Professional Documents
Culture Documents
steel innovation
architectural
November 2014
with bluescope
119
Hachem
ECOVILLE community centre
Irdeale Pederson hook
Nannup Holiday House
IN Profile:
Troppo Architects
Editorial Editorial ISSUE 119
Welcome to Steel Profile 119. Advisory Contents
BlueScope continues to support excellence
in architecture as the Principal Corporate
panel
Partner of the 2104 National Architecture
Steel Profile has an Editorial Advisory
Awards in Darwin, at which Johnson Pilton
Walker fittingly won the 2014 National Panel to ensure that only projects of the
COLORBOND Award for Steel Architecture highest calibre are selected for publication.
for its White Bay Cruise Terminal. The panellists are:
A story and a video of the project can be
found at steel.com.au/steelprofile
4 10 18 22
We also wish to congratulate the state-based
winners of the COLORBOND Award for Steel
Architecture, for buildings that exemplify
inspirational and innovative design. Both the
Nannup Holiday House by iredale pedersen A diaphanous, cloud-like The zig-zagging form of iredale The distinctive stamp of Troppo Reflecting its landscape, Room
hook Architects and Cox Howlett & Bailey structure echoing harpsichord pedersen hook Architects Architects founders Phil Harris 11s GASP pavilion is the latest
Woodlands Perth Rectangular Stadium strings, Melbournes Ecoville Nannup Holiday House and Adrian Welkes architecture addition to Hobarts recent
Redevelopment are amongst the winners Community Centre by Hachem deliberately and carefully has marked the Australian cultural rejuvenation
and you can read more about them here. proves that even with modest entwines many different threads landscape with elevated and
Adam Haddow
size and weight, design can open-to-breeze buildings covered
Unusually, the Nannup Holiday House is the Adam is a director of SJB Architects NSW. have colossal gravity by large, curved-steel roofs
only residential project featured in this issue. He was awarded the 40th Anniversary
Churchill Fellowship in 2006 to study
This emphasises the great importance of alternatives to conventional models of
architects investing themselves in large-scale urban design. SJB Architects recently
commercial and public buildings so that won two Australian Institute of Architects
NSW Awards for Multiple Housing.
countless others can enjoy them in the future.
More than anything, he loves to design buildings
Lastly, this is my final issue after three years
as BlueScope editor. This steel-filled journey
has been immensely rewarding and I thank
all our readers, the ever-inspiring EAP and
a brilliant editorial and production team for
28 36 42
sharing in it.
Kristin Camery
BlueScope editor
Sitting atop a hill in a south-west Cox Howlett & Bailey Woodlands T&Z Architects has shielded
Sydney botanic garden, Kennedy Perth Rectangular Stadium students from the sun with
Associates public pavilion reads Redevelopments muscular an emotive perforated shade
Frank Stanisic like an ancient Greek ruin, thanks steel shapes take on an screen that is very much
to the slender steel columns that athletic stance about its place
Stanisic Associates founder Frank Stanisic is a
Sydney-based architect and urbanist. reach upwards past the roofline
Suburban Oasis
Architect
Hachem
Project
Ecoville Community Centre
Location
Tarneit, Victoria
P
rototypes arent for the faint-hearted: Fadys design appears highly organic and fluid, and
especially when youre called upon as test pilot. yet its all underwritten with honest rigour thats
Understandably, most clients lack the nerve to apparent in the centres rhythmic steel sweep and Panel says
sponsor invention that breaks new ground. But most flowing grid. The design is legible and clear, and
developments arent quite this black and white. even if such modernity isnt to everyones taste The elegance of this structure is almost fabric-like
he says that at least its recognisable and you a canopy made up of a series of fine threads on
By definition the best architecture reveals
understand how it comes together and stands up. a loom which defines an inviting outdoor space.
the impresario, rather than the bureaucrat.
The canopy acts as a development anchor and
Hachem principal Fady Hachem is no stranger The early reaction from council, Fady recalls, was
to proposing wild ideas and different approaches. a big No. Their argument was that they couldnt investment in infrastructure that precedes a new
He once tried to sell the idea of a strawberry benchmark it against anything else. My response suburb, and the entire project demonstrates deft
farm to Melbournes Docklands Authority. was: Well, let this be the benchmark. Let this set resolution. We admire the slender battens that
a new benchmark and others will reference it. immerse the amphitheatre in a strong pattern
Real architecture considered from that birds
That seemed to strike a chord. of sunlight and the fine details in the junctions
eye view above the sprawling metropolis is a
between column and beam, and between canopy
rare sight indeed. Which is why its presence in With his project Fady has steered a course
Melbournes unlikely sounding Ecoville is such considerate of providing not only amenity for people and caf, for example but the great strength of this
a beacon, enough to extract a double-take from but to stimulate their curiosity. We asked the project is in the quality of the public space it creates
even the most casual passer-by. question: How could it help the community?
Steel ribbons made from RHS profile and universal in a flat, sometimes hostile landscape with Despite support for the community centre, the
A wing-like geometry provides
beam sections and plate create a diaphanous, few mature trees is oasis-like. Hachem team was less successful at influencing
the uplifting rather than leaden.
In section the floating roof appears cloud-like structure. Echoing the wires of a piano, That Fady found traction for his idea in a market design for any of the 300-plus new houses that
to belong to an aircraft or strings of a harpsichord, the projects roof casts that is so resistant to variation is remarkable. form the wider estate. Fady recalls his director
a striated pattern across its amphitheatre floor in a Even then, enthusiasm from developer client of architecture, Brendan Shannon, was
PH
way that is unfamiliar to typical new estates. Resimax wasnt immediate, Fady recalls. particularly disappointed.
SS
it was a fundamentally Originally designed with a floating concrete roof, where walls are just over two metres high and
the architects finally settled on steel a decision then glass takes over to the floating roof.
simple structure, with the that Fady believes was a much better choice.
Despite the projects undeniable appeal, Fady
Its really gorgeous, he enthuses. Its a raw
potential achilles heel structure that we love, and its in parkland which
says in an ideal world he would have pushed
himself, his client and construction team even
actually softens it off a little.
being the assembly Our initial design was less bulky, but the engineers
harder. I wanted it even lighter and thinner and
even more airy, as if it came from cloth, he says.
