SS REE) AN de haske AIRECONTENTS CEyao@ AIA ; D/RE ; G/SOL ; E/ MI GSO ALADYFROMROOSENDAML ......8 RID DD THE CHICKEN CHEEPS oe eps) GHW] TRUMPET MINUET ..............9 DD AUVCLIAIRDELALUNE ...........9 Lo RD LITTLE RED RIDING-HOOD .......10 QW! THREL-TONE-ROCK 2.1 DW THE CHICKEN CHEEPS VARIATION 11 CHIMES... QD TRUMPET VOLUNTARY . 2 AD FLUTEAND DRUMMER |. 13 QW] ROCKIN THED STRING .........14 DAD THEPOOR AND THERICH MAN ...14 geeegeegees HALT - SOMMAIRE - INHOUD OLD JOHN .. oe 1B GIPSY WALTZ 6 AHI, VOUS DIRAI-JE, MAMAM ...17 HABANERA ...................18 FRERE JACQUES ...............19 MER HAHN EN NEUE OBERKEET .. 19 POLKA ............ . 20 CANON .. 21 a ............. MISS YOU | * qeasey eee 22 ROW YOURBOAT .............23 LARGO trom me New World Symphony) 23 Do REMI cette eee eee GAD BY THE RIVERS OF BABYLON .....15 RD FEELIN’ BLUE... @ ‘SOLO WITH ACCOMPANIMENT / SOLOSTIMME MIT BEGLEITUNG Se PARTIE SOLO AVEC ACCOMPAGNEMENT / SOLO MET BEGELE ACCOMPANIMENT ONLY / BEGLEITUNG (OHNE SOLOSTIMMED ‘ACCOMPAGNEMENT (SANS LA PARTIE SOLO) / BEGELEIDINGPOSITION 3 Position 3is an instructive and pleasant introduction to the third position for violinists who have some playing experience. Ten exercises and 27 tunes in different styles—with accompaniment on the CD—provide an ‘excellent basis. This consists of being able to play and read the fingering "whole-whole-hall” on the four strings ‘and on combinations of two adjoining strings. In addition to this, elementary position changes are addressed, through the open strings or by sliding with a finger, up and down the string. So that the student can con- centrate on reading and playing in the third position, indications of dynamics have been left out almost entirely. These can of course be added according to your own judgement. THE THIRD POSITION Ifyou slide your left hand up and place the first finger where you place the third finger in the first position, you ‘are playing in the third position. This way you can: . play even higher notes: b, play some notes on a different string than in the first position, so that you can produce a more beau- fiful sound; and ©. play some passages with more ease because you can play them on one string instead of two strings, which would be the case in the first position. Place your fingers closely together with the half step fingerings. The signs A and V draw attention to half steps. BASIC FINGERINGS 1 2 a whole stop 1-2 E string whole step 23 hai step 3.4 a b cshap 4 u 2 oe whole step 1-2 Astring whole step 23 halt step 34 d e fshap g whole step 1-2 D string < whole step 2-3 half step 3-4 g a b e 1 2 3 4 whole step 1-2 G string uthole stop 23 Ss re half sep 34POSITION 3 VORWORT Position 3 ist eine lehrreiche und vergniigliche Einfiihrung in das Spiel in der dritten Lage fur Violinspieler mit etwas Spielerfahrung. Zehn Ubungen und 27 Melodien verschiedener Stilarten mit Begleitung auf der CD bieten eine ausgezeichnete Grundlage. Dazu geht, den Fingersatz ‘Ganz-Ganz-Halb’ (wei Ganztonschritte, ein Halbtonschritf) auf vier Saiten und aut zwei nebeneinander liegenden Saiten lesen und spielen 2u kénnen. Daruiber hinaus werden elementare Lagenwechsel behandett - Giber die leeren Saiten oder durch Auf- und Abgleiten eines Fingers an der Saite. Zur besseren Konzentration des Schiilers aut das Lesen und Spielen in der dritten Lage wurde fast vollsténdig auf Dynamikangaben verzichtet. Diese kénnen selbstverstandlich nach eigenem Gutdiinken ergénzt werden, DIE DRITTE LAGE Wenn du mit der linken Hand nach oben gleitest und den ersten Finger dort autsetzt, wo der dritte Finger in der ersten Lage liegt, spielst du in der dritten Lage. So kannst du: @. noch héhere Téne spielen: b._manche Téne auf anderen Saiten als in der ersten Lage spielen und so einen schéneren Kiang erzeugen; und ._manche Passagen leichter spielen, da du sie auf einer, anstelle von zwei Saiten, wie in der ersten Lage, spielen kannst. Setze deine Finger bei den Halbtonschritten eng nebeneinander. Die Zeichen A\ und V zeigen die Halbtonschritte an. 4 GRUNDGRIFFE 1 2 yb o ts Genstonschit 1-2 ESaite Ganztonschritt 23. Hatbtonschit 4 Gondlonserit 1-2 Asaite Gonilonscrtt 2:3 Halbtonschait 4 Gonztonsohvit 1-2 Dssaite Gonztonschait 23, Holbtonschitt 4 Ganztonschait 1-2 Gonztonschait 23, Halbtonschait 34 GSaite = © d e f Die Ubersetzung der vorkommenden engiischen Begrife und Anweisungen sind hinten im Buch zu finden.ON THE E STRING PREPARATION o 4 thst position hold fingers down © A LADY FROM ROOSENDAAL Dutch traditional first and third position changes by way of open strings 1 2 3 2 1 4 t hol inges down position postion thir postion OTHE CHICKEN CHEEPS