Professional Documents
Culture Documents
Besenia Rodriguez
On September 18, 1960, less than two years after the success of Cubas July 26
Movement, Fidel Castro arrived in the United States for the fteenth session of the
General Assembly of the United Nations. The U.S. government imposed a travel
restriction on the entire delegation, forbidding them to move beyond the island of
Manhattan.1 On his arrival, the Shelburne Hotel, where Cuban emissaries normally
stayed, demanded a $10,000 cash advance. Castro refused. Richard Gibson and
other members of the Fair Play for Cuba Committee (FPCC), organized by promi-
nent activist intellectuals in the United States in 1960, suggested that the entire
Cuban delegation move to Harlems Hotel Theresa at 125th street.2
A downpour did not deter some two thousand U.S. blacks, Dominicans,
Cubans, Puerto Ricans, and other Caribbean peoples from greeting Castro in Har-
lem.3 At one of the many rallies held for him during his stay, one Harlemite held up
a sign that read US Jim Crows Fidel just like US Jim Crows Us Negroes.4 Castro
subsequently held meetings from his Harlem base with Egyptian president Gamal
Abdel Nasser and Indian prime minister Jawaharlal Nehru, as well as the United
States own Malcolm X and Robert F. Williams. Castros image as a symbolic hero
for postcolonial and racialized peoples had been solidied.
62
The FPCCs primary objective was the dissemination of the truth about
revolutionary Cuba. As its rst action, it published an advertisement in the New
York Times on April 6, 1960, titled What Is Really Happening in Cuba? Signed
by a host of luminaries in the world of arts and lettersincluding James Baldwin,
Simone de Beauvoir, Truman Capote, Norman Mailer, Julian Mayeld, Jean-Paul
Sartre, and John O. Killensthe ad contradicted a number of accusations and false-
hoods published in the U.S. press with facts about the revolutions material gains.
The FPCCs newsletter Fair Play was comprised primarily of a news watch,
condemning the so-called free press for its propaganda and misinformation and
accusing the press of being a mere agent of the Government.29 Fair Play published
letters refused by the editorial staff of newspapers such as the New York Times and
promoted trips to Cuba so that North Americans could penetrate the propaganda
smoke screen and see Cuba for themselves.30 In addition, Fair Play began repro-
ducing pieces, primarily by European intellectuals such as de Beauvoir, and reports
by social scientists on the changes in Cuban society under the revolutionary govern-
ment.31
From its founding, the FPCCs politics were infused with a consciously black
element. In addition to Gibson, seven of the thirty founding members were U.S.
blacks. Gibson aggressively linked the struggle for racial equality in the United
States with national liberation struggles throughout the world, a stance facilitated
by his involvement with the Algerian Liberation Front between 1955 and 1958.
While serving as the executive secretary of the Liberation Committee for Africa,
Gibson served as the president of the New York chapter of the FPCC in 1960, and
in January 1961, he succeeded Taber as acting executive secretary. The combination
of Pan-Africanism and what Gibson referred to as a Fanonist expression of solidar-
ity with Cuba demonstrates the extent to which a black consciousness worked in
tandem with the shaping of a tricontinental identity that sought the end of racist
capitalist- and communist-bloc imperialism. Gibsons leadership was critical to mak-
ing blacks some of the most prominent spokespersons of the FPCC and defenders
of the Cuban Revolution.32
In essays published in Fair Play and in rallies and speaking engagements in
black communities throughout the United States, the FPCCs black activists made
explicit the link between the U.S. black and Cuban struggles. On the cover of the news-
letters fourth issue, an article titled Revolution and Freedom: How Much and for
Whom? compared the revolutionary governments efforts to the struggles for racial
equality in the U.S. South.33 The Cuban government, the article argued, was trying
to accomplish overnight what has occurred so gradually in the United States. . . .
it is trying to create, at a stroke, the economic democracy on which a free society
must be based.34
Future articles would be more explicit in discussing the relevance of the
Cuban Revolution to U.S. blacks, both as a place where middle-class blacks could
be treated with some measure of equality and as a model for liberation. In an article
titled Where Else Can an American Negro Go for a Vacation? Why They Dont
Want U.S. Negroes to Visit Cuba, the anonymous author makes clear that the U.S.
government was all too aware of the threat that Cuba posed, not just to its economic
interests but also as an inspiration to radical U.S. blacks in search of immediate,
overnight racial justice.35 The author, at times quite sarcastic in his/her condem-
nation of the United States, writes, If the Negro does not yet feel at home in his
native land, after three hundred-odd years on the North American continent, this
is part of the dirty linen of U.S. domestic life, and not to be aired in plain view of
our critical neighbors. The central question for this author was thus, Why so much
anxiety when the appeal is to American Negroes? Obviously because Washington
fears what the reaction to its policy of isolation may be when the millions of second-
class U.S. citizens become familiar with the facts of life in a country close at hand
in which basic freedoms and social justice are not apportioned on the basis of race
or color.36
In the summer of 1960, Richard Gibson led two FPCC delegations to Cuba,
both composed almost entirely of FPCCs black members. Gibson, John Singleton,
and Robert F. Williams, who had written extensively on the Cuban Revolution in
his, according to Taber, hard-hitting weekly the Crusader, left for Cuba on June
12, 1960. 37 Williams, along with a predominantly black group of eleven activist
intellectuals, returned to Cuba just a few weeks later on July 21 for the July 26 anni-
versary celebration. Among those in attendance were journalist William Worthy;
novelists Sarah Wright and Julian Mayeld; physician, Puerto Rican independista,
and Mayelds wife, Ana Livia Cordero; beat poet LeRoi Jones; Ed Clark, a painter and
Wrights husband; Harlem historians Harold Cruse and John Henrik Clarke; and
FPCC secretaries Pat Linden and Lee Kolk. On their return, this second delegation
produced a series of critical essays and articles on their reections of Cuba in black
and left-wing newspapers throughout the country, most of which were reprinted in
Fair Play.
