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This workshop will give you a greater awareness of how to make the most of your voice
both as a singer and a general performer. Through a variety of exercises you will learn to
use your voice safely and effectively to convey narrative and characterisation through
song, as part of an ensemble and also as a soloist. You will also have the opportunity to
explore ways in which to combine singing with movement, drama and physical theatre.
Whilst focusing on Musical Theatre as a background for vocal technique, we will also be
exploring different genres of music from popular songs and ballads through to more
classical choral works. You will learn some new songs and also be able to incorporate
your own choices of music to create original performances.
The ears are the musicians most important tool and therefore the workshop will also
focus on developing your aural awareness and listening skills. You will also learn how to
follow different types of musical notation which will help to prepare you for the working
world.
Overall this workshop will help you to develop confidence in your own voice as a soloist
and member of an ensemble. As well as being assessed on your singing and aural skills
you will also be expected to display a professional level of focus in rehearsal and
performance environments.
Learning Outcomes:
On completion of this workshop you should:
We will be looking at the purposes of song, and how these purposes can be achieved
most effectively in vocal performance.
We will also begin to build a repertoire of ensemble pieces as a choir and small groups
which may include some of the following:
You may also have some ideas of ensemble songs that we could learn if so please write
them in here and suggest them:
To help best prepare you for industry practices we will learn these songs using a variety
of different methods including:
Learning by ear
From lyrics only
Vocal score
Lead sheet
For performance purposes you will be expected to memorise both music and lyrics, so
listening to different recordings of the songs as much as possible will make this a lot
easier.
SINGING FOR ACTORS
& DANCERS
Workshops - Part 2 Developing Your Solo Voice
Throughout both terms you will each have a
number of 1 to 1 vocal tutorials with your
tutor to assess your progress and discuss
your solo singing choices for your final
performance.
You will be given the opportunity to practice performing in a variety of settings, firstly to
your classmates and then building up to a public audience.
We hope to be able to provide you also with tuition from vocal specialists who will be
visiting to run workshops to develop both your ensemble and solo skills.
You will be assessed on at least one solo performance during the two
terms.
You will have a blog set up on Sharepoint to record your individual and group targets for
this part of your course. Read the notes below on how to complete these effectively as
they will form part of the evidence for your assessment.
You can also use these also to write down any queries you have for your tutor or creative
ideas for the workshops and performances.
You must update your blog at least ONCE a week giving evidence of what youve done
and the progress you have made.
Your blog will explain the practice sessions in class and your own personal practice. It
will identify and address any technical, musical and confidence aspects of your
performance. Your blog should include pictures and videos as well as text.
SINGING FOR
ACTORS & DANCERS
Assessment
Assessment for this workshop will be in three areas:
2.Professional Practice
It is essential that you show a level of professionalism in all aspects of this workshop. As
such your tutor will assess you on your:
2 ensemble pieces
1 solo piece
Try to pick two or three of these things to concentrate on per session. For a
higher grade, write down HOW you hope to improve in these aspects (ie
more focus, practice, repetition, group rehearsal, discussion)
Achievements: What were the positive aspects of your session today could be to do with:
learning a new style of music or song
remembering lyrics or vocal melodies
posture and technique
remembering your groups part
moving whilst singing
developing a character
singing as a smaller group or trying a solo
just feeling more confident
Were these things a surprise to you or did you apply an aspect of technique
and found that it worked?
Challenges: What did you find most difficult?
Actions to take
away: What could you do to help things for next time?
How can you overcome the more challenging parts of todays session?
Date:
Nature of session:
(1-to-1/Group
workshop/Rehearsal/
Performance)
Targets:
(group and individual)
Achievements:
Challenges:
Scenario:
You are a performance company who are developing a stylistically varied singing repertoire as a group and solo
performers. You will develop your vocal technique and musicality under the direction of your musical director (tutor)
in a professional rehearsal setting. As a group, you will devise and perform an event which will showcase the vocal
skills you have acquired.
You will take part in 1 to 1 vocal tutorials with your tutor to assess your levels of improvement in the basic
areas of vocal technique and aural awareness learned in ensemble workshops.
You will undertake a final assessment in February showcasing your ability to sing back melodies.
You will choose and practise appropriate solo musical material, showing attention to detail and application
of musical direction
You will record individual targets and progress within your blog each week. Your blog will explain the
practice sessions both in class and your own personal practice and identify and address any technical,
musical and confidence aspects of your performance. Your blog should include videos as well as text.
Sources of information
Books
Kayes, G. (2004) Singing and the Actor, A & C Black Publishers Ltd, London
Peckham, A. (2010) The Contemporary Singer Berklee Press, Boston
Hewitt G How to Sing (Taplinger Press, 1979)
Grants C and D You Can Sing (Carlton Visual, 2003)
Hammond M Thank you thats all we need for today (Peters, 2009)
Miller G On the Art of Singing (Oxford University Press, 1996)
Peckham A The Contemporary Singer (Berklee Press, 2000)
Stone J You Can Sing (Music Sales, 1997)
Websites:
www.youtube.com
www.vimeo.com
www.musicroom.com
www.sheetmusicdirect.co.uk
Music
100 Hits: Musicals Audio CD
Websites
http://www.bbc.co.uk/sing/learning/
http://www.videojug.com/film/how-to-sing-the-basics
Summary of grading criteria
Unit 30: