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In my very first Ashtanga class the teacher has mentioned the pelvic floor,
inward movement of the belly button, breath and gazing points. And just as
everyone else I followed the instructions and tried to look at my navel,
squeeze the anus sphincter, pull my lower belly in and breathe soundly. It
was not easy, but pretty soon I felt that this actually helped me to work in
challenging poses, bend forward and balance in weird positions.
I have read numerous books on this subject and I keep exploring these
aspects of Ashtanga practice both on experiential and intellectual levels. To
my amazement, I discovered that bandhas, drishti and breaths action on the
physical level is actually connected to sympathetic and parasympathetic
nervous systems.
Diaphragm and sympathetic nervous system (SNS).
Therefore, when we breathe, the diaphragm activates the vertebrae that are
also connected to the SNSs neurons and by this brings it into action. SNS
in its turn is connected to homeostasis and to flight-or-fight response. The
latter we will look at in detail in regards to Ashtanga yoga practice. The
flight-or-flight response is related to release of catecholamine hormones,
which are being produced in situations when animals and previously
humans require fight or flee, involving intense muscular engagement. The
release of these hormones is accompanied by various bodily responses,
some of which I will mention here:
Acceleration of heart and lung action we all know of heart pumping
breath and engage Mala bandha, but these are just 2 out of 50
sphincters in our body;
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Liberation of nutrients (fat and glucose) for muscular action - for that
reason many do yoga to lose weight;
Shaking you know what I am talking about, dont you?
Drishti (translates from Sanskrit as vision) is the way we direct our gaze
in Ashtanga yoga. We have got 9 main focal points, may be it nose or hand
at which we direct our sight throughout the entire practice. Not only this
helps us to stay focused and not wonder around the room we are in, but also
it helps activating the parasympathetic system through activating 3rd cranial
nerve.
We have got three bandhas or energy locks in the body: mula, uddiyana and
jalandhara. Mula (root) lock is awakened by engaging and lifting the area of
the pelvic floor, which is the area between 2 sit bones, pubic and tail bone.
Uddiyana (flying upward) bandha is connected to toning and slight sucking
in and up the area just below the navel, which in turn allows us to stabilize
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the pelvis. And finally, the jalandara is a throat lock, engaging which helps
us to align and free the neck by bringing the chin and sternum towards each
other. Needless to point out that the first two are related to the sacral bit of
the PNS, whereas the jalandhara bandha is connected to the last 3 cranial
nerves of it.
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Keep your eyes on your block, Baron told us. I did.
Inhale, reach up and keep your eyes on the block as you move there. I did.
Exhale, fold down. Keep your eyes on the block. I did.
I moved and breathed as instructed, my eyes anchored to my block with every
changing pose. At the end of each breath/movement, I paused, held my gaze
and let time be still.
I dont know if we did this exercise for 10 minutes or 30. I do know that this
was the first time in a long time on my mat that I felt so alive, so connected,
so at peace, and so refreshed. I felt powerful.
But why? What made this practice so different than the others? Why was
keeping my Drishti on my block so darn effective?
I used to think of Drishti as a noun. Somewhere out there. A point to look to.
As I kept my eyes on the block and followed Barons voice with precision,
Drishti revolutionized into a verb, a practice. Drishti went from being a place
to an action. An awareness. Its what I do, not where I look.
Focus has power. It reinvigorated my yoga practice by bringing me back to
simplicity and freedom. Today, months later, the practice of Drishti has
changed the way I work and live. I clear out clutter by choosing one focus at a
time. I set my gaze on my goals. I check email just twice a day instead of all
the time so I can give energy to important tasks. I commit to doing one thing
at a time, rather than living in the anxiety-producing myth of multitasking.
When I practice Drishti off my mat, I get more done and feel happier in the
process.
In The Power of Less, Leo Babauta explains, Focus on less to become more
effective. Focus on one goal in order to achieve it. Focus on the task at hand
instead of multitasking, and youll be more productive. Focus on the present,
to reduce anxiety. Baron helped me access ease and clarity through the
power of focus. I got that practicing Drishti brings me peace in the midst of
lifes movement. Focus creates the possibility of accomplishing something
great. Focus isnt out there. Focus is something I can practice. And when I do
when I truly set my DrishtiI am unstoppable.
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Michel Eubank Spruance has been practicing yoga for 14 years. She is a
Baptiste Certified Teacher, member of the Baptiste Leader Teacher Faculty,
and owner of Be Luminous Yoga, a Baptiste Inspired Studio in Seattle, WA.
Dristhi
When this happens, mind, body and soul are in line. Through physical
control, the subconscious mind releases all kind of thoughts. When you
have a negative thought it goes horizontal, and when you chant a mantra it
goes up, changing negative into positive. Thats how you consume your
subconscious mind, and when the subconscious mind is empty, the
conscious mind is clear and you dont have nightmares. Yogi Bhajan
Our goal when practicing Yoga is to look inside of ourselves, to listen to the
bodily functions, and disengage from the outside world.
Guruji has written that the Drishti is interconnected with the breath and the
number of Vinyasa. Odd numbers of Vinyasa or inhalations, where the head
moves upward, are linked to the third eye; even numbers of Vinyasa, or
exhalations, where the head moves down, are linked to the tip of the nose.
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Looking up toward the body (anything
overhead including the third eye) has an expansive effect on the body.
Looking downward (particularly the nose or navel) keeps the attention
inwards and stable.
The most common Drishti is the nose, nasagrai drishti, and it is connected to
the root lock, or Mula Bhanda.
TIPS
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If looking at the nose makes you cross-eyed or gives you a headache,
maintain
the gaze in the same direction. This will keep your concentration.
Balancing life, family and fitness - easy right? Not always! Get stories that
inspire you to breathe deeply and make mindful choices by subscribing to my
blog by email.
Its the first Monday of the month and that means its time to Ask a
Yogini. Each month, Ill answer a question about yoga anything that youre
curious about. Chances are, if you have the question, someone else does too!
Disclaimer: While I am a certified yoga instructor, I am not your yoga
instructor. Please exercise caution and honor your own body. These views are
mine alone, based on my own experiences. Always consult a certified yoga
instructor for additional guidance and assistance.
