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2017 KEY BOOK PUBLISHING PATHS BY JANE FRIEDMAN JANEFRIEDMAN.

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TRADITIONAL PUBLISHING ALTERNATIVES TO TRADITIONAL PUBLISHING
BIG FIVE MID-SIZE & LARGE SMALL PRESSES HYBRID PUBLISHING SELF-PUBLISHING: ASSISTED SELF-PUBLISHING: DIY

who they are who they are who they are key characteristics key characteristics key characteristics
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 enguin Random House, HarperCollins, N
 ot part of the Big Five, but significant in This category is the hardest to summarize Author funds book publication in Similar to hybrid publishing: authors pay Authors manage the publishing process
Hachette, Simon & Schuster, Macmillan size, usually with the same capabilities. because small press is a catch-all term exchange for expertise and assistance of to publish. An older term for this would be and hire the right people/services to
(each have dozens of imprints). E
 xamples: Houghton Mifflin Harcourt, for very well-known traditional publishers the publisher; cost is often thousands of vanity publishing. edit, design, publish, and distribute.
Scholastic, Workman, Sourcebooks, John (e.g., Graywolf) as well as mom-and-pop dollars. Contractual arrangements vary, but the best Each author has to decide which distrib-
who they work with
Wiley & Sons, W.W. Norton, Kensing- operations that may not have any formal Author receives better royalties than a services charge an upfront fee, take abso- utors or retailers they prefer to deal with.
A uthors who write works with mainstream ton, Chronicle, Tyndale, many university experience in publishing. traditional publishing contract, but makes lutely no rights to the work, and pass on
appeal, deserving of nationwide print retail presses (Cambridge, Oxford). G iven how easy it is in the digital age for less than if self-publishing on their own. 100% net royalties to the author. They make value for author
distribution in bookstores and other outlets. anyone to start a press, authors must care- Such books will rarely be distributed into money on charging authors for the services Author keeps complete and total control
who they work with fully evaluate a small presss abilities before physical retail bookstores, although in provided (editorial, design, marketing, and of all artistic and business decisions.
Celebrity-status or brand-name authors.
A uthors who write mainstream works, as signing with one. Legitimate small presses some rare cases, it may happen. so on), not on copies sold. Author keeps all profits and rights.
W riters of commercial fiction or genre
well as those that have a more niche or do not ask authors to pay for publication. Each hybrid publisher has its own Such books will almost never be stocked in
fiction, such as romance, mystery/crime,
thriller/suspense, science fiction and special-interest appeal. distinctive costs and business model; physical retail bookstores, although in some what to watch for
fantasy, young adult, childrens. Celebrity-status or brand-name authors. who they work with
always secure a clear contract with all fees rare cases, it may happen. Some authors dont invest enough
N onfiction authors with a significant W riters of commercial fiction or genre Emerging, first-time authors, as well as explained. Many assisted publishing services have money to produce a quality product.
platform (visibility to a readership). fiction, such as romance, mystery/crime, established ones. different packages or tiers of service, while First-time authors may not have the
thriller/suspense, science fiction and Often more friendly to experimental, value for author
others offer customized quotes. knowledge or experience to know what
value for author
fantasy, young adult, childrens. literary, and less commercial types of work. Get a published book without having to quality help looks like or what it takes to
N onfiction authors of all types. figure out the service landscape or find value for author produce a quality book in their genre.
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 ublisher shoulders financial risk.
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 hysical bookstore distribution nearly value for author professionals to help. Ideal for an Get a published book without having to Bricks-and-mortar retailers, professional
assured, in addition to other physical retail value for author Possibly a more personalized and collabora- author who has more money than time. figure out the service landscape or find reviewers, and mainstream media will
opportunities (big-box, specialty). Identical to Big Five advantages. tive relationship with the publisher. Some companies are run by former tradi- professionals to help you. Ideal for an rarely offer help or coverage.
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 est chance of mainstream media coverage With well-established small presses: tional publishing professionals, and offer author who has more money than time.
and reviews. how to approach editorial, design, and marketing support high-quality results. The best and most expensive services offer diy print and ebook services
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 oesnt always require an agent; see that equals that of a larger house. a quality experience that is comparable to Primary ebook retailers that offer direct
submission guidelines for each publisher. what to watch for
working with a traditional publisher. access to authors: Amazon KDP, Nook
how to approach
A
 lmost always requires an agent. Novelists Novelists should have a finished manu- how to approach Some self-publishing (assisted publishing) Press, Apple iBookstore, Kobo. Primary
script. Nonfiction authors should have a services have started calling themselves what to watch for ebook distributors for authors: Smash-
should have a finished manuscript. Nonfic- Rarely requires an agent. See the
tion authors should have a book proposal. book proposal. submission guidelines of each press. hybrid publishers because it sounds more Most marketing and publicity service pack- words, Draft2Digital, Pronoun. These
fashionable and savvy, but such companies ages, while they can be well-meaning, are services offer little or no assistance.
what to watch for may be nothing more than an assisted not worth an authors investment. Print-on-demand (POD) makes it
what to watch for what to watch for
self-publishing service. Avoid companies that take advantage of affordable to sell and distribute print
A
 uthor receives an advance against royal- S ame as Big Five, but advances and You may not receive an advance or youll
Not all hybrid publishers are created equal. author inexperience and use high-pressure books via online retail. Most often
ties, but most advances do not earn out. royalties from mid-size publishers may be receive a nominal one. Your royalty rate
Fees dramatically vary and quality dramat- sales tactics, such as AuthorSolutions im- used: CreateSpace, IngramSpark. With
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 ublisher typically holds onto all publishing lower than Big Five. may be higher to make up for it. Diversity
ically varies. Research carefully. prints (AuthorHouse, iUniverse, WestBow, printer-ready PDF files, it costs little or
rights for all formats for at least 5-10 years. S ome mid-size publishers may be more of players and changing landscape means Archway). nothing to start.
M
 any decisions are out of the authors open to innovative or flexible agreements contracts vary widely.
that feel more like a collaboration or examples of hybrid publishers These retailers and distributors operate
control, such as cover design and title. There may be no physical bookstore
partnership (with more author input or Curated. These companies are selective or examples of good assisted services primarily on a nonexclusive basis and
A
 uthors can find themselves unhappy with distribution and/or the press may rely on
control). may have editorial guidelines to follow. Matador, Mill City Press, DogEar, Radius take a cut of sales; authors can leave
the level of marketing support received, and print-on-demand to fulfill orders. Potential
U  niversity or scholarly presses typically Examples: SheWrites Press, Greenleaf. Book Group, Book in a Box, Girl Friday them at will. There is no contract.
find that their title disappears from store for media or review coverage declines when
pay a very low advance and have very Crowdfunding. Authors must raise money Productions. To check the reputation of a Some authors may hire a printer and
shelves within 3-6 months. However, the there is no print run.
small print runs, typically with a focus for the publisher to contract the work. service, search for Mick Rooneys Indepen- manage inventory, fulfillment, shipping,
same is true for most publishers, regardless B e very protective of your rights if youre
on libraries, classrooms, and academic Example: Inkshares, Unbound. dent Publishing Magazine website. etc. and sell via Amazon Advantage.
of size. shouldering most of the risk and effort.
markets.