of his passport did not stop him from traveling to Cuba in July 1960 as a correspon-
dent for the Afro-American.
A thirty-nine-year-old Washington, DC, native, a graduate of Bates College,
and a Neiman Fellow at Harvard University, Worthy had a history of civil rights
activism. In 1947, he participated in the Freedom Rides, and in 1956, he met with
Bayard Rustin and Martin Luther King Jr. in Birmingham to discuss the Montgom-
ery Improvement Associations tactics and strategies.38 In the mid-1960s, together
with members of Williamss Revolutionary Action Movement and James and Grace
Lee Boggs, Worthy would travel to a Harlem restaurant to invite Malcolm X to
give a speech at Detroits Grassroots Leadership Conference.39 Worthy would visit
Cuba four times before helping to produce an ABC-TV documentary titled Yanki,
No! after which he would be tried and sentenced to prison. Four years later, while
he was traveling throughout North Vietnam, Cambodia, and Indonesia, a unani-
mous federal appeals court decision overturned his conviction on the grounds of its
unconstitutionality.
In his Cuba as I See It, Worthy described the sentiment among a group of
U.S. blacks who have begun to identify themselves openly and explicitly with this
revolution . . . against colonial and semi-colonial domination.40 He emphatically
stated, To those with eyes to see causes, effects, and relationships, it becomes obvi-
ous that different branches of the same EuropeanNorth American power clique
exploit Negroes in Little Rock, Cubans in Oriente and blacks in the Union of South
Africa. It seems particularly signicant that Worthy names Oriente Province, a
region known as the home of the historic Little Black War of 1912, an uprising
begun by the Afro-Cuban political party Partido Independiente de Color (Indepen-
dent Party of Color), during which six thousand Cubans were murdered, as well as
the site where the 1953 and 1956 rebellions originated.41
For Worthy, the liberationist struggle was not comprised of different races,
black and white, European and African, pitted against one another, nor was it driven
by the classic Marxist goal of a proletarian revolution. Instead, Worthy was con-
cerned with the intersection of racism and imperialism. Cuba appealed to him pre-
cisely because he perceived it as being on the side of freedom and the worldwide
revolution against colonial and semi-colonial domination.42 Worthys approach
was to turn the U.S. governments anti-Cuban rhetoric on itself by pointing to the
absence of freedom at home.
If those Yankees, now crying for free elections are intellectually honest, why
were they so long silent during Cubas series of cruel dictatorships when
the people had the forms but none of the substance of liberty? Why do they
not look homeward and demand free elections in Georgia, South Carolina,
Alabama and Mississippi where they are really needed? If those states with
huge black populations ever allowed Negroes to vote freely, a large number of
white supremacy politicians who rule through fear, terror and demagoguery
would be swept out of ofce. That vicious enemy of Cuba and of Negroes,
Senator James Eastland, represents the state of Mississippi where there has
not been a free election for sixty-ve years.43
Worthy ended his article with a promise, one that he kept, to return to the United
States and rally blacks to the defense of Cuban sovereignty. On my return home I
shall have discussions with Negro leaders who are independent of the bone-crushing
pressures of the government and of the business community. I shall tell them that
Negroes above all cannot tolerate military intervention into any country in this day
and age, and that we must mobilize a Hands Off Cuba sentiment. Further demon-
strating the indelible link between U.S. black, Cuban, and Latin American libera-
tion, Worthy stated, The struggle of 18 million Negroes for equality and justice in
the United States will have little meaning if, ninety miles south of our border, six
million Cubans are denied the freedom to run their country according to twentieth
century concepts of true independence and to set a beacon example for the rest of
the exploited countries of Latin America.44
the Paul Mann Actors Workshop, Mayeld resigned his chairmanship of the CNA
Writers Workshop, abandoned his career as director and producer of off-Broadway
productions, and left the CPUSA because of the USSRs invasion of Hungary. In
1954, he left for Puerto Rico, married Ana Liva Cordero, and became a founding
staff member of the rst English-language radio station and founding director of the
daily World Journal in 1956.
Dividing his time between Puerto Rico and New York, Mayeld published
The Hit and The Long Night in 1957 and 1958, respectively, becoming one of the
celebrated members of the Harlem Writers Guild, famous for having more pub-
lished works written in its workshop than any group of writers in the United States.
Mayeld then became a journalist, working for the Pittsburgh Courier and the Bal-
timore Afro-American, covering two infamous topics: the 1960 delegation of Fair
Players to Cuba and the uprising in Monroe, North Carolina, in 1961, which would
lead to his expatriation. In Ghana, where he would live for the next six years, he
would serve as an ofcial writer in President Nkrumahs government.