PH
What we learned here was that the steel supplier
assembly joints and connections. Fady believes
and builder arent necessarily on the same page, TOP: The main entrance to the southern side fans to generous meeting spaces. The sensation of patterned shadow is
that the potential for error with such fabrication
he says. The steel manufacturer was very in tune continued throughout and, much like a sun-dial, acts as a reminder of the time of day and the importance of light
and construction tends to make many building
with the issues and we still discovered some of those
professionals uncomfortable. Above: Steel and glass form the essential vocabulary that deliciously contradict the brick and tile
issues a little late. We learned a lot about the
TOP: A precise rhythm of steel as veiled enclosure Our early conversation had to explain it in the
creates a shifting, cross-hatched, perspective Project Ecoville Community Centre, Melbourne Client Resimax Group Architect Hachem Project team Fady Hachem, Brendan Shannon Structural and civil
simplest, clearest possible manner, Fady says. steelwork details such as the cleat connections that
engineer Dome Consulting Builder Behmer & Wright Project managers Trevor Main Group Steel fabricator P&T Weldings Shop drawing contractor P&T
Above: Safe play areas with easy adult supervision The builder has to understand the concept must come from hand sketches rather than problem-
Weldings Landscape architects Landarche Principal steel components RHS profiles were used as the purlin component to the shade structure, providing shade and
are a result of legible, thoughtful transparency before they can build anything, he says, admitting solving everything on computer with CAD.
collectively providing lateral support for the portals. Alternate portals and plates were fabricated from BlueScope steel. The roof was similarly framed with universal beam sections
with a secondary frame of BlueScope cold-formed Z and C sections. Universal beams were trimmed with a 300 PFC, with 100x50x4 RHS tubular outriggers framing the taper to the edge
of the roof. BlueScope flat plate steel cleats provided the fixing points from which the roof was hung Project timeframe Two years Building size Total park = 6380m2; Civic area
= 1450m2 Total project cost $4,500,000
8 steel.com.au/steelprofile sp119 architectural steel innovation 9
Compelling
Narrative
This house on the edge of a forest by iredale pedersen hook Architects brings
Architect
iredale pedersen hook Architects
together many narratives about places, buildings and sustainable design.
Project Words Alex Taylor Photography Peter Bennetts
Nannup Holiday House
Location
Nannup, Western Australia
A
ll houses have a story about their making. the series that started in 2000 with my parents house
Some have a couple. This house by iredale at Dawesville, he says.
pedersen hook Architects (iph), however,
Whereas Gidgegannup is located 40 kilometres
weaves together the stories of at least three different
north-east of Perth, Nannup is 270 kilometres south,
journeys. Meandering journeys from cities, through
and the journey by car takes about three-and-a-half
forests, to this house, which was designed to represent
hours: a factor that inspired Iredale from the outset.
a continuation of that path. Deliberate, thoughtful
We saw the experience as being not just about
journeys through a series of elevated houses by
this site, but about travelling to Nannup, which is
architect Adrian Iredale. And lastly, the journey towards
inland not coastal so you drive through forests,
holistic sustainability, where green design attributes
meandering and zig-zagging around, Iredale says.
are completely integrated with the architecture.
You drive through the town itself, then zig-zag a
The house was the dream of a Perth-based couple bit more until you reach the site. So to me, part
who had two primary school-aged sons and bought of the experience of being on holiday there is
the 47-hectare site in 2009 subdivided from an the collection of experiences along the way.
adjacent farm with the intention of building a
The resulting house wrapped entirely in
retreat from city life. They engaged Adrian Iredale
LYSAGHT TRIMDEK and LYSAGHT CUSTOM ORB
of iph Architects to design it after admiring his
profiles made from COLORBOND steel in the colour
Gidgegannup House in Steel Profile 103.
Monument unfolds as an extension of that
According to Iredale, they liked the simplicity of zig-zagging expedition.
that earlier COLORBOND steel-clad V-shaped form,
Accessed via a 20-metre-long ramp that gently
perched above and looking out over rolling scenery.
ascends to the front door, one enters a dark and moody
They really liked Gidgegannup because it was on
hallway, passing guest quarters and a drying deck
a similarly wooded site to theirs at Nannup, and
on the left, with views over the floodplain to the right.
they liked the idea of building a holiday house with
The plan cranks 45 degrees, and the hallway now
a similar quality, Iredale recalls. Their site at
on the right provides views of the forest and access
Nannup is fantastic, and they wanted to make
to a study and bedrooms on the left. It terminates in
the most of experiencing it, in terms of having
the main elbow where a covered deck with glass
a really strong and secluded quality.
balustrade provides a deliberately ambiguous indoor/
To me, this project offered a chance to continue outdoor room from which to enjoy the view, protected
exploring the elevated house type, as part of from western sun and prevailing winds.
ABOVE: Iredale deliberately used the COLORBOND ABOVE: The house occupies the transitional In a nod to the homes location on the edge of a or Jekyll and Hyde quality in the spaces too, thanks
colour Monument to blur vertical elements into the zone between forest and floodplain, and Iredale significant tract of forest, Iredale used recycled to the contrast of dark and light.
forest behind, and weathering steel in horizontal combined extensive use of steel with recycled jarrah on surfaces where people are likely to make
elements, to blend with the earth jarrah to reflect those surroundings From a green design perspective, the house builds
contact such as on the exterior decks and
on ideas the architect first explored at Dawesville
where the skin of the COLORBOND steel has been
15 years earlier, where bolt-on green technologies
revealed in the elevations. Nannup is a timber town
complement passive solar design principles.
with a history of forestry and logging, so we wanted
Dawesville boasts photovoltaic solar energy,
to maintain that connection too, he explains.
stormwater reticulation to feed the native garden
Reflecting on the development of this dwelling as under the house during rain, and gravity-fed recycling
LEGEND the latest iteration in Iredales series of elevated of laundry water for the garden. Iredale is proud
1
7 1. Entry houses, this zig-zag plan demonstrates the of those achievements, which pushed sustainable
11
architects growing maturity and confidence. design further than typical projects at that time. The
6 2. Living
1 The consideration of prospect and refuge from house won the 2002 Australian Institute of Architects
3. Dining
1 so many vantage points and angles in the cranked WA Chapter Energy Conservation Award, and it was
10 4. Kitchen plan provides the occupants with total immersion also audited by the government to determine if the
5 5. Laundry in this unique and varied landscape. ESD (ecologically sustainable development) attributes
8 6. Bathroom could be improved. The answer was no, he says.