Bulgarian traditional third position 1 3 LAS “~~ fee te ¢ te @ 2Nico Dezaire marcato @® AU CLAIR DE LA LUNE French traditional first and third position changes con sordino —P% 3 4 © Copyright 2002 by De Hoske Pubications BY 9fest ‘third first Postion Position postion OO LITTLE RED RIDING-HOOD Dutch traditional first and third position changes sliding on the second finger, up and down 3 m2 — 2H, 10 ‘© Copyright 2002 by De Haske Publications BY,THE A STRING teat sn 3 Pothion Patho 2 2 1—i i hoe tngers down @ THREE-TONE-ROCK Nico Dezaire third position $ (d-d by 4 hold tingers down OTHE CHICKEN CHEEPS WARIATION Bulgarian traditional third position 1 2 3 nw ‘© Copyright 2002 by De Haske Publications BY. u@ CHIMES third position @ TRUMPET VOLUNTARY Jeremiah Clarke (1674-1707) third position 12 {© Copyright 2002 by De Haske Publications BV.© FLUTE AND R English traditional first and third position changes by way of open sirings and changing the finger on the same note 1 203 2 01 0 4 tig shit post © Copyright 2002 by De Haske Publications BV, 13ON THE D STRING PREPARATION 1 Omen ns a eet ce Peston Pasttion ‘hold fingers down © ROCKIN’ THE D STRING Neo Deze third position 5 18 ree @® THE POOR AND THE RICH MAN German traditional third position - low and high third finger 14 (© Coppight 2002 by De Hoste Publications Bt© BY THE RIVERS OF BABYL Frank Farian / Reyam first and third position changes by way of open strings ees 0 1 3 frst third position position fist position © Fox Musikverlag GmbH. For Benolux: Fast Benelux BY, Hiversum, Holland, thst thea ist thie fist position position position postion Position > FEELIN’ BLUE Nico Dezaire first and third position changes sliding on the first finger v (© Copmright 2002 by De Haske Publications BY. 15ON THE G STRING PREPARATION 0 1 2 3 o ‘bir 8 down, Sid ny old fingers dowr @ OLD JOHN third position 1 23 2 © GIPSY WALTZ third position 4 i |© Copyright 2002 by De Haske Publications BV,Traditional fist Postion @ Copyright 2002 by De Haske Publications BV Wa | TU _~ ~ = ‘tira ‘iret Position postion © HABANERA first and third position changes, sliding on the first finger up and down ae (4 1 201 3 1 18 © Copyright 2002 by De Haske Publications BV.THE A + E STRINGS fist thea postion position @® FRERE JACQUES Traditional third position 12 @™ MER HAHN EN NEUE OBERKEET JS. Bach (1685-1750) third position © Copyright 2002 by De Haske Publications BV. 19@wPoKA 7 third position Nico Dezaire 9 9 0 ‘marcato 20 (© Copyright 2002 by De Haske Publications BV.THE D + A STRINGS PREPARATION o 1 2 3 oO 1 1 2 3 4 1 2 304 fiat position CANON Traditional third position 1 3x @5D BUFFONEN-TANZ 16th Century third position 4 123 (© Copyight 2002 by De Hoste Pubicotions BV. 2@D miss YOu Nico Dezaire third position con sordino 1 301THE D + G STRINGS ‘iret position = ROW YOUR BOAT Traditional third position rf 2 1 23 4 w ee LARGO rom the New World Symphony) A. Dvordk (1847-1904) first and third position 2 3. i Vv — wird position ‘© Copyright 2002 by De Haske Publications BV. 23@® 0 REMI lyrics by Oscar Hammerstein Il M Richi third position lusic by Richard Rodgers 123 2034 4 Copyright © 1959 by Rich Rodgers and Oscar Hommenssin I. Capyight Renews. This cnengament Copyright © 200) by WRLIAMSON MES 24 WILLIAMSON MUSIC owner of publiccfion and oiled lights feoughou! the word. ntemetionss Capwight Secured Al Sights ReserPosition 3 is a well thought-out and instructive introduction to the third position for violinists who have some playing experience. In this book you will find 10 exercises and 27 tunes in different styles. With the great accompanying CD practising in the third position will become a fine experience! Position 3 ist eine gut durchdachte und lehrreiche Einfihrung in die dritte Lage fur Geiger die etwas Spielerfahrung mitoringen. In diesem Buch sind 10 Ubungen und 27 Melodien in unterschiedlichen Stilarten versammelt. Mit der groBartigen Begleit-CD Tico roMU oc anaNe Mou ul ore PU a a ae eluate! Position 3 est un recueil plaisant et instructif qui permet aux violonistes ayant une certaine expérience du jeu, de se familiariser avec la troisiéme position. Dix exercices, Pama Tote Me lol Me eM Moll SM Uma Melererolunletofelt-Unt-UlmUimecolanl eelolmte| ol constituent cette excellente base de travail pour apprendre 4 jouer en troisiéme Position avec plaisir et motivation. Position 3 is een doordachte en leerzame kennismaking met de derde positie voor isten die enige speelervaring hebben. In dit boek vind je 10 oefeningen en 27 speeistukjes in verschillende stijlen, Met de prachtige begeleidings-cd wordt oefenen n de derde positie een leuke ervaring! DHP 1013117-400