Professional Documents
Culture Documents
Opener: A short story, or gambit, designed to convey little interest and used to initiate a
conversation with a woman and her set.
ESP Gambit: Psychology experiment which allows you to read numbers randomly
thought by women.
- Hey let’s try something, just for shits and giggles. Think a number from one
to four, the first number that pops in your head…. Got it? Don’t say it, just
picture it. 3.
o Most people pick 3
- Next I want you to think of a different number, this time from 1 to 10… first
number that pops in your head, do you got it? 7.
o Most people pick 7
o Spread out your hands and use your left to signify the number 1, and
your right to signify the number 4, and snap your finger at the ¾ mark
to the right hand (snapping where 3 would be). Do the same for 1 to
10, snapping at the ¾ to signify where 7 would be. All this time looke
at her eyes.
- Multiple thread this routine… after asking them to pick a number, start
another conversation thread, perhaps the “beauty is common” gambit. After
gambit, point to your eyes and say “look at me, look at me… 3(or 7)”
Multiple Thread: Not completing one conversational thread before beginning another.
What do you want to be Gambit: “What do you want to be when you grow up, and don’t
say princess. I mean, you could be anything with no chance of failure what would it be?”
[answer = A] “An A? No way… I actually dated a nurse, I love that… I can’t even talk
to you anymore <playfule tone>
Example:
- Start ESP gambit. After asking her to think of a number from 1-4,
immediately go into Beauty Is Common Gambit. Say 3. Continue ESP
gambit. After asking her to think of a number from 1-10, immediately go into
What Do You Want To Be gambit. Say 7.
The first 3 seconds in an interaction will buy you the next 15, which will buy you the
next minute, and so on.
Body Language
- Don’t move around in a set (shifty hands, tapping fingers, etc.) The only
exception is body rocking.
- Body Rocking: A non-verbal false time constraint which makes the set
believe you are about to walk away. Kind of like a step back, step forward,
step back, step forward, etc., all to make it seem like you’re about to walk
away.
- Don’t face the set with your body when you open. Start off by only turning
your head slightly towards them.
- After you open, within a few seconds move your body facing the set.
- When standing keep your feet shoulder length apart.
- Do not lean in at all… lean back if you can This is referred to as “pecking”
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Neg: Any gambit used to convey that you are not a potential suitor. A neg is not an
insult. The purpose of a neg is to false disqualify you.
Breaking Rapport/Negs
- Hot women are usually not bitches, just bitches to you in the first few minutes.
You need to break through that.
- How? By breaking rapport, aka, negging her.
- “Too bad I’m gay or you’d so be my type.”
o Best used in all girl sets or when target’s boyfriend joins your set.
- Negs keep both targets and obstacles from feeling you are a threat, and keep
protection shields from arming.
- “Hands off the merchandise… this shit ain’t for free. It’s gonna cost you 5
bucks every time you touch me.”
o If she continues touching…”What are we starting a tab here? You
must be rich.” “Ok, hands off, where’s her off button? Geez, you can
dress her up but you can’t take her anywhere. Holy shit, how do you
roll with her?”
- Throw an Go
o Don’t wait for a response after the neg, otherwise she’ll probably tell
you to fuck off. Instead, immediately go into a story gambit. Pause
the opener to neg the target.
o Basically, you’re too busy talking and you don’t allow her to respond
to the neg.
- “Those are really nice nails, are they real? No? Oh, well they’re still nice.”
o Disc 1 21:43
- Neg 10’s three times. Neg 7-9s once. Never neg 6s or below.
Alignment
- Women of beauty are rarely found alone.
Seeking Rapport
- Do not seek rapport with your target while opening.
o The person who seeks rapport is always seen as having lower social
value.
- Do not attempt to build rapport with your target until you have first tested for
and received indicators of interest.
- Try doing a very casual double take before you open.
- Don’t ever follow after a set if they withdraw. Not even a single step toward.
o If it’s a moving set, don’t walk with them… just stand your ground.
Lean back, start open, and keep talking as if it never occurred to you
that they might leave. The farther they walk away, the louder you will
talk.
- Don’t rush your material
- The delivery is more important than the material.
Consider beginning a conversation with “Hey guys…” when you open a set; even all
girls. This will keep you from conveying sexual interest.
Buyer’s Remorse:
- The feeling of regret after hooking up with someone prematurely.
