CONTRIBUTORS

Farley White Assistant Editor

Whats your escape?
A great book, a great cocktail, or great company.

Yu Zhang Fashion
Whats your escape?
I go out on a boat in search of a new me.

Denise Internoscia Arts and Culture

Whats your escape?
Dancing is my escape. With enough bass, I will see the sun rise.

Audrey Thames Music

Whats your escape?
I escape by doing the little things that make me happy, like hid-
ing out in a local coffee shop, venting in my journal, and writing
music then going to the studio to record and release.

Evans Cooper Film

Whats your escape?
Spiritual alignment through deep meditation.

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 i-D pre-spring 2017
the great escape issue
featured content

FEATURED FILM 28 TRAPTASTIC 38 STREET STYLE 46

RAF SIMONS 51 ON THE OUTSKIRTS 64 ARTIST OF ANARCHY 68

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 i-D
the great escape issue

Lets face it: life can be tough and sometimes we all need a release, an escape - and that can take
many forms.

Sometimes its about escaping from the norm, from the status quo, the mainstream. Other times one
simply needs to escape from the stresses of every day life. Other times political unrest and persecu-
tion create a more dire, literal need to escape.

This issue is all about exploring various ways people escape, both literally and figuratively. We have
profiled those who are leading the charge and inspiring others to follow suit with their contributions to
art, film, fashion, music, and so much more.

Be it the raising of social awareness, the creation of art, having the courage to go out on ones own,
or just bringing young people together to escape life for a moment, we celebrate their bravery and
ingenuity.

In this issue we are encouraging our readers to find their own escape - whatever that means to them.
We hope that our profiles and articles inspire you to break from the trials of everyday life, to push
social boundaries, or to simply find a place where you feel free.

FARLEY WHITE, ASSISTANT EDITOR

8 i-D
political unrest
oppression
injustice
S C A
E
persecution
enslavement
 A P E
political unrest
oppression

C injustice
persecution
enslavement
 500 SYRIAN REFUGEES ESCAPE...
...TO A COWBOY-THEMED PARK IN SWEDEN
TEXT EVANS COOPER

I know my grandfather wouldve done the same. He

built this place with the philosophy of the American
settlers . . . They saw possibilities and they took what
they had in their pockets and they did something to
create new lives.
Emil Erlandsson

You may not believe this story, but we are going to share it with you anyway. High Chaparral is an American Wild West themed park
located in Sweden, and it acted as a temporary refugee camp for 500 Syrian people during its off-season. The theme park only oper-
ates three months a year, so the owner decided to take in Syrian refugees for approximately 9 months.

Emil Erlandsson is the owner, operator and sheriff of High Chaparral. Erlandssons grandfather built the the theme park in rural
Kulltorp, Sweden, about 250 miles southwest of Stockholm. When the park is open, it sees thousands of guests. During the winter
months, however, the theme park becomes much like a ghost town, with snow covering its grounds.

As the Syrian civil war raged, almost 163,000 refugees sought asylum in Sweden in 2015 due to the nations Open Door Policy.
Tens of thousands of people were entering the Nordic nation, leading the government to reverse its policy, offering only temporary
residence permits. Swedens Migration Agency became desperate to find places to house all the new arrivals and reached out to
Erlandsson with a proposal to house refugees at his park during its off season. Emil was hesitant at first, but when he saw that the
refugees were supposed to live in tents in the cold, he decided to assist.

I know my grandfather wouldve done the same, Erlandsson told MEL Films, the film company that produced a short documentary
on the park and its amazing story. He built this place with the philosophy of the American settlers. When the settlers came to the
United States, they saw possibilities and they took what they had in their pockets and they did something to create new lives.

14 i-D
The Syrian refugees had to adjust to the elements, as most had never seen snow before. The children even went outside, collected
the snow, and added sugar to make snow cones. All was not fun and games though at the theme park, however. These people were
not theme park guests in the normal sense, but refugees torn from their homeland. Students continued to have classes, while the
men sought work. But all the while, at the forefront of their minds, they knew that they had to leave in May when the park reopened
for its normal season.

As Syria has been completely ravaged by war, there is no hope of returning back home for many of the refugees. Sweden has begun
the process of expelling many. Although High Chaparral was probably an experience the refugees would never have dreamed of,
many must continue on to new lands that will welcome them and allow them to stay to start new lives, but their time at High Chaparral
will undoubtedly remain with them for the rest of their lives.
 FROM DUFFLE BAG TO ENSEMBLE
DESIGNER CREATES REFUGEE-INSPIRED CLOTHING LINE
TEXT EVANS COOPER

Angela Luna is a 2016 graduate of Parsons School of Design, where she earned a Bachelor of Arts in Fashion Design. For her
senior project, Luna created a collection inspired by Iraqi and Syrian refugees. She incorporated a utilitarian theme to the line by en-
abling her garments to be transformed from a duffle bag into various garments, including pants, coats, and jackets. There are even
some pieces that can be converted into tents.

Luna followed the refugee crisis that occurred last year with great intensity. At one point, while at Parsons, she considered stopping
her studies in Fashion and switching to a Political Science program. Before making such a drastic move, however, Luna decided to
continue on the fashion track and developed a refugee-inspired line for her senior collection. The design is tough and rugged, the
colors are autumn outdoors, and the feel is definitely survivalistic.

Luna did not want to focus all of her attention on making clothes that were simply aesthetically appealing; rather, she wanted to pro-
duce a line that was highly functional. She loves multi- purpose items, and she wanted to bring that into her collection. To prepare,
Luna researched the Syrian and Iraqi conflicts, pulling articles and images. Luna then conducted interviews with various humanitari-
an agencies. She wanted to identify the key issues that refugees would face on a daily basis and address them in her collection. The
key themes she used were shelter, warmth, life jackets, and boat travel, to name a few. She considered a jacket that could also be a
life vest. She saw the refugees as going through a journey, needing to change what they wear as they move from climate to climate
-- whether on flat land, in the ocean, or in the mountains. She even thought about night visibility.

The flotational jacket was one of the most challenging pieces. She re-purposed a pool balloon and connected it to a blow-up straw to
allow for inflation and deflation. As for her tent, it stands up on its own without a stabilizing pole and can be mounted on concrete.