Unlike Worthy, who situated Cuba as a colored, subaltern nation repressed
by U.S. imperialism, Mayeld understood Cuba as a multiracial nation in which
blacks had suffered as much racism as their counterparts had in the United States.
For Mayeld, the major accomplishment of the revolution was not that Cuba had
been able to pull itself out from underneath U.S. tutelage, but rather that Afro-
Cubans had received racial justice and equality. The colored American should take
a close look at the Cuban revolution, he wrote. On a recent visit to the island I saw
proof that it doesnt take decades of gentle persuasion to deal a death blow to white
supremacy. . . . Before the revolution the position of colored people in Cuban society
was roughly similar to that of the colored people in our border states. For Mayeld,
The important lesson in the Cuban experience is that great social change need
not wait on the patient education of white supremacists.47
While Mayeld admitted that it would be naive to believe that there were no
racists left in Cuba, he argued that Cuba had shown [that] it means business by
snatching away [the racists] power to deny a man a job, a house to live in, or a chance
to realize his best potential because of his color. That is why the Cubans of color
are solidly behind the revolution and are willing to die to keep it.48 Mayeld also
commended the revolutions attempts to project antiracist democracy beyond Cuban
shores, writing in regard to the plans for a solidarity week with the colored peo-
ples of the United States. He was particularly impressed by Castro, whom he could
only describe . . . as a beautiful man . . . a hero . . . one of the few of our times . . .
but his manner is that of a young fellow who has done what needs to be done and
cannot understand what all the excitement [is] about.49
Mayeld ended by revisiting the rhetorical strategy used by Worthy and oth-
ers; he critiqued U.S. hypocrisy in maintaining a system of racial dominance in spite
stated, Look, why jump on me? . . . Im a poet . . . what can I do? I write, thats all,
Im not even interested in politics. According to Jones, the young woman jumped
on me with both feet as did a group of Mexican poets later in Habana. She called
me a cowardly bourgeois individualist (147).
Cuba Libre presents us with a young intellectual struggling to acknowledge
his relation to the tricontinental and to come to terms with the revolutionary poten-
tial of art.52 It is in Cuba that Jones rst comes to know his own yanquism and the
condescension and self-importance of his brand of rebellion. His dawning revelation
is worth quoting at length.
The idea of a revolution had been foreign to me. It was one of those
inconceivably romantic and/or hopeless ideas that we Norteamericanos
have been taught since public school to hold up to the cold light of reason.
That reason being whatever repugnant lie our usurious ruling class had
paid their journalists to disseminate. . . . The reason that permits a young
intellectual to believe he has said something profound when he says, I dont
trust men in uniforms. . . . The rebels among us have become merely people
like myself who grow beards and will not participate in politics. . . . But name
an alternative here. Something not inextricably bound up in a lie. . . . There is
none. Its much too late. We are an old people already. . . . But the Cubans, and
the other new peoples (in Asia, Africa, South America) dont need us, and we
had better stay out of their way. 53
Even before the predominantly black delegations trip to Cuba, the revolu-
tionary government made an appeal to U.S. blacks in the form of the Cuban liter-
ary magazine Lunes de revolucin, which released a special issue on July 4, 1960,
titled Los Negros en USA, produced with the editorial cooperation of Gibson,
Williams, Taber, and Mayeld. The issue included essays and poetry by Langston
Hughes, Harold Cruse, James Baldwin, LeRoi Jones, John Henrik Clarke, and Alice
Childress and ensured that those who visited just a few weeks later would be known
among Cubas literate population.54
In addition to sponsoring the predominantly black delegation in July 1960,
under Taber and later Gibsons leadership, the FPCC continued to emphasize
Cuban-U.S. solidarity through myriad rallies and speaking engagements. One of
the largest FPCC events of late 1960 was a rally on November 17 in Harlem with
Gibson, Williams, Worthy, and Daniel Watts, the president of the Liberation Com-
mittee for Africa. 55 An advertisement in Williamss the Crusader stated, More
than 1,500 persons attended a recent Fair Play for Cuba rally in Manhattan Center,
Gibson said, adding that he believes there may be an even bigger turnout in Har-
lem to hear the truth about Free Cuba. Williams quoted Gibson, Every obstacle
has been placed in the way of Afro-Americans who want to see for themselves the
Mabel Williams and business manager Ethel Johnson, was a self-consciously inter-
nationalist publication. Each of its issues was dedicated to connecting local racial
and economic struggles with the decolonization and nationalist efforts of the tricon-
tinental. Essays such as Mabel Williamss examination of the role of women in Afri-
can struggles, which appeared in her weekly column Looking Back, Robert Wil-
liamss Open Letter to President Tour of Guinea, and news updates on events in
Puerto Rico, India, the Dominican Republic, South Africa, Algeria, and the Congo
were common features of the liberationist newsletter.64 Sympathetic to yet critical
of Marxists for their inattention to race, Williams later dened his political ideology
during this moment as being pro-Socialist, internationalist.65
Not surprisingly, Williamss consistent and ardent writings on the revolution
indicate his early awareness of the Cuban situation, the ways in which the islands
racial and historical character had positioned it within the tricontinental movement,
and the resonance of its insurgency for U.S. blacks. Williams was keenly aware of
the U.S. role as a neocolonial and imperialist force in the Americas and the adverse
affects that its racialist economic expansion had on the sovereignty of various Amer-
ican nations. In a 1959 Crusader issue, he wrote:
The United States Americans are crying the blues because Cuba, Panama and
Brazil are nally beginning to realize that racist America bears watching. The
white supremists [sic] of the USA have no right to expect these former satellites
to eternally remain in the Monroe Doctrines orbit of subserverance [sic]. . . .
