tour Series. BOSS DB-90 metronome. Its foldable design makes set up and teardown
compact ride cymbal. a snap. The MDH-10U is a rock-solid pad mount thats also friendly for
*3-way triggering is capable when used with the TD-20 and TD-12 sound module. setup and teardown. It holds V-Pads and Trigger Pads.

V-Cymbal Roland V-drums Innovation File No.05

CY-15R
Size

15"
Trigger (playing area)

Bell / Bow / Edge


Choke Position Sensing

* Drum Stand
Solid, Stylish Stands With Simple Set-Up
CY-14C 14" Bow / Edge
Form and function unite in Rolands tough, attractive MDS-series drum stands. Adding to the
CY-12R/C 12" Bell / Bow / Edge * sleek, clean appearance are concealed cables inside the tubes of the MDS-20BK and MDS-
12BK. Both stands are constructed of sturdy steel pipes. The MDS-20BK features a quick-
CY-8 12" Bow / Edge release cam lever to adjust height. The more affordable MDS-3C can be folded up with pads
and sound module mounted for portability and storage convenience.
*Possible when use with the TD-20/12.

20 21
Monitors Accessories

Sound Module and Drum Pad Combinations


About the table
Yes
No
You need to select the suitableTrigger Type (Pad Type)
example (the grey area in the list):
Personal Monitor for V-Drums on the sound module for your pad. With a PD-125 connected to the Trigger Input 2 (SNARE) of the TD-6V, headshots and rim shots are possible.

PM-10 V-Pad Pad V-Cymbal / Cymbal Pad V-Hi-Hat


Kick Acoustic
Trigger Drum Trigger
Pad
Sound Trigger PD-125BK/WT, PD-8 CY-15R, CY-12R/C CY-14C CY-8 VH-12 VH-11 KD-120, RT-5S, RT-7K *1,
Solid, Portable Sound Reinforcement Module Input PD105BK/WT,PD-85BK/WT KD-85, RT-3T *1
KD-8,
Designed as a portable companion for Rolands V-Drums, the new Playing
Methods
Head
Shot
Rim
Shot
Brush
Sweep*3
Head
Shot
Rim
Shot
Choking
Bow
Shot
Edge or Three-Way
Bell Shot*4 Triggering
Choking
Bow
Shot
Edge
Shot
Choking
Bow
Shot
Edge
Shot
Choking
KD-7 Head
Shot
Rim
Shot
PM-10 is equipped with a 30-watt amplifier and a 10" 2-way coaxial
speaker. Its compact design is perfect for small-sized drum kits, such 1 (KICK)

as the TD-3KV , and the TD-6KV. Jam along with your favorite songs 2 (SNARE) *pos
*pos *pos *pos *pos
by connecting an external CD or MP3 player to the Line In jack. *2 *10

Balance the V-Drums and the external audio with the dedicated 3, 4, 5, 6 (TOM1, 2, 3, 4) *pos
*10
volume controls; adjust the tone with the built-in 2-band EQ.
TD-20 7 (HI-HAT)
SPECIFICATIONS
Rated Power Output 30W Nominal Input Level/Input Impedance V-DRUMS Input: 0dBu/20k ohms, LINE Input: 0dBu/20k ohms Speakers 10" (250 mm) Woofer + 3" (77 8, 9 (CRASH1, 2)
mm) Tweeter(Coaxial, 2-way) Enclosure Bass-reflex type Controls V-DRUMS Volume Knob LINE Volume Knob BASS Knob TREBLE Knob POWER SW Indicator
POWER Connectors V-DRUMS Input Jack (Stereo 1/4" phone type) LINE Input Jack (Stereo 1/4" phone type) Power Supply AC 117 V, AC 220 V, AC 230 V, AC 240 V
(50/60 Hz) Power Consumption 36W Dimensions 364 (W) x 396 (D) x 352 (H) mm 14-3/8 (W) x 15-5/8 (D) x 13-7/8 (H) inches Weight 12 kg / 26 lbs 8 oz Accessories 10(RIDE), 11(EDGE) *pos
*pos
*pos
*5
*pos

Owner's Manual Power Cord * 0 dBu = 0.775 Vrms
12, 13, 14, 15 (AUX1, 2, 3, 4) *pos
*10

V-Drums Amplifier Personal Monitor Amplifier Personal Monitor System 1 (KICK)

TDA-700 PM-1 PM-3 2 (SNARE) *pos *pos


*2 *10 *pos *pos *pos

3, 4, 5 (TOM1, 2, 3) *pos
*10

TD-12 6 (HI-HAT)

7, 8 (CRASH1, 2)

9 (RIDE), 10 (EDGE) *pos *pos *pos *5 *pos

11, 12, (AUX1, 2) *pos


*10

The First Full-Range 1 (KICK)


A Powerful and Accurate Monitor System Designed for 2 (SNARE) *2

V-Drums Amplifier! A Monitor Built for Percussion Electronic Percussion
3 (HI-HAT) *11
The TDA-700 is the ultimate way to experience The PM-1 is the perfect monitoring system for The Roland PM-3 Personal Monitor System TD-6V

your V-Drums. This bi-amped system uses a Roland's SPD-series and HPD-15 HandSonic. uses two powered speakers and an Active Dual 4, 5/6 *6, 7/8 *6
240-watt powered 15-inch woofer and a 60-watt Precisely tuned for the needs of acoustic and Drive woofer to capture the V-Drums' (and
powered horn driver plus Rolands proprietary electronic percussionists, the PM-1's 60-watt other electronic percussion systems) full range Others
FFP technology to deliver a sound quality amplifier and two-way speaker system sound of sounds. The two speakers can be mounted *2
that's second to none. The built-in V-Drums great on stage or at home. And monitoring is on Roland electronic drum system stands SNARE

Shape function makes it possible to monitor the easy, thanks to an angled design that even making the PM-3 perfect for home use. TD-3
HI-HAT, CRASH1,
CRASH2, RIDE
V-Drums sound properly, while versatile input accommodates drum stands.
and output capabilities and a Stereo Link function SPECIFICATIONS Others
make the TDA-700 perfect for stage setups. System Configuration Speaker (x 2) + Woofer Unit Rated Power Output
Speaker: 50 W/8 ohms x 2, Woofer Unit: 100 W/4 ohms, Total: 200 W
Nominal Input Level Main Input: -10 dBm, Mix Input: 1, 2 *9
-10 dBm Nominal Output Level Line Output: -10 dBm Speakers 4" Woofer SPD-20
SPECIFICATIONS SPECIFICATIONS + 2" Midrange + 1" Tweeter Woofer Unit 10" Woofer x 2 Controls Main
Rated Power Output 300W (LF 240W + HF 60W) Nominal Input Level Rated Power Output 60W Nominal Input Level (1kHz) CH1 Input Level Knob, Woofer Level Knob, High Knob, Mix In Level Knob, Power 3, 4
(1kHz) CHANNEL IN (CH1-CH3): -20dBu, STEREO LINK IN: +4dBu (MIC/LINE) XLR Type: -50dBu thru -20dBu, CH1 (MIC/LINE) PHONE Type: Switch Connectors Main Input Jacks (L/MONO, R), Mix Input Jacks
Nominal Output Level (1kHz) LINE OUT: +4dBu (XLR type, Phone type), -50dBu thru -20dBu, CH2,3 (LINE): -20dBu, CH4 (MONOTOR): -20dBu (L/MONO, R), Line Output Jacks (L, R), Speaker Jacks (L, R), Phones Jack
STEREO LINK OUT: +4dBu Speakers 38cm (15inches) x 1, Horn Tweeter x Nominal Output Level (1kHz) LINE OUT: +4dBu Speakers 30 cm (12 (Stereo) Enclosure Speaker: Sealed, Woofer Unit: Acive Dual-Drive Power SPD-S TRIG IN (1/2) *6 *7
*7
*7
*7
*7
*7
1 Connectors V-DRUMS IN (STEREO) Jack, STEREO IN (CH1-CH3), inches) x 1, Tweeter x 1 Connectors CH1 INPUT Jack (XLR Type Supply AC 117V, AC 230V, AC 240V Power Consumption 160 W
STEREO LINE OUT (XLR type, Phone type), STEREO LINK IN Jack, Balanced), CH1 INPUT Jack, CH2 INPUT Jack, CH3 INPUT Jack, CH4 Dimensions Speaker: 118 (W) x 115 (D) x 186 (H) mm / 4-11/16 (W) x 4-9/16
STEREO LINK OUT Jack, HEADPHONES Jack Power Supply AC 117, INPUT Jack, LINE OUT Jack, PHONES Jack Power Supply AC 117, 230, (D) x 7-3/8 (H) inches , Woofer Unit: 555 (W) x 335 (D) x 450 (H) mm, 21-7/8 HPD-15 TRIGGER INPUT *6 *7 *7 *7 *7 *7 *7 *9
230, 240V Dimensions (including casters) 514 (W) x 538 (D) x 991 (H) mm 240V Dimensions 651 (W) x 487 (D) x 422 (H) mm / 25-11/16 (W) x 19- (W) x 13-3/16 (D) x 17-3/4 (H) inches Weight Speaker: 1.6 kg / 3 lbs. 9 oz.
/ 20-1/4 (W) x 21-3/16 (D) x 39-1/16 (H) inches Weight 52 kg / 114 lbs 11 oz 3/16 (D) x 16-5/8 (H) inches Weight 21 kg/ 46 lbs 5 oz Options APC-33 (each), Woofer Unit: 30 kg / 66 lbs. 3 oz. Accessories Owner's Manual,
*0 dBu = 0.775 Vrms *0 dBu = 0.775 Vrms Mount Bracket x 2, Screw (No.10-32UNF) x 8, Speaker Cable x 2
2 *5
TMC-6
*8 *5
Others *8
V-Drums Accessory Package OPTIONS Pedal Switch FootSwitch
DP-2 FS-5U / FS-6
DAP-3 All Purpose Clamp
APC-33
*pos.: Positional sensing is available.
*To enable rim shot, edge shot, bell shot and choking techniques, you'll need to connect the pad with the stereo cable.
*1 Does not support rim shots.
Essential Accessories for V-Drummers *2 Supports Cross Sticks.
FS-5U FS-6 *3 Supports brush sweep techniques.
This clamp can be used to attach an SPD-series These rugged footswitches can be used for changing
This handy drum accessory package is ideal for percussion pad to a conventional cymbal stand patches, start/stop, tempo, or other parameters. They can
*4 Connect to the BOW/EDGE output jack for edge shots; connect to the BOW/BELL output jack for bell shots.
*5 With two cables, you can perform using three different tones: bow, bell, and edge.
entry-level V-Drums owners, allowing them to for use with a V-Drums or acoustic drum kit. be used with the TD-20/10/8, SPD-series, and HPD-15.
*6 With a Y-Cable (PCS-31), you can connect two pads to a single trigger input jack. However, rim shots, choking and edge or bell shot on each pad or cymbal are not available for use.
start playing their V-Drums right out of the box. Using the PCS-31, you can connect two single-trigger
*7 You need to set the Input Mode to HD/RM.
*8 With a Y-Cable (PCS-31), rim shots are possible with other trigger inputs in addition to Trigger Input 2.
Components include a kick pedal, drum throne,
Connection Cable
PCS-31 pads to a particular stereo trigger input* on a TD-Series *9 You need to select PD-120 for trigger type settings.
module a great way to get more pads in your system.
and a pair of drumsticks all carrying the *Please refer to (*6) of p. 23. *10 Positional sensing on rim is available.
*11 Open/Close control is possible. Since the module is not fully compatible with the VH-11, the expressiveness of the half-open play is different from the TD-20/12.
Roland logo and assurance of quality.

22 23
Acoustic Drum Triggers Trigger MIDI Converter

RT-Series Acoustic Drum Trigger TMC-6 Trigger MIDI Converter


Versatile Acoustic Triggers with Play MIDI Modules From an Acoustic Set!
V-Drums Technology.
 +, -  +.(. , #        +.(.         
 
          
              
                    ' (
                !"         ?@      +.(.     '
## $            
 (       
               %
  #         &      
  ' ( ) *(       
+, -  
 +.(.  
Kick Trigger

RT-7K
5
Trigger: Connector:   A# 05%B   4
Dimensions: 6 0 4  !7 0(4  B2 034  % 6 5%5- 0 4  6 5 %5- 0(4 5 5%5-
034  Weight: 57  % B C
Accessories: DE + ,
, Guide for installation: 55  5  % !%5-  %2    
          
Snare Trigger

RT-5S
Triggers: 6 03  4 Rim Level Knob: 5
Connector:   A# 0  5%B   4 Dimensions:
6 0 4  577 0(4   034  % 6 5%5- 0 4  5%5- 0(4  6 5%2 034 
Weight: 5-7  % - C Accessories: DE + , ,
Guide for installation: 55  5  % !%5-  %2       
       
Tom Trigger

RT-3T
5
Trigger: Connector:   A# 05%B   4
Dimensions: 6 0 4  557 0(4  !6 034  % 6 5%5- 0 4  B %2 0(4  6 !%2 034
 Weight:5!  % ! C
Accessories: DE + ,
, 3 ; Guide for installation: 3      
  -  % 5 !%5-   #  5  % F%5- 

Supported Sound Modules: ( 67 ( 56 ( 57 ( 5 ( 2 ( - (  + 6 +, - *(  Works Great with the RT/TD-Series 6 Trigger Inputs for Maximum Versatility
*( 67 3*( 5
* The performance of the RT-Series can be affected by elements such as the type of drum being used, the tuning and  +, -  +.(. , #         +, -           
use of a mute. For best performance, refer to both the drum trigger's and sound module's Owner's Manual and set the
+.(.           /       0 1( 2 3 3 , *     

             4  ' (     +, -   
trigger parameters accordingly.
* Be sure to mute the bass and snare drum (toms can also be muted if external vibrations are picked up).
* Use a ring mute or mute-type drum head to improve the performance of the RT-5S Snare Trigger.
                       %     '
  
' (      *     *( 56%57%2      ,8 5
* Note that the RT-3T Tom Trigger cannot be used with mesh heads.
* Due to the mute-free design of the RT-3T, when the sticks hit the shell or the rim of the drum, it may produce a louder
volume than striking the head.
    ,8 56%, ' ,        56  
  
Using the RT-Series and TMC-6
Play a TD-Series brain Trigger an SPD-Series module Connect a MIDI module and computer Expand a V-Drums Set

*, 5 , , 04


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24 25
Rhythm Coach Dr. Beat & Practice Conversion Kit

Rhythm Coach Dr. Beat

RMP-3 DB-90
Rhythm Training with a Brain Better Features, Better Practice
Technology meets education in the most advanced, The Note Mixing function allows you to instantly create a
variety of beats by adjusting the levels of five different note
useful, and friendly rhythm-training instrument.
values. Front-panel sliders, buttons, and a large rotary dial
The RMP-3 Rhythm Coach looks good, feels good, and is provide instant, hands-on access to edit parameters. Select IMAGE PHOTO
loaded with rhythmic exercises and four different click sounds, including a human voice-counting
timekeeping tools for you to practice with. With the pad sound that will help you know your place in the bar. The DB-90
is also equipped with realistic PCM drum patterns for
and brain self-contained in one molded piece,
developing accuracy and rhythmic feel effectively. It can also
this new rhythm trainer offers the utmost in portability and be synced to external MIDI sequencers for elaborate
convenience. accompaniment.

