ducation at Manila and completed his degree in A.B.

Political Science at the

University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.
A prolific writer, he spearheaded the second successful modernist movement in
Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
translducation at Manila and completed his degree in A.B. Political Science at the
University of the Philippines.

His life as a poet started when he took masters course in education at the
University of the East where he became associated with Rogelio G. Mangahas and
Lamberto E. Antonio.

A prolific writer, he spearheaded the second successful modernist movement in

Filipino poetry together with Rogelio Mangahas and Teo Antonio. His earliest pieces
of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now
considered the first book of literary criticism in Filipino. Later, in the years of
martial law, he set aside modernism and formalism and took interest in nationalism,
politics and activist movement. As critic, his critical works deal with the issue
of national language.

Aside from being a critic, Almario engaged in translating and editing. He has
transl