Future collections are going to be designed to solve other issues. Luna is forming a business plan in which the proceeds of her sales
will fund the production and distribution of garments to those in need. But Luna realizes shes not ready to launch this business on
her own. In the fall, she is embarking on a two-year business entrepreneurship program at the Amsterdam Fashion Institute to earn
a Masters degree in Fashion Enterprise Creation. We reached out to Luna for an interview, but she informed us that she is en route
to a refugee camp and will be unavailable for comment for the next few months. We can guess that her drive, focus, commitment, and
inspiration will push her line to new horizons. Lets keep our fingers crossed for Angela.

17 i-D
## i-D
 SHINESTY
Entrepreneur Chris Whites Quest to Rid the World of
Boring Clothing

21 i-D
22 i-D
 IN CONVERSATION WITH SHINESTYS CHRIS WHITE
TEXT FARLEY WHITE
Made famous by their Ugly Christmas Suit that stormed the hol-
iday market two years ago, Shinesty delivers ridiculous themed
clothing for the party-minded consumer - and millennials cant
get enough of it. From American flag harem pants to neon,
80s-style ski clothes, Shinesty delivers a consistently ridiculous
product to its devoted customer base, and their legendary week-
ly emails leave subscribers begging for more. The company re-
centy got the attention of MTV, who will air a relatity show about
the startup and its office antics in the Spring. We sat down with
founder and CEO Chris White to talk about embracing the un-
orthodox and escaping the norm where fashion is concerned.
Shinestys branding and PR are known for being really
strong and every email/ad/social media post is hilar-
iously different from the last - what inspires you to
keep things so original and amusing?
Its who we are as people. Were loud, were vibrant, were that youve seen recently, is it difficult to maintain au-
sarcastic, we take our work seriously but not ourselves. The
brands personality is a function of our teams personali-
ty. There are so many boring companies out there, and we
wanted to be different. We are obsessively focused on contin-
uously offering you something more than just a product, we
want to entertain you, to make you laugh, to remind you of
the good times youve had with the good people in your life.
Shinesty and everything it does is unapologetically
cheeky - have you gotten any pushback from industry
professionals or consumers?
I couldnt give a flying fuck what industry professionals think Be you. For us thats irreverent self-deprecating humor, for you,
about Shinestys irreverent attitude. On the other hand, I abso-
lutely obsess over what our customers think. And our custom-
ers love it. Sure, weve had people who think our brand is too
out there or inappropriate, but the people who love our brand
There are so many boring companies out there,
and we wanted to be different.
Chris White
23 i-D
love it ten times more because of the authenticity that Shin-
esty displays. We actually often use quotes from people who
dont like our brand in our advertisements. Sign up for our
email list and read the welcome email for an example. We
have a Net Promoter Score of 90, which is incredible. So
the people who are buying from Shinesty like Shinesty, a lot.
How have you managed to successfully sustain such an
offbeat business model that easily could have been just
a fad?
We are always looking ahead, trying to figure out what is next.
But really the reasons weve been able to attain moderate
levels of success so far is because our brand is authentical-
ly us, we take amazing care of our customers, and we enter-
tain first, sell second. This resonates with our customer base.
In the wake of all the media attention and rapid growth
thenticity?
It has not been hard to maintain our authenticity. The Shinesty
brand voice and irreverent sense of humor is what keeps this
fun for us, what gets us going, and what helps keep us going.
Humor is in the DNA of this company. That said, not everything
has been rainbows and unicorns. There have certainly been
some very, very stressful moments. But being able to laugh at
ourselves everyday helps us maintain our perspective, our fun.
What advice do you have for others in the fashion world
looking to find their own sense of authenticity?
that might be something completely different, and thats great
too, just be you. Dont try to create a brand around something
you are not. It wont be fun and it will make the hard times harder
.
Its who we are as people. Were loud, were vibrant, were
sarcastic - we take our work seriously, but not ourselves.
Chris White

I couldnt give a
flying fuck what
industry professionals think
about Shinestys irreverent
attitude.
Chris White

24 i-D
FILM
FILM
 IN CONVERSATION WITH WHITNEY VALCIN
TEXT EVANS COOPER

Like Cotton Twines is a riveting independent film that is slated to

be released January 2017. It is a tale set in Ghana, and its focus
is on the genital mutilation of young girls and teenage sex enslave-
ment.

Unexpected Micah, an American English teacher played by Jay Ellis,

moves to Ghana to teach English to a local impoverished middle
school and is eager to help his students. The movie is centered on
of his students, a young girl named Tuigi, played by actress Ophelia
Dzidzornu.

Tuigis father accidentally murders someone. For his atonement, he

must offer up his daughter as a sex slave. Clinging to his Western
morals, Micah pits himself in a battle against the tribal culture and
the state. The controversy begins.

Ghana is rooted in old customs, traditions, and Voodoo practices.

The Shrine houses many teenage girls who are enslaved and re-
quired to give up their bodies to the Shrine master for no less than
ten years. The girls are also required to work the fields, including
picking cotton. The Shrine master fathered over sixty children with
twenty different girls, and Tuigi was next to go through the torture.

You may be asking, Why is the girl sacrificed? Why doesnt she
escape? These are the long-standing customs of Voodoo practice.
Micah challenges these customs by taking the girl away from her
parents to a hide-away place for children who have escaped similar
camps. Tuigi soon becomes sick, experiencing convulsions and fe-
ver. They bring in a witch doctor, who takes one look at her and tells
them, I cannot help. Take her to the Shrine, or else her illness will
become yours. Micah is compelled to take her to the Shrine, where
Tuigi is subjected to rape and abuse. Tuigi becomes pregnant and
bears a child, but dies during labor. The child survives and is given
to Micah, as Tuigis final request, to take back to the states to live
a better life. The 1 hour and 47 minute film is riveting and heart-
breaking, yet informative about the state of child trafficking and
Voodoo practices in Ghana. We talked to producer Whitney Valcin
one-on-one.

28 i-D
Can you please tell us what the title LIKE COTTON TWINES means?
Cotton is woven together. The strains are separate, yet they are all interconnected. How the main actress, Tuigi, ends up in a sex
slave camp, picking cotton, and the circumstances involved -- based, on other peoples decisions -- unfolded into the title Like
Cotton Twines.

How did you get involved in this production?