Plug Into Rhythm Coach


Audio/Visual Expand your rhythmic horizons with Rhythm Coach. This innovative follow-along feature has
The RMP-3's large LCD provides easy-to-read instructional information, four training modes to help build your accuracy, speed, and endurance. With the DB-90s
complete with a smooth-flow onscreen tempo meter that bounces from onboard microphone, you can use the Rhythm Coach functions with acoustic drums, or plug
side to side. Large buttons and a clearly labeled front panel make using a Roland V-Pad into the Trigger input. Play along, and chart your progress.
the RMP-3 a snap. It has a built-in speaker for the metronome sounds. SIDE VIEW
If privacy is desired, you can use the headphone output to monitor your SPECIFICATIONS
Metronome Tempo: =30-250, BEAT1: 1-9, BEAT2: OFF / 1-9, PATTERN: 30 kinds ( 8-BEAT x 4, 16-BEATx 3, SHUFFLE x 3, FUNK x 2, JAZZ x 2, BLUES,
drumming, metronome, and internal audio. TECHNO, HOUSE, COUNTRY, REGGAE, CLAVE x 2, SALSA, RUMBA, BOSSA NOVA, SAMBA, WALTZ, TANGO, MAMBO, CHACHACHA, MARCH) Voice
Voice 1 (Standard metronome sound), Voice 2 (Electronic metronome sound), Voice 3 (Electronic click sound), Voice 4 (Human voice) Rhythm Coach Time
Check, Quiet Count, Gradual Up/Down, Step Up/Down Reference Tone Reference Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C2-B6
Auto Power Off function 60 minutes Connector: TRIG IN, START/STOP, MEMORY UP/DOWN, MIDI IN, INPUT, AC Adaptor, PHONES x 2 (Stereo 1/4"
Rhythm Type phone type, Stereo miniature phone type) Power Supply: DC 9 V: Dry battery 6F22 / 6LR61 (9V), AC Adaptor (PSA-series (Option)) Power Consumption:
85 mA or less (with reference tone sounding), Expected battery life under continuous use: Approximately 1.5 hours (Carbon) / 6 hours (Alkaline) * These figures
3 3 6 will vary depending on the actual conditions of use. Dimensions: 122 (W) x 164 (D) x 37.5 (H) mm / 4-13/16 (W) x 6-1/2 (D) x 1-1/2 (H) inches Weight: 450g
2 - 3 Son Clave / 1 lb (including batteries) Accessories: Dry Battery (R6 (AA) Type), Soft case, Owners Manual

(whole note) (quarter-note triplet) (8th-note triplet) (16th note) (16th-note triplets)
3 7
Practice Conversion Kit
3 - 2 Rumba Clave Turn Your Snare Drum Into DB-90

(half note) (8th note) (8th-note triplet) (16th note)


5
(septuplet) Feel & Features PCK-1 a Practice Pad
3 - 2 Son Clave 2 - 3 Rumba Clave The RMP-3 is outfitted with a great-feeling, tunable mesh pad for realistic The PCK-1 can convert an acoustic snare
(quarter note) (8th note) (16th note) (quintuplet) and quiet performance. A small pickup is mounted inside the pad, drum into a silent practice pad. It comes with
enabling you to monitor your drumming through headphones, along with a 14-inch mesh drum head that offers the
the metronome and coaching audio. You can play along to external audio same natural response as Rolands famous
Rhythm Coach as well, thanks to the Mix In jack. Position the RMP-3 on your lap, V-Pads, plus a rubber rim silencer for ultra-
a tabletop, or mount it on a stand, such as Roland's PDS-2. quiet playing. An RT-5S Snare Trigger is also PD-125
As a free-standing practice pad, the RMP-3 is a pleasure to play, but included, allowing access to the DB-90s
it's the built-in Rhythm Coach that really makes this unit shine. By connecting a V-Pad or PCK-1, you can tap into
onboard rhythm training exercises. the DB-90s Rhythm Coach exercises.
When activated, the Rhythm Coach challenges drummers in a fun
and friendly way with functions such as Time Check, Auto Up/Down,
and the new "Stroke Balance" mode to help develop consistent stick
Convenience and
Dr. Beat Dr. Beat
technique. Portability
TIME CHECK : In sync with the
Since the metronome and the pad are
DB-60 DB-30
Too slow (dragging)
metronome, this exercise encourages molded into one unit, and it runs onbatteries,
you to strike with accuracy. The display the RMP-3 is a great practice pad to take
informs how accurate your shot was in Right on! More Than Just a Metronome The Take-Along Dr. Beat
seven levels. with you on the road.
Too fast (rushing) The DB-60 is deluxe metronome Its portable, reliable, and fun to use
that can lay down the click in the new DB-30 helps musicians take their
Weaker Stronger
STROKE BALANCE : The display stand style. Program your own beats music to higher levels by offering a
indicates how strong you play by using
or choose from a variety of feature set that defies its diminutive size,
metronome needle. Improve the balance
and accent with both hands visually.
PDS-2 patterns. Tap in your tempo, and including a variety of play-along patterns
clock your practice with the Stop and groove types.
RHYTHMIC NOTES : This provides basic training by changing the rhythm type every two Watch and Timer features.
measures. Useful for warm-up, this exercise helps you master the timing of various notes.
START SPECIFICATIONS SPECIFICATIONS
SPECIFICATIONS Metronome Tempo: =30-250 (Accuracy: 0.1%), BEAT: 1-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8,8+7, Metronome Tempo: =30-250 (Accuracy: 0.1%), BEAT: 0-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 3

QUIET COUNT : This is designed to develop your internal tempo. The click will go back and Pad Size 8 inches Tempo 20260, Beat, 24 types Rhythm Types 18 types Internal Sounds Pad: 1 (tunable), 8+9, 9+8 (23 kinds), PATTERN: 8-BEAT x 3, 16-BEATx 2, SHUFFLE x 2, FUNK, DANCE x 2, COUNTRY, REGGAE, 8+7, 8+9, 9+8 (24 kinds), RHYTHM: Quarter note ( ), Eighth note ( ), Eighth rest and eighth note ( ), Triple ( ),
Triple with center rest ( ), Sixteenth note ( ), Sixteenth note with sixteenth rest ( ), CLAVE 1 ( ),
3
Metronome: 5 Coach Mode Functions: 5, Exercise Variations: 20 Connectors OUTPUT Jack: 1 (Stereo miniature CLAVE x 2, RUMBA, BOSSA NOVA, WALTZ, TANGO, MAMBO, MARCH (20 kinds) Reference Tone Reference
forth from first playing at a fixed volume, and then to a level that is barely audible. phone type), MIX IN Jack: 1 (Miniature phone type), AC Adaptor Jack Power Supply DC9V: Dry Battery 6F22/1604 (9 Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C4-B4 (Accuracy: 1 cent) Timer Setting Range: 1-60 CLAVE 2 ( ) (9 kinds) Reference Tone Reference Pitch: A4 = 438 Hz-445 Hz (1 Hz steps) Reference Tone
V) type (carbon), Dry Battery 6LR61/1604A (9 V) type (alkaline), AC Adaptor Current Draw 55 mA * Expected battery minutes Stopwatch Timing Resolution: 1/10 second, Time Duration: 10 hours (with Auto Power Off disabled) Indicators: Range: C4-B4 (Accuracy: 1 cent) Auto Power Off function: Turns unit off after 60 min. Memory function: Stores the
AUTO UP/DOWN : An endurance exercise that gradually increases and then decreases the life under continuous use: Carbon: 2 hours, Alkaline: 6 hours, These figures will vary depending on the actual conditions of LCD Display, Tempo Indicator LED x 2 Connector: PHONES Jack (Stereo miniature phone type) Power Supply: Dry settings when the power is turned off. (The Mute status is not stored in memory.) Indicators: LCD Display, Tempo Indicator LED
click speed. The rate at which the tempo goes up and down is adjustable, and you can set the use. Stand Screw Size M8 Dimensions 263 (W) x 348 (D) x 78 (H) mm, 10-3/8 (W) x 13-3/4 (D) x 3-1/8 (H) inches Battery (R6/LR6 (AA) Type) x 2 Power Consumption: 70 mA or less (with reference tone sounding), Expected battery life x 2 Connector PHONES Jack (Stereo miniature phone type) Power Supply: CR2032 lithium battery x 1 Power
maximum tempo at which it starts decreasing. Weight 1.2 kg / 2 lbs 11 oz (including battery) Accessories Dry Battery 6F22/1604 (9 V) type (carbon), Tuning Key, under continuous use (Carbon): Approximately 200 hours * These figures will vary depending on the actual conditions of Consumption: 10 mA or less (with reference tone sounding) Expected battery life under continuous use: Approximately 20 hours
Owner's Manual, Leaflet ("USING THE UNIT SAFELY" and "IMPORTANT NOTES") Options AC Adaptor: BOSS PSA- use. Dimensions: 129 (W) x 84 (D) x 22 (H) mm / 5-1/8 (W) x 3-5/16 (D) x 7/8 (H) inches Weight: 156 g / 6 oz (including * These figures will vary depending on the actual conditions of use. Dimensions: 61 (W) x 90 (D) x 20 (H) mm / 2-7/16 (W) x 3-
Series, Pad Stand: PDS-2 batteries) Accessories: Dry Battery (R6 (AA) Type) x 2, Soft case, Owner's Manual 9/16 (D) x 13/16 (H) inches Weight: 70 g / 3 oz (including batteries) Accessories: CR2032 lithium battery, Owner's Manual

