BlueSkyRepublik's

UNOFFICIAL

HARDWARE
QUICK REFERENCE GUIDE

Document Version 1.0

Maschine Hardware Version 1.5
March 2010
Introduction.

I take no credit for the content of this document which is simply a collection of commands used
when operating NI Maschine hardware. I have compiled existing known workflow functions into a
concise and easy to reference, singular, location. Thank you to Native Instruments and the staff who
support us well on the Forum, and thank you to all the other music producers who use Maschine
and share their learning on the web forums.

Please let me have any feedback, offer changes or additional hints or tips ideally via the forum of to
my email at neil@runbox.com

Tanx Neil

Revision History

Version 1.0
Initial Release March 2010
Covers Version 1.5.0.4996 of Maschine
Quick walkthrough of all references published tested on Maschine

Conventions used in the text

[UNDO] Pad function identified using square brackets containing the Secondary function
[P1] text. Also the actual Pad number may be shown as Px, i.e. P1, P2 etc. when the
Primary Pad function is described..
(SCENE) General Function buttons shown in rounded brackets.
'LOAD' Dynamic options appearing on either of the displays is shown as italic text
between comment marks. This is the menu options that appear in the context of
the function on the right or left LCD display.
(SHIFT) + Where two buttons or more are held at the same time, then a plus sign will be
(BROWSE) shown between the collective buttons / knobs.
<B1> Dynamic Buttons 1 to 8 above the two displays. Functions change depending
upon the context. Button shown in between less than/greater than symbols.
<K1> Dynamic Rotary Knobs 1 to 8 located below the two displays. Functions change
depending upon the context. Knob is shown in between less than/greater than
symbols.
<VOL> One of 3 standard Rotary Knobs for Volume (level), Tempo and Swing. Button
shown in between less than/greater than symbols.
Bold Headings for sections describing overall functions. For example Browsing,
Underlined Sampling etc.

~ 2 of 23 ~
CONTENTS

1. BASIC COMMANDS

2. BROWSER

3. MAKING MUSIC PATTERNS / GROUPS / SCENES

4. SAMPLING

5. EFFECTS (FX)

6. AUTOMATION

7. MISCELLENEOUS

8. HINTS, TIPS & ADVANCED SOLUTIONS

~ 3 of 23 ~
1. Basic Controls & Concepts

1.1 Playing a Song 1. Press (PLAY) to Start tune playing, Button illuminates orange
2. Press (PLAY) again to stop playing, button light goes off.
3. Press (PLAY) again to start from where it previously stopped
1.2 Playing a Song from the Start 1. Press (RESTART), may be called LOOP
2. Press (SHIFT)+ (RESTART) to reset track to stop at the start
1.3 Skip 1 Bar Forward 1. Press Transport () once for each bar you want to skip
1.4 Skip 1 Bar Previous 1. Press Transport () for each bar to want to skip
1.5 Change Volume 1. Rotate Knob <VOL> up or down. Also use this while pressing a pad to
adjust individual Pad volume. Left display will show level.
1.6 Change Tempo 1. Rotate Knob <TEMPO> to increase and decrease BPM. Left display will
show setting.
2. To adjust a groups Pitch select / press Group A-H + <TEMPO>
1.7 Change Swing 1. Rotate Knob < SWING> to adjust shuffle / swing setting. Left display will
show setting.
2. To adjust a groups swing % select / press Group A-H + <SWING>
1.8 Turning on/off Metronome 1. Press (SHIFT) + (PLAY) to turn metronome tick on and off
1.9 Metronome Volume 1. (SHIFT) + (PLAY) + Adjust <VOL>
1.10 Record 1. Press (PLAY)
2. Press (REC)
3. Press (REC) again to stop recording
1.11 Record Count In Activation 1. (SHIFT) + (REC)

1.12 Playing a single Pad
1.13 Repeat Playing a Pad
1. Assuming a sound is loaded into the Pad, hit [P1] [P16] to play the sound.
The strength of the hit will affect the sounds loudness through velocity
control.
SILENT SOUND SELECTION
To select a pad without the sound being heard press (SELECT) + [P1]-[P16]
1. Press the (NOTE REPEAT) + [P1] to [P16]

1.14 Opening Browser 1. Press the (BROWSE) Button

1.15 Hiding Computer GUI Elements 1. Press (NAVIGATE) and keep held
2. Select the GUI section from the right display to hide/show
Toggle <B5> to show/hide 'BROWSER'
Toggle <B6> to show/hide 'ARRANGER'
Toggle <B7> to show/hide 'PARAMS'
Toggle <B8> to show/hide 'MOD' - Modulation
1.16 Navigating Computer Pages 1. Press (NAVIGATE) and hold
2. Pad buttons light that are used for navigation
3. Hit pads to navigate around the selected area (See 1.17 below for
definition)
4. Release (NAVIGATE) when complete
5. To avoid holding the (NAVIGATE) button, lock it on by pressing
(NAVIGATE) + <B1>

~ 4 of 23 ~
1.17 Other Navigation functions
1.18 Changing display pages
1.19 Saving Project
1.20 Knob Resolution
1.21 Muting an element
1.22 Locking Mute mode
1.23 Muting an Effect (fx)
1.24 Soloing an element
1.25 Locking Solo mode
1.26 Undoing an action
1.27 Redoing an action
Concepts
Maschine works essentially on 3 levels. These are normally handled in (CONTROL) mode, this
button will be lit orange.;
SOUND <B4> - Sounds are either single samples or multiple samples mapped across a PAD.
There are 16 pads in total. A bank of 16 sounds can be held in a group. Samples can be loaded from
the browser or sampled directly to a PAD from an internal or external source.
1. Press (NAVIGATE) and hold (or lock with <B1>)
2. Use the following knobs for navigation
<K1> - Zoom in/out of arranger [P14] & [P10]
<K2> - Navigate left/right around arranger [P9] & [P11]
<K5> - Zoom in/out (Pattern / Sampling / Keyboard) [P6] & [P2]
<K6> - Scroll Horizontally left/right (Pattern View / Sampling /
Keyboard) - [P1] & [P3]
<K7> - Scroll Vertically up/down (Pattern View / Sampling /
Keyboard) [P8] & [P4]
1. Press () to move down a page and () to move up a page using buttons
to the left of the displays.
1. Press (SHIFT) + (SNAP). First time will open dialogue window on
computer to add a name i.e. Save As. SNAP also called F1
Some functions require finer resolution for accurate editing. In these
circumstances press (SHIFT) while adjusting the knob.
1. Press (MUTE) + the selected function. Examples are:
To mute a Pad press (MUTE) + [P1] [P16]
To Mute a Group press (MUTE) + Group Button A-H
Perform action again to release mute
Muted elements will have a dimmed glow
1. Press (MUTE) + <B1>
1. Press (SHIFT) + 'FX1' i.e. <B6> and/or 'FX2' i.e. <B7> to mute the effect
2. Perform action again to release mute
1. Press (SOLO) + the selected function. Examples are:
To solo a Pad press (SOLO) + [P1] [P16]
To solo a Group press (SOLO) + Group Button A-H
Perform action again to release solo mode
Soloed elements will have a dimmed glow
1. Press (SOLO) + <B1>
1. Press (SHIFT) + [P1], [UNDO] is the secondary function on pad 1
Each step since start can be undone
The Undo history is reset after a save
1. Press (SHIFT) + [P2], [REDO] is the secondary function on pad 2
Each undone step can be redone
the history is reset after a save
~ 5 of 23 ~
An example is that a drum kit will be distributed across the 16 pads with some being Kick, Bass,
Snares, Cymbals, High Hats, Effects etc. on individual pads.

