imgneheaownertsucrameaneaee | | border | inter ste. | tiga agen ete LESTE | eomtnteinon INSTRUCTIONS PERTANINE TO A ASK OF ARE ELEGTRIG SHOOK OF MOURN TO PERSONS IMPORTANT SAFETY INSTRUCTIONS | | snus mures, eee | eee ca BeEeeres agen: | toueree eee ae | ee ‘Ieiceammme” “Gaetimenmemewstes | | utente ttn (ERIKA e Rom’ “Ets rT ae EERSRSSRSSRS — * mamcervesewemmme | | semetitarmain Eeeevieresmene Sgegmermanene | | Rae © bteletermseyaes varorrus! 2. Re re el ed ot ft «Po Sbanetenceee tutare Linon Rigo, | eee : perpen Prien atin stn aeearcaes scar eer | si matin SAVE THESE INSTRUCTIONS ( WARNING THIS APPARATUS MUST BE EARTH GROUNDED. Boe sie [omnes [owe [ow r Vig i046 / 1988 ree Copyright © 1986 by ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION, a1] PANEL DESCRIPTION © Level Indicators Parameter Knob § @ Write Button @ Input Atenvator Parameter Knob 6 © Output Level Button © MIDI Button @ Bolance Knob Parameter Knob 7 Parameter Knob 4 G Rover’ Selector Button L t TE 1 Display } @Power/Bypass Parameter Knob 3 | | > switen Parameter Knob 2 @ Memory Number Button | @ Value Button Parameter Knob 7 © Paremevic £0 Buton @ chorus£0 Selector Button ® Output Jack 8 | ® Output Jack A j ae ees tr | Q@ as ° I trae ease @ Effect ON/OFF Jack | Ginput tack 8 @ MIDI IN Connector @ Input/Output Level @ MID! THRU Connector Selector SwitchCONTENTS [ PANEL DESCRIPTION o 3 OUTLINE OF THE DEP-S 1 BASIC OPERATION 1 2 {@] GENERAL OPERATION 1 2 Connection Operation 2. Level Setting « Recalling the Factory Preset Effects... 1 Connection .. Programming and Editing 2, Algorithm Selection b. Editing Parameters 1) Chorus 2) Reverb '3) Non-linear 4) Dealy 5) Equalizer 6) Output Level/Balance IMPORTANT NOTES Please use the appropriate fine voltage which Is shown on the name plate. This unit may be heated while operating, but there is nothing to worry about ‘Avoid using the unit in extreme heat, humidity or where it may be affected by dust Use mild detergent for cleaning, Do not use solvents such a5 thinner. Please avoid placing or dropping anything hhaavy on the power cable. Operating the unit near a neon or fluorescent lamp may cause noise interference. if so, change the angle of the unit. 3, Writing into Memory ae 4, Remote Control : ee a7 [Bj SELECTING EFFECT SETTINGS. WITH MIDI sees 3B [i] MEMO ern “3 ‘SPECIFICATIONS . «ifthe unit is not to be used for @ long period of time, unplug the cord from the socket. + Please do not pull the cord but hold the plug when unplugging, ‘© The Unit may not operate properly if turned on immediately ater turned off. f this happens, simply turn it off, then turn It on again in about five seconds. «© Please do not disassemble the unit even when it breaks down, ‘© About seven seconds after the unit is turned on, the muting and bypass circuits function end no ‘effect sound is heard. © The DEP features memory backup system that retains the data even when switched off ‘The battery thet supports the back-up circuit should be replaced every five years. Call for the Foland service station for the battery replace- iment. (The first replacement may be required before five years, depending on haw long ithed passed before you purchased the unit.2] OUTLINE OF THE DEP-5 The DEP-S is a versatile etfect unit that features ‘Non-linear Reverb (Gate Reverb) and Delay effects ‘as well as the Reverb and Chorus. Moreover, using the Algorithm funetion, these effects can be spontaneousty combined cresting subtle eects # Digital Reverbs include four types of effects: Room, Hall, Plate and Special: altogether 22 di ferent reverberation effects. And more, Gate Reverb can be obtained in the Non-linear made, ‘# The Digital