These satellites have only poverty and a big American slap in the back in
exchange for ruthless exploitation. America has not prepared itself to serve the
best interest of the darker races, neither by virtue of experience or an innate
love for social justice. The American way of life offers no basis for mutual
respect and fair play between the white and colored races. Castro and all other
colored rulers will do well to shun bigoted Uncle Sams smiling false face and
his racial chains of bondage.66
Speaking directly to American Negroes, Williams argued that the only way to
achieve true democratic, antiracist, human liberation was through global struggle.
Therein lay the radicalism of Williamss ideology, one that did not rely on essential-
ist or biological interpretations of what he referred to as the great lie of race or an
economically determinist approach that belied the extra-economic ways in which
racism is reproduced.69 Instead, Williams promoted an internationalist solidarity
based on a common enemy, a system that relied on a matrix of racism and class
exploitation for its deployment of power.
Williamss impassioned commitment to a tricontinental politics inclusive of
the realities of the U.S. black apartheid struggles made a trip to the island inevi-
table. In an article that appeared on the Crusaders cover, titled Why I Am Going
to Cuba, Williams reiterated Mayelds understanding of the meanings of Cuban
integration for U.S. blacks. He wrote, I want to see if the segregationist argument
that governments cannot stamp out racial inequality; that social justice must wait
for a change of heart on the part of bigots, is valid. I want to see a Cuba that has
engendered the heated hatred of the same faction in the free world that hates and
oppresses the Negro.70
While touring the country, Williams practically gained celebrity status,
granting numerous interviews, most notably with the Afro-Cuban poet and social
critic Nicols Guilln, in which he denounced the U.S. government for condemning
Castro and ignoring black civil rights.71 In addition to sending favorable remarks
that appeared in issues of the Crusader published in his absence, such as I wish
every American Negro could visit Cuba and see what it really means to be treated
as a rst-class citizen,72 and an oppressed American Negro now enjoying the
greatest freedom of my life in democratic revolutionary Cuba,73 Williams wrote
a series of articles on the Cuban Revolutions commitment to racial and social
equality.74 In an article titled Negro Leader Calls Cubas Schools an Example to
the USA, Williams describes, as did Jones, the impact that revolutionary Cubas
reforms had on his ideology and on the potential for change in the U.S. South.
Because of my indoctrination by the American Jim Crow educational system, I
had no concept of how much a government can do for the education of the poor
until I saw the work of Cubas Revolutionary government in the public schools and
at Ciudad Libertad.75
Yet it was his second trip during the month of July for the anniversary com-
memoration that had a truly transformative impact on his life and politics. In a
moving piece reprinted from Lunes de revolucin, titled Sierra Maestra: The Face
of Cuba, Williams describes his life-afrming experience. Using the Christian lan-
guage of redemption, Williams describes the fourteen-hour trip to Sierra Maestra:
While emotive and eloquent language makes for a familiar element in Williamss
writings, this article provides insight into the extreme respect and devotion he
held for the Cuban Revolution and for the hope that it offered U.S. blacks and the
world. In continuation of the Christian imagery, the article was even accompanied
by a drawing of Castro under the headline Fidel Castro: The Spirit of Christ. In
another of the many essays describing his experiences in Cuba, Williams described
traveling alone throughout the island and his encounters with Cubans who made
him, in spite of not speaking the language, feel more at home and safer on the
streets of Cuba than I do in this social jungle of my native land.77
Williamss transformation did not remain at the level of the abstract and was
quickly put into the continued work of stirring rebellion among his followers in the
United States. The Negro, he wrote later, is going to be liberated by the interna-
tional revolutionary process. . . . The token citizen is not a dedicated and committed
citizen. He belongs to the wildwind of revolution.78 In an essay more critical of his
compatriots, he wrote, The masses of Negroes in America are sleeping through one
of the greatest ages of history. . . . The white imperialists throughout the world are
in league and desperately striving to preserve the status-quo of Anglo-Saxon racial
superiority and exploitation. The struggles of all who resist oppression are related.
