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century Egypt , Global Feminisms since 1945, ed . by Bonni G. Smith , Lo ndo n a nd N ew Yo rk , 2000, p . 31.
: ,
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Chandra T alpade M o hanty , Under Wester Eyes: Feminist Scholarship and Colonial Discourses , in
Colonial Discourse and Post -colonial Theory: A Reader, ed. Pat rick W illiams a nd Laur a Chrisman. Ha rv ester
Whea tsheaf , 1993, p. 214.
G. C. Spiv ak, Feminism and Critica l th eo r y , In Other Worlds: Essays in Cultural Politics , N ew Yo rk
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3 G. C. Spiv ak, Poststructuralism , Marginality , Postcoloniality and Value , Literary T heory Today , ed.
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Pe ter Co llier & Helg a Geyler-Rya n. Ithaca: Co rnell U P, 1990, p. 222.
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1 5 Julia K ristev a, About Chinese Woman , tr anslated fr om the Fr ench by Anita Ba rr ow s , N ew Yo rk ,
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21
 : The Foucault Derr ida Debat e
Abstract: This paper discusses a f amous deba te bet ween Michel Fo uca ul t a nd Jacques
Derrida. In The History of Insanit y in the Age of Reason, t hrough a readi ng of Desca rtes,
Foucault establi shed reaso n and madness as a binary oppo sitio n. Acco rding t o Foucaul t ,
reaso n excludes madness bo th i n reali t y and i n philosophy . But Derri da disag reed wi th this
point and critici zed Foucault 's st ruct ura list readi ng of Descart es. Der rida t reat ed t he relati on
betw een reason and madness as tha t o f di ff erence. Wha t Derri da did , i n the last analysis , is
the fi rst a tt ack f rom deconst ructi onism onto st ructuralism .
Key wo rds: Foucaul t Derrida madness reaso n st ruct ure
Wang M inan ( 1969-) is now a staf f member o f China Socia l Sciences Publishi ng House. He
published widely i n t he areas o f cri tica l theory , cult ural st udi es, media and art cri ticism. His
m ost recent publicatio n is L imits of Foucaul t ( Beiji ng: Chi na Social Sci ences Publi shi ng
Ho use, 2002) .

O n Jul i a K r ist e va 's Polyphony Theory and Poet ic L anguage

Abstract: Po lypho nic t heo ry and poetic la ng uage co nsti tute t wo o f the major co ncerns in the
20th century w est ern li terary cri tici sm. Julia Kristeva no t o nly expounds them in her unique
w ay , but also appli es them i n her practice o f li terary critici sm. This paper discusses
dia logism wi thin poly phonic t heo ry and po etic la nguage wi thin the carniv alesque st ruct ure,
and points out that Krist eva 's poetic thought deepens and dev elops Bakhtin 's li terary theory .
Key wo rds: dialogi sm polypho ny carnivalesque poetic la nguage
L iu Rong ( 1962-) is associa te prof essor a nd Ph . D. candi dat e at t he School of Overseas
Educatio n, Sichuan Universi ty . His research area s a re com parativ e lit erature and w orld
li terat ure .
L uo Ting ( 1964-) i s professo r at the Schoo l of Foreig n Lang uag es, Xiang t an Unversi ty. Her
resea rch areas a re also i n co mpa ra tiv e lit erature and w orld lit era ture.

T h e M u t ua l In vo l v em en t B et w een Sex C o n scio u sne ss a n d E t h n ic P o l it i cs: Post-