Chorus creates more natural chorus effect than the analog chorus. ‘¢ The maximum delay time of the DEP-5 is 2000ms. Up to 89 different effect settings can be wit inta memory. ‘Three Band Digital Equalizer is Bult in Featuring MIDI Connectors, the DEP-S can be set up with other MIDI device. The Program Change message sent from the external device can select the effect sting on the DEP-S. The DEP-5 adopts the 16 bit A/D/A convertion system and 28 bit internal arithmatic Wt teb. Editing Parameters Now, you may edit each parameter of the selected Algorithm. Usually use the Parameter Knobs 1 103, ‘and § to 7 and occasionally the Memory Number Burton @ and the Reverb Selector Button @.Push- ing the upper side of the button will advance & number, and the lower sice will back up a number. Aliso, pressing one side while holding the other side down will quicken the change, @Momory Number Buon Ovs518y @ Reverb Satector Suton faa sat left number right number * When you set the value of the parameter with the Parameter Knob, the Display will show the value at the right for half a second. (The number shown at the left ofthe Display is the Parameter Knob number) 718 Some Algorithm contains all the parameters, and some do not. See the table shown below. Trae ee Le Veiner [ba Tear SMS) f/f boo) pf Mf of of LE LGN MGM Mee I Md LIS IDIIIEISI LS | [ololofojo |_fofefolelo ofolfofoto ofefofolo ofofo[o[o ofofefolo ofefo[o ofofofolo ofofolo olofofofo ofofofo L_fefetelolo olelolsfofolfofolo ofefolo L ofofofoto The Parameter Knobs 1, 2, 3, 8 and 6 have two functions and the Parameter Knob 7 has three functions.1) Chorus (Modulation) Before setting the parameters of Chorus, make ‘sure that "EQ" is not lit in the Display. (When the Display shows “EQ”, the DEP-S is in the mode of setting Equalizer paramoters.) I "EQ" is shown in the Display, push the Chorus/EQ Selector Button @ to change to the Chorus parameter setting mode, 7 | ee 2 & 3 * penn (7) eee ere + recnoace Using the Parameter Knob 1, sot the amout of the Feedback. Variable Range Porameter Kno® 1 '* Modulation Rate Using the Parameter Knob 2, set the speed of the Modulation. ak Parameter Krab 2 0 700% Variable Range (03 ~ 10H 19‘© Modulation Depth Using the Parameter Knob 3, set the depth of the Modulation. on 3 KKK Parameter Knob 3 + When setting the value of the Modulation Depth and Rate, you may hear click noise, but there is no peed to worry about it. 20 Variable Range 0 50 CENT2) Reverb ‘© REVERB SELECT Using the Reverb Selactor Button@, select any of the following four Reverb effects, © Room ROOM is a sharp, expansive and rich reverbera tion of high reverb density. © Hatt HALL is a deeper reverberation of low reverb density. ok kk EE new ne © Plate PLATE is bright and metalic reverb which is ideal for percussive sound, ke oe BD ew v0 © Special SPECIAL is a fantasic reverb sound, Each time you push the Reverb Selector Button®, the four Reverts will be sequencially calles * When ROOM er HALL is selected, the number shown in the right side of the Dispiay represents the size ofthe room. The room here, however, is considered to be # cube, therefore, the number represents the side of » cubs (meter. * Each of PLATE end SPECIAL has nwo types of the reverberations: Pt, P2, S1, S2. * When selecting @ Reverb, the affect sound is muted for a moment, but there is no need to worry about it 24© PRE-DELAY The number shown here is the time olapsad be- tween the direct sound and the tater reverberation {ens}. That is, this shows the depth of the room {or hall. Increasing the pre-delay time will make 6 deeper room. With the Parameter Knob 6, you can change the predelay time, Levet | + Pre Delay Revers Time UAL Time teary I Reflections Later Reverberation Direct Sound Porameter Keb 5 ae nial ley time, you may ‘pear click sound, but there is no need to worry about it REVERS TME This ie the length of the later reverberation. In Reverb Time ‘ther wards, isthe time needed for later reverb tration to reduce by 608, That i, this snows the eye ‘wall reflection ratio of en actual room {or hal |-sou8 Using the Parameter Knob 6, sat the Reverb Time. Prater Knob 6 Later Reverberation, | Time Reverb time “1 Variable Range kee 01 998 22‘The reverb time is greately related to the Reverb ‘Selection. Depending on which Reverb is currently ‘selected (Room, Hall, Plate or Special) the highest and lowest limits ofthe reverb time will vary. (See the table right). This means that changing the Reveros can automaticaly fall the reverb time Within the range of the limit. © HF DAMP. ‘The HF Damp is the ratio of the higher requency’s reducing. Ths, in actual room (or hall means the ‘material which the wall is made of. LeveL! * Revert Time x HF Damp value = Reverb Time of BiH. When the reverb time is 8x and HF Damp value is (0.50, the reverb time of the 8k ie Gis) x 0.50 = Hs) Set the value of the HF Damp using the Parameter Knob 7. Fever Timea] Tinian Maximure HF Damo Reverb Time (under 4042) Time Higher frequencies will fade out quicker Variable Renge 1006 233) Non-linear Non-linear Reverb (= gate reverb) is the revert winch ie cut at @ certain gate time, therefore ideal for percussive sound such as snare drum, * Nonvlinaar Reverb has no early reflections. (See page 7.) © PRE-DELAY ‘hie is the time elapsed between the direct sound land reverberation (ms) By using the Parameter Knob §, set the Pre-delay Time Parameter Knob 5 When changing the predelay time, you may hear click noise, but there is nothing to worry about Variable Range 0— some‘© REVERB TIME Thi is the time spent for reverberation to com: plete (ms) +The Revero Time can be set to & negative number (—I. In this case, the reverberation becomes longer Pre Gate ae Levet|_Delay J Time uevet|_Delay || Time Direct Soune | eT tie Direct: ee Fevers time | PReverb Tine 1 When the rover time is positive (+) ‘Set the Reverb Time with he Parameter Knob 6. Parameter Knoo 6 When the revert time is negative (— Veriabia Range 5 Ok “08 ~ 993 28© GATE TIME [Attar the re-dalay time is elapsed, the Gate Time you set here will determine the time needed for the reverberation to end. (ms) Set the Gete Time with the Parameter Knob 7, Parameter Knob 7 ‘Veriable Range 2 oo ae] eee 10 some * You may hear a click noise when changing the cate time, but there is nothing to worry about. Non-linear Output There are three different ways of sending the Nor linear Revarb as shown below. 1. Usual way of output 2, Panning from Output B to A, 3, Panning from Output A to B ‘Select any of the above three modes by pusing the Reverb Selector Button @ @ fevers Selector Burton =e * Pushing the upper side of the button will change the modes as 1 — 2 3 and pushing the lower side will change a6 3» 21 on4) Delay For setting the parameters of Delay, use the Parameter Knobs 5, 6 and 7 Set the Delay Time with the Parameter Knob 6. ne] gg 5 tk Variable Range Flashing Parameter Knob § Sel the number of the Delay sounds to be repeated with the Paremeter Knob 6. 0 985ms 00 = 2008. Variable Range Set the ratio of the higher frequeney’s reducing with the Parameter Knob 7. OD fF a 2 ek Frashing Parameter Knod 7 om ae Varisole Range 1005 27Delay Output ‘There are three different ways of sending the Delay as shown below. 