Reiterating that global forms of domination necessitated global forms of dissent,
Williams continued:
The Negroes ght for equality and freedom in the United States is related to
the Africans, the Cubans, all of Latin Americans and the Asians struggle
for self determination. All of the race hatred and most of the oppression in
the world today stems from the so-called Anglo-Saxon leaders of the free
world. . . . They [the United States and South Africa] are sisters in hate and
their economies are geared, like other colonial powers, to prot from the
misery bred of barbaric racism. The United States today is the king-pin of
imperialism.79
On his return from the only true freedom I have ever known in the land he
described as a symbol for oppressed peoples everywhere, Williams only strength-
ened his commitment to bridging Cuban and U.S. black American oppression and
liberation.80 In addition to reprinting Castros speeches and his land reform law
throughout several issues of the Crusader, Williams participated in the Cuban
propaganda project begun in black newspapers to invite U.S. blacks to vacation in
Cuba.81
Shelburne, accused of plucking chickens and cooking them in his room. The most
important thing, Mallory noted, is that Harlem has left no doubt of the welcome
that Fidel Castro, and his delegation received, when they decided to live with us. As
quiet as it may be kept, Mr. Love B. Woods, Manager of Hotel Theresa, has been
put under almost unbearable pressure.
Thousands of Harlemites and New Yorkers cheered Castro and the delegates
every day and night of his stay. Their signs read, Harlem loves Castro, The U.S.
Government treats Castro like a black man, so welcome to the club, Greetings to
the people of Cuba, from the people of Harlem, Quote Castro; we in Cuba have
done in 18 months what you are still trying to for 400 years, and vive Castro.
Needless to say, Mallory said, the people of Harlem agreed with our demonstra-
tion and the Cuban demonstrators soon joined us. Saturday September 24th was
one of our biggest nights.
In reporting on Castros address to the General Assembly on Monday, Sep-
tember 26, Mallorys glowing account of his stay only expanded, describing his
speech as monumental in content. According to Mallory, Castros comments
expressed the sentiments of oppressed peoples throughout the world, particularly
those in the United States. There isnt any Afro-American alive and in his right
mind who disagrees with Fidel Castros speech, she argued. Even those who try
to appease their white masters, dont really disagree with Fidel. They secretly hope
that the people who are gallant enough to speak the truth, will continue to do so.
Again highlighting U.S. hypocrisy and veiled intentions, Mallory ended, If Castro is
a danger in Harlem, then isnt it reasonable to assume that he is a danger elsewhere
in the city? Is Uncle Sam so concerned about the welfare of the residents of Harlem,
that he must protect us from Castro? If this is the case, how can the U.S. support
Belgiums actions in the Congo? . . . The newly emerging nations of Africa would do
well to heed the advice of Fidel Castro, and prot from his experiences.
While Castro was earning accolades in Harlem and enemies among the UN
delegates for his critiques of U.S. imperialism, Robert F. Williams was ghting bat-
tles of his own in his hometown. Throughout 1960 and 1961, as both the Cold War
and the freedom struggle intensied, Williamss standing as a target of repression
and violence only escalated. In May 1960, he was arrested for seeking service at a
segregated lunch counter.86 By the summer of 1961, death threats had become a
daily occurrence for Williams and his wife.87 On Friday, June 23, 1961, a 1955 De
Soto drove into the back of Williamss car at seventy miles per hour, attempting to
overturn the vehicle in view of three highway patrol ofcers who laughed off the
incident. Two days later, a similar incident took place in the vicinity of the pool that
the Williams family and the community had been working to desegregate. In addi-
tion, the couple received incessant menacing phone calls, including threats to blow
up their home.88
In July, Williamss attempts to visit Cuba were foiled by the State Depart-
ments refusal to issue him a visa on the grounds that the Government of the United
States cannot extend normal protective services to its citizens visiting Cuba.89 The
situation in Monroe became so dire that Williams initiated an arms drive, urging
Crusader readers to donate weapons to be used for self-protection because of the
breakdown of law and the absence of the 14th Amendment.90 In contrast to their
weekly consistency for the previous three years, issues of the Crusader were pub-
lished on an increasingly irregular basis.
In addition, seventeen Freedom Riders just released from prison in Jack-
son, Mississippi, arrived in Monroe along with Nashville activist and soon-to-be
president of the Southern Nonviolent Coordinating Committee (SNCC) Reverend
Paul Brooks, and they were welcomed into Union County and Williamss home.91 As
two weeks of picketing at the Union County courthouse ensued, crowds of hostile
white spectators increased until Sunday, August 28, when a mob of several thou-
sand whites attacked the thirty-odd demonstrators. White vigilantes attacked ran-
dom black citizens. In the midst of this violence, a white couple entered Monroes
black community and came upon a group of blacks near Williamss home. Williams
brought the couple into his home and away from the armed black residents, where
they remained for two hours. Because of this act, Williams would be charged with
kidnapping, although the couple did not accuse him of any crime. Robert and Mabel
Williams and their two children ed their home, walking several miles to where
Julian Mayeld waited with a car to escape to New York, Canada, and, nally,
Cuba.
In an October issue of the Crusader, guest editor V. T. (Vincent Ted) Lee
wrote, The Afro-American people of Monroe cheered the news of Companero [sic]
Williamss safe arrival in Cuba, the Free Territory of the Americas. They know and
appreciate the problems of the Revolutionary Government of Cuba as they them-
selves are going through the same hardships and struggle for freedom fought so
valiantly by the people of Cuba. Repeating an argument made throughout other
issues, Lee continued, The struggle of Cuba is their struggle and they know that
the forces in this country which have cordoned off Cuba, denied Americans travel
there and now insanely plan a second invasion of Cuba, are the SAME FORCES
which exploit them, beat them, and starve them.92
that those of my race, who are prepared to ght for an end to the tragedy of
black North America, are inspired by your Revolution, which has lled us with
the rage to continue to ght.93
After the initial guest-edited issue of the Crusader, Williams would continue to
publish the newsletter from Cuba, albeit on a monthly basis. In addition, Williams
began a weekly radio program called Radio Free Dixie, which broadcast from Key
West to Seattle to Harlem on Friday evenings from 11:00 p.m. to 12:00 a.m. The
program consisted of jazz, soul, and rock and roll hits, news coverage of the black
freedom movement, and Robert Williamss ery invective against white suprem-
acy.94 In addition, Williams published his Negroes with Guns from exile in 1962.