The form is a zig-zag as a way of experiencing
7. Bedroom the different qualities of the site; of capturing the At Nannup, the house seamlessly integrates green
7
8. Study/Office site in a new way, Iredale says. The house sits design attributes such as natural light and cross-
7 9. Outdoor living on a fragile line between forest and floodplain, ventilation in every room, thanks to the careful
6 9 10. Drying deck and one side looks back towards the trees while placement of windows and doors on opposite sides
the other side looks out towards the undulating of the skinny plan. The long-form roof is used to great
11. Carport
2 3 4 6 7 hills on the horizon. effect to maximise water collection, which is stored
12 13 12. Cellar/Fire shelter
9 in large tanks beneath the house. These also play a
13. Wood store Iredales manipulation of ceiling heights, roof
role in the approach sequence, concealing and then
treatments and internal mood all add to that rich
revealing the ground floor entrance and cars parked
atmosphere. The section of the building undulates
in the carport. A grey water recycling system treats
in response to the forest behind, creating a hierarchy
floor plan water for irrigation, while the solar hot water (with
of spaces within, Iredale says. The high point is
Ground floor plan Lower floor plan back-up instantaneous gas) is located close to
on the deck, which contrasts with the experience
areas of water use to minimise waste.
of lying in bed, where the roof folds down to frame
a magical view of the forest. Every room has a Photovoltaic cells produce sufficient energy over
different experience because of the section which the course of a year to easily cover consumption
creates great spatial variety, and there is a duality requirements, which are minimised thanks to the
ABOVE: A contrast between dark and light treatments internally creates a Jekyll and Hyde atmosphere, which shifts the
focus of attention from interiors to landscape
Project Nannup Holiday House Architect iredale pedersen hook Architects Project Team Adrian Iredale, Finn Pedersen, Martyn Hook, Drew Penhale, Caroline Di Costa,
Jason Lenard, Matthew Fletcher structural & Civil Engineer Paul Terpkos, Terpkos Engineering Builder Brolga Developments and Construction Steel Fabricator Fred Glen,
CCR Group Shop Drawing Contractor Kim Martin Cladding Contractor Brolga Constructions PRINCIPAL STEEL DETAILS Roofing: LYSAGHT TRIMDEK profile made from
COLORBOND steel in the colour Monument. Wall Cladding and Soffit: LYSAGHT CUSTOM ORB profile made from COLORBOND steel in the colour Monument. Gutters and flashings:
made from COLORBOND steel in the colour Monument. Structural Sections: made from BlueScope Steel and all other galvanised by Hartway Galvanisers) including 75 x 75 x 5 EA;
89 x 89 x 2 SHS; 150 x 100 x 5 RHS; 150 x 50 x 3 RHS; 75 x 50 x 3 RHS; 100 x 75 x 6 UE; 50 x 50 x 6 EA; 150 PFC; 310UB40; DN25 standard weight pipe. Various other fittings, brackets, etc.
supplied by OneSteel. Balustrade and floor to ramps: Webforge B255MP mesh supplied by Weldlok (Nepean Industries). Sunshades: 3mm thick steel from Unique Metals. External handrails:
Galvanised steel tube 38OD hot dipped galvanised steel tube; Internal balustrades and handrails: 245x6mm black mild steel flat bar with Danish wax finish Project Timeframe Design 2010,
construction 2011-2013 Awards 2014 WA Chapter Australian Institute of Architects Awards Residential Architecture Houses: The Marshall Clifton Award for Residential Architecture,
and COLORBOND Award For Steel Architecture Commendation. Architectural Review (AR) House Award 2014: Honourable Mention. Australian Steel Institute Western Australia Steel
Excellence Awards 2014 Winner Building for small projects. 2014 Interior Design Excellence Awards (IDEA) shortlisted (announced 21 Nov 2014). WAN House of the Year Awards 2014
Shortlisted (at the time of publication) Building Size 500m2
Shane Reid
TOP and bottom Left: Troppos commitment
to a shelter typology that embraced openness
is evident in the firm's earliest projects, such
as the 'Green Can at Karama, which won a
low cost housing competition in 1982
Troppo Architects
Since its inception in Darwin in 1981, Troppo Architects oppressive heat and humidity of the build-up, which is
relieved only by the drenching rains of the monsoon.
has pushed boundaries and agitated for change.
Their focus on designing for weather patterns and
So its no surprise to learn that this years BlueScope-
climatic conditions set their work apart from the
sponsored Australian Institute of Architects Gold outset, and led to the development of an identifiable
Medallists co-founders Phil Harris and Adrian Welke Troppo quality. Its evident in their earliest works
such as the Green Can, one of 11 winners of a Low
are concerned about regulations that actively hinder
Cost House competition (built at Karama in 1982)
their common-sense approach. and the Kaiplinger House (Coconut Grove, 1983)
and the practices latest award-winning project,
Words Rachael Bernstone
the Strohmayr House, winner of the Tracy Memorial
Award and an Award for Residential Architecture
Houses (Alterations and Additions) at the
Phil Harris&
Northern Territory Australian Institute of
Architects Awards in 2014.
Troppo Architects
Adrian Welke
Cyclone Tracy nearly destroyed the citys northern
suburbs in 1974, the new houses were mostly ground-
huggers, built from in-situ or precast concrete panels,
featuring small window openings and screw-fixed
metal roofs. The real crime here though is how poorly
those houses perform in the tropics, and how they
A
force their occupants to rely on air-conditioning to
s friends at university, Phil Harris and Adrian
Welke didnt follow the prescribed path. In
In addition, the steel maintain comfort in the build-up and wet seasons.
Smith Street Mall and completed a second report. Harris attributes their enthusiasm for nurturing the
Punkahs and Pith Helmets: good principles of careers of young architects to the pairs own relative
tropical house design examined in more detail youth when they established the practice 33 years
the early shelters built by local indigenous people, ago. We started young, he explains. We each had
huts built by Macassan fisherman for drying less than a year of work experience after graduation,
Tony mcdonough
trepang on the Arnhem Land coast, and a so we like taking on graduates who might have an
group of houses on Darwins Myilly Point, empathy for Troppo. We enjoy watching them evolve,
designed by Beni Burnett in the late 1930s. and theres a freshness and invigoration
Troppo Architects
Troppo Architects
Below from left to right:
Recent additions to the Strohmayr
House won Troppo the Tracy
Memorial Award and an Award for
Residential Architecture in 2014
To emphasise this point he relates the story of their pioneered a unique From the outset, steel has played a pivotal role
first meeting with esteemed architect Glenn Murcutt. in achieving their objectives because it allowed
Glenn was about 48 then and as he wandered past our approach to Australian them to experiment in an efficient and economic
Patrick Bingham-hall
office in Darwin he noticed a mobile that wed made way. If you go back to the Green Can and other
out of an article about him in a newspaper, which was architecture: irreverent early buildings, the whole objective was to achieve
hanging in the front window, Harris recalls. We went openness the ability to play with large openings
off for a beer, and Glenn said: of course you wont be but sophisticated, so they relied upon a post-and-beam structure
an architects backside until youre 40, and now that that was influenced by Japanese house principles,
hes older he might say older, still. I suspect thats how inventive with a tinge Welke explains. We liked the simplicity and
it goes. We all keep learning and evolving and hopefully lightness of steel, and that strength and lightness
getting better: we see that hope in everyone. of larrikin spirit have been central components of our structural
The Rozak House is a case in point. Located south he adds, but they are still good Troppo houses: so
steel frames.