I was initially attracted to the story because I thought about my past and how, at the same age as Tuigi (14), I also made a decision
that ultimately affected my life. Unfortunately, Tuigi didnt get to make her own decision. So that stuck with me. I couldnt shake the
fact that so many girls in that region have to deal with things of that nature. Also, I love the various stories that the director Leila
Djansi creates. All of her stories mainly deal with women and their issues and how they conquer them.

How long did it take to produce the film?

We have been producing and developing LIKE COTTON TWINES for a while -- working on the story, funding, logistics, casting, and other
elements. Ultimately, it was shot in November 2015, in Ghana, Africa.

Can you talk a little bit about the production process?

We started with the idea and development around the early part of 2015. Actually, the idea was swirling around in the mind of Leila
since college. She is from Ghana. Leila created the project back at Savannah College of Art and Design for her graduate thesis. I
was involved in the project then, and I loved the story. So, in 2015, the idea came back around again, and we decided to explore
it further. I started with the script, looking into a budget, and figuring out who we would like to see in the role of the lead - casting
elements, and what-not.

How did you cast the main actress, the teenage girl, Tuigi?
She is an actress in Ghana. There was a film agency in Ghana assisting us. They had a good feel for what we were looking for and
recommended Ophelia Dzidzornu (Tuigi)?

How did you get Jay Ellis on board?

Jay Ellis played in the television series THE GAME and many other productions. Basically, we made a list of five people we wanted to
cast and reached out to them. We contacted his agent and went from there. We talked about compensation and gave him the offer,
and he signed.

How do you get in touch with Ellis agent?

You can find everything you need about an actor on IMDB.com. I t is great. You can see all of the films that the actor or actress has
worked on, his or her agent - whatever you need.

How did you get funding?

We pitched to independent film investors as well as used some of our own connections.

Was this film based on a true story? Did the little baby girl grow up to be a dancer or was this simply a screenplay
creation.
The film was based on true events, but not a particular persons story. However, these situations happen quite frequently in the
region.

Are things changing in Ghana?

Well, it is problematic because it is all tied to their religion - Voodoo. Therefore, the government does not like to step in [due to]
separation of church and state. But we are trying hard to bring more awareness to injustices of female genital mutilation and child
sex camps through our work. Hopefully we will have an impact.

29 i-D
Did you receive any push back/retaliation during and/or after production?
Well, we did have a screening cancelled in Accra, Ghana - mainly because of the subject manner.

What are the plans for film distribution and promotion?

We are scheduled to go to India next month. But in general, we plan to get into as many film festivals as possible, get as many good
reviews as possible, and use social media like crazy.

Where else will it be shown?

We will be traveling to India soon, as I mentioned before, to screen at the International India Film Festival, then to LA. We also plan to
release it on online platforms as well, such as Netflix and Video on Demand.

Any lasting words you would like to share or leave with our readers?
I want to talk about succeeding. There are three things I want your readers to know. First, you need faith. You have to stick to it.
Second, you need to hustle. You got know how to hustle, think outside outside of box, and even take jobs that may not be what you
envisioned. And third, you need a strategy. Your strategy should address how you are going to make what you want work. Teach
yourself things. Network. Surround yourself with those in your industry. Faith, hustle, and strategy are what you need. If you apply
those in your life, you will see things changing before your eyes. You can change things in your life. And please feel free to follow me
on facebook or twitter. I am open to speaking engagements as well.

What do you do to escape?

I like to watch a good movie and relax. I like to hike, mountain climb, pray, meditate, and sometimes just unplug everything and chill
out. That is how I escape.

Faith, hustle, and strategy are what you need.

If you apply those in your life, you will see
things changing before your eyes. You can
change things in your life.
Whitney Valcin

30 i-D
 IN CONVERSATION WITH DIRECTOR MARK NGUYEN
TEXT EVANS COOPER

The second season of Underground has begun filming in Savannah, GA, Sony Pictures Television produces the hit series, which
garners over 3 million viewers weekly. The show made history as network station WGNs most-watched original program ever in its
first season.

The new 10-episode season of the underground railroad thriller follows a group of slaves as they attempt a daring, 600-mile escape
from a Georgia plantation. The production, which will shoot in Savannah for approximately four months, is expected to spend close to
$50 million.

This has been a long time coming, said Trip Tollison, president of the Savannah Economic Development Authority, in October. Since
we started courting the entertainment industry, weve known that the real prize was landing a major television series.

I sat down with contributing director Mark Nguyen, himself the son of a refugee, to discuss his work, his life, and his escape.

32 i-D
Mark, tell us about your background.
I am American - Vietnamese. I was born in Savannah. I studied at both the University of Georgia as well as Savannah College of Art
and Design (SCAD). My focus at SCAD was motion media. From SCAD, I worked at ABC/FOX for 6 years. After the TV station stint, I
was picked up by TYTAN Creates on Tybee Island as a Motion Media Designer/Editor. Through the 4 years I was there, I moved up to
their Director of Post Production position and had the opportunity to work with clients such as Nike and Red Bull and several collegiate
football teams (Notre Dame, Yale, Arkansas Razorbacks). I, along with my crew, received 4 Emmys for our work.

Where did you go from there? How did you get to where you are today?
As a post production guy, I always wanted to help out on the production side of things - and what better way to help get that different
perspective than an UAV - DRONE (a flying camera apparatus)? It was mind-blowing to see the true potential of these aerial cameras.
UAVs are not just for filming shows. They can be utilized in so many different industries for so many different things. The aerial industry
is a huge game changer, and I wanted to be apart of it. Realizing the potential of UAVs, I decided to step aside and create my own
media company. Presently I am the owner and director of digital photography & aerial operations for Alienworx. In two years, we have
finally become relevant and established. I was called by the producers of Underground, which is being filmed here in Savannah, to
assist with aerial production.

What attracted you to the film industry?

Growing up around Savannah, I had a good friend with a family that worked in and was a part of the film union here. During high school,
[he] would give us jobs helping set up and break down concerts and big events. That led to my first movie gig in 1998 on the movie
The Generals Daughter as a Greensman, basically helping create the exterior sets. I think this sealed the deal for me. I didnt care
what I was doing. I just wanted to be a part of the film industry.

How long have you been doing film?

I have been working in the Film & TV Industry one way or the other for almost 20 years.

What inspires you?

Drive, passion and opportunity inspire me. I think if you have those things, anything is possible. If you have even the smallest window
of opportunity, TAKE IT! At this point, your drive and passion should be able to guide you to do GREAT THINGS!