Yet Williamss continued antiracist efforts posed a threat to the Cuban commu-
nists, increasingly inuenced by Soviet communism, the CPUSA, and U.S. com-
munist expatriates in Cuba, who argued that such ery language would alienate the
white working class. Further, the in ltration of the communist government with
CIA agents who wished to exploit discord between white and black leftists served
to frustrate Williamss efforts to remain involved in U.S. freedom struggles from
abroad.95
While Williams would never publicly disparage revolutionary Cuba and main-
tained that there was never any hostility, he was eager to leave the island because
of what he referred to as political differences with the Party.96 Although Cuban
communists always treated [him] quite well, the Partys privileging of class conict
over any other forms of social oppression was antithetical to Williamss own belief
that racism in the United States went beyond economic struggles to encompass part
of the American way of life . . . [and] psychology.97 Williams left Cuba in the hopes
that he could resume his antiracist revolutionary activities in Maoist China in the
midst of its Cultural Revolution, where he would remain until his departure for
Michigan in the spring of 1969.
caught a glimpse of alternative political, economic, and racial frameworks, not only
from the newly emergent African countries with which they shared a connection
originating with the transatlantic slave trade but from revolutionary governments
throughout Asia and Latin America as well. This marks a pivotal moment in the
history of U.S. radicalism, during which visions of and strategies for liberation were
driven by a critique of capitalism, racism, and imperialism, instead of relying solely
on racial or national identities.
Notes
For their thoughtful comments and support during the research and writing of this article, I
would like to thank Federico Rivera, Matthew Jacobson, Glenda Gilmore, Alondra Nelson,
Richard Gibson, Mary Barr, Leah Mancina-Khaghani, Erin Chapman, Tiffany Gill, Alexandra
Cornelius, Manuella Meyer, Aisha Bastiaans, Robin Hayes, Joshua Guild, Duane Corpis, Van
Gosse, and Lillian Guerra. The research for this article was made possible by grants from the
Social Science Research Fund and the Jacob Javits Fellowship. The title of my essay, which
translates as From Yankee Slavery to Cuban Liberty, is also the title of an article written about
Robert F. Williamss arrival to Cuba. Unless otherwise noted, all translations are my own.
1. Robert F. Williams, Bulletin, Crusader, September 17, 1960, 8.
2. Sources disagree on the motivation behind his move, although most agree on the
explanation provided here. The Monroe Enquirer, as quoted in Timothy Tyson, Radio Free
Dixie: Robert F. Williams and the Roots of Black Power (Chapel Hill: University of North
Carolina Press, 1999), 233; Rosemari Mealy, Fidel and Malcolm X: Memories of a Meeting
(Melbourne: Ocean Press, 1997), 3336; Max Frankel, Angry Castro Switches Hotels and
Moves to Harlem after Protesting to U.N.: Leaves East Side in Rage over Bill, New York
Times, September 20, 1960; Van Gosse, Where the Boys Are: Cuba, Cold War America,
and the Making of the New Left (New York: Verso, 1993), 150.
3. Tyson, Radio Free Dixie, 233.
4. Ibid. Cuba has historically occupied a critical place in the U.S. black imaginary, and the
two peoples had been in dialogue since at least the nineteenth century. See Johnetta
Cole, Afro-American Solidarity with Cuba, Black Scholar 8 (summer 1977): 7380; Lisa
Brock and Digna Castaeda Fuertes, Between Race and Empire: African-Americans
and Cubans before the Cuban Revolution (Philadelphia: Temple University Press, 1998);
Frank A. Guridy, From Solidarity to Cross-Fertilization: Afro-Cuban/African American
Interaction during the 1930s and 1940s, Radical History Review, no. 87 (2003): 1948.
5. In a larger chapter of my dissertation from which this essay is culled, I provide a discussion
of the gendered, in particular, masculinist, nature of the revolutionary ideology that
pervades many of these gures writings on Cuba. See Beyond Nation: The Formation of
an Antiracist Tricontinental Discourse (PhD diss., Yale University, in progress). See also
Tyson, Radio Free Dixie, 140; Gosse, Where the Boys Are, 5557. I use the term antiracist
as a way of dening this political culture along ideological rather than racial lines. I
differentiate between liberal or universalist and radical antiracist practices. The former
framework includes striving for equal opportunity on an individual basis in a color-blind
society, while the latter views racism in a historical and international context. Nikhil Pal
Singh, Toward an Effective Antiracism, in Beyond Pluralism: The Conception of Groups
and Group Identities in America, ed. Wendy Katkin, Ned Landsman, and Andrea Tyree
(Urbana: University of Illinois Press, 1998), 22526. I read the subjects of this study as
comprising a political formation that decides to work together on a particular issue or
agenda, in this case, the struggle to transform global hierarchies of power based on the
racialization of people and nations. See Lisa Lowes discussion of an identity based on a
shared politics in her Immigrant Acts: On Asian American Politics (Durham, NC: Duke
University Press, 1996), 7475.