Youre on your mat, getting your yoga flow on. You start to move through
some tricky postures. Maybe youre trying to find your balance in tree pose or
maybe youre wobbling back and forth in Warrior III. Your yoga teacher
reminds you to find your drishti and focus.
Find your what? What is Drishti?
Drishti is often said to mean gaze or view. It actually comes from the
root drsh in Sanskrit which means to perceive so its meaning (and
application) goes a bit deeper than just our visual gaze.
It starts with our external gaze
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Put simply, find one steady, unmoving point and fix your gaze there. This will
help you stay upright when youre trying to balance in various yoga poses by
eliminating distractions. But can also help you move and maintain proper
alignment. In fact, in Ashtanga yoga, each yoga posture has a specific drishti
(there are nine different gazing points).
For example, in locust or bow pose, your drishti is the tip of your nose. You
can think about gazing a few inches in front of your mat so that the back of
your neck remains long.
Take a look a the picture below.
See how it looks like Im trying to lift my chest by lifting my head? (Most of
us have a tendency to try to lead the movement with our heads.) See how my
neck looks like its crunched up? My gaze should be down, following the tip
of my nose and about a foot ahead of me on the ground.
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The idea of drishti is that eventually, youll be able to see through all those
veils and see the real truth and meaning. To perceive the real truth.
How to do it
Your gaze should be soft neutral and detached and not a hard gaze where
your eyes are jutting out of your eye sockets and your face is clenched. Dont
force your gaze. You shouldnt feel strained in any way, either mentally or
physically. Instead, let your drishti develop naturally. It will take time and
practice.
We have a tendency to focus on one point on the ground, particularly in
standing postures. While this can help you to maintain your balance and
focus, however, when you take your gaze down to the ground, your chest has
a tendency to collapse and close off. Instead, keep your gaze at eye level or
above.
Or, as one of my teachers once said, when you look down at the ground,
were in our thinking brain and we want to try to get out of our thinking
brain as much as possible. So, look up.
Drishti: Ancient Yoga Technique for Balance, Vision, and Focus
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Ever heard the saying, "Where your attention goes, energy flows"? This
phrase is extremely helpful not only during yoga practice, but in life in
general. When we practice yoga asana, our attention should be on the practice
itself our body, alignment, breathing, and connection to the divine. In life, it
should be on present moment awareness.
Often, in yoga class we can become distracted by things like lululemon's new
see through pants on the person in front of us, the clock on the wall, or even
the hot guy in warrior pose throwing our practice and balance way off.
It was best put by Guruji K. Pattabhi Jois who said, Yoga is an internal
practice, the rest is just a circus.
What is a Drishti?
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Drishti is an ancient yoga technique that focuses the eyes on a certain
unmoving point in a particular posture. We see why this concept is so
important in balancing postures, for example. If your attention is on another
person or a moving object, we're more likely to fall out of the pose or become
unstable and wobbly.
Have you ever been deeply immersed in a daydream and someone waves their
hand in front of your face, yet your eyes stay fixed in one position? Your eyes
are locked, but you're awareness is elsewhere. In those moments, we are
beyond the sense of sight. The only difference is in yoga, it's a conscious
decision using discipline to keep the eyes in a fixed position (yet the
awareness is vast).
During Bikram's yoga, I often hear teachers say, Soft gaze on the horizon
meaning imagine or visualize the horizon is in front of you (my favorite
drishti!)
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My son said,"It's like having a staring contest with the wall." Funny, however,
it's more like having a staring contest with yourself, yet it's not a wide-eyed
piercing stare it's a relaxed even slightly blurred gaze.
Training your body to do what the mind tells it is very empowering. It also
strengthens focus and discipline. Controlling our senses has been used for
centuries as a way to transcend transcend physical pain, transcend the five
senses, transcend the illusion of separation, transcend to higher consciousness
and oneness.
So, whether you are trying to achieve such heights or just want to improve
your balance using a drishti is a powerful device toward both.
The Importance Of Focus in Yoga (And Life)
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practice, but also by B.K.S. Iyengar, Desikachar and many others.
This idea of focused gaze within a yoga practice has deep and rich meaning.
It may seem like a subtle concept for those who are master practitioners if we
look at it with a more philosophical lease, but I feel that drishti is a multi-
layered tool that can aid all yogis and yoginis, whether you have been
practicing for 30 years or if you have just taken your first asana class ever.
The First Layer Of Focus
If you are new to the practice of yoga, or if you are working on new postures
that your body is not used to yet, drishti can be utilized in its purely physical
and mechanical expression.
The first thing that drishti offers you in your yoga practice is balance. If you
are in a posture that is challenging your balance or your ability to not fall face
first to the floor, drishti is your best friend.
Having a clear focus point when attempting vrksasana (tree pose) can mean
the difference between a strong standing tree and a timber moment. This
focused view will help you find your center and connect with the stability
within your own body.
The next layer of drishti you can begin to utilize is that of focused intention
on a mental level. When you are in a challenging posture, or if you start to
feel a sense of boredom in your practice, you may notice that you have the
desire to dissociate from the experience.
What you are doing when you start to incorporate drishti into all of your
posturesthose that are old and familiar as well as those that are newis
training your mind to stay with the present moment.
You are teaching yourself how to stick with experiences as they are
happening, even when they are slightly (or more than slightly) unpleasant.
This builds up your ability to do this in life. The gift of focused, present
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attention in everyday life is invaluable in problem solving, communication,
and general living.
By training your mind to stay with your practice, you will be training your
mind to stay with your life. This is direct mindfulness training built straight
into asana.
Focus In Meditation
Developing the ability to sit with your eyes open focusing upon a single point
is a powerful exercise that will translate into great powers of mind in your
life.
You may find that your mediation practice deepens very quickly when drishti
is utilized. It is a concrete way to help steady the monkey mind that we all
seem to have to some degree.
Focus In Life
Now, if you like, you can take the concept of drishti and expand on it even
further. The term can be translated to mean a point of view, intelligent vision,
or to have a vision. This tool of drishti is one that can be used to help you
create the life that you want to live, both on and off your mat.