Having found success in the Top End, the practice of Darwin, it typifies the firms ethos of providing is there something wrong with them, or something
established satellite offices in Townsville and later The same method is equally valid in southern maximum shelter with minimum effort, using wrong with the code? The code makes an assumption
Byron Bay, and Harris returned to Adelaide in 2000 locations, where the climate offers the opportunity ZINCALUME steel for wall and roof cladding, that everything will be heated or cooled, whereas
and Welke moved to Fremantle in 2003, giving Troppo for more glazing than in the tropics, Harris adds. and galvanised steel framing to perch above the some people can be comfortable without either.
Architects a broader geographical and climatic but its much more subtle and rooted in history and Working down south, there is a similar requirement landscape. It won several Australian Institute of
Welke says that Troppo has been forced to work more
range. Supported by teams in the five offices, research than a signature style might be. There is for a neatly carried out framing system, and steel is Architecture awards in 2002: including a Sustainable
closely with certifiers to ensure its current designs
the founders still work on projects in the Top End an identifiable thing called Troppo, and its the way also excellent for achieving large cantilevers, such Architecture Award and Commendation in the
conform to the code, but as a result, every project
and remote indigenous communities in Western in which the buildings respond to their setting, as roofs for shading purposes. Housing category at the National awards, and
is an argument and a battle to get over the line.
Australia, South Australia and central Australia, says Welke. the NTs Sustainable Architecture prize and
In addition, the steel industry is wonderfully
but they now produce buildings in capital cities Burnett Award for housing. Harris asserts that building code rules should be
We like to think theres an honesty, a organised and competent, which offers the means
and rural locations around Australia as well. relaxed to allow people to live simply, and with less,
straightforwardness and a humble selection of of quickly getting the bones of a building up there is Having played such an instrumental role in the
In spite of this expanded scope, there is still an a cost-effectiveness, speed and orderliness in terms profession the jury said the pair pioneered if they choose to. Because air conditioning exists,
materials, Harris explains. But first and foremost
unmistakeable Troppo-ness to all their projects, of getting more complex things built, Harris says. a unique approach to Australian architecture: if people want to pay for that equipment, and the
we are dealing with shelter. Its not about show
irreverent but sophisticated, inventive with a tinge cost of running it, so be it, but there is a cost to
of larrikin spirit and having built up a deep all of us for that choice in the long term, he says.
knowledge of what works best in different places The code should more seriously promote solar
Patrick Bingham-hall
(cities versus remote locations, tropical versus arid passive design, and provide an advantage for
climates, single family homes in the suburbs versus those people who seek to employ it.
employee housing on indigenous communities) That would result in buildings that are a lot more
Welke and Harris admit to feeling disenchanted dynamic: able to open up with shutters and blinds or,
by the current regulatory environment that stifles in the case of Darwin, the ultimate tropical house has
the sort of innovation theyve become famous for. no walls at all, he says. If people want to live in the
top and above: Troppos Rozak House at Lake
Bennett, south of Darwin, graced the cover of Ever since the building code introduced energy bush, in a shed, with a possum-skin coat in winter and
Steel Profile 78 and won multiple awards in 2002 efficiency measures and created the star-rating a singlet and stubbies in summer, those people who
requirements for housing, that has been a real are happy to live with less should be rewarded, but
problem for us in the tropics, Welke says. It was they are heavily penalised at present.
counter to what you needed the idea of creating
When asked how Troppo manages to get around
an insulated box when actually you can get by
the myriad and often conflicting requirements,
with shade and air movement in the daytime, and
and what they have learned over three decades
Troppo Architects
Troppo Architects
Troppo Architects
Architect
Room 11
Project
Glenorchy Art and Sculpture Park (GASP),
Stage 2
Location
Glenorchy, Tasmania
PB
T
he opening of the Museum of Old and New about the landscape, the river and the embracing ABOVE: The pavilion provides both refuge and
Art (MONA) in Hobart four years ago has mountains to the east and west. prospect, a shelter from the wind, but with
reportedly seen tourist numbers in Tasmania multiple views out
It is about the broad, arcing expanse of the bay and
increase by over two million. This has engendered TOP Right: Looking down the pavilion the river
its foreshore, and the vista which visitors see on
the idea that the island state, with its undernourished view is framed against a dramatic reveal of
arrival at the park gates, with the pavilion a distant
economy, could become a cultural destination; Mount Direction
destination. In fact, for those who come on foot
a parallel to the way Frank Gehrys Guggenheim
the walkers, joggers and cyclists this is very Centre right: Whichever way one looks there
reinvigorated the otherwise unprepossessing is an intriguing assembly of sculptural forms
much a sequence of arrival, with a growing
industrial port city of Bilbao in Spain.
sense of expectation: ultimately fulfilled by BOTTOM RIGHT: Looking across the courtyard
The completion of Stage 1 of the Tasmanian
Museum and Art Gallery in Hobart and the success
the pavilion and its semi-exposed courtyard.
Panel says to the toilet block
Architects, Room 11, worked on Stage 1 which
of the two-year-old Hobart Baroque Festival (of This sublime project in Hobart could not have
involved the landscaping: defining the foreshore
which MONA is a partner) suggests that there is been realised without the use of steel to carry
and constructing a steel-framed pedestrian bridge
indeed a new cultural dawn taking place. the cantilevered structure out over the bay. As a
to curve around its edge, and re-vegetation. Lead
Now the completion of Stage 2 of Glenorchy Art and architect on the project, Thomas Bailey, does not community pavilion, this project is bold and subtle in
Sculpture Park (GASP), directly across Montrose Bay speak so much of architecture, but of providing equal measure, at once containing and reaching out to
from MONA, gives further credence to the proposition the infrastructure to facilitate Pippa Dixons vision. the landscape. According to one of our panelists who
that Hobart is becoming a cultural destination. But The infrastructure, he says, was to be done in an has visited the project, the experience of being there
if MONA is international in its aspirations, GASP is artful way to reflect the purpose of the park is far superior to perusing the project images, which
explicitly local: it is very much about its place. which was to host permanent sculptures, are themselves uplifting and inspirational. Outside,
temporary installations and events.