6. Robert J. C. Young, Postcolonialism: An Historical Introduction (Oxford: Blackwell, 2001),
45.
7. Nikhil Pal Singh and Andrew F. Jones, introduction to The Afro-Asian Century, ed.
Singh and Jones, special issue, positions: east asia cultures critique 11 (2003), 7. For
interpretations of these politics as nationalist or Pan-Africanist, see William L. Van
Deburg, Modern Black Nationalism: From Marcus Garvey to Louis Farrakhan (New
York: New York University Press, 1997); Peniel E. Joseph, Waiting Till the Midnight Hour:
Reconceptualizing the Heroic Period of the Civil Rights Movement, 19541965, Souls 2,
no. 2 (2000): 617; Rebeccah E. Welch, Gender and Power in the Black Diaspora: Radical
Women of Color and the Cold War, Souls 5, no. 3 (2003): 7182.
8. Max Elbaum, What Legacy from the Radical Internationalism of 1968?, Radical History
Review, no. 82 (2002): 3764; Max Elbaum, Revolution in the Air: Sixties Radicals Turn to
Lenin, Mao, and Che (New York: Verso, 2002); Robin D. G. Kelley and Betsy Esch, Black
Like Mao: Red China and Black Revolution, Souls 1 (1999): 641; Joseph, Waiting Till
the Midnight Hour; Cynthia Young, Soul Power: Cultural Radicalism and the Formation
of a U.S. Third World Left (PhD diss., Yale University, 1999); Cynthia Young, Havana
Up in Harlem: LeRoi Jones, Harold Cruse, and the Making of a Cultural Revolution,
Science and Society 65, no. 1 (2001): 1238. Joseph and Elbaum both locate the roots of
this late-1960s black radicalism within the black internationalist Left of the late 1950s.
9. This genealogy of radical tricontinentalism, which includes gures such as Langston
Hughes, Grace Lee Boggs, Shirley Graham Du Bois, and Angela Davis, is the subject of
my dissertation, Beyond Nation. In an attempt to move beyond Pan-Africanism, the
dissertation also discusses writings on radical governments in China, Ghana, and parts of
the Arab world.
10. Singh and Jones, The Afro-Asian Century, 3.
11. For more on this global tide of revolution, see Robin D. G. Kelley, But a Local Phase
of a World Problem: Black Historys Global Vision, 18831950, Journal of American
History 86 (1999): 1075; Robin D. G. Kelley, A Poetics of Anticolonialism, Monthly
Review 51, no. 6 (1999): 121; Mary Dudziak, Cold War Civil Rights: Race and the
Image of American Democracy (Princeton, NJ: Princeton University Press, 2000); Penny
Von Eschen, Race against Empire: Black Americans and Anticolonialism, 19371957
(Ithaca, NY: Cornell University Press, 1997); Brenda Gayle Plummer, Rising Wind: Black
Americans and US Foreign Affairs, 19351960 (Chapel Hill: University of North Carolina
Press, 1996); Joseph, Waiting Till the Midnight Hour; Thomas Borstelmann, The Cold
War and the Color Line: American Race Relations in the Global Arena (Cambridge:
Harvard University Press, 2001).
12. Kelley, But a Local Phase of a World Problem, 1075. See also Borstelmann, The Cold
War and the Color Line; Dudziak, Cold War Civil Rights; Joseph, Waiting Till the
Midnight Hour; Michael L. Krenn, ed., The African American Voice in U.S. Foreign
Policy since World War II (New York: Garland, 1999).
13. Marifeli Prez-Stable, The Cuban Revolution: Origins, Course, and Legacies (New York:
Oxford University Press, 1998), 53.
14. Fidel Castro, La historia me absolver (History Will Absolve Me) (Havana: Instituto
Cubano del Libro, 1971), 84.
15. Prez-Stable, The Cuban Revolution, 55.
16. Ral Castro had been a member of the Cuban Communist Partys (PSP) youth group, and
Ernesto Guevara considered himself a Marxist-Leninist by the time he joined the July
26 Movement. Fidel Castro remained much more ideologically exible and moved closer
to the Soviet Union only after tensions escalated with the United States. Piero Gleijeses,
Conicting Missions: Havana, Washington, and Africa, 19591976 (Chapel Hill:
University of North Carolina Press, 2002), 1718.
17. Gosse, Where the Boys Are, 137.
18. Cynthia Young describes this political formation as a U.S. Third World Left. Young,
Soul Power, iv.
19. Ibid., vi.
20. Ibid.
21. By July 1960, three months after its rst public action, the FPCC saw subscriptions to its
newsletter, Fair Play, rise to over three thousand. Report to the Membership, Fair Play,
July 22, 1960, 2. By November, forty student chapters were in existence at institutions
throughout the country, including Oberlin College, the University of California at
Berkeley, the City College of New York, and Harvard and Wayne State Universities. After
1963, the FPCC lost much of its original membership and eventually dissolved.