Having a clear vision for your life, where you want to go, and who you want
to be is the first step in creating that vision. Creating vision boards, writing
goals on paper, and telling your friends and family about your dreams are all
examples of practicing drishti in real life.
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MORE MINDFULNESS HERE
Meditation For Busy Bees: 3 Tips To Help You Practice In A Pinch
I invite you to use this powerful tool in your next asana, meditation, or life
design practice. See how it transforms the mundane into the divine and
purposeful.
FOCUSING ON A DRISHTI
A drishti (view or gaze) is a specific focal point that is employed during
meditation or while holding a yoga posture. The ancient yogis discovered that
where our gaze is directed our attention naturally follows, and that the quality
of our gazing is directly reflected in the quality of our mental thoughts. When
the gaze is fixed on a single point the mind is diminished from being
stimulated by all other external objects. And when the gaze is fixed on a
single point within the body, our awareness draws inwards and the mind
remains undisturbed by external stimuli. Thus, the use of a drishti allows the
mind to focus and move into a deep state of concentration. And the constant
application of drishti develops ekagraha, single-pointed focus, an essential
yogic technique used to still the mind.
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When using a drishti, do not strain the eyes. The muscles around the eyes
should be relaxed and the gaze should be soft. Generally, it is recommended
to use bahya (external) gazing for externally oriented yoga practices and
antara (internal) gazing for contemplative and meditative practices. But there
is also value to having the eyes closed and using antara drishti during yoga
postures, as this creates a deep state of meditation and inward focus while
holding the pose.
Timothy Burgin is a Kripalu & Pranakriya trained yoga instructor living and
teaching in Asheville, NC. Timothy has completed his 500 hour Advanced
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Pranakriya Yoga training and currently serves as the Executive Director of
YogaBasics.com.
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The Sixth Chakra: Perception
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The Third Chakra: Power
Our attention is the most valuable thing we have, and the visible world can be
an addictive, overstimulating, and spiritually debilitating lure. The habit of
grasping at the world is so widespread that the spiritual teacher Osho coined a
term for it: "Kodakomania." If you have any doubt about the power of the
visual image and the value of your attention, just think of the billions of
dollars the advertising industry spends on photography every year!
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When we get caught up in the outer appearance of things, our prana(vitality)
flows out of us as we scan the stimulating sights. Allowing the eyes to wander
creates distractions that lead us further away from yoga. To counteract these
habits, control and focus of the attention are fundamental principles in yoga
practice. When we control and direct the focus, first of the eyes and then of
the attention, we are using the yogic technique called drishti.
The full meaning of drishti isn't limited to its value in asana. In Sanskrit,
drishti can also mean a vision, a point of view, or intelligence and wisdom.
The use of drishti in asana serves both as a training technique and as a
metaphor for focusing consciousness toward a vision of oneness. Drishti
organizes our perceptual apparatus to recognize and overcome the limits of
"normal" vision.
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Our eyes can only see objects in front of us that reflect the visible spectrum of
light, but yogis seek to view an inner reality not normally visible. We become
aware of how our brains only let us see what we want to seea projection of
our own limited ideas. Often our opinions, prejudices, and habits prevent us
from seeing unity. Drishti is a technique for looking for the Divine
everywhereand thus for seeing correctly the world around us. Used in this
way, drishti becomes a technique for removing the ignorance that obscures
this true vision, a technique that allows us to see God in everything.
Of course, the conscious use of the eyes in asana isn't limited to the Ashtanga
Vinyasa tradition. In Light on Pranayama, for example, B.K.S. Iyengar
comments that "the eyes play a predominant part in the practice of asanas."
Besides its use in asana, drishti is applied in other yogic practices. In
the kriya (cleansing) technique of trataka, or candle gazing, the eyes are held
open until tears form. This technique not only gives the eyes a wash but also
challenges the student to practice overriding unconscious urgesin this case,
the urge to blink.
Sometimes in meditation and pranayama practices the eyes are held half-
opened and the gaze is turned up toward the third eye or the tip of the nose. In
the Bhagavad Gita (VI.13) Krishna instructs Arjuna, "One should hold one's
body and head erect in a straight line and stare steadily at the tip of the nose."
When using the inner gaze, sometimes called Antara Drishti, the eyelids are
closed and the gaze is directed in and up toward the light of the third eye. As
Iyengar puts it, "The closure of the eyes ... directs the sadhaka (practitioner) to
meditate upon Him who is verily the eye of the eye... and the life of life."
Drishti Tips
As with many spiritual techniques, with drishti there is a danger of mistaking
the technique for the goal. You should dedicate your use of the body
(including the eyes) to transcending your identification with it. So when you
look at an object during your practice, don't focus on it with a hard gaze.
Instead, use a soft gaze, looking through it toward a vision of cosmic unity.
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Soften your focus to send your attention beyond outer appearance to inner
essence.
You should never force yourself to gaze in a way that strains your eyes, brain,
or body. In many seated forward bends, for example, the gazing point may be
the big toes. But many practitioners, at certain stages in their development,
must take care not to create such an intense contraction of the back of the
neck that this discomfort overwhelms all other awareness. Rather than forcing
the gaze prematurely, you should allow it to develop naturally over time.
In general, practitioners should use the various bahya (external) gazing points
during more externally oriented yoga practices, including asanas, kriyas
(cleansing practices), seva (the service work of karma yoga),
and bhakti (devotion); use the antara (internal) gaze to enhance
contemplative and meditative practices. If you find yourself closing the eyes
during any practice and focusing on the dramas or perplexities of life instead
of being able to maintain a neutral, detached focus, re-establish an outer gaze.
On the other hand, if the outer gaze becomes a distraction to your
concentration, perhaps an inner-directed correction is necessary.
A fixed gaze can help enormously in balancing poses like Vrksasana (Tree
Pose), Garudasana (Eagle Pose), Virabhadrasana III (Warrior Pose III), and
the various stages of Hasta Padangusthasana (Hand-to-Big-Toe Pose). By
fixing the gaze on an unmoving point, you can assume the characteristics of
that point, becoming stable and balanced. More importantly, constant
application of drishti develops ekagraha, single-pointed focus. When you
restrict your visual focus to one point, your attention isn't dragged from object
to object. In addition, without these distractions, it's much easier for you to
notice the internal wanderings of your attention and maintain balance in mind
as well as body.