26 27
Percussion Controllers Percussion Controllers

Sampling Pad

SPD-S HPD-15
Add Sampling to Your Rig! An Electronic Hand Percussion Pad with
The SPD-S Sampling Pad is a simple and affordable way to tap V-Drums Technology
into the power of sampling. Six pads and three edge triggers allow
The Roland HPD-15 HandSonic is an electronic hand percussion multi-pad with
drummers to trigger CD-quality samples and create phrase loops
incredible triggering capabilities based on breakthrough V-Drums technology.
complete with pro-quality effects.
Divided into 15 parts, the HPD-15 allows hand percussionists to play up to 15
sounds simultaneously with all the sensitivity that the Roland V-Drums are
famous for. There are 600 onboard percussion sounds taken from all over the
world including Latin countries, southeast Asia, China, India, the Middle East,
Integrates Easily with Your Kit and Africa plus electronic drums and sound effects that can be played
The SPD-S is a great way to add sampling to any percussion intuitively by any hand percussionist.
setup, and its easy just record a sound, assign it to a pad, and
go. Up to eight sounds can be played from the six rubber pads and
three edge triggers. With room for 399 User waveforms, the SPD-S Expressive Realtime Control REAR VIEW
can store plenty of samples. Plus, there are 181 ready-to-play
waveforms pre-loaded into User memory. A sampling CD is also A host of powerful controllers can be used to modulate pitch, timbre, and other
included, making it easy to add more sounds. instrument parameters in real time, making the HandSonic even more
expressive. With its expressive D-Beam controller, percussionists can trigger the
REAR VIEW onboard sounds or alter an instruments tuning simply by waving their hands
over an infrared beam of light. Other realtime modifiers include two ribbon
Powerful and Expandable controllers, an expression pedal input, and three control knobs for nearly
unlimited expression.
With 30 multi-effects algorithms and a unique ambience effect, the
SPD-S offers endless sound-sculpting potential plus the ability Pad Stand
to create loops with the Phrase Maker function. The SPD-S has a PDS-15
stereo input, and can accommodate up to two trigger units for Integrated Performance Options Slant-type stand
playing a drum pad in either a head or head/rim configuration. And
For those who desire additional control, an optional KD-7 Kick Trigger Unit or designed for hand
with MIDI In and Out, it makes a great controller as well. The SPD-
FD-8 Hi-Hat Control Pedal may also be connected, allowing percussionists to percussion instruments Example Setup
S can be expanded with CompactFlash media, and can import or
perform even more complicated rhythms. A 1/4-inch stereo input is included for like the HPD-15. PDS-15 can be slanted for
export WAV/AIF files.
mixing other sound sources with the HPD-15's output. more natural playability.

Convenient CompactFlash storage


The SPD-S works with readily Total Percussion Pad
available CompactFlash media
making it easy to expand the onboard
SPD-20
sampling time, store custom sounds,
and even import or export WAV/AIF
files using your Mac or PC. Superb Sounds and Features
*Please contact your authorized Roland dealer
regarding compatibility of CompactFlash media. The SPD-20s sound set includes everything from ethnic and world percussion
instruments to classic and modern acoustic and electronic drum sounds 700
sounds total! Out of the box, you get 99 patches and six rhythm loops that can
be played via eight high-quality pads with natural response even when
playing with common drumming techniques like rolls and flams.
SAMPLING MODE/TIME MULTI-EFFECTS

Internal CompactFlash (approx.) 01 REVERBGATE 16 ISOLATOR


02 DLYEDREVERBDelayed Reverb 17 WAH
(approx.) 16MB 32MB 64MB 128MB 256MB 512MB 03
04
STEREODELAY
SYNC-DELAY
18
19
OVERDRIVE
DISTORTION
Infinitely expressive
LONG 12 min. 12 min. 24 min. 48 min. 96 min. 193 min. 386 min. 05 TAPE-ECHO 20 LO-FILo-Fi Processor
06 CHORUS 21 RADIOTUNING Four external dual-trigger inputs make the SPD-20 compatible with a dedicated
STANDARD 6 min. 6 min. 12 min. 24 min. 48 min. 96 min. 193 min.
07 PHASER 22 RINGMODULATRing Modulator
FINE 3 min. 3 min. 6 min. 12 min. 24 min. 48 min. 96 min. 08 FLANGER 23 PITCHSHIFTPitch Shifter hi-hat or kick drum controller and any of Rolands drum pads (including V-
09 STEPFLANGER 24 PITCHBENDERPitch Bender REAR VIEW
10 TREMOLO/PAN 25 OCTAVE Pads). The trigger inputs can also be used with acoustic drum triggers for
11 SIMPLE-COMPCompressor 26 VOICETRANSVoice Transformer
12 COMP-ENHANCCompressorEnhancer 27 CENTRCANCELCenter Canceler triggering acoustic drums. Other noteworthy features include a velocity-sensitive
13 2BAND-COMP2Band Compressor 28 SYNTH-PERCSynthesizer Percussion
14 4BAND-PEQ4Band Parametric Equalizer 29 SHORTLOOPER Layer function, onboard effects and MIDI connections for using the SPD-20 as a
15 FILTER 30 SLICER
controller or sound module.