- In females, buyer’s remorse generates a sense of embarrassment. You do
NOT want this.
- Buyer’s remorse most always leads to a staled out option. Solid game
prevents Buyer’s remorse.
The game
- A metaphor that empowers us to not feel the brunt of rejection that takes
place.
- Girls can be pretty hardcore, especially if they’re in a group protecting each
other.
- Play it like a game for the first 10 minutes until she starts showing you IOIs.
- This is a game that you can learn.
- Some of the best PUAs do not have confidence. They are scared shitless to
approach.
Calibrating Gambits
- You will only need 50 gambits to run a set all the way to full monty (Sex)
- You will need an arsenal of 300 gambits to handle the dynamic social
interactions of all potential sets.
If you can convey these characteristics within the material that you use in A2, A3, C1,
she will find you really attractive.
Social Proof (A2)
- I want her to know that my last girlfriend was an exotic dancer. I want her to
know that my last girlfriend was gorgeous. I want her to know that I am
known for dating some of the most beautiful women in the world and I do not
apologize for that.
- Say it by throwing into stories.
- Fake it until you make it. If you want to go out with an exotic dancer, tell her
that you’ve been out with an exotic dancer, even if it’s not true.
- Convey that you’re a sexual being and don’t apologize for it.
Confidence (A2)
- Be congruent. You don’t need to tell a story about how confident you are…
just telling her the story shows that you are confident.
- If she interrupts a story [i.e. Oh my god <whiny tone>] say “get a life” and
continue. Can be replaced with any neg.
Smile (A2)
- 97% of women surveyed said they would rather a man approach with a smile.
Humour (A2)
- Funny doesn’t get you laid. Playful does.
- Within a few minutes of her arriving at your house, bash her with a pillow,
than give her one, and say “bring it on”. Hit her once, than walk away saying
“Oh man, you’re boring”, than walk away.
o Afterwards you can lie on the pillows
- The takeaway is the key to attraction. So don’t keep playing, stop and take it
away.
Cocky (A2)
- Can be used in opener, A2, A3.
- Turn cocky off in C1 and bring on the playful.
- “Do you know why you suck?”
o great opener. Follow with “because I’ve been wanting to talk to you
for twenty minutes now, but you “Mrs. Popular” have been surrounded
by all these guys, I couldn’t talk to you. And that’s why you suck.
Who are you? [I’m jesse] And that’s special because?” Proceed into
story gambit.
Connection (C1)
- You don’t want to try to arouse her in the attraction location.
- Use vague and abstract language rather than boring, rational speaking
patterns.
- “I was never given an instruction manual on how to be human, I’m just taking
things one day at a time, and I don’t know why, but I feel very drawn to you.”
- Hold her and say “this is good”. [What, hugging?] “no, this is good”. [yeah]
Mystery Method Disc 2
It is an amateur who hits on the girl right away. The pro waits 10 minutes.
A2 (Female to Male Interest) occurs when you give off DHV and the target gives you
IOIs.
A3 way point
- “So, how do you all know each other?”
- Ask this question before you enter A3 because you don’t know you the
boyfriend or the brother is
- Confirm the relationship with the woman if the guy says the two are married
- If the guy says that he is in a relationship with the target, ask the target “so
how long have you been married?” This will either confirm or disproves the
relationship claim.
o If disproven, say to the guy “oh I get…I see what you’re doing, you’re
trying to get in there… good for you, man!” <said with grin, in playful
tone>. This blows the AMOG away.
Intro to A3
- Male to Female Interest
- The exact opposite of A2
- The main purpose of A3 is to get the target say something that you can give
her IOIs for. You’ll make her give DHV to you so you can give IOIs to her.
- At this point you’ve already gotten IOIs from your target, so you know she’s
interested
- This phase should only be 7-10 minutes, but can deviate slightly.
- [Hey I love your hat] “No you don’t, you’re attracted to me.”
- Check for qualification by asking, “So what do you have going for you
besides your looks?”
- “You have beautiful eyes… can I touch them?”
o If she answers that question you are in A3 and reward her with an IOI
o If she doesn’t, neg her and resume A2.
- The bait, hook, reel, release model.
o If you try this and it works, you’re in A3
o If you try this and it doesn’t work, you’re still in A2
Ie [Why should I tell you?]
If she denies you, neg her immediately.