Yet, from the beginning driven by GASP CEO and you feel the cold wind, so when you go inside, you
Glenorchy City Council project officer Pippa Dixon Stage 2 was to provide a sheltered space with a think: This place is perfect, he said. Its the ultimate
GASP was always going to complement MONA. barbeque area and the flexibility to accommodate flexible space for events and provides a bookend to
Like MONA, the new GASP pavilion is served by a pop-up caf hence, the steel bollards for power Hobarts world renowned new arts precinct.
PB
a new ferry terminal. But whereas MONA is a and light. For this stage, Room 11 worked with
very subterranean experience, GASP is all landscape architects McGregor Coxall, a firm
PB
forms of concrete. This dialogue is continued with
a concrete retaining wall, and past a 40 metre-long,
The pavilion precinct repurposes the remnant the thin custom-folded tray roofing using C purlins
600mm-thick finished concrete wall which shelters
industrial concrete apron, retaining its character and COLORBOND Ultra steel. Although only the
visitors from the chilly westerly winds that sweep
while still providing the amenity required. At the ribbing is visible, the decision to customise the
across the bay from Mount Wellington. The visitor
same time it adds another layer of history to the roofing was about being cost effective and vandal-
then enters the sheltered space of the pavilion along a
site. The drive, says Bailey, was to create proof. Working something out from scratch like this,
feature window looking westwards. The glass is red,
a relationship with the topography and use the says Bailey, is always more complex than simply
but appears purply-pink because of the colour of the
infrastructure to promote an understanding of specifying an off-the-shelf product, but the result is
sky. The colour is deliberately warm in what is often
that reading of the place. more satisfying.
a very cold place. But, says Bailey, we liked the idea
The result is a fascinating diversity of orientation of looking through the glass towards MONA. Red is Inside, the ceiling is customised 316 stainless steel
floor plan
where the spectacularly rich landscape and a charged colour. It is a bit cheeky and playful. sheeting on villaboard whose reflective property
marinescape is brought into focus by various projects the constantly changing external light and
The climax of this sequence of arrival is the
framing gestures. This is supported by an equally colour on to the interior of the pavilion.
12 metre-long, eight-metre-wide cantilever
stretching out over the water with its framed Summing up Room 11s approach to the selection and
LEGEND
use of materials, Bailey comments: Using industrial
The drive was to
view looking north a real celebration of what we
1. Courtyard
can do structurally with steel, says Bailey, who standard products in an interesting and innovative
2. Toilets way is what good design should be.
create a relationship
describes the cantilever as a strong, final gesture.
3. Pavilion
4 Whereas the courtyard is oriented towards Its proximity to MONA suggests a quickening cultural
4. Ferry pier
with the topography and
PB
Mount Direction, the cantilever provides a dynamic which may well shift our picture of Tasmania
5. Walkway/entry relationship with the water. To create such a from being a producer of timber products to being a
3
1 1
TOP left: The industrial aesthetic is continued
with the materials of the toilet block
use the infrastructure bold cantilever, says Bailey, there were only
two options: either concrete or steel. This is a
cultural destination marked by a unique and rapidly
maturing architectural tradition. sp
2
TOP Right: The building celebrates its to promote an combination of the two a nice, efficient way
of achieving the gesture we were after, he says.
concrete and steel construction
5
ABOVE: The cantilever seen from below understanding of that
reading of the place
looking towards Mount Direction
site plan
PROJECT Glenorchy Art and Sculpture Park (GASP), Stage 2 CLIENT Glenorchy City Council ARCHITECT Room 11 PROJECT TEAM Thomas Bailey (lead architect), Josh Fitzgerald, Megan
Baynes, James Wilson, Nathan Crump, Georgie Wettenhall (Design Flow) STRucTURAL & CIVIL ENGINEER Gandy and Roberts BUILDER Fairbrother STEEL FABRICATOR Fame Foley,
Derwent Valley Engineering SHOP DRAWING CONTRACTOR Fame Foley Duggans CONCRETE CONTRACTOR Duggans LANDSCAPE ARCHITECTS Mark Haycox (McGregor Coxall)
in collaboration with Room 11 PRINCIPAL STEEL COMPONENTS Custom-folded roof made from COLORBOND Ultra steel, supplied by The Roofing Centre and assembled on site
by Fairbrother Pty Ltd; C purlins made from GALVASPAN steel PROJECT TIMEFRAME 12 months AWARDS GASP 1 received Urban Design Awards at the Australian Institute of
Architects Tasmanian Chapter and National Architecture Awards in 2013. GASP 2 received the Dirk Bolt Award for Urban Design at the 2014 Tasmanian Chapter Australian Institute
GASP Park aerial View
of Architects Awards BUILDING SIZE 300m2 (internal). Entire site is 800 metres long TOTAL PROJECT COST (including landscape works): $2.4 million
Heroic gesture
The new AGL Lakeside Pavilion at Mount Annan shares more
than a passing similarity with great English garden follies.
Words Rachael Bernstone Photography Peter Bennetts (PBB); Paul Bradshaw (PMB)
Architect
Kennedy Associates
Project
AGL Lakeside Pavilion
Location
Mt Annan, NSW
PBB
columns that reach upwards past the roofline, but we now have a realisation that as an
like an ancient Greek ruin. Australian native garden some of the plants
The building is the AGL Lakeside Pavilion, and it are representational but not rare, and some
heralds a new direction for the Garden, which was Nolan should know: he designed the Gardens first will regrow within five years, so they can be
first mooted in 1984 and opened as a bicentenary permanent building the Bowden Centre, which replaced. For that reason, its a good time to
project in 1988. Early buildings co-located at the opened in 2007 and won the Sulman Award that be working in the Garden.
centre of the 416-hectare site, including visitor year. Praised by the jury as a simple, elegant
Another building that explores the unique
amenities, a caf and garden shop were bland and intelligent building, it was built on the site
identity of the Garden is the recently completed
and generic, some were demountables. of a former demountable and constructed with
PlantBank, designed by BVN Donovan Hill and
some recycled materials.