A Pad are selected by tapping it. The selected PAD will light bright orange.
Pads that are empty will not glow
Pads that are loaded with a sound but not selected will glow dull.
A Pad will flash when triggered during playback
2 Effects (FX) can be chained into each of the 16 Pads

GROUP <B3> - Maschine contains 8 Groups labelled A,B,C,D,E,F,G,H. These are accessed via the
Group buttons.

An example of a group is a series of 16 Pads created with a range of individual sounds on each of
the 16 pads

Groups are selected by pressing Group button A-H

Each group can hold 16 sound slots i.e. a full bank of pads
Group buttons glow bright blue when selected
Group buttons glow dim blue when containing data but not selected
Group buttons will flash when triggered during playback
Each Group can hold 2 chained effects (fx)
Each group can hold 64 Patterns shown in 4 banks on the right display

SCENES (SCENE) The arrangement of a song is made up using a combination of a maximum of

64 scenes. A scene contains a combination of groups and patterns to create a composition stacked in
a column. Scenes are then triggered as the arrangement progresses to create the main song.

Scenes are not selected by buttons but accessed by using the (SCENE) button and the Right
Display.
A scene itself contains patterns and groups to build a tune. Scenes are therefore the building
blocks.
Effects cannot be applied directly to a scene

A MASTER <B2> section enables holistic elements such as Volume, Tempo etc. to be managed.
The Master element can host 2 effects.

~ 6 of 23 ~
2. Browser

The browser is an intuitive tool for managing samples and files and is the go to device normally
when starting a project.

2.1 Loading a File from the 1. Select a free Pad (or if mapping a chosen pad) by hitting it
Browser to a Pad Maschine 2. Press (BROWSE)
Sounds 3. Select the 'SOUND' Tab, <B4>
4. Adjust the 'FILTER' using <K1>.
5. In the 'SOUND' Level (top tab) three filters are selectable. Ensure
'SOUND' or 'FX' is selected using <K1> at the bottom, which refers to the
Maschine sound files.
6. If necessary filter even further to a specific 'BANK' using <K2>
7. Use <K3> 'TYPE' to filter using the files assigned tags.
8. Use <K4> 'SUBTYPE' for the second level of tag filtering.
9. The filtered files will be displayed in the right display. The rotary filter
knobs therefore only need to be used to filter the list shorter.
10. Browse the filtered list in the right display using <K1> Rotary. <B5>
'PREV' and <B6> 'NEXT' buttons browse the list and auto load each
selection.
11. To load the chosen file, ensure it is highlighted in the display and press
<B8> 'LOAD'
The file will be loaded into the selected pad slot and you should hear this
when tapping it.
FILES READABLE
Users WAV and AIFF files are readable by Maschine, explained as samples in the
browser. REX2 files can also be used. MP3 and other audio files are not supported
currently. Other files are bespoke formats used for saving Projects, Groups, Sounds,
Patterns, FX Presets.
2.2 Loading a File from the 1. Select a free Pad (or if mapping a chosen pad) by hitting it
Browser to a Pad User 2. Press (BROWSE)
Samples 3. Select the 'SOUND' Tab, <B4>
4. Adjust the 'FILTER' using <K1>.
5. In the 'SOUND' Level (top tab) three filters are selectable. Ensure
'SAMPLE' is selected using <K1> at the bottom, which refers to the user
wav and aiff sound files.
6. Follow Steps 6-11 in section 2.1
The file will be loaded into the selected pad slot and you should hear this
when tapping it.
2.3 Viewing and Modifying the 1. In (CONTROL) Mode, Select by tapping Pad you wish to view
source sample of the file loaded 2. Press <B4> to select 'SOUND'
to a pad. 3. Press <B5> to select 'SRC' Source of file
4. Press (SHIFT) + (BROWSE) to see path / source of file for pad.
6 Pages of parameters are available for modifying the sample source.
2.4 Using your own file libraries This needs to be set up on the computer to point Maschine at your own
libraries. Select the PREFERENCES option from the menu. Select USER
PATHS and then ADD to add paths to your file libraries.

Note this does not allow tagging of files to aid filtering, use IMPORT to add
files individually and set tags per file.
COMMENT
Saving Sounds.It is possible to save individual sounds but not from Maschine hardware. However this be done on the computer by
mouse right clicking on the sound slot and selecting Save As
2.5 Erasing a PAD 1. Select (SHIFT) + (ERASE) and hold
2. Tap the PAD to erase

~ 7 of 23 ~
2.6 Loading a group with its 1. Select a destination GROUP button A-H
pattern 2. Select (BROWSE)
3. Press <B3> 'GROUP', Ensure <K1> is set to 'GROUP'
4. In the right display toggle <B7>, 'PATT' so that this function is
checked/highlighted
5. Choose a group from the right display using <K5>
6. Load the GROUP into the selected place along with its pattern using <B8>
' LOAD'
2.7 Loading a group without its 1. Select a destination GROUP button A-H
pattern 2. Select (BROWSE)
3. Press <B3> 'GROUP', Ensure <K1> is set to 'GROUP'
4. In the right display toggle <B7>, 'PATT' so that this function is unchecked /
not highlighted
5. Choose a group from the right display using <K5>
6. Load the GROUP, not pattern, into the selected place using <B8> 'LOAD'
2.8 Erasing a GROUP 1. Select (SHIFT) + (ERASE) and hold
2. Tap the GROUP button to erase, i.e. A-H
COMMENT
There may be a delay when loading files due to the size of the data to input.
2.9 Loading a Project 1. Select 'MASTER ' button <B2>
2. Select (BROWSE)
3. Use <K1> to select 'PROJECT'
4. Choose a project from the right display using <K5>
5. Load the GROUP into the selected place using <B8> ' LOAD'

~ 8 of 23 ~
3. Making a Song

This Section provides quick references to functions used with constructing a basic song using
sounds, groups and scenes.