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disciple, Arjuna, "You are not able to behold me with your own eyes; I give
thee the divine eye, behold my Lordly yoga" (11.8). In the classic exposition
of yoga, the Yoga Sutra, Patanjali points out that in viewing the world, we
tend not to see reality clearly, but instead get deluded by the error of false
perception. In Chapter II, verse 6, he says that we confuse the act of seeing
with the true perceiver: purusha, the Self. He continues, in verse 17, to say
that this confusion about the true relationship between the act of seeing, the
object seen, and the identity of the Seer is the root cause of suffering. His cure
for this suffering is to look correctly into the world around us.
The bhakti yogi uses drishti in a slightly different way, constantly turning a
loving, longing gaze toward God. Through imagination the vision of the
Divine appears in the form of Krishna, and the whole world becomes prasad
(holy nourishment). In both cases, drishti provides a kind of enhanced yogic
vision that allows us to see past outer differences (asat, in Sanskrit) to inner
essence or Truth (sat). If we remove ignorance through these practices, we
can then see through deception and delusion.
When we charge our eyes with yogic vision, we see our true Self. As we gaze
at others, we perceive our own form, which is Love itself. We no longer see
the suffering of other beings as separate from our own; our heart is filled with
compassion for the struggling of all these souls to find happiness. The yogic
gaze emerges from an intense desire to achieve the highest goal of unitive
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consciousness, rather than from egoistic motives that create separation,
limitation, judgment, and suffering.
Like all yogic practices, drishti uses the blessed gifts of a human body and
mind as a starting place for connecting to our full potentialthe wellspring
that is the source of both body and mind. When we clear our vision of the
covering of habits, opinions, ideas, and their projections about what is real
and what is false, we gaze beyond outer differences toward the absolute Truth.
Many of us have heard our yoga teacher say, Find your drishti. Fix your
gaze. But did you know you had as many as nine options? Chances are that
youve been practicing them all along. Regrettably, Wheres the Clock in
This Place Drishti, Can My Neighbor Hold Bakasana Longer Than I Can
Drishti and Finding Inspiration in the Yoga Butt in Front of Me Drishti
didnt make the top nine. So where do you look, and what exactly are you
supposed to be looking for?
Drishti, the Sanskrit term for sight, direction or focused gaze, is a tool used
in asana practice, traditionally Ashtanga, to bring you closer to dharana
(concentration) and pratyahara (sense withdrawal). Practicing drishti
teaches you to control your wandering eyes, limit your intake of external
stimuli and thus manage your mind instead of allowing it to manage you.
These components of the eight limbs of yoga asana, dharana and
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pratyahara - along with the others of yamas, niyamas, pranayama, and
dhyana support the ultimate yoga goal of attaining enlightenment, or
samadhi.
Not only does a fixed gaze limit visual stimuli and distraction, it also
enhances your physical practice by preserving and directing your energy,
enhancing alignment and even deepens a pose. Think about it. Low Lunge
with an upward gaze lifts the chest, lengthens the spine, sinks the hips much
more so than if we collapse the chest, hunch shoulders and look down at the
toes. Downward Facing Dogs drishti is the navel, encouraging the lifting
up and back of the tailbone instead of rounding the spine to check out your
pedicure.
4 and 5. Sideways to the right and sideways to the left, or Parsva drishti.
Parsva drishti is potentially more ambiguous than other drishtis, as
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sideways can be up for interpretation. Generally the sideways gaze
follows the direction as the head, ie, upward, level, downward, etc.
Practiced in twists such as Ardha Matsyendrasana (Half Lord of the Fishes),
Marichyasana (Marichis Pose) and Bharadvajasana (Bharadvajas Twist).
6. Upward, or Urdhva drishti. This drishti and both Parsva drishtis ask you
to gaze into infinity instead of at a specific part of your body. You may
practice this drishti in Utkatasana (Chair pose) or Virabhadrasana I (Warrior
I).
9. The third eye, or Bhrumadhye. Here, eyes are halfway or fully closed and
gazing toward the space between the eyebrows. Asanas include Matsyasana
(Fish pose), Viparita Virabhadrasana (Reverse Warrior) as well as seated
meditation.
So the next time your teacher instructs you to focus, to look, to gaze, ask
yourself what it is that you now see.
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Ti sao li l Bandhas, Breath v Drishti?
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kinh giao cm (SNS).
H thn kinh giao cm s dng n-ron trc v sau khp thn kinh
truyn cc tn hiu trong c th, u tin xut pht t khu vc thoraco-tht
lng ca ct sng (T1-L2) v tip tc ni cc dy thn kinh sau, C th (i
cao hn v so snh vi ngun gc ca c honh).
hc;
Lm chm qu trnh tiu ho - v l do ny, khng nn n trc lp;
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Lc - bn bit ti ang ni g, phi khng?
V vy, im ca ti l duy tr mt tc mnh m ca luyn tp
Ashtanga mnh m, chng ta cn phi tham gia vo hi th su h thn
kinh giao cm ca chng ta hot ng. iu ny s cho php chng ti thc
hin nhng hnh ng thch thc, tip cn cc asana ng s v thc hnh
di v c yu cu v th cht.
Chng ta c ba bandhas hoc kha nng lng trong c th: mula, uddiyana
v jalandhara. Kha Mula c nh thc bng cch thu ht v nng khu
vc sn chu, l khu vc gia xng sng, xng mu v xng
ui. Uddiyana (bay ln) bandha c kt ni toning v ht nh v ln
khu vc ngay di rn, do cho php chng ti n nh xng
chu. V cui cng, jalandara l kha c hng, gip chng ta sp xp v
gii phng c bng cch a cm v xng c v pha nhau. Khng cn
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phi ch ra rng hai u tin c lin quan n phn sacral ca PNS, trong
khi bandha jalandhara c kt ni vi 3 dy thn kinh s cui cng ca n.