The earliest structures in the garden didnt really completed in mid-2013 to mark the Gardens
have a strong identity, says Kennedy Associates The Bowden Centre was originally designed as 25th anniversary. It accommodates Garden staff
director Anthony Nolan. But as the garden has an educational facility but after completion it and researchers and occupies a prominent site
matured it has developed a unique identity as very quickly turned into being used for weddings overlooking the main entry drive, and it won an
an important botanical and cultural precinct in and events, Nolan says. So in a sense, the Architecture Award at the Australian Institute
Perspective
south western Sydney, and the new buildings new Pavilion is a companion piece to it, of Architects New South Wales Chapter
are really important expression of that identity. because its the outdoor events facility. Awards this year.
ground plan
Whereas PlantBank is a research facility and yet there is an allowance for the structure to do
therefore closed to the public, the AGL Lakeside what it needs to do, he says. Even though there
Pavilion was always intended to welcome everyone. is an incredibly rigorous geometry which includes
Its the largest of a suite of new facilities designed a double ridge in the roofline so that the building
by Kennedy Associates including picnic shelters presents faces on multiple sides there is a sense
and public toilets and it shares a similar aesthetic of quirkiness, too.
with them, and the Bowden Centre.
In one sense the building is very geometrical,
That similarity arose from an unlikely source: very symmetrical and very formal, and yet at the
telegraph poles. The Garden was given a large same time the structure is just doing what it
stockpile of recycled poles, which have been wants to do, Kennedy continues. We allowed
used to construct many of its buildings. those two approaches to crash together and talk
to each other, such as where the perforated screen
Despite these strong timber influences, and after
meets the roof at the entrance verandah.
much deliberation, Nolan opted to construct the
entire Pavilion using steel, choosing the material The time spent refining the design helped to ensure
for its crisp detailing, lightweight strength, speed of the building was inexpensive to construct, Nolan
erection, and to minimise the number of trades on says. In the interests of economy we set ourselves
site. One of the remarkable things about building an agenda of reducing any duplication, so that if two
with steel is that once the base is done, theres things were near each other and they could do the
a structure there and its often very dramatic, same job, we would combine them, he explains.
Kennedy says. In this case, there was just one For example, some of the column lines shift and
week of steel work required on site. step sideways, which allowed a beam to do its job.
Weve made a virtue of that quality throughout the
Another reason for choosing steel was that it design by exposing it all, and letting the building
required no bracing, so there are no barriers to dictate to us where we could put things.
entry at ground level nothing to impede access
from all four sides which allows the building to Like Capability Browns follies, this building was
engage more fully with the Garden, Nolan adds. designed to be approached from all four directions,
To do all of those connections in timber would although the verandah on the north-western
have been a monstrous job at this scale, and edge doubles as a welcoming entry portal and the
would have resulted in a very different building best location for a bar at a formal catered event.
with enclosure around the lower level. Nolan originally set out the building around the
dimensions of a 200-person marquee, and the ghost
While the use of steel gives the building an honest, of a tent-like structure can be read in its slender
almost agricultural aesthetic, the exceptional steel 150mm SHS columns and 200mm UB Roof
geometry means it transcends rudimentary farm Beams covered with a thin and lightweight roof.
buildings. The complexity of the steel structure Nolan specified Ritek Ecotek Roof Panel 130mm
was born of trial and error in the design phase, made from COLORBOND steel, in the colour
with Nolan discarding many iterations along the Bushland on both sides, for the roof.
way. Recalling that lengthy and arduous process,
The edges of the roof are thin and they cantilever
Kennedy says it helped to reveal and nurture the
away from the structural steel frame, and we
buildings own willful character.
couldnt have achieved that cantilever with any Kennedy says the building has a unique
This is a raw muscular shed, where nothing is other material of that thinness without a lot of and deliberate presence, similar to the
hidden, nothing is covered and nothing is painted, extra structural support, Nolan says. If you Acropolis in Athens or a praying mantis
climbing over the hill
determination, and the architects allowed some disparate enhanced by considered details such as the slatted
the purlins and beams that support it is exposed, The building is used as part of the Gardens formal
elements to crash together, such as where the perforated upper screens and the gentle upwards tilt of the
screen meets the metal roof at the entrance verandah Nolan says. I was expecting to go on site and events program which includes outdoor movie
roofline on the northern corner. These elements
find it dressed up, but its not, and it doesnt look nights, Christmas carols and weddings and
LEFT: The exposed box gutter is one of the buildings allow winter sun to penetrate deeply into the space
out of place. Thats been one of the triumphs: regular day-trippers have also embraced it.
detailing triumphs, according to Anthony Nolan while keeping summer sun out. Undeniably modest
the detailing is so robust that the agricultural
There are other picnic shelters that are far easier yet intelligently executed, the pavilion is a welcome
BELOW: Another example of design economy character of that gutter is not out of place.
to get to than this one, but they dont have the
clashing with the buildings wilfulness can be seen addition to the Mt Annan Botanic Gardens
in the row of columns that steps to one side, which Both Kennedy and Nolan are full of praise for the outlook, Nolan says. And once you are at the
reduces duplication in the beam overhead construction team that brought their vision to life. Pavilion, you want re-engage with the garden,
The builder and steel fabricator were excellent; so there are no enclosing walls, and the sightlines
everything is crisp and how we wanted it to be, are compressed down to draw your attention
Kennedy says. outwards. Weve noticed that people tend to
gravitate to the northern end: its a comfortable
They produced 34 steel fabrication drawings after
place to sit, the buildings gentle edge.
I had developed the design extensively in 3D and
CAD that was the only way we could strip the As a building, the Pavilion shares some attributes with
structure back as weve done, and accept those follies its aesthetically very pleasing, and its majestic
various kinks so when the fabricator did a presence improves vistas from all directions but it
View a video of the architect and
PMB
drawing that looked similar to mine, I thought: is functional as well. Where most follies served little builder discussing this project at
1 Great, we are on the same page, Nolan adds. practical purpose, the Pavilion provides a welcoming steel.com.au/steelprofile
2. Ritek Ecotek 130mm custom-folded to draw your attention and take you up there. so widely embraced is fantastic. sp steel.com.au/steelprofile
roof panel system
3. Valley gutter
4. Cranked UB rafter with end bolting plates Project AGL Lakeside Pavilion Client The Australian Botanic Garden, Mount Annan Architect Kennedy Associates Project Team Anthony Nolan, Steve Kennedy, Alisha Menezes,
5. Welded T bolting plates welded to SHS Vanessa Alves dos Santos, Trinity Woo, Christina Krane, Kris Schubertd structural & Civil Engineer Cardno Builder Zadro Constructions Steel Fabricator BRH Steel Constructions
bolted to PFC screen bearer
11 Shop Drawing Contractor BRH Steel Constructions Steel Distributors CMC, All Metal Roofing, Steel Roofing Supply Centre Coatings Hunter Galvanising Metal Building
6. Screen Cosset battens on steel RHS frame Contractor Bay and Coast Metal Landscape Architects The Australian Botanic Garden Principal steel components Roofing: Ritek Ecotek Roof Panel 130mm custom rolled
7. 200mm purlin in line with rafter from COLORBOND steel in the colour Bushland. Toilets and tank: LYSAGHT CUSTOM ORB profile made from COLORBOND steel in the colour Bushland. Flashings: COLORBOND steel
8. UB to match rafter welded to SHS in the colour Bushland custom folded at All Metal Roofing in Unanderra. Box Gutters: COLORBOND steel in the colour Bushland custom rolled at Steel Roofing Supply Centre in Sydney.