1, Usual way of output 2, Inverting the phase of the delay 3, Panning Delay (alternately sending the deley from Output A and B) Select any of the above three modss using the Reverb Selector Bution @. @Rodord Selector Button Flashing + Pushing the upper side of the button will change the modes as } ~+ 2+ 3 and pushing the lower side will change as 3 2— 1 + In te mode of (Panning Delay), the delay time between Output A and & is the half of the set value. tel Pav Time 28 Lovley Time between Out A and 8 Sound Daley Sound ae5) Equalizer The DEP-5 features three band Digital Equatizer where the signal is filtered before going to tne Digital Reverb Procassor section. The Equalizer changes the frequency characteristics ofthe effect sounds. + The Equalizer section has no effect on the direct sounds. 7 Freatency f: Center Frequency {: Gurve that determines the width of the trequency bans Gi, Gm, Gh: Value of BoostCut PROCEDURE © Push the ChorusEO Selector Button @ to turn the DEP-S to the Equalizer mode. * Make sure that “EQ” appears at the left of the Display. ae] ak =" Parameter Knob 2 (Mide) Parameter Knob 1 {Low! BChorus/£O Selector Button @ Select the emount (dB) of the boosting or cut: * The variable range is ~12 to +1268. A positive ting of the Low Filter with the Parameter Knob umber boosts and negative number cuts the 1, that of the Middle Filter (Parametric) with the frequency. Parameter Knob 2 and that of the High Filter with the Parameter Knob 3. 29© HIGH Level Boost Love! cut = mip Boost Frogueney Lovet cut Frequency = Low Level +9 028) Conor Freaueney Frequency Level Genter Frequency cut Freaueney 30 Frequency FrequencyOnly the Middle Fiter uses a parametric equalizer which allows to set Q (the curve that determines the width of the frequency band) and FRO (center frequency] @® Push the Parametric £0 Button (D to set Q and FRO, The Display shows the current Q value at the left fend the FRO value at the right. @ Memory Number Buton iene Seloctor Button disp ® Change the Q value with the Memary Number Button @ and the FRO value with the Revert Selector Buron @. “The higher the value of the Qis;the narrower the frequency band of the boostieut becomes, mak- ing a sharper slope of the curve, and vice verse LEVEL| uve Conter Frequency Sharp Q Frequency © Push the Parametric EO Button @ to return to the normal mode, Sees : eee ( * The variable range of the Q value ig 0.2 to 90 ‘and that of the FAQ is 0.30 to 12.0 kHz; both in 128 stops. | @ Parameric £0 Button Center Frequency Frequency Mild 3132 6) Output Level/Balance When you have finished all effect setting, adjust the Output Level and the balance of the direct and affect sounds as follows. + Adjusting the Output Level © Push the Output Level Button ©. The Display shows the current output ievel atthe Fight © Ovip01 Level Butlon KKK a L 12 il | @Dispiay @ Rovere Selector Button @ Using the Reverb Selector Buton®, change the output level +The variable range is 0 t0 99. @ Push the Ourput Level Button @ to return to the normal mode. © BALANCE By rotating the Balance Knob @, adjust the balance of the effect andl the direct sounds. Rotating the knob clockwise will Increase the effect sound and counterclockwise rotation will increase the direct sound. “Please note that the Balance settings cannot bbe written into memory.