Sc mnh ca Drishti
Vit bi Baptiste Certified Teacher v Leader Teacher Teacher
Member, Michel Eubank Spruance .
Bn bit cm gic ca mt "lp hc yoga tt". l kinh nghim v khng
gian v ha bnh.
Vng, ti mt n.
Ti mun phn ln lm ch mt studio . tr nn tp trung vo ph bnh
gio vin nh l mt phn ca cng vic ca ti m ti khng th ngng nh
gi. Tuy nhin su thm, ti bit l mt ci g nhiu hn. N dng nh
bin mt. Hoc ti ngh th, cho n khi ti bc ln tm thm ca mnh ti
Baptiste Power Flow Immersion vo thng Chn ny.
Hnh nh mt khng gian phng tp th dc khng l vi khong 400
ngi. Hnh dung cc hng ca yogis dnh ring khi ca h trc mt ca
h. Hy tng tng m thanh tp th ca hi su Ujayii khi c th di chuyn
ng thi, chm ch theo di cc khi ca chng mi cuc gi t Baron.
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Baron ni vi chng ti: "Hy mt n khi nh ca bn. Ti lm.
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luyn Drishti mang li cho ti s bnh an trong phong tro cuc sng. Tp
trung to ra kh nng hon thnh mt ci g tuyt vi. Tp trung khng
phi l ngoi . Tp trung l ci g ti c th thc hnh. V khi ti lm
- khi ti thc s t Drishti - ti khng th ngn cn.
Michel Eubank Spruance tp yoga 14 nm. C y l mt gio vin c
chng thc Baptiste, thnh vin ca khoa gio vin Leader Baptiste, v ch
caBe Luminous Yoga , mt Studio cm hng Baptiste ti Seattle, WA.
Drishti
Khi chng ta thin, chng ta kha thn kinh quang hc ca chng ta. Khi
chng ta
kha dy thn kinh quang ton b u b kha, tm tr bn s dng li.
Thuc Drishtis kha thn kinh quang l: im lng my, u mi, cm.
Mt nhm li trong khi nhn vo cm v sau l mt 9/10 ng ca nhn
vo
mi mi; y l an ton nht ca tt c.
Mc tiu ca chng ti khi thc hnh Yoga l nhn vo bn trong chnh chng
ta, lng nghe cc chc nng ca c th, v tch ri khi th gii bn ngoi.
33
ba; Ngay c s lng ca Vinyasa, hoc th ra, ni u di chuyn xung,
c lin kt vi mi ca mi.
Mi hoc mi
Ln trn hoc urdhva drishti
Mt th ba hoc ajna chakra drishti
Tay hoc hastagrai drishti
Thumbs hoc angustha madyai drishti
Pha bn phi hoc parsva drishti
Navel hoc nabi drishti
Chn hoc padayoragrai drishti
Hi Yogini: Drishti l g?
NGY 7 THNG 7 NM 2014
34
bn. Nhng quan im ny l ca ring ti, da trn kinh nghim ca ring
ti. Lun lun tham kho kin ca mt ging vin yoga c chng nhn
c hng dn thm v h tr.
35
36
Bn ang trn chiu, tp yoga ca mnh. Bn bt u di chuyn qua mt s
t th kh x. C th bn ang tm kim s cn bng ca bn trong t th cy
ci hoc c th bn ang lc l qua li trong Warrior III. Gio vin yoga ca
bn nhc nh bn tm thy drishti v tp trung ca bn.
Tm ci g ca bn? C g l Drishti?
Drishti thng c ni n c ngha l "ci nhn" hay "ci nhn". N thc s
xut pht t gcr rc ting Phn, c ngha l "nhn thc" v vy ngha
ca n (v ng dng) i su hn mt cht so vi nh nhn th gic ca chng
ta.
N bt u vi ci nhn bn ngoi ca chng ta
t mt cch n gin, tm mt im n nh, khng di chuyn v c nh ci
nhn ca bn . iu ny s gip bn ng thng khi bn ang c gng cn
bng trong cc bi tp yoga khc nhau bng cch loi b s phn tm. Nhng
cng c th gip bn di chuyn v duy tr s lin kt ng n. Trong thc t,
trong Yoga Ashtanga, mi t th yoga c mt drishti c th (c chn im
nhn khc nhau).
V d, trong co co hoc vm cung, drishti ca bn l u mi ca bn. Bn
c th ngh v vic nhn chm chm vi inch trc mt ming ca bn
phn c ca bn vn cn di.
Hy xem mt hnh nh di y.
Nhn thy n nh th no ti ang c gng nng ngc ca ti bng cch nng
u ca ti? (Hu ht chng ta u c khuynh hng c gng dn u phong
tro vi u ca chng ta.) Xem hnh dng c ti nh th no? Ci nhn ca
ti nn c xung, theo mi ti v khong mt chn trc mt ti trn mt
t.
37
Ci to Mental Muscle ca bn
Khi mt chng ta lang thang, bi v chng ta ang qut phng, kim tra cc
sinh vin khc hoc nhn ra ca s, chng ta tr nn phn tm v suy ngh ca
chng ta lang thang. Gi s ch ca bn n nh s gip bn n nh tm tr
(v suy ngh trong u). S ch (v nng lng) ca chng ti chy vo ni
m s ch ca chng ti c tp trung.
Drishti l mt phn ca vic thc hnh tinh thn ca yoga v xy dng c
bp tm thn ca bn. N gip bn hc tp tp trung vo v ra khi thm,
iu g c li trong s thm ht s ch ca chng ta, vn ho cp nht
nhanh. Trong lc tp thin, bn hng mt nhn vo v tp trung vo mt
drishti bn trong.
Cui cng, thc t ca drishti c th gip bn nhn th gii nh n thc s
l. C mt khi nim trong trit hc yogic rng nhn thc v gii thch
ca chng ta v th gii c t mu v b nh hng bi nhng kinh nghim
ca chng ta v nhng cu chuyn m chng ta t ni vi mnh (hoc
c ni). Rng chng ta ang xp lp trn tm mn v che giu s tht.