9. PFCs to support box gutter bolted to cleats Structural steel: Columns: 150 x 150 x 5 SHS, 150UB18, 150 x 150 x 6 SHS. Beams: 200 PFC, 250UB25, 250UB37 (Cranked), 250UB37, 250UB25, 100PFC, 200UB25 Project Timeframe Three
on post and rafter
months to design, two months to document, about four months to build Awards 2014 Australian Steel Institute National Steel Excellence Award, Buildings Small Project.
10. Welded T bolting plate welded to SHS bolt
WAF 2014 Shortlisted in Civic and Community category Building Size 350m2 Total Project Cost $650,000
to PFC screen bearer
34 steel.com.au/steelprofile 11. Welded base plate bolted to slab sp119 architectural steel innovation 35
Ready-set
Lacking an Olympic timeframe or funding, the design of this new sports venue steers clear
of the exaggerated theatrics of many recent stadia, and the result is no less thrilling.
Words Micky Pinkerton Photography Alison Paine
Architect
Cox Howlet & Bailey Woodland
Project
Perth Rectangular Stadium Stage 1
Redevelopment
Location
Perth, Western Australia
The stadium is the new home of the Perth Glory football be an army of praying mantises poised to pounce, delivered between sporting seasons. That ruled out
and Western Force rugby teams, and by dint of the or a flock of cranes about to take flight. Architect major in situ concrete work, or a design dependent
shape of the field those sports are played on, the venue Steve Woodlands visual reading is perhaps more on separate elements of the building being produced
has become known as Perth Rectangular Stadium. on message, given the projects main purpose. in succession. Woodland drew on the practices
past experience of public projects with punishing
The structure of the new eastern and southern The shaping of the steel almost takes an athletic
timelines, and in particular its legacy of rail projects
grandstands deliberately responds to that shape stance, says Woodland. It has a muscular quality
which used skeletal steel-framed buildings in order
in an orthogonal manner. However, in section, to it, like someone ready to sprint. We were seeking
to construct new stations quickly on active sites.
the skeletal frames are sculptural and organic, to achieve a sense of the dynamic in the structure,
producing an absorbing compound geometry rather than just a simple steel assembly, and we We needed to have the components manufactured
through the steelwork. The effect is disarming wanted the steelwork to become a sculptural piece in parallel, not in sequence, says Woodland.
while the stands look fairly typical in form from in its own right. So there was a gridded response to So all the large frames were effectively
the playing field, the spectators approach to the the rectangular form of the pitch, but then in section manufactured off-site and brought to site and
stadium through the adjacent parklands is an theres a very organic shaping of the steelwork: assembled as a kit. The assembly process was
altogether more curious visual experience. firstly to respond to its structural needs in generating very important and certainly informed the design
a single major cantilever, and secondly in the concept in the first place, and it meant that while
A series of tapered and shaped steel frames support
dynamic look of legs on the ground. ground works were being done the structure
the roof and the seating, and create a generous
could progress as a separate stream of activity.
concourse. To the naked eye these frames, made The motif of a sprinter has further meaning for the
from hot-rolled sections of BlueScope steel, look project the brief stipulated an extremely tight nine- Just how quickly the structure was erected is
like enormous boomerangs. In section they could month program to have the stadium substantially shown in a timelapse video on the clients website
and steel.com.au/steelprofile. The first third of the
film shows ground works before a crane arrives
The shaping of the steel almost takes an athletic on site, and suddenly the skeletal frame goes up
in a matter of days.
stance. It has a muscular quality to it, like someone Pre-fabrication of the steel elements had further
ready to sprint advantages for Woodland in that the quality of
the finish that can be achieved in a workshop is
substantially greater than what can be achieved A series of tapered frames made from
on site. However, it also brought with it challenges hot-rolled steel provide uninterrupted
sightlines for spectators as well as a
in terms of planning and execution.
generous concourse underneath the
When things are component-driven and factory- stadiums seating
made you can achieve a lot of things in a complex
and high-finished-way but you then have to be
particularly careful that the assembly on site
is as simple as possible Its a very different
circumstance from unfinished steel work, where
if something doesnt quite fit you hit it with a
hammer and force it into place.
We actually ended up screwing a lifting eye into it The large frames were off-site manufactured and brought to site and
so we didnt chain up around the unit, which would
have destroyed the paint, says Eicke. The lifting assembled as a kit while ground works were being done the structure
eyes were screwed into the ends of the column,
which was then raised up. Then it was unscrewed could be progressing as a separate stream of activity
back out and that little thread area was plugged, with
no damage to the paint. We also had to fabricate the
units in such a way so that they were in the correct
ABOVE: Woven metal mesh is stretched between each of the skeletal frames, allowing natural light to penetrate position, so they didnt need to be turned, which companys overhead crane, Phillips Engineering I think its a dimension of steel work that sometimes
while protecting the concourse from wind and rain is now planning fabrication to reduce component gets lost, that the fluidity of being able to work with
BELOW: Support amenities and serviced areas are located under the seating, pulled into pods on the outer
would have also risked damaging the finish.
movement, to the point where pieces can just be that material means youre not bound by the extruded Panel says
Eicke and his team have since applied the skills jacked up and hoisted off trucks into their final resting shape in that sense; it can be almost hand-sculpted
edge of the concourse to enable views back to the park There is a real clarity in the way steel has been used
learned on Perth Rectangular Stadium to other positions without the need for rotating at any stage. as well as respond efficiently to the structure. That
projects. With many conveyor components weighing to construct this stadium. From the bracing that
is one of the great successes of the project and
up to 80 tonnes and exceeding the capacity of the The knowledge transfer between architect and carries the raked seating, to roof supports its all
offers a great amount of potential going forward.