§ Verifying the Parameter Values You can easily verity the value of each parameter you have set or of the Memory number you have called. PROCEDURE © Push the Value Button @, Pushing the button will use the Display to show the number (1 10 7] of the Parameter Knob you have previously touched and its value @ Memory Number Buron Odispiay up| ee tae ee |e ea Lt @ Select the number of the Parameter Knob whose valure you wish to verity. +The Porameter Knobs 1 to 3 work differently depending on which the Chours or Equalizer mode is currently selected. Change the modes if necessary by pushing the ChorusEQ Button @ {you select the parameter whichis irrelevant with the Algorithm currently in use, the Display will respond with as shown below. va 1 Trova vate _____ parameter Number 11=7), fy ®vaive Suron ‘Even while verifying a parameter, you can change the velue oft. Simply move the relevant Parameter Knob, and the Display will show the number of the Parameter Knob and the new value @ When verification is finished, push the Value Button @ to return to the normal mode. 3334 3. Writing into Memory ‘The Memory function of the DEP-S allows you to ‘write the Alogrithm and each Peramoter setting you have made into memory. Hf you try to call other Memory number without writing the effect you have made, the right and lett of the Display will flash alternately warning ‘you that the effect will be erased. If you wish 10 retain the data, take the following procedure, {and ifnot, just pub the Memory Number Button O again. @Memory Number Button —— Alternately flashing * Writing @ new effect setting will automatically erase the data previously written in that Memory number. The preprogrammed effects from the Memory number 1 to 28, however, can be restored by the following operation, Turn the unit off, then turn it on while holding the both sides "=" and" ©" of the Memory Number Button @ at a time. The Dispisy shows “LD” for ‘about @ second and all the memory numbers from 140 29 are recalled. @ Memory Number Burton (EAL ve ae Sy : While holding both sides down ————-—*-Swteh OnYou may write the edited effect seting elther 10 ‘the previous location (same Memory number) or to a different Memory number. ™ Writing into the same Memory number White holding the Write Button@down, push the either side of the Memory Number Button @. Memory Nur Bon @ virte Buon 1 = =TI C foe a on i wif” 75 oe 7) Bo f git disappears (Wrsing comateel The Display will lash for 2 moment, then the digit ct the lower right of the Memory number will go ‘out showing that the writing is completed, + Thé digit at the lower right ofthe Display always appears during editing or programming date land goes out when the data Is writen into memory i | Push athe ae te ating a7 sage 3g => px Wen the date» is changed ‘A digit eppears 35IB Writing into a different Memory number © Push the Write Button @ ‘The number shown in the Display wil flash. © wets Bunn j o eae Feed emeed farscal tee Fasting + Pressing the Write Button agsin will stop the ashing and love the Wiring mode Using the Memory Number Button @, select € Momory Nurnber Burton the Memory number where you wish the | tated eee! setng to be writen, = 7 “The number in the Display stop shina Fad ai! ae © White holaing the Write Buton@ down, prese 3 ‘ : titner ide ofthe Memory Number Button @ . Stops Yashing @ Memory Number Buon © we Bon - =r [- aot 4 Baas ee fi Ee vem ve} The cit cisappoars i (Whig compre Push either sige ———ihile holding dawn ‘The digit atthe lower right of the Memory number will 9 out shawing thatthe writing is completed, 364, Remote Control @efeet OniOH Jack PRESET SHIFT (Calling a Memory number) Connect the Padal Switch DP-2 to the Preset Shift Jack ®, and the effect settings of Memory numbers 1 to 8 con be sequencially called as co Las 2s 3 6 5 Bas J By just By pres Sing the pedal When the offect satting other than Memory umber 1 10 8 (9 to 88) is currently in use, pres: sing the peda! will automatically call Memory number 1. + When you are calling effect settings by using the Preset Shift function, the effect sound