28 29
Sound Lists Sound Lists

TD-20 / TD-12 DRUM INSTRUMENTS TD-6V DRUM INSTRUMENTS


No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
Kick SNARE 141 Maple XStik 212 12"Roto T3R 283 ClscElec4 T3 351 18"PRide RdBl 423 PandeiroMute 494 Byon 96 Giant K 243 Boston S 373 Buzz3 T x4 587 Voice HH 660 Szl RdB x3 755 TalkinDr 902 GuitDist
1 22"Birch K 71 RoundBdge S SNARE ELEC 213 14"Roto T4 284 ClscElec4 T4 352 18"PRide RdEg 424 PandeiroSlap 495 Kyun KiCK
1 DblHead K 97 Inside K 244 Boston RS 377 Buzz4 T x4 588 HandC HH 661 Szl RdX x3 756 ThaiGong x2 903 GuitBs x2
2 22"Solid K 72 RoundBdge SR 142 ClascElec1 S 214 14"Roto T4R 285 TR808 T1 353 18"Bop Rd 425 Surdo Hi 496 Psyun 2 Sharp K 98 Std1 K x2 245 Bronze S x2 381 Natral T x4 589 Tambrn HH 670 Szl4 Rd 758 BellTree :
3 22"StdMple K 73 CoolyMple S 143 ClascElec2 S 215 16"Roto T5 286 TR808 T2 354 18"Bop RdBl 426 Surdo HiMute 497 Boom 3 Acous K 100 Std2 K x2 246 Brnz RS x2 385 Natrl2 T x4 590 Maracs HH 671 Pgy Rd x2 759 TinyGong 917 TeknoHit
4 22"Maple K 74 CoolyMple SR 144 ClascElec3 S 216 16"Roto T6 287 TR808 T3 355 18"Bop RdEg 427 Surdo Lo 498 SuperLow 4 Meat K 102 Room K x2 249 Birch2 S 389 Studio T x4 591 TR808 HH 672 Pgy RdB x2 760 Gong 918 FunkHit x3
5 24"Carbon K 75 70'sMetal S 145 ClascElec4 S 217 18"Roto T7 288 TR808 T4 356 20"Heavy Rd 428 Surdo LoMute 499 TimeWarp1 5 R8 Low K 104 Power K x2 250 Copper S x2 393 Slap T x4 592 TR909 HH 673 Pgy RdX x2 761 TemplBel VOICE
6 22"CbnMple K 76 70'sMetal SR 146 ClascElec5 S 218 18"Roto T8 289 TR909 T1 357 20"Heavy RdBl 429 Whistle 500 TimeWarp2 6 R8 Dry K 106 Jazz K x2 252 10" S 397 Room1 T x4 593 CR78 HH 677 LoFi Rd 762 Wa-Daiko 921 Lady Ahh
7 22"GT K 77 WoodBrass S 147 TR808 Snare 219 18"RotoExLo1 290 TR909 T2 358 20"Heavy RdEg 430 WhistleShort 501 Transform1 7 WdBeatr K 108 Brush K 253 L.A. S 401 Room2 T x4 594 Mtl808 HH 678 LoFi RdE 763 Taiko 922 Aoouu!
8 22"TitanHp K 78 WoodBrass SR 148 TR808 SnrRim 220 18"RotoExLo2 291 TR909 T3 359 20"Med Rd 431 VibraSlap 502 Transform2 8 Open K 109 Elec K x2 254 London S 405 Room3 T x4 595 Mtl909 HH 679 LoFi RdB 764 Sleibell 923 Hooh!
9 22"Mahogny K 79 13"Hole S 149 TR909 Snare 221 Ballad T1 292 TR909 T4 360 20"Med RdBl 432 Tabla Na 503 Tramsform3 9 Vintage K 111 ElBend K 255 Ring S 409 Room4 T x4 596 Mtl78 HH PERCUSSION 765 TreeChim 924 Haa!
10 20"Lite K 80 13"Hole SR 150 TR909 SnrRim 222 Ballad T2 HI-HAT 361 20"Med RdEg 433 Tabla Te 504 Tekno FX1 10 26"Deep K 112 Plastk K x2 256 Ring RS 413 Room5 T x4 597 LoFi HH x2 680 R8Bng Hi x2 766 TringlOp 925 SayYeah!
11 22"RoseWd K 81 Aluminum S TOM 223 Ballad T3 293 14"P-Hat HH 362 20"Turky Rd 434 Tabla Ti 505 Tekno FX2 11 ThickHd K 114 Gabba K x2 257 Rock S 417 Big T x4 CRASH 681 R8Bng Lo x2 767 TringlMt 926 Yeah
12 22"Oak K 82 Aluminum SR 151 12"Birch T1 224 Ballad T4 294 14"P-Hat HHEg 363 20"Turky RdBl 435 Tabla Tin 506 Tekno FX3 12 Round K 116 Tail K 258 Rock RS 421 Rock T x4 599 Med14 Cr 684 Bongo Hi x2 768 TringlVS 927 Ahhh
13 Recording1 K 83 Titanium S 152 12"Birch T1R 225 Swing T1 295 13"Hatz HH 364 20"Turky RdEg 436 Tabla Tun 507 Ring FX 13 Medium K 117 Jungle K 259 R8Maple S 425 Punch T x4 600 Med16 Cr 685 Bongo Lo x2 769 R70TriOp :
14 Recording2 K 84 Titanium SR 153 13"Birch T2 226 Swing T2 296 13"Hatz HHEg 365 19"NY Rd 437 Baya Ge 508 Drop Out 14 BigRoom K 118 HipHop K 260 R8Mpl RS 429 Oak T x4 601 Med18 Cr 688 R8Cng Mt 770 R70TriMt 935 DaoFall x4
15 Universal K 85 Skanky S 154 13"Birch T2R 227 Swing T3 297 14"Hatz HH 366 19"NY RdBl 438 Baya Gin 509 LaserGun 15 Big K 119 LoFi K x4 261 BigShot S 433 Balsa T x4 602 Quik16 Cr 689 R8Cng Hi 771 R70TriVS 939 DoDat VS
16 BigOpen K 86 Skanky SR 155 16"Birch T3 228 Swing T4 298 14"Hatz HHEg 367 19"NY RdEg 439 Baya Ka 510 Spiral 16 BigLow K 123 Noisy K 262 Std1 S x2 437 Vintge T x4 603 Quik18 Cr 690 R8Cng Lo 772 Castanet 940 DoDao VS
17 JazzCombo1 K 87 30'sMaple S 156 16"Birch T3R 229 Pop1 T1 299 14"Dark HH 368 20"Lite Rd 440 Baya Slide 511 Emergency 17 Studio K x8 124 Splat K 264 Std2 S x2 441 Brsh1 T x4 604 Thin16 Cr 691 Conga Mt 773 WdBlk Hi 941 Scat1 VS x5
18 JazzCombo2 K 88 30'sMaple SR 157 18"Birch T4 230 Pop1 T2 300 14"Dark HHEg 369 20"Lite RdBl 441 PotDrum 512 Wonderer 25 Buzz K x5 125 Scrach K x2 266 Room S x2 445 Brsh2 T x4 605 Thin18 Cr 692 Conga Sl 774 WdBlk Lo 946 Voice K
19 Cannon K 89 BrassPico S 158 18"Birch T4R 231 Pop1 T3 301 14"Edge HH 370 20"Lite RdEg 442 PotDrum Acc 30 Room K x7 127 Hi-Q K 268 Power S x2 449 Dark T x4 606 Brsh Cr x2 693 Conga Op 775 ConcrtBD 947 VoiceLoK
20 Roto K 90 BrassPico SR 159 12"GT T1 232 Pop1 T4 302 14"Edge HHEg 371 22"Clean Rd 443 PotDrum Mute
OTHER
513 Click 37 Amb K x4 128 Space K 270 Gate S 453 Attack T x4 608 SzlBr Cr 694 Conga Lo 776 ConBD Mt 948 Voice S
21 Booth K 91 Booth S 160 12"GT T1R 233 Pop2 T1 303 13"Lite HH 372 22"Clean RdBl 444 Djembe Tone 514 Beep 41 Solid K x3 129 SynBass K 271 Jazz S x2 457 Hall T x4 609 Swell Cr 695 CngMt VS 777 Hand Cym 949 Voice T x4
22 Ballad K 92 Booth SR 161 13"GT T2 234 Pop2 T2 304 13"Lite HHEg 373 22"Clean RdEg 445 Djembe Slap 515 Sticks 44 Jazz 1 K x2 SNARE 273 Funk S 461 Birch T x4 610 Splsh 6" 696 CngSl VS 778 HndCymMt 953 Voice Cr
23 Swing K 93 Studio S 162 13"GT T2R 235 Pop2 T3 305 Brush HH 374 18"Formu Rd 446 Djembe Bass 516 Sticks2 46 18"Jazz K 130 Custom S x3 *1 *p 274 Funk RS 465 Beech T x4 611 Splsh 8" 697 Cowbell x2 779 Timpani x3 954 Count x13
24 Heavy K 94 Studio SR 163 16"GT T3 236 Pop2 T4 306 CR78 HH 375 18"Formu RdBl 447 TalkingDr 517 MetroBell 47 BrshHit K 131 Cstm RS x3 *1 275 Bop S 469 Micro T x4 612 Splsh10" 699 CowblDuo 782 PercHit x2 :
25 Can K 95 Ballad S 164 16"GT T3R 237 Round T1 307 TR808 HH 376 18"Formu RdEg 448 TalkingDr Up 518 MetroClick 48 Wood K x4 136 Picolo1 S x3 *1 *p 276 Bop RS 473 Bend T x4 613 Splsh12" 700 Claves 784 Orch Maj 971 Count Ta
52 Maple K x2 137 Pco1 RS x3 *1 277 Picolo S x2 477 Bowl T x4 614 Cup 4" 701 GiroLng 785 Orch Min REVERSE