What would you consider a passion of yours?

From me, aerial filming is definitely a passion. I plan to continue down this route for awhile.

Why stay in Savannah? Why not L.A.?

Atlanta and Savannah are booming now. There is a lot going on in both cities. And I also feel L.A. has become too saturated.

What types of films do you enjoy working on?

I dont think I have a favorite type. I just enjoy helping to get the shots done right. I strive to meet or exceed the expectations of the
film director.

What do you look for in a film when you are considering directing it?
Gigs are not plentiful to the point where we can afford to turn down work. I simply look to see where we can do aerial footage -- my
speciality. But I also have done other types of work with my background and equipment -- for example, assisting the FBI and police
department on special cases, which is another source of income for the company.

Lets talk about UNDERGROUND. What is your role, specifically, on the UNDERGROUND production team and how did
you land the opportunity?
When they call me in, my role on Underground is director of photography & operator of aerial footage. We are a part of the Film
Union, and, with Underground as a Union Based Show, they saw we were here locally, so they reached out to us.

33 i-D
What was some of the work you did on the set for UNDERGROUND?
Well, the show is about slaves escaping from the South to the North, so there are running shots through various terrain -- woods,
swamps, etc. For example, in one scene, we flew through woods following one of the main characters escaping as he ran through
the woods and swam to the other side. We using the flying drones to shoot the footage. Think of them as helicopters with a camera
attached to them, and we remotely operate them. In another scene, we shot a traditional African wedding and reception on the beach
as an aerial shot.

What do you do to keep the show exciting and riveting ...and back the next season?
I think the show gives a different perspective on the era. You get personal with each character and their struggles. Anthony (Direc-
tor) and Kevin (Director of Photography) are always looking for that different and unique perspective and are very open to different
tools to accomplish it. Its not just the story, but about how do you capture the audience in telling that story. I think being open to
pushing new ways to tell the story and capturing it makes it dynamic.

What are some of your challenges in your role in the directing of the show?
Time is probably the most challenging. What I mean is capturing the sun at the right time going down and filming in that limited
window. You have to have everything perfect and ready to go. Planning, production, coordinations with natural events -- all of those
elements are key. Sometimes I even have to fly at night. You guys cannot see it from your side, but it is a lot that we have to think
about.

What do you do to escape in your spare time?

I enjoy hanging out with family. I love my daughter. She is showing interest in motion graphics, so I have begun teaching her some
things. I really get excited teaching her.

Who was your biggest influencer in your life?

I think my TRUE and BIGGEST influencers in life were my parents. Towards the end of the Vietnam War, my dad, who was a pilot, stole
a helicopter, picked up my family, and escaped. He flew my family to the States. All they had were the clothes on their backs. They
were the first refugee Vietnamese family in Savannah. In my mind, how can I top that? I owe everything that I am able to do now to
them.

What advice would you give young aspiring film directors and producers aspiring to break into the industry?
It is not easy. You have to have the drive and passion. Push through heartache and accept that people will turn you down. Continue
to have drive, passion, and determination. And always be humble as you move through life.

Drive, passion and opportunity inspire me. I think if you have

those things, anything is possible. If you have even the small-
est window of opportunity, TAKE IT! At this point, your drive and
passion should be able to guide you to do GREAT THINGS!
Mark Nguyen

34 i-D
INTO
THE
TRAP
 TRAP-RAGE-DESTROY

WE TALK TRAPTASTIC, THE PARTY EVENT TURNED MOVEMENT THATS TAKING

OVER VIRGINIAS COAST, WITH CO-FOUNDER ROD BABY AND TEAM MEMBERS,
HUEY AND NATE
TEXT AUDREY THAMES

Virginias Tidewater Region has always been known for a few things; the large Navy presence, the tourist-driven oceanfront and the
handful of iconic musicians that were born and bred here, including Missy Elliot, Pharrell, Timbaland and emerging talent D.R.A.M. Still,
many young natives find themselves migrating to bigger cities in search of something greater, whether it be the opportunity to make
a name for themselves, explore their talents or for pure excitement. Rarely will someone move here for a fresh start. Though big in
size, the region, consisting of seven cities, lacks identity. Well theres a new movement quickly taking over the area that is surely making
a name for it.

Welcome to Traptastic, a reoccurring event created by Rodney Smith, better known as Rod Baby, a seasoned party promoter. For a
couple of nights a month, people escape the overrated, flashy scene that has become the standard of clubs across the nation. No
overpriced cover charges, popping bottles, paying hundreds of dollars to reserve VIP sections or two-stepping in the same spot in an
effort to appear sexy and cool. Instead, bring on the rap ravers that stage dive and crowd surf, indulge in candy thrown and busted
from piatas, and pulse in every direction to the sounds of trap music. However, the wrapped lines of people waiting to enter remain
as this exclusive event gains more and more hype.

Trap music emerged in the early 1990s in the Deep South as a subgenre of rap mixed with dub and dance sounds. Popularized by the
rise of rappers like Gucci Mane, Waka Flock Flame and Young Jeezy, the unique sound often combines pipe flutes, loud kicks, chopped
and screwed techniques and heavy bass.

Filling the local void, Traptastic prides itself in being for the people. Compared to nightclubs that feature fixed playlists consumed by
the same repetitive sounds on radio stations, the DJs play trap sounds requested by party goers ahead of time, as well as popular local
and underground tracks. They strategically feed off of the crowds energy, one minute playing sounds from newcomers like Lil Uzi Vert,
Travis Scott and 21 Savage and the next classic records from the likes of Kanye West, Jay-Z and DMX. Perhaps Traptastics most unique
feature is its dedication to promote local artists, as it sets aside performance slots for various rappers/singers each event. Some have
become regular crowd pleasers, as their names are highlighted on advertisements, while others use it as their debut. The event is
molded by its unorthodox venues, including downtown art galleries and restaurants like Work|Relese and the newly renovated Parlor
on Granby Street in Norfolk, Virginia. In addition, they creatively combine their events with holiday and cultural celebrations, for instance
Trapo de Mayo and Traptoberfest.

40 i-D
How did Traptastic come about?
Rod Baby: Traptastic is the event and the collective of people. My friend Negro Libre started it up because the night scene was dry.
So we wanted to do stuff better.
Huey: We are a party collective who try to give our guests a new outlook on the party atmosphere in every aspect from clothing
to music. Our DJs all have their own entities such as Negro Libre, who wears a wrestling luchador mask along with Trap Magic, who
wears a football helmet with Traptastic stickers on it. And not to mention numerous party favors we present.