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tng ca Drishti l cui cng, bn s c th nhn thy qua tt c cc tm
mn v nhn thy s tht v ngha thc s. Nhn thc s tht.
Lm th no lm n
Ci nhn ca bn nn mm mi v trung lp v khng phi l mt ci nhn kh
khn ni i mt ca bn ang nh ra khi cm mt ca bn v khun mt
ca bn l clenched. ng p nhn ca bn. Bn khng nn cm thy cng
thng di bt k hnh thc no c v tinh thn hoc th cht. Thay vo ,
cho drishti ca bn pht trin t nhin. N s mt thi gian v thc hnh.
Chng ta c khuynh hng tp trung vo mt im trn mt t, c bit l
t th ng. Mc d iu ny c th gip bn duy tr s cn bng v s tp
trung, tuy nhin, khi bn nhn xung mt t, ngc bn c khuynh hng sp
v ng li. Thay vo , gi tm nhn ca bn mc mt hoc trn.
Hoc, nh mt trong nhng gio vin ca ti tng ni, khi bn nhn xung
t, chng ti ang trong b no "suy ngh" ca chng ti v chng ti
mun c gng thot khi b no suy ngh ca mnh cng nhiu cng tt. V
vy, hy nhn ln.
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Drishti: K thut Yoga C i cho s cn bng, Tm nhn, v Tp trung
Bao gi nghe cu ni, "Ni m s ch ca bn i, nng lng dng
chy"? Cm t ny rt hu ch khng ch trong sut qu trnh tp yoga, m
cn trong cuc sng ni chung. Khi chng ta thc hnh yana asana, s ch
ca chng ta phi c thc hnh trn c th, s lin kt, th, v kt ni vi
thn thnh. Trong cuc sng, n phi l nhn thc thi im hin ti.
Drishti l g?
Drishti l mt k thut yoga c, tp trung mt vo mt im khng di chuyn
chc chn trong mt t th c th. Chng ta hiu ti sao khi nim ny li
quan trng n vy trong cn bng t th. Nu bn ch n ngi khc hoc
i tng ang di chuyn, chng ti c nhiu kh nng ri ra khi t th hay
tr nn khng n nh v lung lay.
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Trataka l mt k thut lm sch mt trong Hatha Yoga gip ci thin nng
v th lc. N bao gm ngm ngn nn cho n khi mt nc tm v lm sch
i mt. N cng l mt cch nhn thc c s thc gic v cc c ng
v thc nh nhp nhy.
Drishti cho tr em
Pht ti dy con mnh drishti, kh nng cn bng ca chng tng 10 ln (v
thc hnh thin cng vy). Tr c khuynh hng co git, lung lay v di
chuyn rt nhiu trong khi tp yoga v thin nh. Drishti l mt trong nhng
cng c quan trng nht ci thin s tnh lng. N cng pht trin mt ci
g gi l ekagraha hay s tp trung n, m thng l mt thch thc,
khng ch cho mt chng ta, m cn trong cuc sng hng ngy.
T KHO:
1.8K
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CHIA S
TWEET
GHIM
YU
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ph.
Lp th hai ca Focus
Mt trong nhng cch n gin nht tch ri bn thn khi mt tnh hung
kh chu l trnh xa mt ca bn. Nhn xung quanh cn phng cho cc hc
vin khc, nhn ra ngoi ca s, qut sn cho lng cu v bi bn c th gip
bn a ra khi tri nghim bn ang c trong c th.
43
tp trung, hin ti s ch trong cuc sng hng ngy l v gi trong vic
gii quyt vn , truyn thng, v cuc sng chung.
Tp trung vo thin
Bng cch pht trin kh nng tn ti trong nhng tnh hung khng thoi
mi, kh nng n nh v tp trung tm tr, v kh nng c mt tm nhn cho
chnh mnh v cuc sng ca bn, bn s c cung cp cho mnh nhng
cng c c bn biu hin c m ca bn thnh hin thc.
44
NH MINNG NI KHC Y
Thin nh i vi nhng con ong bn: 3 li khuyn gip bn luyn tp
Ti mi cc bn s dng cng c mnh m ny trong hnh ng asana, thin
nh, hoc thit k cuc sng tip theo ca bn. Hy xem lm th no bin i
th gii thnh thn thnh v mc ch.
Ali Washington
Tc gi ca The Perception Diet , mt cun sch c thit k gip bn to
ra cuc sng v c th bn mong mun thng qua nhn thc v kt ni su
hn vi chnh mnh. Thng qua nhng n lc ca chnh bn thn mnh vi
cc vn hnh nh trong c th, Ali s dng yoga, thin nh, chnh nim
v bn thn mnh yu thng cha lnh. Gi y, s mnh ca c l truyn
b nhng cng c m c s dng t c sc kho ca mnh vi th gii.
Xem h s ca Ali
TI TR CA CHNG TI
Jane Inc.
Gi bng hu c & Gi mt Mn trong hn 30 kiu khc nhau c sn xut
ti Hoa K
45
YogaDirect
Mua mt ci c c mt giao dch min ph v tuyt vi khc trn thm v
thit b yoga
Xem tt c Nh ti tr
Mt drishti thng c s dng trong thin tp trung v tp trung tm
tr. Cc im drishti hu ch nht c s dng l hi th v trung tm mt
th ba. Cc tiu im ngoi cng c th c s dng, chng hn nh u
mi, nn hoc mandala.
46
Trong bhakti yoga, drishti c s dng theo mt cch hi khc: mt ci nhn
thng yu v khao kht lin tc c chuyn hng ti khi nim, tn hoc
hnh nh ca Thin Cha. Drishti cng c th c ngh n trong mt bi
cnh rng hn, c quan im hoc vin cnh thch hp trong cuc sng ca
mt ngi. Bng cch pht trin kh nng thch ng vi quan im ca mt
ngi thch ng vi s thay i lin tc trn th gii, chng ta c th trnh
c nhng chp trc khng cn thit m gy ra cho chng ta au kh.
CU CHUYN C TI TR
Nhng yu t cn thit cho cuc sng khng gian nh
TINH THN
Nhng g bn khng hc trong YTT: Lm th no ging dy cc ch
tinh thn vi tnh xc thc v nhy cm vn ho
LIFE
Probiotics l xu hng, nhng liu h c ng khng?