Although the levels of complexity and involvement change on a project by project basis the steps
for a typical, basic project construction are shown in the following walkthrough. Steps in bold text
are detailed in the subsequent quick reference sections while the other elements in normal text are
covered elsewhere in this document.

Start a new Project from the computer Set the Project BPM Tempo
Select a Group Slot Set up SOUNDS for the GROUP Create PATTERNS
Add Effects Construct arrangement using SCENES
Nod head to beats

So we assume a group eg 'A' has been selected and the pads populated with sounds using the
browser and the Maschine library

CREATE PATTERNS
There are two ways to create patterns, 'Pattern Mode' which means beats are tapped and recorded on
the run and 'step mode' where steps of the sequencer are populated to denote where the beat will
play.

3.1 Selecting Pattern Mode 1. Select (PATTERN)

To Lock Pattern Mode select (PATTERN) + <B1>
3.2 Selecting a Pattern Slot 1. Press (PATTERN) + [P1] -[P16]
each pad will select the corresponding pattern as highlighted in the right
display.
3.3 Switching pattern banks 1. Press (PATTERN) + <B5> or <B6> or <B7> or <B8>
COMMENT
Each group can hold 64 patterns. These are displayed on the right display in 4 banks of 16 aligned to correspond with the PADS.
Patterns are denoted with the A,B,C or D Suffix respective to each bank.
3.4 Copying & Pasting a pattern 1. Ensure PATTERN MODE is selected (see 3.1)
2. Press and hold (DUPLICATE)
3. Tap the Source Pad [P1]-[P16] of the pad you want to copy
4. Tap the Destination Pad [P1]-[P16] to paste the pattern
3.5 Duplicating to next available 1. Ensure PATTERN Mode is selected
pattern slot 2. Press 'DUPL', <B3>
3.6 Deleting a Pattern 1. Press (ERASE) + (PATTERN) and hold
2. Tap the pad of the pattern to erase
3.7 Removing Pattern from a Scene 1. Ensure (PATTERN) Mode is selected
2. Press 'REMOVE', <B4>
3.8 Loading a Pattern 1. Press (BROWSE)
2. Press <B3>, 'GROUP'
3. Adjust 'FILTER' <K1> to show 'PATTERN
4. Scroll to a selection in right hand display using <K5>
5. Press 'LOAD', <B8>
3.9 Setting Pattern Grid Length 1. Press (GRID) + <B3>
2. Select pad corresponding to grid choice

~ 9 of 23 ~
3.10 Setting a Pattern Grid Length
Value
3.11 Adjusting Pattern Length
1. Press (GRID) + () or () in the transport section to step through
selections
or
1. Press and hold (GRID) + [P1] -[P16] Pad corresponding to selection.
1 Press (PATTERN) + <K1>

COMMENT
The Pattern Length and Grid Length work in conjunction. The Grid affects the resolution available when adjusting pattern length
using method 3.11
3.12 Doubling Pattern Length 1. Make sure you are in Pattern Mode
2. Press 'DOUBLE', <B2>
This will double the pattern and content. Remember this operates on the
whole current pattern so each press will double the whole pattern
3.13 Setting Input Mode to Pad 1. Press (PAD MODE) on early versions called (KEYBOARD)
Mode To Lock Pad Mode select (PAD MODE) + <B1>
3.14 Setting Keyboard Mode 1. Press (PAD MODE)
2. Press 'KEYBOARD', <B2>
3.15 Spreading Velocity range 1. In (PAD MODE), Press Pad [P1] [P16] for sound required
across Pads 2. Press '16 VEL', <B3>
3. Right display will show velocity now mapped to each pad
3.16 Setting Fixed Velocity for Pads 1. In (PAD MODE), Press 'FIXED VEL', <B4>
2. Adjust 'VELOCITY' <K4> for the fixed velocity setting required 0-127.
3.17 Turning Off Quantization while 1. Set to (PAD MODE)
recording 2. Adjust <K1>, 'QUANTIZE' until the setting is 'NONE'
3.18 Turning On Quantization while 1. Set to (PAD MODE)
recording only. 2. Adjust <K1>, 'QUANTIZE' until the setting is 'RECORD'
3.19 Turning On Quantization while 1. Set to (PAD MODE)
recording and Playing. 2. Adjust <K1>, 'QUANTIZE' until the setting is 'PLAY/REC'
3.20 Quantize after recording 1. Select notes to quantize
2. Press (SHIFT) + [P5] Pad 5 Secondary Function to [QUANTIZE] fully
or
2. Press (SHIFT) + [P6] Pad 6 Secondary function to [QUANTIZE by 50%]
3.21 Changing Step Grid 1. Press (GRID) + <B4>, 'STEP'
Quantization 2. Hit the corresponding pad [P1]-[P16], for the grid required as shown in the
right display.
All pattern quantization will be affected by this figure
3.22 Recording Pads 1. Press (PLAY)
2. Press (REC)
3. Hit the pads as appropriate to build a beat / tune
COMMENT
The UNDO [P1] and REDO [P2]Secondary pad functions can be used to correct mistakes while recording.
3.23 Recording using the Step 1. While Recording, Hit the Pad you wish to record [P1] [P16]
Sequencer 2. Switch Step Sequencer on by pressing (STEP)
3. The pads will light as each step is triggered. Select the step which requires
the pad to be triggered in the sequence by tapping the pad. The step should
light bright.
4. Hit the step again to remove it or build up by adding more.
5. Use <B7> & <B8> to move through each set of 16 steps
6. Use <B5> & <B6> to navigate through the sounds or press (SELECT) and
[P1]-[P16] of the sound you require to use.
7. Press (CONTROL) to turn the step sequencer off