26 Fusion K 96 Ballad SR 165 18"GT T4 238 Round T2 308 TR909 HH 377 20"Bell Rd 449 Castanet 519 FingerSnaps 54 Oak K 142 Picolo2 S x3 *1 *p 278 Pco RS x2 481 Dirty T x4 615 Cup 6" 702 GuiroSht 786 Orch Dim 972 RvsKick x2
27 Latin K 97 Swing S 166 18"GT T4R 239 Round T3 309 Tekno HH 378 20"Bell RdBl 450 WoodBlock 520 Clap 55 Birch K 143 Pco2 RS x3 *1 281 Medium S x4 485 Std 1 T x6 616 HdSpl 8" 704 Guiro VS 787 Kick/Rol :
28 Meat K 98 Swing SR 167 10"Univ T1 240 Round T4 310 Elec HH 379 20"Bell RdEg 451 Timpani C 521 R8Slap 56 RoseWod K 148 Picolo3 S x3 *1 *p 282 Med RS x4 491 Std 2 T x6 617 HdSpl10" 705 Maracas 788 Kick/Cym 989 RvsEngin
29 Pillow K 99 Street S 168 10"Univ T1R 241 80'sDry T1 CRASH 380 Brush Rd 452 Timpani G 522 Motor 57 OnePly K 149 Pco3 RS x3 *1 289 Fat S x2 497 Room6 T x6 618 China10" 706 Shaker 789 OrchRoll FIXED HH *2
30 DryMed K 100 Lite S 169 12"Univ T2 242 80'sDry T2 311 16"DarK CrBw 381 Brush RdEg 453 ConcertBD 523 Engine 58 Oyster K 154 Medium1 S x3 *1 *p 290 Fat RS x2 503 Power T x6 619 China12" 707 SmlShakr 790 OrchChok 990 Std1 CH
31 Dry K 101 LA Fat S 170 12"Univ T2R 243 80'sDry T3 312 16"DarK CrEg 382 Mallet1 Rd 454 ConcertBD Mt 524 Glass 59 Dry K 155 Med1 RS x3 *1 293 Dynamic S 509 Jazz3 T x6 620 China18" 708 Tambrn x4 791 Hit Roll :
32 Solid K 102 Ring S 171 14"Univ T3 244 80'sDry T4 313 16"Thin CrBw 383 Mallet2 Rd 455 HandCymbal 525 Burt 60 DryMed K 156 Med1 XS x3 *1 *x 294 Dynmc RS 515 Brsh3 T x6 621 China20" 712 Tmbl Hi x2 792 Finale 1023 LoFi PdH
33 Reso K 103 Whack S 172 14"Univ T3R 245 90'sBig T1 314 16"Thin CrEg PERCUSSION 456 HandCymbalMt 526 Boing1 61 DryHard K 163 Medium2 S x3 *1 *p 295 Roll S 521 Gate T x4 622 SzlChina 713 Tmbl1 Rm 793 808Clap OFF
34 Raw K 104 Impulse S 173 16"Univ T4 246 90'sBig T2 315 16"Paper CrBw 384 Bongo Hi 457 Triangle 527 Boing2 62 DeepDry K 164 Med2 RS x3 *1 296 Buzz S 525 LoFi T x4 623 SwlChina 714 Tmbl Lo x2 794 808Cwbl x2 1024 OFF
35 Vintage K 105 Cruddy1 S 174 16"Univ T4R 247 90'sBig T3 316 16"Paper CrEg 385 Bongo HiSlap 458 TriangleCls 528 Bounce 63 Fusion K 169 Medium3 S x3 *1 *p 297 Dopin1 S 529 ElBend T x4 624 PgyzBack 715 Paila 796 808Marcs
36 OldMple K 106 Cruddy2 S 175 12"Clasc T1 248 90'sBig T4 317 16"FsPwr CrBw 386 Bongo Lo 459 Triangle2 529 VerbyHit 64 SandBag K 170 Med3 RS x3 *1 298 Dopin2 S 533 ElBnd2 T x4 625 PgyCrsh x3 718 VibraSlp 797 808Clavs
37 Hard K 107 HotRod S 176 12"Clasc T1R 249 90'sPower T1 318 16"FsPwr CrEg 387 Bongo LoSlap 460 Triangle2Cls 530 AfroStomp 65 BsktBal K 175 Medium4 S x3 *1 *p 299 Reggae S 537 ElBnd3 T x4 628 PgSplsh x2 719 Agogo Hi x2 798 808Conga
38 BigLow K 108 HotRod SR 177 13"Clasc T2 250 90'sPower T2 319 18"Power CrBw 388 Conga Hi 461 Crotale 531 Bomb! 66 Mondo K 176 Med4 RS x3 *1 300 Cruddy S 541 ElNois T x4 630 PhaseCym 720 Agogo Lo x2 799 909RIM
39 Hybrid K SNARE BRUSH 178 13"Clasc T2R 251 90'sPower T3 320 18"Power CrEg 389 Conga HiMute 462 BellTree 532 TuningTom 67 MdVrb K x2 181 Fat1 S x3 *1 *p 301 Dance S x2 545 ElDual T x4 631 Elec Cr 723 CabasaUp 800 909CLAP
40 Gabba1 K 109 Brush1 S 179 16"Clasc T3 252 90'sPower T4 321 18"Med CrBw 390 Conga HiSlap 463 SleighBell 533 ReverseCrash 69 Sizzle K 182 Fat1 RS x3 *1 303 House S 549 Elec T x6 632 TR808 Cr 724 CabasaDw 801 78Cowbel
41 Gabba2 K 110 Brush1 SR 180 16"Clasc T3R 253 OctaTom C Hi 322 18"Med CrEg 391 Conga Lo 464 TreeChimes 534 ReverseChina 70 Box K 187 Fat2 S x3 *1 *p 304 HousDpn S 555 TR808 T x6 633 LoFi Cr x2 725 CabasaVS 802 78Guiro
42 Gabba3 K 111 Brush2 S 181 18"Clasc T4 254 OctaTom B 323 19"NY CrBw 392 Conga LoMute 465 ThaiGong 535 PhaseCrash 71 Ninja K 188 Fat2 RS x3 *1 305 Clap! S HI-HAT RIDE 726 CuicaMt x2 :
112 Brush2 SR 182 18"Clasc T4R 255 OctaTom A 324 19"NY CrEg 393 Cajon Bass 466 TinyGong 536 PhaseRide 72 Dance K 193 Acustic S x3 *1 *p 306 Whack S 561 Pure HH 635 Jazz Rd 727 Cuica Op 810 55Claves
KICK PROCESSED
43 Cartoon K 183 12"Fiber T1 256 OctaTom G 325 18"Fast CrBw 394 Cajon Mute 467 Gong 537 Scratch1 73 House K 194 Acus RS x3 *1 307 TR808 S 562 PureEg HH 636 Jazz RdE 728 Cuica Lo SPECIAL
44 Chicken K
SNARE PROCESSED
113 Basis S 184 12"Fiber T1R 257 OctaTom F 326 18"Fast CrEg 395 Cajon Slap 468 OrchestraHit 538 Scratch2 74 Pillow K 199 Vintage S x3 *1 *p 308 TR909 S 563 Bright HH 637 Jazz RdB 730 PandroMt 811 Applause
45 Jive K 114 Chunk S 185 14"Fiber T2 258 OctaTom E 327 18"Fast CrBl 396 Cowbell Hi 469 SnareRoll 539 Scratch3 75 Rap K 200 Vntg RS x3 *1 309 Elec S x3 564 BritEg HH 638 Jazz RdX 731 PandroOp 812 Encore
46 RB K 115 ClapTail S 186 14"Fiber T2R 259 OctaTom D 328 Brush Cr 397 Cowbell Lo 470 ConcertSnare 540 Scratch4 76 TR808 K 205 Comp S x3 *1 *p 312 ElNoiz S 565 Jazz HH 639 Pop Rd 732 PandroSl :
77 808Hard K 206 Comp RS x3 *1 313 HipHop S x2 566 JazzEg HH 640 Pop RdE 733 PandroVS 834 CarEngin
47 Layered K 116 ClubDry S 187 16"Fiber T3 260 OctaTom C 329 Brush CrEg 398 Cowbell Mute 471 SteelDrum 541 TapeStop 78 808Boom K 211 Jazz S x3 *1 315 LoFi S 567 Thin HH 641 Pop RdB 734 SurdoMt x2 835 Car Horn
48 Lazy K 117 Dump S 188 16"Fiber T3R 261 Mallet T1 330 Mallet Cr 399 CowbellMambo 472 Celesta 542 TapeRewind 79 808Noiz K 212 Jazz RS x3 *1 316 LoFi RS 568 ThinEg HH 642 Pop RdX 735 SurdoOp x2 836 Helicptr
49 HardLow K 118 HopRim1 S 189 18"Fiber T4 262 Mallet T2 SPLASH 400 Claves 473 Glockenspiel 543 Voice OK 80 TR909 K 213 Jazz XS x3 *1 *x 317 Radio S 569 Heavy HH 643 Rock Rd 736 SurdoVS x2 837 Thunder
50 Alley K 119 HopRim2 S 190 18"Fiber T4R 263 Mallet T3 331 6"Splazh SpBw 401 SquareBlock 474 Kalimba 544 Voice Yeah 81 909Wood K 220 Dirty S x3 *1 *p 318 CrsStk x6 570 HevyEg HH 644 Rock RdE 740 Whistle 838 Bomb
51 DaFloor K 120 HopRim3 S 191 12"Maple T1 264 Mallet T4 332 6"Splazh SpEg 402 Block Hi 475 Marimba 545 Vocoder1 82 909HdAt K 221 Drty RS x3 *1 324 808Crstk 571 Light HH 645 Rock RdB 741 Whisl Sh :
52 Croak K 121 LzrGate S 192 12"Maple T1R TOM BRUSH 333 8"Thin SpBw 403 Block Lo 476 TubularBell 546 Vocoder2 83 Elephnt K 226 13" S TOM 572 LigtEg HH 646 Rock RdX 742 Caxixi 853 Vocoder x3
53 Plastic K 122 Pick S 193 14"Maple T2 265 Brush T1 334 8"Thin SpEg 404 Maracas 477 Vibraphone 547 TeknoHit 84 Cattle K 227 13" RS 325 OysterT x4 573 Dark HH 647 Lite Rd 743 Tabla Na 856 DynScrch