may bbe muted for a monent, but there is no need! t0 worry about i lg EFFECT ON/OFF Connect the Foot Switch FS-1 or the Pedal Switch DP.2 to the Effect On/Off Jack @, and the effect ‘can be tured on or off by using the pedal, aaa ae Effect Off ‘ Effect On ¥ 1 eal mS 3738 3] SELECTING EFFECT SETTINGS WITH You can call an effect setting on the DEP-S by ‘operating the external device. For instance, by changing the patches on the syn thesizer connected to the DEP-6, the correspond: ing effect setting on the DEP-S can be recalled. For this, however, it is necessary to properly set the MIDI Channel number and OMNI ON/OFF, then ‘make combination of the Progrem Change num bers on the external device and the Memory num- ‘bers on the DEP-5. (Refer to the separate booklet “wiDr") M01 THAL Connecter @MIO IN Connector © 90 the DEP-5, MIDI Connectors look 7 | Senoneoenea anor MD aor wo \ | Met to DIN SYRE connection but they are totally eifrent things. S001 f iol our MDI Device IMD! Device PP a) (eae) auuNno2 ate} {2JUNO2 ore.) “If you de not need to change the current setting of the OMNI ON/OFF or MIDI Channel, skip the ‘ollowing “1) Setting OMNI ON/OFF and MIDI Channel” and go directly to "2} Making the com: tinstions of Memory numbers and Program Change numbers” MIDI1) Setting OMNI ON/OFF and MIDI Channel @ Push the MIDI Burton ©, ‘The right side of the Display shows the current MIDI Channel number and the left side shows OMNI ON/OFF setting, OMNI ON/OFF AMD! Channel eeeceee] OMI Buon wk 4 @ Using the Memory Number Button@,set OMNI ON or OFF * Pushing the upperside will select the OMNI ON. land the lower side OFF, ® Ht you have selected OMNI OFF inthe step, set an eppropriata MIDI channet number (1 0 1) using the Reverb Selector Button @ ® Push the MIDI Button ©. The left side of the Display shows the Memary umber and the right side shows the Program ‘Change number that corresponds to the Memory number Memory Number ch ty Program Change Number ia 4) "if you do not want to change the combination, push the MIDI Button to return to the normal mode. To change the combination, go to the ext procedure 3940 2) Making the combinations of Memory mum bers and Program change numbers Using the Reverb Selector Button @, change to the Program Change number you like (7 to 128) “+The Memory number that corresponds to the Progrem Change number currently selected will be shown at the left of the Display. @ Recall the Memory number using the Memary Number Button @ {1 to 99). If you have been editing an effect of 8 certain Memory number and try to call a different Memory number without weting It into memory, the Display will react as shown on page 34. To make other combinations, repeat the steps and @ © Push the MIDI Button @ to return to the normal mode. * When returned to the normal mode, the previ- ous Memory number and the affect setting wilt be recalled,ic Frequency Character: [Direct] SESESIPLI P= eee ed lee 10K 300k 1k FREQUENCY (He) 10 +20 +10 to LEVEL 4, (a8) =10 20 [Effect] LeveL (a8) 20k 10k 1 FREQUENCY (Hz) 100 20 4Parametric Equalizer Characteristic {EQ High] 12k Tk FREQUENCY (H2} 100 [Boost/cuT [+1208 [G+ a8 [SEOs |G- Sas |S— 1208] 30, eal cobrcpe: Ay fe eee) EEE! cad 3 fa} 2} > pet 4“ | 35g) © —Eh-= SITES OPE = PW = Je =| Boe he ~--|---f--}--4 8 13 Bes /8)e --4--HEh- g Sigeces ZN: ee eas TSE TIE 8 sls eles a eal ee ene 5 5g) & Q eee =f? 3 lek eH fea leee (eal Seles eel ee a -b | 8 = te 588 = i Soe uieence Bes eg se |e Be 23 8 i ep fot F Le foo # ge i a8 ae & gs L_let 42Block Diagram DEP-5 sock oraGram ) Fixing tothe 19° Rack Options Use smn sors (oy Pt oe me \ mes esnen Mes eH) se" Rack Sav | Foot Switch FS-1 Pedal