~ 10 of 23 ~
3.24 Adjusting Step / Sound Velocity 1. Hold the pad corresponding to the step or sound to adjust [P1]-[P16]
2. While holding the pad, adjust <VOL>
3. The Velocity change will be shown in the right display
3.25 Adjusting Step / Step Pitch
3.26 Adjusting Step Time
3.27 Locking Note Repeat
3.28 Using Note Repeat
3.29 Recording Pads with Pitch
Variations
Keyboard Mode
3.30 Selecting Individual Pattern
Notes and Events
3.31 Selecting All Pattern Notes and
events
3.32 Erasing Selected Notes
3.33 Erasing All Notes
3.34 Erasing notes while playing /
recording
3.35 Copy / Paste selected notes to
one step right (dependant on step 2. Press (SHIFT) + [P11], Secondary Function [COPY]
grid)
3.36 Copy / Paste selected notes to
another pattern
1. Hold the pad corresponding to the step or sound to adjust [P1]-[P16]
2. While holding the pad, adjust <TEMPO>
3. The Pitch change will be shown in the right display
1. Hold the pad corresponding to the step to adjust [P1]-[P16]
2. While holding the pad, adjust <SWING>
3. The Time change will be shown in the right display
1. Press (NOTE REPEAT) + <B1>
1. Press or Lock (NOTE REPEAT)
2. Set the quantize for each of the the quick change buttons <B5>-<B8> using
<K1> to <K8>
3. Select the required quantization using <B5> to <B8>
4. Press (NOTE REPEAT) + [P1] [P16] at the desired time and pressure (for
velocity)
1. Change input mode to keyboard (PAD MODE) Lock if required using
(PAD MODE) + <B1>
2. Press <B2> to enter 'KEYBOARD' mode
3. Select a sound by hitting the pad [P1] [P16]
4. Each pad will now be mapped to a different pitch, divided into semitones,
of the sound selected. This is shown in the right display.
5. Navigate in Octaves using <B7> Down or <B8> Up.
6. Navigate in Semitones using <B5> Down or <B6> Up
7. Press (PLAY)
8 Press (REC)
You can now play and record your tune by tapping the pads.
1. Press (SELECT) + <B2>, 'EVENTS'
2. Keep (SELECT) Held and press pads [P1]-[P16] for each sound to select.
Alternatively use 'UP' <B5> and 'DOWN' <B6> . Pressing the Pad again will
deselect it.
3. Keep (SELECT) Held and adjust <K5>, 'START' to define the start point of
the note selection on the previously selected sounds.
4. Keep (SELECT) Held and adjust <K6>, 'END' to define the end point of
the note selection of the previously selected sounds.
1. Press (SELECT) + <B2>, 'EVENTS'
2. Press (SELECT) + <B3>, 'ALL'
3. to Deselect All, press, (SELECT) + <B4>, 'NONE'
1. Select notes as 3.30
2. Press (SHIFT) + [P9], Secondary Function [CLEAR]
1. Press (SHIFT) + [P9], Secondary Function [CLEAR]
1. Ensure that the project is playing (PLAY)
2. Press (ERASE) + [P1] [P16] i.e. the sound to be erased, at the point that
the note to be erased is triggered. Notes will be erased as the time bar passes
each note while (ERASE) +[Px] is pressed.
UNDO/REDO is a useful tool while this action becomes familiar
1. Select notes as 3.30
3. Press (SHIFT) + [P12], Secondary Function [PASTE]
1. Select notes as 3.30
2. Press (SHIFT) + [P11], Secondary Function [COPY]
3. Select destination pattern (See 3.2)
4. Press (SHIFT) + [P12], Secondary Function [PASTE]
~ 11 of 23 ~
3.37 Adjusting Note positions by
step grid value
3.38 Comparing (A/B) current
pattern with its previous state
3.39 Copying an edited pattern to
next available pattern slot
3.40 Transposing Notes by Octaves
3.41 Transposing Notes by
Semitones
1. Select notes as 3.30
2. Press (SHIFT) + [P7], Secondary Function [< NUDGE] to move left
3. Press (SHIFT) + [P8], Secondary Function [NUDGE >] to move right
1. Select notes as 3.30
2. Press (SHIFT) + [P3], Secondary Function [COMPARE]
1. Select notes as 3.30
2. Press (SHIFT) + [P3], Secondary Function [COMPARE]
3. Press (SHIFT) + [P4], Secondary Function [SPLIT]
1. Select notes as 3.30
2. Press (SHIFT) + [P15], Secondary Function [OCTAVE -] to transpose
down an octave
3. Press (SHIFT) + [P16], Secondary Function [OCTAVE +] to transpose up
and octave
1. Select notes as 3.30
2. Press (SHIFT) + [P13], Secondary Function [SEMITONE -] to transpose
down an octave
3. Press (SHIFT) + [P14], Secondary Function [SEMITONE +] to transpose
up and octave
TRANSPOSING
The Secondary pads can be used to transpose all notes up/down semitones and
octaves, when working with patterns and no events / notes selected.

WORKING WITH SCENES

So now we have some sounds playing a tune. But to configure these patterns into an arrangement to
make a song, we use SCENES. A project can have up to 64 scenes. A scene is composed of a series
of clips shown vertically to correspond with each group and each clip has a selected pattern from
the desired group.

3.42 Selecting Scene Mode 1. Press (SCENE)

To Lock Scene Mode select (SCENE) + <B1>
3.43 Selecting a Scene Slot 1. Press (SCENE) + [P1] -[P16]
each pad will select the corresponding scene as highlighted in the right
display.
3.44 Switching scene banks 1. Press ;
<B6> for scenes 17-32
<B7> for scenes 33-48
<B8> for scenes 49-64
COMMENT
It is important to remember that scenes contain pointers to groups and patterns and not the actual data. As such changing a pattern
will affect all referenced scenes.
3.45 Creating a scene clip 1. Select a scene slot (3.43)
2. Select the group and pattern (3.1) for this scene clip by navigating and
selecting the specific pattern desired
The clip in the selected scene is now referenced
3.46 Removing Pattern from a Scene 1. Navigate to the selected pattern (3.1)
2. Press 'REMOVE', <B4>
3.47 Quantizing scene transitions 1. Press (GRID) + <B2>, 'SYNC'
2. Select sync settings shown on right display using pads [P1] [P4], [P15]
Scene Sync & [P16]
3. Adjust 'RETRIG' Setting <K1> to ON if next scene is to play from the start
or OFF to start scenes based on Sync selected.

