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1Biography
o 1.1Life
o 1.2Work
2Important works
3References
4External links
Biography[edit]
Life[edit]
Montsalvatge was born in Girona, and studied violin and composition at
the Barcelona Conservatory. His principal teachers were Llus Maria
Millet, Enric Morera, Jaume Pahissa, and Eduard Toldr. After the Spanish
Civil War, Montsalvatge began work as a music critic when he joined the
newspaper Destino in 1942, a publication he would eventually direct in
1968 and 1975. He wrote additionally for the daily La Vanguardia after
1962. Montsalvatge also returned to teach at his alma mater, becoming a
lecturer in 1970, and then a professor of composition in 1978.
He was awarded Spain's Premio Nacional de Msica for composition in
1985. He died in Barcelona, aged 90.
Work[edit]
Montsalvatge's style evolved over several different phases. At the start of
his career, he was strongly influenced by the twelve-tone technique and
by Wagnerism, which together dominated the Catalan music scene during
the period represented by his Sinfona mediterrnea of 1949. In the
following period, he found inspiration in the music of the Antilles (Cinco
canciones negras, 1945; Cuarteto indiano, 1952). His steady contact with
the French composers Olivier Messiaen and Georges Auric led to a crucial
change in his style, which soon became characterized by
free polytonality (Partida, 1958). The final phase of Montsalvatge's work
revealed the influence of the avant-garde.
Montsalvatge explored virtually all musical forms in his composition. His
work ranges in scale from operas (El gato con botas, Una voz en off)
to chamber music (Cuarteto indiano), in between which lie
his orchestral works, such as the Desintegracin morfolgica de
la Chacona de Bach, the Laberinto o Sinfona de rquiem, and the
prizewinning Sinfona mediterrnea. He owed his international fame chiefly
to one charming and outstanding work: the Cinco canciones
negras for mezzo-soprano and orchestra, a blend
of Antillean rhythms and themes; among them, the best known is
the Cancin de cuna para dormir un negrito (Lullaby to sleep a black
child). He wrote film music and in 1987, his score for the picture Dragon
Rapide, about Francisco Franco, was nominated as the best original music
at the Goya Awards.
Important works[edit]
Cinco canciones negras (1945) (Five black
songs)
Babel (1967)
Reflexions-obertura (1975)
"Euro fanfrria"
Choral works
Tres canciones negras (1946) for soprano, mixed
chorus, and piano[1]
Operas
Manfred (1945)
Music for cobla ensemble
References[edit]
1. Jump up^ Nick Strimple Choral Music in the
Twentieth Century 2005 1574673785 -Page 192 "
many attractive smaller works such as Tres
canciones negras (1946) for soprano, mixed
chorus, and piano;"
External links[edit]
Commemorative website (in Catalan, Spanish,
and English)
WorldCatIdentities
VIAF:114831608
LCCN:n80053119
ISNI:0000000084118874
GND:118918176
SUDOC:060341033
BNF:cb13897659t(data)
MusicBrainz:8823e127b2c640b6a4def8e2d8e1e1b8
BNE:XX891523
Categories:
1912 births
2002 deaths
20th-century classical composers
Catalan composers
Spanish classical composers
Spanish male classical composers
20th-century Spanish musicians
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