SPECIAL CASES FOR MORE INFORMATION who created this?


Jane Friedman has more than 20 years of
agent-run efforts amazon publishing digital-only or digital-first How to Get Published: https://janefriedman.com/start-here-how-to-get-your-book-published/ experience in the publishing industry. She
Some agents have created publishing arms, With more than a dozen imprints, Amazon has All publishers, regardless of size, sometimes How to Self-Publish: https://janefriedman.com/self-publish-your-book/ is the former publisher of Writers Digest
either as part of their agency or as a separate a sizable publishing operation that is mainly operate digital-only or digital-first imprints How to Evaluate Small Presses: https://janefriedman.com/evaluate-small-publisher/ and co-founder of the industry newsletter
business. The most significant example is approachable only by agents. Amazon titles are that offer no advance and little or no print A Definition of Hybrid Publishing: https://janefriedman.com/what-is-a-hybrid-publisher/ for authors, The Hot Sheet. Find out more
Diversion Books from agent Scott Waxman. sold primaily on Amazon, since most book- retail distribution. Sometimes such efforts are Should You Traditionally Publish or Self-Publish? at hotsheetpub.com.
Usually these efforts are limited to print-on- stores are unwilling to carry their titles. indistinguishable from self-publishing. https://janefriedman.com/should-you-self-publish-traditional/
demand or ebook only distribution.

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