~ 12 of 23 ~
3.48 Duplicating a Scene to the next
slot
3.49 Deleting a scene
3.50 Rearranging Scenes
3.51 Copying & Pasting a scene
3.52 Duplicating to next available
pattern slot
3.53 Playing Scenes
3.54 Playing a sequence of selected
scenes
Loop Mode
3.55 Playing a sequence of all scenes 1. Select and lock Scene mode (3.42)
Loop Mode
1. Ensure Scene Mode is selected (3.42)
2. Select the Target Scene to be copied
3. Press 'DUPL', <B3>
1. Ensure Scene Mode is selected (3.42)
2. Select the Target Scene to be deleted
3. Press 'REMOVE', <B4>
1. Ensure Scene Mode is selected (3.42)
2. Select the Target Scene to be relocated
3. Press (SCENE) + () or () located left of the displays (not transport)
4. Scene can be moved to new location
1. Ensure Scene Mode is selected (see 3.42)
2. Press and hold (DUPLICATE)
3. Tap the Source Pad [P1]-[P16] of the pad you want to copy
4. Tap the Destination Pad [P1]-[P16] to paste the scene
1. Ensure (PATTERN) Mode is selected
2. Press 'DUPL', <B3>
1. Set to (SCENE) Mode (3.42)
2. Press (PLAY) + [P1] [P16] i.e. the selected [SCENE]
3. Select the scene you wish to play
1. Select and lock Scene mode (3.42)
2. Select the START scene by pressing and holding its corresponding Pad.
3. While the start pad is held, press the corresponding pad for the END scene
4. Press (PLAY). The song should loop through the sequence as selected.
2. Select the 'ALL', <B2>
3. Press (PLAY). The song should loop through all scenes in the the sequence.
~ 13 of 23 ~
4. Sampling

4.1 Setting Up External Source 1. Press (SAMPLING)

2. Select 'RECORD', <B1>
3. Select Source as 'EXTERN' using <K1>
4. Select Input Source using <K2> - Typically 'IN 1 L+R' for a stereo signal *

* In Standalone Mode Maschine may also need setting up for an external

input as follows:
1. (SHIFT) + (BROWSE)
2. Select the 'INPUT' Option on the right display using <K5> or Next <B8>.
Source on left display will indicate 'input'
3. Press 'LOAD', <B8>
3. Press (BROWSE) again. 'LEVEL' and 'SOURCE' should appear in left
display
4. Select 'EXTERN IN 1' on for 'SOURCE' using <K2>
4.2 Setting Up Internal Source 1. Press (SAMPLING)
2. Select 'RECORD', <B1>
3. Select Source as 'INTERN' using <K1>
4. Select Input Source using <K2> - Select from available GROUP or
MASTER
4.3 Recording Sample to a Pad 1. Set up External or Internal Source as 4.1 or 4.2
2. Ensure (SAMPLING) is selected
3. Select an Empty Pad
4. Select 'RECORD' <B1>
5. Select 'MODE' using <K3> as 'DETECT' or 'SYNC' **
6. Press (PLAY)
7. Press 'START' & 'STOP' to capture sample
**
'DETECT' Mode <K3> starts the recording when the signal level
exceeds the 'THRESHOLD' Level <K4> after pressing 'START'
<B5> and ends when pressing <B5> again to 'STOP'.
'SYNC' Mode <K3> starts in synchronisation with the host
sequencer (plug in mode) after pressing <B5>, 'START'. The Sample
will run for the duration in bars set with <K6> or free run until
stopped manually with 'STOP' <B5>
'CANCEL', <K6> is used to cancel i.e. stop and discard the
recording
Working with Sample History Sample as per instructions above, after sampling is stopped the following
4.4 items are available;
1. 'DELETE' < B6> - Delete Samples from Sample History
2. 'PREV' <B7> - Move to prior sample (if multiple samples are made to a
pad)
3. 'NEXT' <B8> - Move to following sample (if multiple samples are made to
a pad)
4. To PLAY Sample, hit the loaded PAD when a sample is selected.
QUICK TIP
Use buttons () and () at the left of the displays to change pages.
4.5 Editing a Sample Length / Trim 1. Select (SAMPLING)
2. Select Pad containing Sample and Select Sample
3. Select 'EDIT' <B2>
4. Ensure left display (right edge) shows page 1 of 3.
5. Adjust 'START' using <K1>
6. Adjust 'END' using <K2>
Markers will move along sample in right display to show
selected area.

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 ZOOM & SCROLL
To Zoom in and out on the Sample clip in the right display use <K5> and to scroll left
and right use <K6>. This makes sample adjustments more precise
4.6 Setting a Sample Loop 1. Select (SAMPLING)
2. Select Pad containing Sample and Select Sample
3. Select 'EDIT' <B2>
4. Ensure left display (right edge) shows page 2 of 3.
5. Adjust <K1> to enable 'LOOP' Mode
6. Adjust 'START' using <K2>
7. Adjust 'END' using <K3>
8. Adjust 'CROSSFADE' using <K4> to blend the start and end of loop for a
seamless cycle
Markers will move along sample in right display to show selected area for the
loop. Loop will sample as long as the note is triggered.
4.7 Removing Loop Noise / Clicks An amplitude envelope is provided in the editor to remove slice or whole
sample start and end clicks.

1. Select (SAMPLING)
2. Select Pad containing Sample and Select Sample
3. Select 'EDIT' <B2>
4. Ensure right display (left edge) shows page 3 of 3.
5. Adjust 'ATTACK' <K1> to change how quickly the sample reaches full
volume level after being triggered
6. Adjust 'DECAY' <K2> to change how fast the sample volume level dies
down
COMMENT
A whole range of options are available for editing the audio sample. These edits are destructive and will effect the original sample
4.8 Advanced Audio Editing 1. Select (SAMPLING)
2. Select Pad containing Sample and Select Sample
3. Ensure the Trim is set as desired as per item 4.5 (page 1)
4. Select 'AUDIO' <B5>
5. Adjust 'RANGE' Trim of area to be processed using 'START' <K1> and
'END' using <K2>
6. Select <B7> for Previous Option and <B8> for next option. *** Options
will appear at position under <B6>
7. Initiate the selected processing by pressing <B6>

***Advanced Options Available are:

'TRUNCATE': Deletes all elements outside of the selected range
from step 5.
'NORMALISE': Adjusts level of sample to maximum without
distortion
REVERSE' : Reverses the sample.
'FADE IN': Creates a fade in.
FADE OUT': Creates a Fade Out.
DC FIX': Removes sample DC Level to avoid non zero start/end
clicks
'SILENCE': Silences selected part of sample
'CUT': Deletes part inside selection of sample area.
'COPY': Copies selected area.
'PASTE': Pastes previously selected portion
'DUPLICATE': Duplicates selected sample.