22. Gosse, Where the Boys Are, 13840; Jules Benjamin, Interpreting the U.S. Reaction to
the Cuban Revolution, 19591960, Cuban Studies 19 (1989): 14565.
23. Gosse, Where the Boys Are, 143.
24. F-P Tour Dees Washington Warnings, Miami Mob, Fair Play, December 31, 1960, 1.
25. Gosse, Where the Boys Are, 263; Benjamin, Interpreting the U.S. Reaction to the Cuban
Revolution, 19591960, 153.
26. Richard Gibson, letter to the author, March 20, 2002.
27. Alan Sagner, How the Fair Play for Cuba Committee was Formed, Fair Play, May 6,
1960, 4; Robert Taber, Castros Cuba, Nation, January 23, 1960, 6371.
28. Gosse, Where the Boys Are, 138.
29. Views of the American PressFrom Adlai Stevenson to Clare Booth Luce, Fair Play,
April 29, 1960, 3; see also Sensational versus Responsible Press, Fair Play, May 6,
1960, 1.
30. The Try It Yourself Test: Penetrating the Press Propaganda Smoke Screen, Fair Play,
May 6, 1960, 2.
31. The Old World Looks at Cuba: The Possibilities of Man: Simone de Beauvoir on
Revolution, Fair Play, June 3, 1960, 3; and Progress Report: The Second Year of
Revolution, Fair Play, June 24, 1960, 1.
32. Gibson to Gosse, September 24, 1989, as quoted in Gosse, Where the Boys Are, 147.
Amitava Kumar writes, Fanon wrote with lyrical power against Sartres assertion that the
idea of race is concrete and particular and that the idea of class is universal and abstract.
Fanons foe was a deracinated socialism. This description is especially pertinent because
of Gibson and Williamss critiques of U.S. and, later, Cuban Communists, in spite of their
Socialist leanings. Amitava Kumar, Passport Photos (Berkeley: University of California
Press, 2000), 145.
33. Revolution and FreedomHow Much and for Whom? Fair Play, May 20, 1960, 1.
34. Ibid.
35. Cuba as I See It: William Worthy on Cuba; an American Journalist Views the New
Freedom South of Key West, Fair Play, July 22, 1960, 3.
36. Ibid.
37. NAACP Leader in Cuba to Learn What US Fears, Fair Play, July 8, 1960, 4.
38. Martin Luther King Jr., Birth of a New Age, vol. 3 of The Papers of Dr. Martin Luther
King, Jr., ed. Clayborne Carson (Berkeley: University of California Press, 1997). Available
at www.Stanford.edu/group/King/papers/vol3/chronology.htm.
39. Grace Lee Boggs, Remembering James Boggs, Third World Viewpoint: Advocating a
Just World Order 1 (1993): 12.
40. William Worthy, Why They Dont Want U.S. Negroes to Visit Cuba, Fair Play, June 10,
1960, 1.
41. See Aline Helg, Our Rightful Share: The Afro-Cuban Struggle for Equality, 18861912
(Chapel Hill: University of North Carolina Press, 1995).
42. Worthy, Cuba as I See It, 3.
43. Ibid.
44. Ibid.
45. Julian Mayeld, Julian Mayeld in the Afro-American: Author Says Cuba Has Solution to
Race Problem, Fair Play, October 25, 1960, 2.
46. Julian Mayeld to Mr. and Mrs. Mayeld, September 21, 1953, in Julian Mayeld Papers,
box 7, folder 1, Schomburg Center for Research in Black Culture, New York.
47. Mayeld, Julian Mayeld in the Afro-American, 2.
48. Ibid.
49. Julian Mayeld to unknown, September 25, 1960, in Julian Mayeld Papers, box 7,
folder 2.
50. Mayeld, Julian Mayeld in the Afro-American, 2.
51. LeRoi Jones, Cuba Libre, in The LeRoi Jones/Amiri Baraka Reader, ed. William J. Harris
(New York: Thunders Mouth, 1999), 12560.
52. Young, Soul Power, 21.
53. Jones, Cuba Libre, 120.
54. Although some have argued that Castros antiracism was disingenuous and only sparked
by his attempts to court U.S. blacks, Alejandro de la Fuente demonstrates the demands
made by Afro-Cuban intellectuals such as Nicols Guilln, Blas Roca, and Salvador Garca
Agero, who, as early as January 1959, perceived the revolution as an unprecedented
opportunity to redress previous inequities. Alejandro de la Fuente, A Nation for All: Race,
Inequality, and Politics in Twentieth-Century Cuba (Chapel Hill: University of North
Carolina Press, 2001), 261. In a speech given on March 25, 1959, Castro outlined, however
vaguely, his position on racism, unequivocally assert[ing] that racial discrimination was
socially and morally wrong, as well as anti-Cuban and counterrevolutionary. However,
consistent with the difculties U.S. blacks would face in Cuba, his emphasis was on making
gradual changes in employment, while private and personal spaces would be respected.
Alejandro de la Fuente, A Nation for All, 266.
55. Robert F. Williams, New York, Crusader, November 12, 1960, 4.
56. Ibid.
57. Ibid.; Williams, Editor to Continue Tour, Crusader, April 8, 1961, 8.