• “You know what, I was just being polite, I don’t wasn’t
that interested…nothing personal”
o Bait
Ask a question
Ex. “What nationality are you”
o Hook
She responds
If she answers your question, she’s into you
Ex. “I’m German”
o Reel
We indicate interest
Actually an IOI you give her.
Our IOIs to the girl must be legitimate and nonphysical.
“No way! I love German!”
o Release
IOD as to not creep her out
Ex. “I can’t even talk to you now.”
You might actually turn your back to the target
o The IOI seems more legitimate in this model.
- This is actually a false qualification because you’re not really going to be able
to qualify her as LGF potential in 5 minutes.
- Without A3 you can get instant buyer’s remorse
- Perform the Bait, hook, reel, release several times.
Moving in A3
- Moving your target from the group always occurs in A3
- In fact, A3 must take place in isolation. Have this move planned.
- This shouldn’t be a problem, because she’s already given you IOIs so you
know she’s attracted to you.
- <To group> “Hey I’ve been alienating your, kind of, creepy friend here, is it
ok if I talk to her for a couple of minutes?” <to target> “here, grab this, I’m
gonna show you something really cool if you’re a good girl. Come with me.”
<to group> “Well be over here, come join us in a bit if you’d like, we’ll save a
seat for you guys.”
- Oversell what you’re going to show her to get her to isolate.
- When you take the girl, do a kino test.
o Take her by the hand. If she squeezes, start taking your hand away. If
she keeps her hand near yours than keep yours and her fingers hooked.
Release again. If she keeps her hand near yours than shift hand so your
hands are interlocked.
o If she doesn’t accept the move, throw down her hand and keep
walking.
o Once you’ve sat down, sit two feet away from her and wait for her to
re-initiate the chat.
o If she re-initiates the chat, that’s an IOI.
- Once she reinitiates the chat say “Before I show you what I’m going to show
you, I’m curious about to. I mean, I got to know your friends, and they seem
pretty cool…my first impression of you kind of sucked, but now that I’ve
gotten to know you, I’m curious about you. There’s something neat about
you… what do you got going for you more than your looks?”
- Shorter version…“I’m going to show you something really cool, but before I
do… what have you got going for you more than your looks?”
Social Proof
- By getting a girl to game you, you are setting yourself up so that the other
girls in the area will notice you and become more attracted to you.
- If you go out with a hot female friend, sets will be much easier to open.
o If you can go out with two female friends, you will be approached.
DHV
- Demonstration of higher value
- Lead the men and the women will follow.
- People communicate in only 4 ways: DHV (Demonstration of higher value),
DLV (demonstration of lower value), IOI (indicator of interest) and IOD
(indicator of disinterest)
- Never take a girls picture if she asks you to.
o [Can you take our picture] “No” [You’re an asshole.] “Yeah, but I’m
fun.”
- Initially we will IOD, then only after she has earned it do we IOI.
- How do you lead the men or women? With stories.
o Some of these stories will have to be asexual because you’ll be telling
them to guys.
- Don’t give DHV to the target or she’ll think you’re bragging.
- DHV to the obstacles so we don’t appear to be after the target.
DLV
- Some DLVs can be DHVs
- You are sub communicating to the girls that you aren’t trying to impress them.
- i.e. “Man, I feel like I’ve been getting so fat lately”
Attraction locations
- Anywhere you meet a girl is an attraction location.
- i.e. mall, club, street
o Not good locations for building comfort, but good for meeting people.
Storytelling
- Do not memorize your stories, instead, remember the themes of each.
- How to develop:
o Tell a friend your story. If they laugh, or enjoy it, write the title of it
on your cheat sheet.
- Have a cheat sheet
o Features one line notes of your stories/routines
o Keep it on you while sarging in case you get muffled.
Actually take it out if the conversation lulls, as if it was a joke.
o You can also text message yourself with the notes and check your
phone in the middle of a conversation.
- Aim to convey sexuality without sexual neediness
How to be interesting
- Tell her several interesting things
- By using interesting material we can become interesting
- If you say one thing interesting, she’ll say [that’s interesting]. If you say
several interesting things, she’ll say [you’re interesting].
Frame Games
- Frame control: When people try to pull you into their model of reality.
- People have their own frames, which are essentially what they believe is in
their reality
- When two people meet, their frames, in a way, collide. As a rule, the stronger
frame will absorb the weaker frame.
- Women will almost always test the strength of your frame, and if you show
them that your frame is weak, they will not be attracted to you.