Switeh OP-2 43[=] MEMO Effect Setting Memo Tams [Pe ioe] ener] cvonus fo = | Be | jaa sous | Counters | e207) peman fs | EF Pls on, “ was] ae | Doptn| tow ec | || oer femal eclouur| o [we] txt | it [tenn | Tost RT| eb) BR fom fromefoumer| oie ie | 44chonus ° Tae |e [ee] sewn] paramere exc Gib | "SF feassa| Soe] Counter | BI! pean ; cond ss | aur] Rane | Depth hi on |r ve oans love Fey) Mt ri | ive! | icewm, (cb) oe, [par |etorre foutout] a Yen | | ; ——+ { | | | i 1 | | | { i | 1 j 1 45i] geen emcee me noms za S/S E ey | "BP Kites Sour "eaoauzen 0) seta sf ou foal] Row [oer | wm [aaa] eed ll 6) | THe} tes) |e" e8) FES, [SS rorefouens| 0 1 | 1 46chorus eo SES | "at [oom Rowen] pananeernic one lecomal EA | TE fee] Sou] tauauzeR | B fea] sxe [oon | tow [aie] Fis ia | Oe [teem | fash [P| co) a cane] Ourput i a a748 [7] SPECIFICATIONS Input Level/impedance “+B (+1808 Max.) 56K2 —20d8m (BdBm Max.)/Over 100K. Output Level/Impedance “+4dm (+18o8%m Max.)/1000 —20¢8m (~5dBm Max}/6500 ‘AD-DA System 16 bit Linear ‘Sampling Frequency ‘32 kHe Froquoncy Response “Oke to 100kHe"* dB (Direct) 30H» to T2kHe ‘SN Ratio (IHF A at Rated Input) ‘9548 (Direct! ‘8048 (Effect) Dynamic Range (Over 108dB (Directl Over 9048 (Effect) ‘Total Harmonic Distortion (1kHz at Rated input) Below 0.008% (Direct! Below 0.03% (Effect) Pro-delay Time (010 500ms at Reverb Mode 0 10 500ms at Non-linear Mode Reverb Time ‘11s to 986 at Reverb Mode HF Damp Controt 0,05 0 1.0 Gate Time 10 to 998ms. Reverb Selection ROOM: 0.310 76 (11 Levels) HALL: 16 t0 76 (7 Levels) PLATE: 1 and 2 SPECIAL: 1 and 2 Equalizer Low: Frequency: 100 BoostiCut: +12dBt0 ~ 1248 HIGH: Frequency: 10K: BoostiCut: =12dB 10-1208 PARAMETRIC: Frequency: 300Hz10 12kHz BoostiCut: +12dB%0 ~12d8 a. 02t080 Chorus Feedback: 010 100% Rate: 0.30 10Hz Depth: 010 50 cent Delay Time to 2000ms ‘Consumption 29W Dimensions. 482(W} x A7(t) x 288(0) mm ATW) x T7%e"(H) 1134°(0) mm Weight '5.0kg/11 Ib. Accessories Connection Cord x 2(Font Panel) Input Attenuator Balance Volume Controts Feedback Level/Equalizer Boost (Cut) ‘Modulation Rate/Parametric Boost (Cut) Modulation Depti/Equalizer High Boost (Cut) Algorithm Select, Pre-delay Time, Reverb Time High Fraquency Damping/Gate Time Memory Number/Parametric Q Control ‘OMNI ON {OFF} Reverb Selaction/Parametric Frequency Control! ‘Output Level/MiID! Channei/MIDI program Number ‘Switches Write, Output Level, MIDI, Chours/EQ, Parametric EQ, Value (Rear Panel) Input Jacks: AB Remote Control Jacks Preset Shift, Effect (ON/OFF) ‘MIDI Connectors THRU LASS B NOTICE “This gta! apport docs not exceed ihe Cass 8 ts for rao nse ersions sot out in he Reo Inartrenca Fogultene ote Canadian Deparimerto Cormurcaton® CLASSE avs | Cet egparet nares ne drasse pas esis dela azae 8 suis do drisons des acoectiqus fb (Grals Fagloment ces nan pavaics par mnsorecaradan das Corensicators, 49Digital Entects Processor move. DEP-5 MIDI Implementation Chart = iicc 0 Transmites Recognizes Remarks Basie Detaul x 1-16 remerized Channel ranged x 1-16 | Oetauis x j 1.3 memoreed Mode Messages x | OMNI ON/OFF Aleve etna Note x | x Number Twe voice Heeseennmnaene |X Velocity Note ON x x Note OFF x x ater keys x x Touch Gh x x itch Bencer x x x x conto! Change Pro x 0-17 +e Change Tue # eee on 127 Syotem Exclusive x ° Porametare system Song Pos x x Song Sei x x Common Tune Ix x System Clock |x x | Real Time Commands | X x I Aux Local ON/OFF | x / AI/Noies OFF x x Mes-Acine Sense x x sages Rese! x |x | Notes +e Program change # Indicates the celererence number of MEMORY NUMBER TABLE. Mode 1: OMNI ON, POLY Made 2: OMNI ON, MONO oO: Mode 3! 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