47
tinh thn. Thi quen nm bt th gii rt ph bin n ni gio vin thing
ling Osho t ra mt thut ng cho n: "Kodakomania." Nu bn c bt k
nghi ng v sc mnh ca hnh nh th gic v gi tr ca s ch ca bn,
ch cn ngh v hng t la ngnh cng nghip qung co chi cho nhip nh
mi nm!
48
tp trung, h tr chuyn ng, v gip nh hng c th pranic (trn y
nng lng).
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gi c th ca mnh v u thng ng thng v nhn chm chm vo mi ca
mi." Khi s dng nh nhn bn trong, i khi c gi l Antara Drishti, m
mt ng li v nh nhn hng vo v hng v pha nh sng ca mt th
ba. Nh Iyengar ni, "vic nhm mt ... ch o ngi sadhaka (hnh gi)
suy nim v ng thc s l mt ca mt ... v cuc sng ca cuc sng."
Mo Drishti
Ging nh nhiu k thut tinh thn, vi drishti c nguy c sai lm k thut
cho mc tiu. Bn nn dnh cho vic s dng c th (bao gm c mt)
vt qua s nhn din ca bn vi n. V vy, khi bn nhn vo mt i tng
trong khi thc hnh, ng tp trung vo n bng mt ci nhn kh. Thay vo
, s dng mt ci nhn nh nhng, nhn qua n hng v mt tm nhn v
s thng nht v tr. Lm mm s tp trung ca bn gi s ch ca bn
vt ra ngoi b ngoi n bn cht bn trong.
Bn khng bao gi nn t buc mnh phi nhn theo cch m lm cng mt,
no hoc c th. V d nhiu ch un cong pha trc, im nhn chm
chm c th l ngn chn to. Tuy nhin, nhiu hc vin, nhng giai on
nht nh trong s pht trin ca h, phi chm sc khng to ra s co li
mnh m c sau ca c th m s kh chu ny vt qu mi nhn thc
khc. Thay v bt buc phi nhn thng vo mt, bn nn cho php n pht
trin t nhin qua thi gian.
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Mt ci nhn c nh c th gip rt nhiu trong cn bng cc nhn vt
nh Vrksasana (Tree Pose), Garudasana (Eagle Pose), Virabhadrasana
III(Chin binh Pose III), v cc giai on khc nhau ca Hasta
Padangusthasana (Hand-To-Big Toe Pose). Bng cch c nh tm nhn ca
mt im khng di chuyn, bn c th gi nh cc c tnh ca im , tr
nn n nh v cn bng. Quan trng hn, ng dng lin tc ca drishti pht
trin ekagraha , tp trung n nhn. Khi bn hn ch s tp trung trc quan
ca bn n mt im, s ch ca bn khng b ko t i tng n i
tng. Ngoi ra, nu khng c nhng phin nhiu ny, bn s d dng nhn
thy s lang thang bn trong s ch ca bn v duy tr s cn bng trong
tm tr cng nh c th.
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Ngi tu hnh bhakti dng drishti theo mt cch hi khc, lin tc bin mt
nh mt yu thng, khao kht v Thin Cha. Thng qua tng tng, tm
nhn ca Thin Cha xut hin di dng Krishna, v c th gii tr thnh
prasad (dng cht thn thnh). Trong c hai trng hp, drishti cung cp mt
loi th lc yoga tng cng cho php chng ta nhn thy s khc bit bn
ngoi trong qu kh ( asat , bng ting Phn) vi ni tm bn trong hoc
Chn l ( sat ). Nu chng ta loi b v minh thng qua cc thc hnh ny,
sau chng ta c th nhn thy thng qua la di v o tng.
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C PHN
843
Nhiu ngi trong chng ta nghe gio vin yoga ca chng ti ni, "Tm
drishti ca bn. Khc phc s ch ca bn. "Nhng bn c bit bn c ti
chn la chn? C kh nng l bn luyn tp chng sut. ng tic l
'ng h ni ny Drishti u?' 'Ngi hng xm ca ti c th gi
Bakasana lu hn ti c th Drishti' v 'Tm ngun cm hng mng Yoga
trc mt ti Drishti' khng ng v tr no. Vy bn trng u, v
bn ang tm kim ci g?
53
asana, dharana v pratyahara cng vi nhng yama khc,
niyamas, pranayama , v dhyana h tr mc tiu cui cng ca vic t
c gic ng, hoc samadhi.
4 v 5. Xoay bn phi v sang tri sang tri, hoc Parsva drishti. Parsva
drishti c kh nng m h hn cc loi drishtis khc, v "sideways" c th
c gii thch. Ni chung, nh nhn i ngang theo hng nh u, tc l
ln trn, ngang, xung, vv Thc hnh theo cc ng xon nh Ardha
Matsyendrasana, Marichyasana (Marichi's Pose) v Bharadvajasana
(Bharadvaja's Twist).
Khi chng ta thin, chng ta kha thn kinh quang hc ca chng ta. Khi
chng ta
kha dy thn kinh quang ton b u b kha, tm tr bn s dng li.
Thuc Drishtis kha thn kinh quang l: im lng my, u mi, cm.
Mt nhm li trong khi nhn vo cm v sau l mt 9/10 ng ca nhn
vo
mi mi;
56
Khi iu ny xy ra, tm tr, c th v linh hn ang xp hng. Thng qua
kim sot vt l, tim thc pht hnh tt c cc loi t tng. Khi bn c
mt ngh tiu cc n i ngang, v khi bn ht mt thn ch n i ln,
thay i tiu cc thnh tch cc. l cch bn tiu th tim thc ca bn,
v khi tm tr tim thc trng rng, tm tr c thc r rng v bn khng
c nhng cn c mng. - Yogi Bhajan
Mc tiu ca chng ti khi thc hnh Yoga l nhn vo bn trong chnh chng
ta, lng nghe cc chc nng ca c th, v tch ri khi th gii bn ngoi.