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4.9 Slicing a Sample Equally 1. Select (SAMPLING)
Spaced Slices 2. Select Pad containing Sample and Select Sample
3. Select 'SLICE' <B3>
SPLIT Mode 4. Adjust 'MODE' <K1> to select 'SPLIT'
5. Adjust 'SLICES' <K2> to change to number of equally spaced slices
(4,8,16,32)
6. Adjust 'TEMPO' <K3> to select 'AUTO' or 'MANUAL'.
Tempo is adjusted in 'MANUAL' using <K4> to change 'BPM' or use 'AUTO'
to let Maschine detect / estimate the BPM. In 'AUTO', button <K4> adjusts
multiples of detected tempo.
COMMENT
Buttons <B1>-<B8> Often enter and lock a mode i.e. menu title turns dark rather than just selecting a menu. Unlock by pressing
again.
4.10 Slicing a Sample Musically 1. Select (SAMPLING)
Spaced Slices 2. Select Pad containing Sample and Select Sample
3. Select 'SLICE' <B3>
GRID Mode 4. Adjust 'MODE' <K1> to select 'GRID'
5. Adjust 'LENGTH' <K2> to change to interval of equally spaced slices (4 th,
8th, 16th, 32th notes)
6. Adjust 'TEMPO' <K3> to select 'AUTO' or 'MANUAL'.
Tempo is adjusted in 'MANUAL' using <K4> to change 'BPM' or use 'AUTO'
to let Maschine detect / estimate the BPM. In 'AUTO', button <K4> adjusts
multiples of detected tempo.
4.11 Slicing a Sample Sliced to 1. Select (SAMPLING)
Transients 2. Select Pad containing Sample and Select Sample
3. Select 'SLICE' <B3>
DETECT Mode 4. Adjust 'MODE' <K1> to select 'DETECT'
5. Adjust 'SENS' <K2> to change Sensitivity (higher values detect more
transients and lower, less)
6. Adjust 'TEMPO' <K3> to select 'AUTO' or 'MANUAL'.
Tempo is adjusted in 'MANUAL' using <K4> to change 'BPM' or use 'AUTO'
to let Maschine detect / estimate the BPM. In 'AUTO', button <K4> adjusts
multiples of detected tempo.
4.12 Editing Individual Slices 1. Slice sample according to desired mode see 4.9 4.11
2. Enter 'EDIT' mode using <B5>
3. Select 'SLICE' by rotating <B1> to scroll through and select the chosen
slice as displayed on the left display. Also hitting a Pad [P1]-[P16] will select
the respective slice
4. Adjust Trim of slice using 'START' <K3> and 'END' using <K4>
5. To Reset the sample press <B5>, 'RESET'
6. To Add a slice press <B6>, 'ADD'
7. To Delete a slice press <B7>, 'REMOVE'. Press
8. Exit 'EDIT' Mode by pressing i.e. releasing <B5>
9. Copy Slice(s) to Pad as described in 4.13 to 4.15
4.13 Copying Single Slice to other 1. Edit slices as shown in 4.12
Sound Pad and/or Group 2. Select 'APPLY TO', <B7>
APPLY TO; This enables the copying the selected slice to another group or
APPLY TO sound
3. Toggle select 'SINGLE', <B8>, to only copy the single slice selected.
'SINGLE' Mode shows dark on left display.
4. Select the destination Group A-H and individual Pad [P1] [P16].
5. Exit 'SLICE' by returning to 'EDIT', <B2>. This enables the playback of the
pads with the new slices.

Bug Alert
Early Beta V1.5 of Maschine has a bug which when selecting another group, copies to the first pad and doesn't allow pad individual
selection for the destination.

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4.14 Copying Slices across another 1. Edit slices as shown in 4.12
group of Pads 2. Select 'APPLY TO', <B7>
3. Ensure 'SINGLE', <B8>, is toggled to off, i.e. showing light grey on the
APPLY TO left display.
4. Hit an empty destination target Group button A-H for the resultant slices
5. Each slice is sent to a Pad within the Group on the available pattern
PAD VOLUME
Individual Volume can be adjusted when samples are mapped to pads to achieve this
keep the pad depressed and adjust the volume control, e.g.. [P5] + <VOL>
4.15 Creating Notes for Slices on 1. Edit slices as shown in 4.12
Current Sound 2. Select 'APPLY', <B7>
APPLY; This creates notes that triggers the slices on the current sound.
APPLY 3. MIDI Mapping will be created for each slice in Keyboard mode on the next
available pattern (i.e. if working with pattern A1, then the slices will be
applied across A2)
COMMENT
The Piano Roll Editor will appear on the GUI interface of the computer with a note assigned to each slice.
Keyboard mode is exited by pressing (PAD MODE) + <B2> to toggle keyboard mode off
4.16 Creating a Map using Samples Mapping provides the ability to create layers and zones for samples on a
single Pad using note and velocity ranges.