How would you describe trap?

Rod Baby: Trap is fun! It doesnt necessarily mean what the music does, like drugs and street things. For us, it means fun.
Nate: Trap is a word that has so many meanings. Its perfect. Mostly when we say trap, were referring to a type of music. But we
even put our own spin on it because we encompass more underground progressive styles with it.

What type of audience does the event bring out? How have you seen the audience grow/evolve?
Huey: We pride ourselves on having something for everyone, so we attract a broad audience. No matter who you are, how old you are
or how hip you are, you can come to Traptastic. And honestly, its safe to say that we have taken off quicker than we even expected
originally being that our event was going to be something so different than what anyone had experienced before. So it was kind of hit
or miss originally, but fortunately for us it was a hit.
Rod Baby: Well we try to be really diverse and include some of everyone. We all know different types of people, do different stuff, so
it just naturally merges together. The event has grown a lot, because were doing bigger stuff each time. So the diversity is still there
but more people from everywhere support. Theres people that dont go to club that even come. We even had bridal party on Labor
Day and Halloween. The word of mouth is huge for us.

Tell us about some of your sponsors?

Rod Baby: Some of the relationships started when Nate and I went to Miami to an event where we were able to connect with various
representatives. Some of them are Stand Socks, the Hundreds, our min blog, the Perfect Play, Play cloths, Hip Hop Since 1987, Leg-
endry Hat Company, and so many others. Theres a lot that people dont even know about and were still working on more!

There are lots of people dressed in street wear and skateboarding labels like Thrashers, Vans, and local ones like
Pacers. Does fashion play a big part in the event?
Rod Baby: Well I think the reason our own merchandise sells so well is because I have a background in fashion from working at differ-
ent skate shops and boutiques. The event brings out such a large hipster crowd which possesses its own fashion sense. But fashion
means something different to everybody, but even more to us. Many of the people that attend wear retro Jordans, Vans, Yeezys and
brands like that because its how we view fashion today. Fashion is heavy in Virginia because of local legends like Pharrell, Missy Elliot
and Push T. But another huge factor is that we dont have a dress code, except that you have to be lit!

Ive seen the TRAPTASTIC double-cups. Are you looking into creating more merchandise and maybe even a clothing
line?
Rod, Huey & Nate: Well we do have T-shirts, hoodies, surgery masks, hats, cups, and were coming out with surgery masks. It will all
be sold on our website, which is about to drop soon.

TRAP IS FUN! IT DOESNT NECESSARILY MEAN WHAT THE MUSIC DOES, LIKE
DRUGS AND STREET THINGS. FOR US, IT MEANS FUN.
ROD BABY

41 i-D
 ITS JUST ABOUT THE MUSIC AT THE END OF THE DAY. WE DONT CARE
WHO YOU ARE OR HOW MANY PLAYS YOU HAVE, JUST IF THE SONG IS HOT!
NATE

Describe the process of choosing venues and performers.

Rod Baby: We dont do nothing like clubs- no happy hour places, no VIP sections, no popping bottles, no ratchetness period. Shit
just aint no fun. Instead we go for more low-key places and pretty much bring the culture. Of course another thing we look for are
stages. Thats just standard. As far as artists, they submit to us through trapmissions and our team sits down and listens every
week . In the beginning, we started with people we knew and just tried to build them up. But we didnt know they would blow up like
they have. We also listen to the people or the submissions and search for underground artists since we ply their music. Sound cloud
is definitely a great source for that.
Nate: Yea, its just about the music at the end of the day. We dont care who you are or how many plays you have, just if the song is
hot!

It seems as if trap music is at the forefront more than ever, so your timing couldnt have been any more perfect.
Do you think TRAPTASTIC would have been as big 5-10 years ago?
Nate: Yes, but the need wasnt that big as it is now. Like things got real boring and for a minute like seriously you listen to the most
popular radio station then you go to the club and hear the same thing. Then its a million dollars to get in just to see some people
pop bottles in the VIP section and not dance. Thats why were here, so people can have fun dancing to music they actually love.
Rod Baby: It definitely would have been legit still because our event is centered on the music more than anything. Its the reason
why were so big. A few years ago, it would have just been a different experience, more local based since social media wasnt as big.
Dont get it twisted, we would still be popping! Strictly off of social media. Music helps us getting us bigger.

42 i-D
TRAPTASTIC has done a lot for Virginias Tidewater Region. Do you think its unique to just that scene? Or could
you see a series of TRAPTASTICs being born in other regions or even states?
Rod Baby: One thing were doing is touring soon. We have a few events coming up in New York and soon in DC and Atlanta. But our
goal from the jump was to be on the same level as 40oz Bounce & Henny Palooza, traveling and doing parties on the road. But I
couldnt see us having individual branches since we want to be hands on in everything.

You guys have been partnering quite a bit with other events. Tell us about a few of those.
Rod Baby: A few times weve partnered up, but its more on than business end rather than partnering for events. So were worked
with 40oz Bounce when they came to Virginia Beach and worked with local clothing brands/stores like Pacers. We helped with a cook-
out for a store called Classics.

In your intro video, you talk about TRAPTASTIC being different from other local clubs and events. How do you think
people use this event as an escape? What does it do for the people?
Rod Baby: Its fun! People got to get away from the boring shit. Girls got to twerk the pain away. Also, we make sure to keep the an-
ticipation by not hving events too often so it doesnt get played out. We have to let people miss it. Were trying to do things different
from events like Fan Plan & Karaoke. Traptastic allows people to escape from what they normally do and gives them the chance to
wear what they usually cant.
Nate: We hope to always just be able to give people a place away from the usual with our fun, interactive environment. You hit it
right on the nose when you say the Traptastic is an escape. It does something major for the artists by giving them a platform. We
have artists signing record deals & headlining college homecoming concerts, but you wont hear their song on the radio. Its amaz-
ing. What youre doing for this magazine is even dope and shows that people really appreciate what we are doing. An artist told me
that we give them a reason to live, like literally from the bottom of his heart, to wake up every day. Thats got to be worth more than
money.