colonial Fem inist Cr it icism
Abstract: Post -colo nial criticism is a m uch-di scussed t opic in academic circles. Its
combina tion wi th f emi nist criti cism has giv en bi rth to a new theo ry of cri tici sm post -
colo nial f emi nist cri ti cism. Thi s new approach has creat ed mo re v ari eties i n li terary critici sm
and made theo ry mo re adaptable to reali ty. In thi s essay, the author f irst i nv estiga tes the
cultural backg round a nd discursive feat ures of thi s h ybrid f o rm o f cri ticism, and then, by
ex ami ning how i t w o rks i n practice, i ndi cat es that the m utua l i nv olv ement bet w een sex
conscio usness a nd ethnic politi cs crea tes a very i llumi na ting critical space.
167
 : f emi nist criti cism post-colo ni al cri tici sm sex co nsciousness eth ni c po li tics
L in Shum ing i s pro fessor of t he Chinese Lang uag e and Li terat ure Depar tment of Gui zhou
No rmal Univ ersit y. Hi s recent wo rks i nclude Gender Poet ics: Percept ion and Conception, An
Analysis of Helene Cixous 'Concept of Female W rit ing .

B la ck Am er ica n L it e r a r y T h eo r y in t h e T w en t ie t h C e nt u r y
Abst r act: The black Am erican li terary t heo ry cam e into bei ng i n the early t w enti eth century ,
and ha s g radually becom e one of the domi nant scho ols. From the perspectiv e of i ts
dev elo pm ent , black Ameri can li t era ry theory has underg one di ff erent stages: f rom bei ng
radi cal t o bei ng int rospectiv e , f ro m adv ocati ng Af ro -cent ri cit y and black natio nalism to
a tt enti on to the com mon questio ns of human bei ng s, f rom theo retical co nst ructio n to i ts
deconstruction and then t o i ts reco nst ructio n. Black American li terary theory deepens o ur
understanding o f margi nal and mi no ri ty disco urse , and co ntributes g reat ly to the
constructi on of Chi nese li terary t heo ry.
Key wo rds: black li t era ry theo ry black aestheti cs black femi ni st cri ticism cult ural st udies
Huang H ui ( 1971-) is Ph. D. ca ndida te of comparativ e lit era ture a t Suzhou U niv ersit y. His
recent publicatio ns include St udy of the 20th Century Comparat ive L iterature in China ,
Cultural Dialect ics as a Paradigm of Cul tural St udies in the New Century .

O n Ro b er t Gr a v es ' H istorical Fiction and Poetr y

Abstract: Ro bert Grav es ' hi sto rical novels hav e the fol lowi ng characteristics: minut e
por trayal of histo rical fi gures, reali stic reconstruction o f po li tical int rig ues, mi li tary
adv entures and ev eryday lif e of i mperial Ro me. His lif elong dev o tio n t o po etry made him a
m ajo r poet of our age . Thi s paper t ries t o giv e a co mprehensiv e assessm ent of Grav es '
achiev ements in t he w ri ting of hi st orical nov el and po eti c co mpo sitio n.
Key wo rds: Ro ber t Graves hi st orical nov el English po etry
Wang Shour en ( 1955-) i s pro fessor of Eng lish at t he School of Fo reig n Studies , Nanji ng
Univ ersi ty. His research area s a re i n Ang lo-America n fiction and Eng li sh educa tion.
H e N ing ( 1974-) i s lecturer a t School of Fo rei gn Studies, Nanji ng Univ ersi ty . His resea rch
a reas are in Bri tish po etry and Am erican fictio n.

Ae st h et ic s a n d W o r ld v iew in K ea t s 'T o Autumn

Abstract: In his la ter w o rk To Autumn , Keats ex pressed hi s aesthetic ideas of eradica ting the
identi ty of the poet by merging hi m i nto the nat ural wo rld. He tried to reali ze the creativ e
pow er o f the po et 's im agi na tion in a na tural a nd reali sti c styl e and retai ned the poetic
spo ntaneit y t hrough an ex pression of the poet 's i nner feeli ngs. T hese aesthetic co ncerns
ulti mat el y combi ned wi th his understa ndi ng of lif e, t he wo rld, as w ell as hi s lov e f or his
country , consti tuti ng hi s humanistic spirit. Thus , his po etic pursui t g oes beyo nd
aestheticism and becomes a f o rerunner o f the 20th century poetics.
168