Khi mt chng ta lang thang, bi v chng ta ang qut phng, kim tra cc
sinh vin khc hoc nhn ra ca s, chng ta tr nn phn tm v suy ngh ca
chng ta lang thang. Gi s ch ca bn n nh s gip bn n nh tm tr
(v suy ngh trong u). S ch (v nng lng) ca chng ti chy vo ni
m s ch ca chng ti c tp trung.
Drishti l mt phn ca vic thc hnh tinh thn ca yoga v xy dng c
bp tm thn ca bn. N gip bn hc tp tp trung vo v ra khi thm,
iu g c li trong s thm ht s ch ca chng ta, vn ho cp nht
nhanh. Trong lc tp thin, bn hng mt nhn vo v tp trung vo mt
drishti bn trong.
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trung, tuy nhin, khi bn nhn xung mt t, ngc bn c khuynh hng sp
v ng li. Thay vo , gi tm nhn ca bn mc mt hoc trn.
Drishti l g?
Drishti l mt k thut yoga c, tp trung mt vo mt im khng di chuyn
chc chn trong mt t th c th. Chng ta hiu ti sao khi nim ny li
quan trng n vy trong cn bng t th. Nu bn ch n ngi khc hoc
i tng ang di chuyn, chng ti c nhiu kh nng ri ra khi t th hay
tr nn khng n nh v lung lay.
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l mt ci nhn chm chc mt rng - l mt nh nhn thoi mi thm ch
hi m.
Chuyn gia Vedic, Tin s David Frawley vit: "Khc phc s ch ...
khng ch tp trung tm tr m cn thu ht nng lng bn trong ca chng ta
cng vi n, m rng hnh ng ca pratyahara, hoc s tp trung yoga ca
prana v cc gic quan."
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trin v tp trung vo s lin kt ca t th, sau l hi th, v cui cng l
drishti. S dng drishti c bit hu ch nu bn gi mt t th trong mt thi
gian di, v s rt hu ch trong khi thc hnh cn bng t ra.
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Khi s dng nh nhn bn trong, i khi c gi l Antara Drishti, m mt
ng li v nh nhn hng vo v hng v pha nh sng ca mt th ba
Bn khng bao gi nn t buc mnh phi nhn theo cch m lm cng mt,
no hoc c th. V d nhiu ch un cong pha trc, im nhn chm
chm c th l ngn chn to. Tuy nhin, nhiu hc vin, nhng giai on
nht nh trong s pht trin ca h, phi chm sc khng to ra s co li
mnh m c sau ca c th m s kh chu ny vt qu mi nhn thc
khc. Thay v bt buc phi nhn thng vo mt, bn nn cho php n pht
trin t nhin qua thi gian.
Ngi tu hnh bhakti dng drishti theo mt cch hi khc, lin tc bin mt
nh mt yu thng, khao kht v Thin Cha. Thng qua tng tng, tm
nhn ca Thin Cha xut hin di dng Krishna, v c th gii tr thnh
prasad (dng cht thn thnh). Trong c hai trng hp, drishti cung cp mt
loi th lc yoga tng cng cho php chng ta nhn thy s khc bit bn
ngoi trong qu kh ( asat , bng ting Phn) vi ni tm bn trong hoc
Chn l ( sat ).
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Vi s ngc nhin ca ti, ti pht hin ra rng bandhas, drishti v hnh
ng ca hi th mc th cht thc s kt ni vi h thn kinh giao
cm v giao cm.
Ngi tu hnh bhakti dng drishti theo mt cch hi khc, lin tc bin mt
nh mt yu thng, khao kht v Thin Cha. Thng qua tng tng, tm
nhn ca Thin Cha xut hin di dng Krishna, v c th gii tr thnh
prasad (dng cht thn thnh). Trong c hai trng hp, drishti cung cp mt
loi th lc yoga tng cng cho php chng ta nhn thy s khc bit bn
ngoi trong qu kh ( asat , bng ting Phn) vi ni tm bn trong hoc
Chn l ( sat ).
Drishti, thut ng Phn ng v th gic, hng hay s ch tp trung, l
mt cng c c s dng trong thc hnh asana, theo truyn thng l
Ashtanga, a bn n gn hn vi dharana (tp trung) v pratyahara (ngha
l rt lui). Thc hnh drishti dy bn kim sot i mt lang thang ca bn,
hn ch vic hp th kch thch bn ngoi v do qun l tm tr ca bn
thay v cho php n qun l bn.
Drishti thc s xut pht t ting Phn, c ngha l ci nhn hay nhn
thc. Drishti chnh l mt phn ca vic thc hnh tinh thn Asana. Ni bn
nhn, chnh l dng chy ca nng lng. Mt bn nhn, tinh thn bn tp
trung, c th bn vn ng, bn ch ang sng trong hin ti.
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Drishti l mt k thut trong thc hnh Yoga c, tp trung mt vo mt im
khi gi asana, s dng k lut gi cho i mt mt v tr c nh.
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Drishti khi thc hnh Asana i mt bn u trong phng tp Yoga?
1. Drishti l g?
Nhm 1: con mt th 3 (gia i lng my); chp mi; nhn hng ln trn
(kiu nhn xa xm ).
Nhm 2: lng bn tay (sau khi xoa nng bn tay p vo mt, lc b tay ra mt
thng nhn vo lng bn tay); hng nhn v tay phi; hng nhn v tay tri
(chin binh 2); ngn tay ci (chin binh 1).
2. Cch xc nh Drishti
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Drishti l cch nhn nh nhng nhng tp trung. Cc hnh gi Yoga c pht
hin ra rng ni m s ch ca chng ta chnh l ni chng ta quan tm.
Cht lng ca nh nhn phn nh trc tip cht lng suy ngh tinh thn. Khi
s nhn chm chm c nh vo mt im duy nht, tm tr s b gim bt bi
s kch thch ca tt c cc i tng bn ngoi khc, hng vo ni tm bn
trong, a bn vo mt trng thi tp trung su sc.
Trong th tri ni nhn vo chp mi; ngi thin nhn vo con mt th 3; tam
gic ngc nhn vo rn; nhn vo ngn tay ci trong bc u tin ca cho
mt tri; nhn ln bu tri trong chin binh 1...
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