1. Select (SAMPLING)
2. Select Pad containing a Sample
3. Select 'MAP' <B4>
4. Use the browser to select a Sample.
5. Select 'ADD' <B7> This will create a new Zone for each added sample.
6. When all samples are added return to (SAMPLING)
4.17 Setting Mapping Zone Key 1. Set mapped pad as 4.16 and ensure (SAMPLING) & 'MAP' Mode
Range 2. Ensure Page 1 of 3 is selected.
3. Adjust 'ROOT' <K1> to select the root key for the zone. This sets the key
for the original note pitch
4. Adjust 'LOW' <K2> to select the low key for the zone.
5. Adjust 'HIGH' <K3> to select the high key for the zone.
4.18 Navigating the Mapped Sound 1. Select Mapping using steps 1-3 in item 4.16
2. Navigate to 'NEXT' Zone using button <B8>
3. Navigate to the previous 'PREV' Zone using button <B7>
4. To erase a zone, select the desired zone and press button <B5>, 'ERASE'
5. To exit mapping mode, select an option other than 'MAP'
4.19 Adjusting Map Zone Velocity 1. Select the desired Zone as described in 4.18
2. Select Page 2 of 3 using the page change buttons
3. Adjust <K1>, 'LOW' to set the lowest level of the selected zone's velocity
range between 0-127.
4. Adjust <K2>, 'HIGH' to set the Highest level of the selected zone's velocity
range between 0-127.
The sample for this zone will then trigger within the velocity range defined.
4.20 Adjusting Other Map Zone 1. Select the desired Zone as described in 4.18
Settings 2. Select Page 3 of 3 using the page change buttons
3. Adjust <K1>, 'TUNE' to set the Tuning of the zone selected.
4. Adjust <K2>, 'VOL' to set the Volume level of the selected zone.
5. Adjust <K3>, 'PAN' to set the stereo Pan % L/R of the selected zone.

~ 17 of 23 ~
5. Effects (FX)

5.1 Loading an FX on a sound 1. Make sure CONTROL MODE is Selected by pressing (CONTROL)
2. Select <B4> to put focus on 'SOUND'
3. Select Sound by hitting PAD
4. Select one of the two FX Slots by pressing <B6> 'FX1' or <B7>, 'FX2'
5. Press (SHIFT) + (BROWSE) to open effects browser window
6. Adjust <K5> to scroll through and select from the available effects.
7. Load FX by pressing <B8>, 'LOAD'
5.2 Loading an FX on a Group 1. Make sure CONTROL MODE is Selected by pressing (CONTROL)
2. Select <B3> to put focus on 'GROUP'
3. Select the GROUP by pressing the A-H Button required
4. Select one of the two FX Slots by pressing <B6> 'FX1' or <B7>, 'FX2'
5. Press (SHIFT) + (BROWSE) to open effects browser window
6. Adjust <K5> to scroll through and select from the available effects.
7. Load FX by pressing <B8>, 'LOAD'
5.3 Loading an FX on the Master 1. Make sure CONTROL MODE is Selected by pressing (CONTROL)
channel 2. Select <B2> to put focus on 'MASTER'
3. Select one of the two FX Slots by pressing <B6> 'FX1' or <B7>, 'FX2'
4. Press (SHIFT) + (BROWSE) to open effects browser window
5. Adjust <K5> to scroll through and select from the available effects.
6. Load FX by pressing <B8>, 'LOAD'
5.4 Using a group FX as an AUX 1. Make sure CONTROL MODE is Selected by pressing (CONTROL)
2. Select <B3> to put focus on 'GROUP'
3. Select an empty GROUP with Buttons A-H
4. Select <B4> to put focus on 'SOUND'
5. Select an empty Sound by hitting PAD
6. Press button <B5>, 'SRC'
7. Press (SHIFT) + (BROWSE) , input options show in right display
8. Select <B5> <B6> to choose 'INPUT'
9. Press <B8>, 'LOAD'
10. Press (CONTROL), Sound should be named INPUT 1 (right display)
11. Select one of the two FX Slots by pressing <B6> 'FX1' or <B7>, 'FX2'
12. Press (SHIFT) + (BROWSE) to open effects browser window
13. Adjust <K5> to scroll through and select from the available effects.
14. Load FX by pressing <B8>, 'LOAD'
15. Leave Browse mode by Pressing (BROWSE) again
16. Go to the PAD you want to send to the AUX. Ensure 'SOUND', <B5>
Mode
17. Press <B8>, 'OUT'
18. Adjust <K5> to select Aux destination as X: INPUT 1 (x being group of
the Aux FX and INPUT 1 the name assigned in step 10)
5.5 Muting FX 1. Press (SHIFT) + 'FX1' i.e. <B6> and/or 'FX2' i.e. <B7> to mute the effect
2. Perform action again to release mute

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Effects (FX) Lists and Controllable Parameters

FX Type Param Param Param Param Param Param Param Param Param Param
Compressor Dynamics Threshold Amount Knee Attack Release OP Gain

Gate Dynamics Threshold Attack Release

Limiter Dynamics Threshold

Maximizer Dynamics Amount Curve Turbo

Mode Cut Res Mod Source Env Smooth Env LFO Phase
Filter Filtering Amount Decay Shape Sync Sp
LFO LFO
Speed Shape
Lo Freq Lo Gain Mid 1 Mid 1 Mid 2 Mid 2 High Freq High Mid 1 Mid 2
EQ Filtering Freq Gain Freq Gain Gain width width
OP Gain

Chorus Modulation Rate Amount OP Mix

Flanger Modulation Centre Fq Amount Mod Env LFO LFO Stereo F/B Invert OP Mix
Source Shape Speed Sync Amount
FM Modulation Mod Rate Split Contour Amount

Freq Shift Modulation Coarse Fine FB Stereo OP Invert OP Mix

Amount
Phaser Modulation Center Amount Source Env LFO LFO Stereo FB 8-Pole OP Mix
Shape Speed Sync Amount

Ice Spatial Color Ice Size OP Mix

Metaverb Spatial Room EQ High EQ Low Pan OP Mix

Size
Reflex Spatial Color Smooth Size OP Mix

Reverb Spatial Room Size EQ Hi EQ Low Pan Stereo Freeze OP Mix

Beat Delay Delay Time Offset Crossover Amount Color Split Stereo OP Mix

Grain Delay Delay Pitch Size Jitter Rev Space Density Mod OP Mix

Grain Delay Master Stretch Loop Pitch Link Size OP Mix

Stretch ON

Resochord Delay Mode Spread Style Chord Transpose Brightn'ss Feedback Decay Mix

Distortion Distortion Drive Color FB Tone Tone Gate Release Mix

Amount Amount Mod
Lofi Distortion SR Smooth Stereo Bits Mix

Saturator Distortion Compress Drive Contour

Amount Amount

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FX & Typical Applications

FX Type Application / Use

Compressor Dynamics Creates a dense sound and fattens drums, used to control dynamics allowing higher perceived loudness

Gate Dynamics Cuts signals below threshold. Makes rhythmic chops, stutter effects and slices

Limiter Dynamics Used to control dynamics allowing higher perceived loudness and preventing clipping above 0db. Typically use on
the master bus to control dynamics rather than add musical effects.
Maximizer Dynamics Similar to a limiter with the specialist edge of improving perceived loudness

Create filter sweeps, create synthesizer sounds. Musical effects on pads and sounds typically with filter cut changes
Filter Filtering of LFO adjustments adds musical content. Used more as an effect than say an EQ.