One thing Ive really noticed is the growth of your team/street team/promo team. How do you decide whose apart
of it?
Rod Baby & Huey: Its really just trial & error. We find people or they come to us, and from there we background checks. L ots of
people arent team, but they still post our flyers and videos and support. Luckily, we have Lots of friends that want to see us do well
and do bigger and better things.

What big artists do you think would be perfect performers at TRAPTASTIC?

Aww manTravis Scott, Playboy Carti, Made in Tokyo, Rae Sremmurd, 21 Savage. Any of them!

If you had to give TRAPTASTIC a motto or a set of principles to live by, what would it be?
Rod Baby: I really dont even know, but I guess just Be Who You Are. Other clubs, people try so hard to look cool and be something or
someone theyre not. Just Live & Be Fucking Happy & Spread Love in yourself!
Huey: To enjoy life, make the same vibe we bring at Traptastic apart of your life. Just enjoy it in all ways shapes and forms with no
barriers.
Nate: The motto is---Trap, rage & destroy. Its about however you trap, rage is how we party and destroy is like going against the
norm, killing the status quo.

ITS FUN! PEOPLE GOT TO GET AWAY FROM THE BORING SHIT. GIRLS GOT
TO TWERK THE PAIN AWAY. . . TRAPTASTIC ALLOWS PEOPLE TO ESCAPE
FROM WHAT THEY NORMALLY DO AND GIVES THEM THE CHANCE TO WEAR
WHAT THEY USUALLY CANT.
ROD BABY

43 i-D
A.P.C.
STREET
STYLE
THIS
SPRING
TEXT FARLEY WHITE, AUDREY THAMES
PHOTOS MEAGAN SAPASHE, FARLEY WHITE
 LEFT: JACKET BY TOPSHOP, PANTS BY UNIQLO, SHOES BY VANS
CENTER: TRENCH BY LONDON FOG, HOODIE BY STRUSSY, HAT BY NEW ERA
RIGHT: VINTAGE TEE, VEST BY WHITNEY BROOKS, SKIRT BY MODERN SOUL, SHOES BY CONVERSE, BAG BY KATE SPADE

46 i-D
style inspiration.
were looking to the streets for
forget high fashion - This spring
 Our approach this season combines elements from various style
tribes. Who says you cant combine designer with skater-
inspired pieces, grunge, basics, or vintage store gems? Its
all about mixing and matching great pieces to create an effort-
less thrown together look.
JACKET BY ROGUE TERRITORY, BEANIE BY NORSE PROJECTS, VINTAGE DENIM JEANS,

VINTAGE JACKET, TANK BY FOREVER 21, PANTS BY ASOS

SHOES BY CONVERSE

JACKET BY ANN MAY, TOP BY H&M, DENIM BY ASOS

47 i-D
 the great thing about this style is its
accessibility compared to more runway-inpired looks.
High-fashion staples such as the trenchcoat and
black skirt mix with everyday pieces and vintage
finds to create the perfect street-inspired,
mismatched aesthetic.

PLAID SHIRT BY FREE PEOPLE, SKIRT BY BAILEY 44, PRINTED TEE BY H&M, JUMPER BY URBAN OUTFITTERS,
BOOTS BY RAG & BONE VINTAGE SCARF

48 i-D
Raf Simons left Christian Dior. It was the right time, the great escape.
Whats behind his decision? And what will Simons do next?

Upon his departure from Dior, Raf Simons was

faced with noncompete agreement, prohibiting
him from working for a competing brand - so he
decided to start his own. He is finally independent
and enjoying a great deal of success, including his
latest collaboration with Robert Mapplethorpe.

TEXT YU ZHANG
 SPRING 2017 MENSWEAR RAF SIMONS

Recently, The Robert Mapplethorpe Foundation contacted Raf Simons to ask him whether hed like to work with them on something.
He agreed, as coincidentally he was a Mapplethorpe fan. I was honored, Simons said after his show, his voice vibrating with emo-
tion. I wanted to approach it like a museum show, or a gallery show - which has been done very often when it comes to Mapplethor-
pes work, said Simons, post-show. Raf Simons has a lot of same design philosophy as Robert Mapplethorpe, as both are known for
being very unique and forward-thinking.

Simons graduated from Central Saint Martins in London, as a fashion designer. He put the elements of building and geometry into his
design, forming his own unique minimalist style. His first college major was Industrial Design and Furniture Design, so his initial series
of mens clothing has modern design consciousness, and his attitude of fashion is not influenced by the traditions of the industry. He
often added elements of art and music in his previous designs, and for this reason he decided work with Robert Mapplethorpes stu-
dio for his Spring 2017 Menswear show. Robert Mapplethorpes work was placed in his design in a clipped way, with Mapplethorpes
best two subjects, portraits and flowers, becoming the focus. For example, a quarter of a white striped shirt was printed with a color
photograph of orchids; the black trench coat and the inner white T-shirt were printed with a total of three huge portraits. The most
interesting pieces featured apron-style vests. Of course, Raf Simons did not simply paste Robert Mapplethorpes photography in his
design. The most obvious element of Mapplethorpe is perhaps the series of leather as a fabric, such as the aprons straps, which is
a nod to the photographers famous BDSM influence of the late 1960s and early 1970s. Secondly, Raf Simons uses a lot of Map-
plethorpes nude photographic works combinee with his designs, featuring photographs of male body, creating a strong visual impact.

Mapplethorpe is a fascinating photographer, and his art is inextricable from the man. On a voyage of sexual self-discovery, many of
Mapplethorpes first pictures were Polaroid self-portraits, trussed up in leather gear, testing the limits of pleasure and pain. Later, he
used clothes as a vital component to document his own sexual fetishes; the leather scene and BDSM predominantly. Mapplethorpe is
very keen to shoot parts of the male body in black and white portraits with floral still life. His works also show many themes of sexual
cues and sexual abuse, which strongly impacts audiences. His public exhibitions have caused people widespread concern and contro-
versy. He is a perfectionist, and he pursues perfection in form in everything he shoots. He uses light to balance symmetry and to
show the perfect side of the object being photographed.

And lets go back to the first question: Why? I am a fashion designer. I thought the biggest challenge would be to do it in my own
environment. Although John Gallianos downfall at Dior made people question the amount of stress designers are under, that wasnt
Simons complaint. He certainly talked about stress, but he had enough personal resources to handle the workload at Dior - six
shows a year, two involving the extra finesse of haute couture. Simons was most uncomfortable with the old formalities of couture,
like being addressed as monsieur. He didnt want to feel isolated, nor make fashion that was out of touch. As Sidney Toledano, CEO
of Dior, once famously said to his staff, Lets call him Raf, as a token of modernity.