54 Trip K 123 Planet S 194 14"Maple T2R 266 Brush T2 335 8"Bell SpBw 405 Caxixi 478 Xylophone 548 PhillyHit 85 Door K 228 Birch S 329 Comp T x4 574 DarkEg HH 648 Lite RdE 744 TablaTin 857 Scrach x6
55 Gokigen K 124 RB S 195 16"Maple T3 267 Brush T3 336 8"Bell SpEg 406 Shaker PERC ANALOG 549 FunkHit 86 Punch K 229 Birch RS 333 Fibre T x4 575 12" HH 649 Lite RdB 745 TablaTun 863 ScrchLP
56 FX-Wah K 125 2Step S 196 16"Maple T3R 268 Brush T4 337 8"Open SpBw 407 Tambourine1 479 CR78Cowbell 550 Bass Gliss 87 Machine K 230 TD7Mpl S 337 Dry1 T x4 576 12"Eg HH 650 Lite RdX 746 Tabla Te 864 Phil Hit
57 Lo-Fi K 126 Lo-Fi S 197 18"Maple T4 TOM ELEC 338 8"Open SpEg 408 Tambourine2 480 CR78Guiro 551 Guitar Gliss 88 Broken K 231 TD7Mpl RS 341 Dry2 T x4 577 13" HH 651 CrashRd 747 Tabla Ti 865 LoFi Hit
KICK ELEC 127 Round XStik 198 18"Maple T4R 269 ClscElec1 T1 339 10"Med SpBw 409 Tambourine3 481 CR78Maracas 552 GuitarScrtch 89 BendUp K 232 Ballad S 345 Maple T x4 578 13"Eg HH 652 CrashRdE 748 Baya Ge 866 Hi-Q
58 Cosmic K 128 Cooly XStik 199 12"Oak T1 270 ClscElec1 T2 340 10"Med SpEg 410 Guiro Long 482 CR78MtlBeat 553 CutGt Down 90 HrdNoiz K 233 Brush S x3 349 Rose T x4 579 14" HH 653 DkCrsRd 749 Baya Ka :
59 Hi-Q K 129 70's XStik 200 12"Oak T1R 271 ClscElec1 T3 CHINA 411 Guiro Short 483 CR78Tamb 554 CutGt Up 91 R8Solid K 236 Brsh Tap 353 Sakura T x4 580 14"Eg HH 654 DkCrsRdE 750 Baya Gin 888 Tom Amb
60 Analog1 K 130 WoodBr XStik 201 14"Oak T2 272 ClscElec1 T4 341 12"PgyBack 412 Timbale Hi 484 TR808Clap 555 WahGt1 Down 92 ThinHed K 237 Brsh Slp 357 Jazz1 T x4 581 15" HH 655 Brsh Rd x2 751 Baya Sld MELODIC
61 Analog2 K 131 13" XStik 202 14"Oak T2R 273 ClscElec2 T1 342 12"PgyBack Eg 413 Timbale HiRm 485 TR808Claves 556 WahGt1 Up 93 Tight K 238 Brsh Swl 361 Jazz2 T x4 582 15"Eg HH 657 SzlBr Rd 752 Pot Drum 889 Kalimba
62 Analog3 K 132 Alumi XStik 203 16"Oak T3 274 ClscElec2 T2 343 16"Swish 414 Timbale Lo 486 TR808Cowbell 557 WahGt2 Down 94 Chunk K 239 BrshTmb S 365 Buzz1 T x4 583 Brush HH x2 658 Szl Rd x3 753 PotDr Mt 890 Steel Dr
63 ClascElec1 K 133 Titan XStik 204 16"Oak T3R 275 ClscElec2 T3 344 16"Swish Eg 415 TimbalePaila 487 TR808Maracas 558 WahGt2 Up 95 Gate K 240 MIDIBr1 S x3 369 Buzz2 T x4 585 Sizzle HH x2 659 Szl RdE x3 754 PotDr VS :
64 ClascElec2 K 134 Skanky XStik 205 18"Oak T4 276 ClscElec2 T4 345 18"CB Low 416 Agogo Hi 488 TR808XStick 559 Sine 440Hz
65 ClascElec3 K 135 30's XStik 206 18"Oak T4R 277 ClscElec3 T1 346 18"CB Low Eg 417 Agogo Lo 489 TR909Clap 560 For PadCheck *1: Wood, brass, or steel shells can be selected. There are several types of ride cymbal sounds.
66 ClascElec4 K 136 Reggae XStik 207 8"Roto T1 278 ClscElec3 T2 347 20"U-China 418 Cabasa SFX *2: For hi-hat sounds in the "FIXED HH" group, sounds cannot be changed with the hi-hat controller pedal. Rd: Bow sound, RdB: Bell sound, RdX: Soft shots for bow sounds, and hard shots for bell sounds, RdE: Edge sound
67 ClascElec5 K 137 Ballad XStik 208 8"Roto T1R 279 ClscElec3 T3 348 China PgBack 419 Cuica Hi 490 Hi-Q *p: The sound changes depending on the hitting position.
68 ClascElec6 K 138 Studio XStik 209 10"Roto T2 280 ClscElec3 T4 349 Crash PgBack 420 Cuica Lo 491 Poa *x: Cross-sticking is possible. Cross-stick and open rimshots can be varied according to hitting strength.
69 TR808 Kick 139 Swing XStik 210 10"Roto T2R 281 ClscElec4 T1 RIDE 421 Cuica Acc 492 Pyon
70 TR909 Kick 140 Hard XStik 211 12"Roto T3 282 ClscElec4 T2 350 18"PRide Rd 422 Pandeiro 493 Picoon
1: Snare and tom sounds: The letter that follows the Patch name indicates whether it's a head shot or rimshot.
S: Snare head shot, SR: Snare rimshot, T1: Tom 1 head shot, T1R : Tom 1 rimshot
TD-6V PRESET DRUM KITS
2: Cymbal sounds: The letter that follows the name indicates whether it's a bow, edge, or bell sound. No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
HH: Hi-hat bow sound, HHEg: Hi-hat edge sound, CrBw: Crash bow sound, CrEg: Crash edge sound, Rd: Ride bow sound, RdBl: Ride bell sound
FEATURED KITS 12 Brushes 24 Melody ROCK KITS 46 Ksnowki+ *Pad Pattern 57 PedalEFX 68 Dance808 78 DoubleHH 91 BrikHous
1 RoseWood 13 Groove ELECTRONIC KITS I 36 HevyRock 47 RimSong+ *Pad Pattern 58 Gate FUNK KITS 79 AJ Fusn 92 Studio1
2 BeeBop X *x-stick 14 Rock It! 25 TR-808 37 DenkiRok 48 Drm'nBs+ *Pad Pattern 59 JunkYard 69 JazzFunk 80 AcuStick 93 Studio2
3 Yo Yo 15 Birch 26 Tekno 38 Rocker X *x-stick 49 Tabla+ *Pad Pattern 60 Cartoon 70 PowrFusn 81 AppleStr 94 Roto Kit
4 RokCncrt 16 Ballad X *x-stick 27 Mexi-Mix 39 HevyMetl 50 LtnSqnc+ *Pad Pattern JAZZ KITS 71 Pocket 82 Crack! 95 Standrd1
5 LtnPerc+ *Pad Pattern 17 Natural 28 Electro 40 Wt Room 51 808Mix+ *Pad Pattern 61 BrshSwel AMBIENCE KITS 83 Buzz 96 Standrd2
6 Orch Set 18 SteelSnr 29 TR-909 ROCK MELODIC KITS VOICE KITS 62 Jazz 72 Dome 84 Ringer 97 Room
7 TblaTun+ *Pad Pattern 19 TKO 30 909Mix 41 RockBnd+ *Pad Pattern 52 Voices 63 Sizzle 73 JzThet X *x-stick 85 Slip 98 Power
8 1ManBnd+ *Pad Pattern PERCUSSION KITS 31 808...9! 42 "A"Team+ *Pad Pattern 53 "Scat" 64 JazzOne 74 TileRoom 86 Fibre 99 User Kit
9 Scary 20 Far Away 32 Jungle SEQUENCE KITS EFFECT KITS ELECTRONIC KITS II 75 GigaHall 87 Oyster
10 Guitars+ *Pad Pattern 21 TmbleKit 33 ElecBoom 43 SynBass+ *Pad Pattern 54 SlowTape 65 HipHop 76 Cave 88 Gospel
ACOUSTIC DRUM KITS I 22 BongoKit 34 Science! 44 DrmSolo+ *Pad Pattern 55 LowFi 66 R&B1 77 Dry&Wet 89 CopprSnr
11 PopKit X *x-stick 23 CongaKit 35 Aco&Elec 45 BIGBand+ *Pad Pattern 56 Kids 67 R&B2 ACOUSTIC DRUM KITS II 90 BrassSnr
1: *x-stick": The rimshot sound will change according to hitting strength. Strike softly for cross-stick, harder for open rimshots. Cross-sticking is possible when a PD-85/105/125 mesh pad is connected to the snare input (Trigger Input 2).
2: *Pad Pattern: Drum kits with patterns assigned to the pads.
3: No. 99 User Kit: Use this kit to make your own drum kit. The pad volumes are set to an average level.