- Hoop: A test that a person gives to someone else to find out who is in control
of the interaction.
o i.e. A woman asking you to hold her purse.
- She will test you by trying to get you to jump through her hoops.
- It is only ok to jump through a girl’s hoop if you make her jump through your
hoop first. Otherwise… don’t ever jump through a girl’s hoops.
o i.e. “How old are you?” [Guess.] “Do you want me to guess low or
guess high?”
o If she doesn’t want to play and guess, you’re still in A2, so keep on
trying to get to A3.
- Ways to deal with a hoop:
o 1) Make her jump through your hoop first.
o 2) Jump into her hoop
o 3) Ignore the hoop
Always try to have a girl come to your place on the day 2. Then calibrate comfort levels
to see if you have to leave or not.
The key to calibration is in the takeaway. For example in kino escalation, you calibrate
on the take away and gage their response.
Disc 3
Kino = touch
Start hand touching within the first minute and a half (A2)
- Kino can be used to test for IOIs (which is the purpose of A2)
Kino escalation occurs in C1, C2, or C3
Kino step
- There are 12 separate kino steps.
- All about building comfort. Anything more than this is beyond comfort
building (foreplay)
- If you find you’re moving into foreplay, cut it off (“Baby, we got to slow this
down”)
- “That’s all you get, don’t get any ideas” is a sound bite Mystery uses when
making kino step
- Hand holding
- Arm in arm
o If you’re sitting next to her, you can easily bypass hand holding and
simply go arm in arm
- Sit on lap (TV test)
- Holding/embrace
- Smelling (“You smell so familiar”)
- Biting (Evolution Phase Shift)
- Hair pulling (Hair pulling routine)
- Tongue sucking
- Kissing
o Tic-tac routine
o Kissing is a kino step that will require a release
- Making out
- Don’t grab her breasts, brush over them so she has no opportunity to tell you
to stop.
Kino process
- Step 1: Perform the kino step
- Step 2: Sense whether you have made her uncomfortable with it
- Step 3: Release
- Step 4: If she seems uncomfortable, either wait for her to reinitiate chat, or
you reinitiate with another story without kino.
-
Kino Testing
“Here, give me you hands…” (you don’t always need to ask for them… just
gesture in a way that tells her you want her to put your hands in yours, all the while
telling an unrelated story)
- If she does, but she’s tense, throw them off immediately and say “oh, forget it,
you’re too tense.” Wait a sec… “Oh fuck it, come here… try again” and test
for comfort again.
- If she does, but her palms face up, that’s an IOD
- If she does with palms down, then when you lower your hands she lowers
them with you… that’s an IOI
-
Walking around the venue with a woman on each arm (known as “running the rail”)
creates social proof and “warms” adjacent sets. To forward merge into your next set say,
“Let’s go make some friends.”
- “Do you know there are so many women that are jealous of you two right
now?”
Being attractive
- Women do not care a lot about looks. They think they do, but they really
don’t.
- Women do not primarily judge men by appearance, but rather by how we may
be of use to them for their survival (and replication)
- We may demonstrate our value in 3 ways:
- Show we are preselected by other women
- Show we are the leader of men
- Show we are willing and able to protect those who have aligned with us
Avatar
- def’n: The person you let people know you are through body language, dress,
style, actions, etc. Your avatar is a selected attractive identity.
- When you go out, know who you are going to be when you go out and
dress/act appropriately. For example, as a musician, you will want to go out
as the musician and therefore will dress/act in that way. This will help
tremendously when sarging.
- Specialize your avatar for the girls you want to attract.
o i.e. if you like goth girls don’t dress like an investment banker
- Every set should know your selected attractive identity within the first one to
three minutes.
- Integrate your identity into your DHV stories
Flash cash
- Subtly, without noticing, show your wad of cash.
- This is not used to convey that we can provide for her, but rather, can simply
take care of ourselves.
Peacock theory
- Using your clothes/style to imply to women that you are fun and playful
- When a girl approaches you to comment on what you are wearing, good or
bad, she is attracted to you.
- “Chick Bait” is any interesting item that you wear for the purpose of having
women ask you about it.
o Whatever she says [I like your goggles/I hate your goggles] you
respond with “no you don’t, you’re attracted to me. You wouldn’t
have come up and mentioned it if you thought otherwise.”
- Wearing an interesting item such as a unique charm will invite a girl to IOI
you.