51 i-D
 DID YOU MISS ME?
ZAYN MALIK, FORMER MEMBER OF ONE DIRECTION,
RELEASES TELL-ALL BOOK
THE RELEASED PUBLICATION IS AN ENTHRALLING SCRABOOK OF LIFE IN THE BAND
TEXT DENISE INTERNOSCIA

For many One Direction fans, 2015 was a tough year when Zayn chose to split off from the band to pursue his
aspirations as a solo artist. Simon Cowell, who signed the band One Direction into a contract, allowed Zayn to exit
his contract with One Direction with a promise of his first solo album done with Simons recording company, Syco.

Since March, when Zayns solo album hit, not much has been heard from the lad - until now. This book promises to
share deep struggles and take us on a photographic journey. With over one hundred photographs, notes, draw-
ings, song lyrics, and personal stories, fans will gain an understanding of Zayns struggle while touring with One
Direction and why he rather unexpectedly broke out on his own.

Once again, fans that saw Zayn as a heartthrob can now have those piercing eyes staring back at them from their
coffee tables. Look out Gigi! Were coming for your man!

54 i-D
LEARN THE
RULES LIKE A
PRO SO YOU CAN
BREAK THEM LIKE
AN ARTIST.
-PABLO PICASSO
KANYE WORSHIPPERS UNITE:KANYE LOVES KANYE POP-
UP EXHIBIT ON DISPLAY IN DOWNTOWN L.A.
LONG LINE BUILDS IN ANTICIPATION
TEXT DENISE INTERNOSCIA

After recently unveiling an art exhibit in August of a giant bed depicting Kanye and those who he beds with in life,
another artist, besides Kanye, has decided to pay homage to the legendary icon. Matty Mo, The Most Famous
Artist, requested other Kanye-inspired artists to submit artworks to be included in a pop up art exhibit, Kanye
Loves Kanye, in LA.

The exhibition is a celebration of Kanye, and over 100 artists donated artworks to be a part of the exhibit. Since
the exhibit is a celebration of Kanye, Mo says he shied away from the excessively negative ones. I know theres a
little bit of sarcasm in some of these pieces, he said, glancing at Blakes Kimye, but I wanted it to be something
he could look at and appreciate, and not find that it was something that was making fun of him - because thats
not the intention.

The location is set up as a sanctuary or shrine to Kanye. As you enter, Kanye is laid at the worshipers feet. The
mood is set through incense being burnt and Tibetan monk music resonating in the space. Only one or two view-
ers are allowed in at a time. This creates two atmospheres; one for the worshipper in a holy environment, and two
for the person in line, building anticipation of waiting.

Fifty works will be on display. Invitations were sent to the respective Kanye and Kim, but no response was re-
ceived. Rude!

The expectation for the collection is that it will be ongoing and will be loaned out for future shows. Interested art-
ists can still show their love for Kanye by submitting a work @ www.themostfamousartist.com. Shalom!

57 i-D
Love what you do;
do what you love.

Where will life take you?

Where will life take you?

Where will life take you?

Where will life take you?

 Nick Gorelesky, 27, hairstylist When does making yourself beautiful become too extreme? A
little filler here and there can be good, but too much surgery and it begins to become plas-
tic. Who is the most beautiful person in the world? My Mom. Is beauty really in the eye of
the beholder? Love makes everything beautiful.

60 i-D
basis.
Nick Gorlesky, 27
that I do on a regular
Escape is the crafting
 Tyler Lively, 24, Stylist/ Makeup Artist Describe beauty. Someone who is confident in their
identity. What is your idea of perfect beauty? It doesnt exist. Thats why people need
me. Who is the most beautiful person in the world? Beyonce, of course. Do you think youre
beautiful? Everyday I take a breath I am able to experience beauty in life..

Tyler Lively, 24
I allow in my life.
watch Bravo. Its the only drama
Escape to me is Trash TV; I only
ly
a
 Living on the outskirts of society.
What does it mean to be marginalized?
TEXT DENISE INTERNOSCIA
PHOTOGRAPHY LAVENDER JONES
STYLING LAUNDRA TYME

Laundra Tyme, wig stylist and wig shop owner has insulated himself exclusively to the gay
community of San Francisco. Why?

63 i-D
Does performing on stage become an escape for you?
I run a wig styling business for queens, but its all part of drag. Ive tried to live my entire life in the drag world.
I dont like normal people very much - so the whole ethos of drag is an escape for me, I suppose. I used to use
drag as an escape from the tedium of my life outside of drag. Now thats all I do. I dont have to escape anymore.
It feels more like an instrument I use to express myself.

When did you become interested in performance art?

Ive been doing drag since I was a little kid. My sister and I used to dress and perform as the Spice Girls. It wasnt
until my Senior year of college, in Feminist Approach to Queer Identities class, that [I learned] about the San Fran-
cisco performance scene. I became inspired by Vaginal Creme Davis.

You mentioned that you dont like normal people or performing

for them. What have you experienced that makes you feel this
way?
In society, the queer population tends to be marginalized as do the homeless. In the affluent area I grew up,
homeless people were seen as disgusting. That always upset me. When I perform for a straight crowd, I can put
on a gown and wig and they are easily entertained by gender play. In the queer society, it is an arena where they
are open to playing with social commentary. Phatima Rude (performance piece) comments on society by stapling
money to his head or having holes drilled in his face for meat hooks to create a fake smile. Porcelain, another
drag performer, is hung from the ceiling by meat hooks in his back, and Raya Light has eaten a real cow heart on
stage. Its overtly subversive, political, and shocking, which fosters a radical space unmediated by greater social
structures. We are the coalmine canaries screaming about injustices that we see long before the media waters it
down to spoon-feed it to society.

What are your aspirations for the future of drag?

To be concise, Id say my aspirations is to keep the drag scene in S.F. alive. Whether it be through styling other
queens hair, by hosting drag shows that challenge the status quo, or by being a community leader.