Boost or cut frequency bands. Normally used more to shape the sound than a musical effect.
EQ Filtering

Chorus Modulation Thicken signals, enhance stereo content. Gives a doubling effect to melodic sounds

Flanger Modulation Similar to Chorus but with faster modulation and feedback synced to tempo

FM Modulation Adds a gritty texture to the sound by modulating the frequency of the signal

Freq Shift Modulation Adds crazy effects by shifting defined frequencies a specified amount

Phaser Modulation Modulates the frequency of 2 parts of the signal

Ice Spatial A type of reverb that is used for adding more effects including metalic sounds to the signal rather than just 'space'.
Ideal on soundscapes.
Metaverb Spatial A more synthetic sounding reverb that adds more interest than just space.

Reflex Spatial A more compact room reverb with artificial and metalic tones.

Reverb Spatial A more traditional reverb effect adding space and distance ideally for drums and percussion.

Beat Delay Delay Designed specifically to delay synced to the song tempo to create rhythmic effects.

Grain Delay Delay Used to create evolving ambient textures. This chops grains of the signal and delays them.

Grain Delay Manipulates the speed and pitch of the signal. Adds interesting crazy effects
Stretch
Resochord Delay Comb filter, good on drums and spoken non melodic vocals.

Distortion Distortion Heavy stompbox distortion, with a fuzz type effect

Lofi Distortion Vintage style bit reduction.

Saturator Distortion A combination of compression and saturation to increase loudness and add harmonics

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6. Automation

6.1 Recording Parameter 1. Press (PLAY)

Automation 2. Ensure the parameters to automate are on display
3. Press (AUTO WRITE) + Turn the Knob of the parameter to record
Auto Write is also called F2
6.2 Deleting Parameter Automation 1. Press (PLAY)
2. Ensure the parameters to automate are on display
3. Press (ERASE) + Turn the Knob of the parameter to delete
6.3 Deleting All Parameter 1. Ensure no events are selected on the chosen pattern
Automation of a pattern 2. Press (SHIFT) + [P10], Secondary pad function [CLR AUTOMATION]
6.4 Deleting Selected Parameter 1. Selected events as shown in 3.32
Automation of a pattern 2. Press (SHIFT) + [P10], Secondary pad function [CLR AUTOMATION]
6.5 Rotary Knob Items NOT Limiter
Automatable
Destination Controls
Reverse Parameters
6.6 Automatable buttons Reverb Freeze
Maximizer Turbo
Freq Shift Invert
Flanger Invert
Grain Delay Reverse
Distortion Gate
6.7 Automation of a series of Steps 1. Enter Step mode, Press (STEP)
2. Press [P1] -[P16] and keep held on the step to automate
3. Turn the knob of the parameter you wish to automate
4. View automation on display (may be a slight delay before displaying)
5. Subsequent steps will maintain this steps automation
6.7 Automation of one Step 1. Enter Step mode, Press (STEP)
2. Press [P1] -[P16] and keep held on the step to automate
3. Turn the knob of the parameter you wish to automate
4. View automation on display (may be a slight delay before displaying)
5. Select the next Step [P1]-[P16]
6. Reset this step back to its default value

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7. Miscellaneous and Other References

7.1 Master Mixing - Level 1. Ensure in (CONTROL) Mode

2. Press <B2>, 'MASTER'
3. Ensure Page 1 of 2 is selected
4. Rotary controls <K1> - <K8> can now be adjusted to represent the levels
for GROUPS A-H
7.2 Master Mixing - Pan 1. Ensure in (CONTROL) Mode
2. Press <B2>, 'MASTER'
3. Ensure Page 2 of 2 is selected
4. Rotary controls <K1> - <K8> can now be adjusted to represent the panning
for GROUPS A-H
7.3 Changing the Master Output 1. Ensure in (CONTROL) Mode
2. Press <B2>, 'MASTER'
3. Press <B8>, 'OUT'
4. Adjust <K1>, 'SOURCE', Choose one of the Channels EXT OUT 1-8

8. Hints, Tips & Advanced Solutions

8.1 Playing a sound pad only while Sometimes when long samples are hosted in a pad there is a long wait for the
held sound to complete before another pad can be triggered on its own. As a work
around:-
1. Select <B4>, 'SOUND'
2. Select Page 2 of 6
3. Adjust Type <K4>, to be set to 'ADSR' or 'AHD' from the default 'ONE
SHOT'
8.2 Setting a choke to cut off pads One technique is to set up monophonic mode rather than polyphonic.
when playing another 1. Ensure in (CONTROL) Mode
2. Press 'GROUP', <B3>
3. Press 'SRC', <B5>
4. Select Page 1 of 3
4. Adjust 'POLYPHONY', <K1>, to equal 1

note polyphony can be set for pads but when, choking sounds group
polyphony is adjusted.

another technique is to set up choke groups, where all sounds assigned to the
same group will cut each other off:-

1. Ensure in (CONTROL) Mode

2. Press 'SOUND', <B4>
3. Select PAD Sound [P1]-[P16]
4. Press 'SRC', <B5>
5. Adjust 'CHOKE GRP', <K2>, to equal 1 (or 1 of 8 groups).
6. Set all sounds to choke in the same group repeating steps 2-5

Repeat triggering the same pad wont choke unless polyphony is set to 1 for
the group.

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8.3 Sampling from within your Soundflower is a third party free software utility that links to the sound
MAC using Soundflower interface and enables internal sound i.e. web, or audio player sounds to be
routed elsewhere i.e. Into maschine)

The software is Mac only and is obtained from;

http://cycling74.com/products/soundflower/

Note there may be variations in this walkthrough depending upon the model
of the mac etc.

1. Run the Soundflowerbed application.

2. Set up Maschine for an open pad to sample to
3. In the Mac Audio settings set the Audio device to the 16ch Soundflower
device for the output. Audio interface can remain as is for output.
4. In the Maschine settings set the 'Audio Device' to be Soundflower 16ch and
routing to channels 0-1
5. Set up sampling on Maschine using the 1 & 2 stereo inputs, External
i.e. IN 1 L+R
6. Set Soundflower 16ch application to equal your sound card to monitor
sampled signal.

END OF DOCUMENT

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