- Don’t argue with people who tease you on your outrageous choice of clothing.
Agree with their comment, then exaggerate it to an absurd level.
o If a set fails, find a better answer for next time. Always have a better
answer.
Make-out intuition
- Girls don’t want to be seen as a slut
- Don’t wait for a perfect moment to kiss-close
- Once you learn when and how to kiss-close, you will realize that you can get
away with it a lot sooner than you ever realized.
- Making out is not solid game… girls make out with guys all the time. It’s no
big deal for them
- Making out at the venue will not get your laid, but will impress the hell out of
your friends.
Disc 4
Overview of M3 model
1) A1 – You’re going to open
2) A2 – You’re going to attract her
3) A3 – She’s going to attract you
4) C1 – Rapport building
A1 = open
Indirect openers
- Guys are just ugly girls
- Sets with guys are easier because they haven’t been opened as much as a set
with all girls
- Do not hit on anyone when you approach
Prop bag
- Have one!
- The lint neg/opener
o Keep a huge piece of lint in your bag. Take a small piece, roll it up,
and pretend to take it out of a girls hair.
o Repeat twice. On the last time, pretend to take the whole giant lint
piece out of her hair.
- Takeaways are used to show a willingness to walk away
Levels of sarging
- 1) Singles: Approaching a girl by herself
- 2) Groups: Approaching a group set (newbies start here)
- 3) Pawns: Merging sets (forwards and backwards) for social proof
- 4) Pivots: Allowing the previous nights successes to assist you in the next
night
- 5) Social Circle: Allowing last month’s successes to assist you in this month’s
(where you should ultimately play in)
Phases of sarging
- There are only 3 phases of sarging.
- 1) Pick up
o Occurs from Attraction to moving her to a comfort building location
nearby
- 2) Mid-game
o Occurs in a comfort location and you’re either going to time-bridge
and accumulate the 7 hours necessary or bounce to accumulate the
time.
- 3) End-game
o Occurs with seduction
Warm up sets
- Use your first three sets to prepare for when you see a woman of particular
quality
- As soon as you get into a venue start talking, warm up sets can be all guy sets
Having options
- Practice your material on everyone!
- When you go out, you should be in your first set within a minute and a half
Grounding Sequence
- A number of stories conveying your core identity
- Used in C3, a grouding sequence has about 7 stories and runs about 25
minutes long
- Be sure to include DHV spikes not DLV pits
- To get a 9 or 10 you need an identity she wants to be part of.
- Only use this if you intend to make the girl your gf
- The grounding sequence ends with what you are currently working on next
C1 (rapport)
- The main purpose of C1 is kino escalation and comfort building routines
- Comfort building routines are the same as DHVs, except instead of telling the
story to the group, you’re telling it only to your target
The only difference between C1, C2, and C3 is location. There are 3 kinds of locations:
attraction, comfort, seduction.
- Ideally you want a comfort location close to a seduction location, if not
attached
- Examples of a comfort location are: couches in a club,
Jumping locations
- There are three jumps to get from location to location.
- They are:
o 1) move
• When you take her by the hand, and take her 10 feet
away.
• Some attraction locations are already comfort locations,
so you might not even have to do this.
o 2) Time bridge (dating loop)
• When you see her in another location to build comfort
at another time
o 3) bounce (multiple venue loop)
• An instant date; a change of venue; i.e. let’s go for a
quick bite right now.
- All the jumps are optional.
-
Wing hunting
- When approaching a set, don’t go in with your wing. It looks too much like a
pick up.
- Instead, approach the set alone. Do an accomplishment introduction for your
wing. He’ll say {Were you just talking about the…} “spells.” (or whatever
you were speaking about). {oh no way…} (wing will continue). Wing will
keep it going for 30 seconds. At this point the set becomes a three-set, so now
you can talk to your wing as though he was the obstacle, while negging the
target. Your wing then talks to the target quietly, while you isolate and talk to
the obstacle and you start saying how great your buddy is. He will do the
same for you. Then switch. When your wing isolates the obstacle, it will
stick. The target will qualify herself to you. If the wing can’t hold the
obstacle you can go back to the two-set, but this time the comfort is already
there because you’ve already disarmed the obstacle.
- Always turn to completely face your wing
- Try merging both of your sets for a more powerful effect
o Don’t allow the two sets to introduce themselves to each other,
instead, only introduce your wing and allow him to take over your set.