I used to use drag as an escape from the tedium of

my life outside of drag. Now thats all I do. I dont
have to escape anymore. It feels more like an in-
strument I use to express myself.
Laundra Tyme

64 i-D
 IS THIS WHAT MARGINALIZATION LOOKS LIKE IN SOCIETY OR IS IT MORE
SUBTLE?

IS IT A DISGUSTED GLANCE OR A JUDGMENT ON A PERSONS CHARACTER

BEFORE SPEAKING TO HIM/HER?

IS IT ANY WONDER THAT GAYS FEEL MARGINALIZED IN SOCIETY WHEN

PROTESTORS SUCH AS THESE USE THEIR BELIEFS TO BEAT OTHERS OVER THE
HEAD?

HAS ANYONE EVER HAD THEIR LIFESTYLE CHANGED BY BEING TOLD HOW
HORRIBLE THEY ARE OR NAME-CALLING?

SHOULD ONE HAVE TO CHANGE HIMSELF/HERSELF TO MAKE OTHERS

COMFORTABLE?

65 i-D
ARTIST OF ANARCHY
A MAN AND HIS MUSE
TEXT AUDREY THAMES
PHOTOGRAPHY MEAGAN SAPASHE, AUDREY THAMES
 TOP: RAG AND BONE DENIM, URBAN OUTFITTERS BOOTS
BOTTOM: 7 FOR ALL MANKIND DENIM, ASOS TOP, DOC MARTEN BOOTS
 CALVIN KLEIN T-SHIRT, WARBY PARKER GLASSES

Meet Tayler Ayers: the young, mural artist hailing from Carrolton, Georgia, changing the world one
pretty mess at a time. Whether it be through a paintbrush or spray paint can, hes getting his cre-
ative message across in bold, promoting freedom, individuality and love.

69 i-D
What inspires your art?
Really REALLY passionate people. Culture. My cat. My feelings for others. I fell in love 10 months ago so theres
always inspiration I pull from that. Heartbreak. Theres not a single thing that solely inspires me. Im more plural
in my sourcing in regards to my inspiration.

How did you start?

Really the same way every other person does who gets interested in something. I kind of fell into the world of
art and just got my hands dirty.

Describe your art process.

Theres not really a process honestly. My process could consist of me mentally sitting on a concept for one day or
even three weeks. I dont sketch or anything like that. I just go at it.

Whats your vision?

That what Im doing is going to be heard/felt by millions someday. The life Im living now is going to be what Im
doing in the future and I am in the midst of carving out my way

What are your goals?

I want to change the world through the means of an aesthetical awakening as done by design and art and every-
thing else Im interested in. Also, give the commencement speech at every school that denied my acceptance as a
freshman.

Where do you see yourself in the art world?

I dont see myself in the art world in any way. Im in the world from a macro and micro level, you know?

How do you escape?

I dont escape, because that would imply that Im running from something. I go to a place in my head and then
work on stuff there and then it ends up on paper or canvasor a wall. Hahaha.

70 i-D
Meet Peyton Inoff: the Houston, Texas muse you never knew you needed...until now! Not only is this
Fashion and Photography student making a statement with her radical style, but shes also con-
scious of issues in todays fashion environment, including everything from body image to fast
fashion.
ASOS OVERALLS, MICHAEL KORS TURTLENECK

71 i-D
How would you describe your personal style?
I would describe my personal style as experimental. I definitely dont limit myself to one category nor do I
categorize. Trousers, platforms, materials/ textures, oversized, turtlenecks. BLACK. I have never followed trends
or seasons or any of that sort of thing, I just wear what I want to wear and what I feel comfortable in (in a physical
since and emotional since). What I put on in the morning doesnt depend on the people Im going to be around
or what Im going to do that day, more about what mood Im in and just simply put as what I want to wear that day.

What shift do you see in fashion today?

I see this big pressure to wear the trends and brands, fit into categories, be a certain size and all that nonsense.
On the other hand, I also see a lot of people wearing what they want to wear and dont worry about those things
I listed above. But in all honestly, most importantly, I see a lot of issues within fashion or the fashion industry
today and my goal is to take what I think those issues are and change that, add new perspective. I want to bring
awareness to issues and expand peoples minds.

Any fashion icons/muses?

Ive never paid attention to fashion designers, more about the clothes and the way people wear them. So my icons
wouldnt be fashion designers, but more so creatives whose style I relate with and admire. Christina Paik, Han-
nah Anderson, Virgil Abloh, Zoe Kravitz, Emily Oberg, Marc Goehring, Mary Kate and Ashley Olsen, Jesse Jostark,
etc. I also live on Lauren Fayes (also known as c_l_o) Instagram. Very across the board as you can tell.

What are your aspirations?

Fashion? Photography? I would say to have my own clothing line and my own store front. I want to use that plat-
form to bring awareness to issues within the fashion industry as well as just in our society like fast fashion, human
trafficking, body image issues, etc. I want to take the good and bad experiences I had growing up with clothes
and fashion to bring new perspectives and expand individuals minds. I want to create the closet I never had so
to speak. I want to bring intimacy back into clothes and shopping and individuality. For photography, I just love
taking pictures, especially on film. I ALWAYS have my film camera with me wherever I go. I also love learning and
being uncomfortable and expanding my mind. I could sit on YouTube for hours watching videos of Virgil Ablohs dj
set to Complex news to I-d mag to Wall Street Journal to Ted Talks to sermons etc.

How would you describe fashion here in Savannah vs. Houston?

In Savannah, well lets talk SCAD, I see more of a freedom to wear what you want and be who you want. It is very
experimental, which I really appreciate. In Houston, it is more limiting and it can be kind of isolating not being in a
very experimental kind of environment. But it is cool kind of bringing that back to Houston when I go home. Ive
always been experimental but SCAD/Savannah is more accepting of that. Just my thoughts.

How do you escape?

Hmm thats a tricky question. No one has really ever asked me that. I would say that Im not sure in all honesty.
Because when I escape, I dont do it intentionally or unintentionally. I guess it just happens. I always try to be
present and learn as much as I can and deal with things presently I guess.

72 i-D
 I want to change the world through
the means of an aesthetical awakening
as done by design and art and every-
thing else Im interested in.
TAYLER AYERS
JACKETS CUSTOM PAINTED BY TAYLER
When I escape, I dont do it intentionally or
unintentionally. I guess it just happens. I
always try to be present and learn as much as
I can and deal with things presently I guess.
PEYTON INOFF