Professional Documents
Culture Documents
I. INTRODUCTION
Lack of Connectivity
MIMAROPA faces the challenge of physically interconnecting its five provinces
and island municipalities to the regional seat in Calapan City, as well as interconnecting
MIMAROPA to the rest of the Philippines. The lack of connectivity of MIMAROPAs
production areas and tourism destinations has been obstructing the regions economic
integration and marketing efficiencies. Although Mindoro Island serves as the link of
Luzon to the Visayas-Mindanao regions through the nautical highway, the regions island
provinces and municipalities have not been served by this trunk line.
b. Justification
Urbanization Trend
The region recorded a continuing rural-to-urban migration between 1980 and 2000.
Except for Calapan City, all provinces and cities exhibited an increasing urban population
during the period. With the establishment of Calapan City as the Regional Government
Center of MIMAROPA in 2008, the city is expected to follow the same trend. This rural-
to-urban migration could be attributed to market conditions, employment opportunities,
and accessibility of the urban areas due to the existence of sea transport facilities.
The image below shows a beach resort in Puerto Galera, Oriental Mindoro having
white sand and crystal clear sea.
d. Envisioned Development/Development Proposal
The Pinamalayan Cultural and Convention Center Complex is envisioned to cater
cultural events not just in provincial and regional but also national scale. Various sizes of
convention halls, conference and meeting rooms, and auditoriums will be provided for the
conventions and exhibitions. Library and museum will also be provided to give information
about the culture and arts of the region. Amphitheater and workshops will be realized to
showcase cultural preservation through performing arts and crafts and arts
demonstrations. Accommodation and commercial areas are also provided to support the
complex.
This complex will demonstrate architecture through the manipulation of space,
material, and light and shadow to create a memorable encounter through an impact on
the human senses. This theory promotes the integration of sensory perception as a
function of a built form. This creates an experience that is beyond tangible, but rather
abstract, observed and perceived.
II. OBJECTIVES
a. To design a major structure and be the center of culture and tourism in Region
IV. A major structure for the region is needed in order to attract tourist to explore
more the diversity of tourism in the region ranging from cultural, natural, and
built heritage.
b. To showcase local artistry and craftsmanship of the region. A permanent and
single place for the regions arts and crafts is to be provided to give tourists a
glimpse of what the region can offer them if they explore the provinces.
c. To house cultural events for a provincial, regional and even national scale. To
boost its economy, supplementing a development that will create jobs for the
locals, invite investors, and attract tourists has a positive value for the province
and the region. It may be costly in construction but it will eventually help the lift
the economy.
III. REFERENCES
Pinamalayan CLUP
MIMAROPA Regional Development Plan 2011-2016
The Mangyan Heritage Center (MHC)
An Architecture on Seven Senses by Juhani Pallasmaa
Understanding Multisensory Architecture by Sona C.N. and Shallaja Nair
Theory of Phenomenology
http://www.ormindoro.gov.ph
http://marinduquegov.blogspot.com/2010/02/gintong -binhi-and-arts-culture-
in.html