Disc 5
1) 7 hours
• By waiting 7 hours, you have demonstrated that you are not going to
leave after sex.
2) We should stop
• What happens when the woman says [We should stop]
• You respond with “I know, we shouldn’t be doing this, we should
stop”, and then you keep going.
• Remember, she didn’t say stop, she said we should stop.
• This might be reworded as [I don’t usually do this], in which case you
respond with “I know, me neither, but everything we’re doing is so
right.”
• Also might be said as [We’re not having sex tonight]. “Oh my god,
I’m so glad you said that. I’m not in the headspace to do this right
now. Don’t get me wrong, obviously we’re attracted to each other, but
I just want to come and have a place to chill. It’s like tonight, before I
came over, I purposely didn’t shave my face ‘cuz I usually don’t feel
too sexy when I’m unshaven, and I figured I really wasn’t in the space
where I wanted to have sex… here feel my face… see how it’s
unshaven? You’ve done this before, like when you don’t shave your
legs, and you did that purposely ‘cuz you didn’t want to have sex.
Here let’s see your legs… oh, you did shave? See, what were you
thinking? Let’s just hang out.
3) Freeze Out
• A freeze out is just another takeaway, except used specifically for
LMR
• If she wants to stop, you respond very calmly with “I understand… no
worries” as if she just turned off your sex drive. Then you get up, turn
on the lights, blow out the candles, and do something normal, like
check your e-mail, or watch tv. Don’t say anything.
• When she says she want to stop, she just means she doesn’t want to
have sex, but she’s still enjoying making out with you.
• There will usually be 3 freeze outs: When trying to remove her bra,
pants and panties.
• Freeze outs vary in length from 3 to 15 minutes
o Start with 3 minutes, next will be 10, than 15.
• After the freeze out, tell her to remove the item that she just LMR’ed.
Proceed making out, then pause and re-set up the setting (lights,
candles, etc)
4) You’ve hijacked my brain
• “Baby, there is absolutely no worry, we don’t have to have sex today.
You’ve hijacked my brain. I’m gonna be here no matter what – I can’t
help it. I don’t know why I feel this way. I wasn’t given an
instruction manual on how to be human, all I know is that when you
leave a room, I wonder “where are you?” I know we just met
yesterday but the weirdest thing is all day today I couldn’t stop
thinking about you. What the fuck did you do to my head?” Then
proceed to travel bag routine.
• Love isn’t being with someone; love is being away from someone and
needing to be with them.
5) Riker’s 3 rules
• ?????
Don’t be aloof after sex. This triggers LMR for the next time. After you’ve had sex, be
attentive. Get her water, cuddle, rub her feet, anything to show her that you will stay
around.
From DYD Mastery Program
Seduction
Comfort Seduction
If you start with comfort, you will be put in the ‘nice guy’ category and will get the ‘bitch
shield’
You can’t go from attraction, straight to seduction because she’ll get ‘buyer’s remorse’
and she’ll think you’re a player.
If you stop at comfort, you get LJBF and get stuck in the friend zone.
C2) Comfort 2
- Building intimacy
- Kino escalation
C3) Comfort 3
- Heavy intimacy
- Kissing, etc.
S3) Sex
C1
The question game
“Have you played the question game?” [what’s that?] “I’m gonna make up the
rules as we go. Rule 1: You can’t ask the same question asked, and we’ll go back and
forth. Rule 2: You gotta let skeletons out of the closet… take advantage of our
anonymity. Kinda like truth or dare, but without the dare ‘cuz my friends are here. I
don’t trust you just yet. And Rule 3: You go first.” [No you go first] “You’re already
breaking one of the rules! Ok, I’ll come up with one… let’s see… how many boyfriends
have you had?” This is always the first question, because the proceeding questions will
escalate into a sexual topic. [What do you mean?] “I’ll admit, it’s a pretty loaded
question. Just answer it any way that you want. [She answers. How many girlfriends
have you had?] “You can’t ask the same question! You’re already breaking one of the
rules again!” [It’s not the same question.] “It’s the same question. Pick another one.”
You will then answer her question. You’re next question will be sexual. “What’s
your favorite position? Where’s the weirdest place you’ve had sex? What’s your
fantasy? If she answers, keep escalating. If she doesn’t want to answer, say “yeah, I
don’t really want to play this game either” then move to another routine.
C2
How do we build enough comfort to get to her place?