fabricator flowed both ways. The initial design had incredibly well integrated. The logic and rhythm of the
not fully appreciated the welding requirements for That dimension did not go unnoticed during the design concept is clearly legible in the sketches and
fabrication and the accessibility needed to be able WA Chapter Australian Institute of Architects
carries through to the built form, which juxtaposes a
to weld the internal stiffening for the columns and awards, with the project winning the COLORBOND
poetic tension between lightness and prospect, and
rafters. Eicke produced a mock-up, tack-welding Award for Steel Architecture. The jury acknowledged
feeling grounded and secure. The clever handling
one column to one rafter to physically show the the lightness of structure and elemental elegance
difficulties he foresaw with welding the columns enabled by the use of steel: The repetitive placement of the steelwork means there are no ties in the
out, which led to the project team workshopping of the tapered steel buttresses, articulation of the structure, thereby providing uninterrupted views from
possible solutions and a subtle redesign. roof modules via the insertion of glass strips and the every seat. The spectator experience is dramatically
connection of all components with comparatively improved by the crafted and sensitive use of steel
Relatively new to architectural work, the fabricators
slender steel connectors resulted in a large structure
enjoyed the project and despite the tight schedule
that ended up visually light.
report that it was one of the happiest sites
they have worked on, where the group sense of The new stands have been equally well received
achievement in the outcome was always evident. by the client, the two professional teams using the
stadium and their fans, who have praised the extensive
Woodland concurs. Having those conversations with
sightlines and the improvements to the spectator
the fabricator, the contractor and the transport guys
experience. Rob Didcoe, director of facilities and
early on meant that everyone worked well together
camps for the Department of Sport and Recreation,
When theres a good team spirit and when people
is delighted by the awards the project has won.
understand what you are trying to achieve they do
things with care and get pride out of it as well. As the client, it is pleasing to have the entire project
team recognised for the quality of the work that went
Woodlands other key take-out from the project
into the planning, design and construction of the
is the flexibility provided by the hot-rolled steel
stadium upgrades, says Didcoe.More importantly,
to create shapes.
the end result is an innovative, quality elite sport
The product was perfectly suited to being able and entertainment venue that will serve the needs
to sculpt and shape those steel frames, he says. of the WA community for decades to come. sp
Project Perth Rectangular Stadium Stage 1 Redevelopment Client Building Management & Works on behalf of Department of Sport & Recreation Architect Cox Howlett & Bailey
Woodland Project Team Steve Woodland, Greg Howlett, Alastair Richardson, Matthew Batchelor, Nigel Saull, Louise Buckingham, Christopher Foy, Meghan Chute, Brian Dennison,
Graham French, Anna Hopkins, Patrick Ong, Renae Prisov, Jerome Monty structural & Civil Engineer Arup Builder BGC Construction Steel Fabricator Phillips Engineering
Shop Drawing Contractor CADstruction Drafting Service Cladding Contractor JT Cladding Landscape Architects Newforms Landscape Architecture Principal steel
components RHS angles; flat bar; mill plate ranging from 6mm up to 50mm end flanges. The hot rolled sections were provided by BlueScope and the steel plate used for the columns,
beams and rafters made from BlueScope Steel Project Timeframe July 2011 December 2013 Awards 2014 The Colorbond Award for Steel Architecture. 2014 Australian Institute
of Architects Awards (WA Chapter) Commendation Public Architecture Building Size 28,859m Total Project Cost $95.4m
Balanced against the Pilbara regions undeniable ground plane specified that the sun shading screens be made
from XLERPLATE weathering steel, a material also
Driven to design a school in a Pilbara town that rugged beauty is a sometimes unwelcome
chosen by artist Tim Macfarlane Reid to make free-
remoteness, sometimes merciless climate and
is inspiring and comfortable for students, and propoerty prices some city-folk would baulk at.
standing sculptures that adorn the grounds.
attractive to parents, T&Z architects has applied Project architect and T&Z Architects director
Its forms are a series of layers and planes, both Artist Rick Vermey was engaged to ensure the shade
in the roofing and walling. These were articulated screens were both practical and emotive.
some deft architectural and artistic touches. Brad Quartermaine says the region including the
using a range of different colours which we drew
Words Rob Gillam Photography Robert Frith major town of Karratha struggles to retain population Like Quartermaine, Vermey drew on the landscape
from the environment around the school, including
and that T&Zs design for the school was aimed at for the mural-style artworks motifs. Pondering his
rock formations and plants.
helping to stem that flow. Its hard to keep people favourite quality of the shade screen, he cites the
here so its important for the community to have In addition to various BlueScope structural constantly variable imagery cast by changing light
retention strategies for the population. We want steel sections and studwork for framing, several and shadow.
parents to stay once kids reach school age, for types of roof, wall and soffit cladding made from
There are moments when you observe something
kids to be educated here and to take jobs that COLORBOND steel in LYSAGHT CUSTOM ORB
completely afresh. You can chance upon some detail
keep them in the local economy. profile and LYSAGHT SPANDEK profile feature
youve never noticed in a month of walking past it.
throughout, including in the colours Bushland,
Our design was very much about creating an I aspire to create experiences that linger in memory,
Windspray, Ironstone and Evening Haze.
environment that staff and students want to or stimulate quiet contemplation. In this instance
remain in, and we think the building and touches The architects have in places folded down the roof the hills, the rocks, the heat and the intense light
such as the artwork greatly contribute to that. to meet the ground plane and peeled down the back directly contribute to the experience. sp
corners of wall planes to avoid solid segments.
The regions climate and natural surrounds had
a strong hand in shaping the buildings character Offering further permeability are a series of
and resulting usage. sun shades that overhang generously deep
DRILL PATTERN
Project Karratha Senior High School Stage 2 Client Western Australia State Department of Education Architect T&Z Architects Project Team Max Zuvela,
Brad Quartermaine, Sinisa Stikic, Mark Karol, Graeme Abrahams, Linda Chiew structural & Civil EngineeR AND LANDSCAPE ARCHITECTS AECOM Builder Pindan
Contracting Steel Fabricator (bUilDING) Italsteel Steel Fabricator (PERFORATED SHADING screens) Unique Metals Shop Drawing Contractor Ministruct
Drafting Cladding Contractor Jones Stone Roofing Principal steel components Structure: BlueScope steel sections (various sizes/profiles), cold-formed
steel studwork for framing; Cladding: Roofing made from COLORBOND steel in LYSAGHT CUSTOM ORB profile and LYSAGHT SPANDEK profile in the colours Bushland,
Windspray and Ironstone. Walling made from COLORBOND steel in LYSAGHT CUSTOM ORB profile in the colours Bushland, Windspray and Ironstone and Evening
Haze. External soffit linings made from COLORBOND steel in LYSAGHT CUSTOM ORB profile in the colour Evening Haze; Artworks: Perforated shading screens and
freestanding sculptures made from XLERPLATE weathering steel Project Timeframe November 2011 to August 2013 (design & construction) Building Size 8100m2
9 3 2 0 0 7 5 0 7 8 2 2 5
steel.com.au/steelprofile