TD-3 DRUM INSTRUMENTS


No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
KICK 16 S1r Bright Snare Rim *1 33 S11 Cross Stick 2 49 t2.1 Rock Tom 12" 65 H01 Lite HH CRASH 96 P08 Triangle Open 113 SP5 Shaker/Claves sw *3
1 K01 Wood Kick 17 S2 Vintage Snare 34 S12 Club Snare 1 50 t2.2 Rock Tom 13" 66 H02 Lite HH Edge 81 Cr1 Dark Thin Crash 16" 97 P09 Triangle Close OFF
2 K02 Rock Kick 18 S2r Vintage Snare Rim *1 35 S13 Club Snare 2 51 t2.3 Rock Tom 16" 67 H03 Dark HH 82 Cr2 Medium Crash 16" 98 P10 Sleigh Bell 114 oFF Off
3 K03 Tight Kick 19 S3 Vintage Snare 2 36 S14 Club Snare 3 52 t3.1 Clear Tom 10" 68 H04 Dark HH Edge 83 Cr3 Thin Crash 18" 99 P11 Tree Chimes
4 K04 Ambient Kick 20 S3r Vintage Snare 2 Rim *1 37 S15 Club Snare 4 53 t3.2 Clear Tom 12" 69 H05 Club HH 84 Cr4 Medium Thin Crash 18" 100 P12 Timbale Hi
5 K05 Muffle Kick 21 S4 Funk Snare 38 S16 Club Snare 5 54 t3.3 Clear Tom 14" 70 H06 808 HH 85 Cr5 Paper Thin Crash 14" 101 P13 Timbale Rim
6 K06 Jazz Kick 22 S4r Funk Snare Rim *1 39 S17 Club Snare 6 55 t3.4 Clear Tom 16" 71 H07 909 HH 86 Cr6 Splash 8" 102 P14 Timbale Lo
7 K07 Hard Attack Kick 23 S5 Piccolo Snare 40 S18 Club Snare 7 56 t4.1 Jazz Tom 12" 72 H08 Triangle HH 87 Cr7 China 16" 103 P15 Conga Hi
8 K08 Latin Kick 24 S5r Piccolo Snare Rim 41 S19 Club Snare 8 57 t4.2 Jazz Tom 13" 73 H09 Shaker & Pedal Claves 88 Cr8 808 Cymbal 104 P16 Conga Closed Slap
9 K09 Club Kick 1 25 S6 Brass Snare 42 S20 Club Snare 9 58 t4.3 Jazz Tom 16" 74 H10 Tambourine & Pedal Cowbell PERCUSSION 105 P17 Conga Lo
10 K10 Club Kick 2 26 S6r Brass Snare Rim 43 S21 808 Snare 59 t5.1 808 Tom 1 RIDE 89 P01 Claves 106 P18 Bongo Hi
11 K11 Club Kick 3 27 S7 Rock Snare 44 S22 909 Snare 60 t5.2 808 Tom 2 75 Rd1 Pop Ride (Bow/Bell sw) *2 90 P02 Shaker 107 P19 Bongo Closed Slap
12 K12 Club Kick 4 28 S7r Rock Snare Rim 45 S23 909 Clap 61 t5.3 808 Tom 3 76 Rd2 Pop Ride Bell 91 P03 Tambourine 108 P20 Bongo Lo
13 K13 808 Kick 29 S8 Ballad Snare TOM 62 t6.1 Electronic Tom 1 77 Rd3 Pop Ride Edge 92 P04 Cowbell 1 109 SP1 Wood Block Lo/Hi sw *3
14 K14 909 Kick 30 S9 Brush Snare 46 t1.1 Power Tom 12" 63 t6.2 Electronic Tom 2 78 Rd4 Jazz Ride (Bow/Bell sw) *2 93 P05 Cowbell 2 110 SP2 Timbale Hi/Rim sw *3
SNARE 31 S9r Brush Snare Rim 47 t1.2 Power Tom 14" 64 t6.3 Electronic Tom 3 79 Rd5 Jazz Ride Bell 94 P06 Wood Block Hi 111 SP3 Conga Hi/Slap sw *3
15 S1 Bright Snare 32 S10 Cross Stick 1 48 t1.3 Power Tom 16" HI-HAT 80 Rd6 Jazz Ride Edge 95 P07 Wood Block Lo 112 SP4 Bongo Hi/Slap sw *3
*1: The rimshot sound will change according to hitting strength. Strike softly for cross-stick, and harder for open rimshots.
*2: Ride sound will change according to hitting strength. Strike softly for bow sounds, harder for bell sounds.
*3: sound will change depending on the hitting strength.

TD-3 PRESET DRUM KITS


No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
1 Acoustic 6 Electronic 11 Open Rock 16 Jungle 21 Jazz Fusion 26 Techno Cumbia 31 Percussion Set 1
2 Groove 7 Techno House 12 Standard 17 Funk 22 Garage House 27 Classic R&B 32 Percussion Set 2
3 Oldies 8 Hip-Hop 13 Acid House 18 Latin House 23 Light Tuning 28 Pop-Rock
4 2 Step 9 Jazz 14 TR-808 19 Abstract 24 Brushes 29 Timbales Kit
5 Ballad 10 Disco Beat 15 Dirty 20 Club Mix 25 R&B 30 Conga Kit

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Visit us online at www.Roland.com All specifications and appearances are subject to change without notice.
All trademarks used in this catalog are the property of their respective companies.

Printed in Japan Mar. '05 RAM-3889 CFC-2 PBL-UPR-L

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