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Becoming Flesh of My Flesh: Feminist and Disability Theologies on the Edge of Posthumanist
Discourse
Author(s): Sharon V. Betcher
Source: Journal of Feminist Studies in Religion, Vol. 26, No. 2 (Fall 2010), pp. 107-118
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Roundtable:
Honoring the Work of Nancy Eiesland
Timothy Morton, Ecology without Nature: Rethinking Environmental Aesthetics (Cam-
bridge, MA: Harvard University Press, 2007), 14.
Whereas body can invite the hallucinatory delusion of wholeness, and thus the
temptation to believe in agential mastery and control, flesh, I want to propose,
admits our exposure, our vulnerability one to another, if also to bios. Flesh, the
dynamic and fluid physics of embodiment, cannot as easily as the body submit
to transcendentalist metaphysics, to the logic of the one. Flesh suggests that the
capaciousness of a life resembles a teacup crackled with ten thousand veins.
Spirit, lived in relation to flesh, might then not be so interested in wholeness as
in passion.
This essay celebrates the work of feminist and disability theologian Nancy
Eiesland, who died in March 2009, and revisits the roundtable conversation
between feminism and disability in which she first participated in 1994. Here,
I think yet again from the ecotone of philosophical difference between body
and flesh. Feminist and disability theologies might, I suggest, find in the flesh a
shared religious agenda. From a disability perspective, thinking from the flesh
challenges the naturalization or normalization of the body and thereby the
sociocultural and economic value of ability. Flesh might comparably remind
feminism that, whereas body has already been submitted to a cultural regime
of wholenessby way of hallucinatory imagistic totalization, as even Jacques
Lacan insisted, corporeality differs with itself daily. Flesh, in other words, makes
alterity central and might also, therefore, allow us to talk about that which meta-
physics has often hidden from the sociocultural agenda, that which we know to
be true of livespain, difficulty, disease, transience, aging, error, and corporeal
limit, if even also the epiphanies and critical insights that come with illness, as
Virginia Woolf insists.
Yvonne Sherwood, Passion-Binding-Passion, in Toward a Theology of Eros, ed. Vir-
ginia Burrus and Catherine Keller (New York: Fordham University Press, 2006), 16993. While
Sherwoods vocabulary does not necessarily employ the nominative flesh, she suggests that passion
gesture[s] to the dynamic zone of interhuman living within which a subject is not always agential in
charge (171), which resonates with how I use flesh here.
Elly Elshout, Dorothee Wilhelm, Carole R. Fontaine, Nancy L. Eiesland, Valerie C. Stiteler,
Adele B. McCollum, and Margaret Moers Wenig, Women with Disabilities: A Challenge to Femi-
nist Theology, Journal of Feminist Studies in Religion 10, no. 2 (Fall 1994): 99134.
Virginia Woolf, On Being Ill, introduction by Hermione Lee (Paris: Paris Press, 2002).
Ibid., 100.
See, for example, the satirical video clip The Disabled Girl, www.youtube.com/watch
?v=tSBxE9haiQ+NR=1.
Nancy L. Eiesland, The Disabled God: Toward a Liberatory Theology of Disability (Nash-
ville: Abingdon Press, 1994), 22.
Ibid., 26.
this will simultaneously culturally and economically redress that form of racism
named disability might have to do with whether this political agenda assumes
the humanist body or the alterity of flesh as paradigmatic.
While both concurring with and expanding upon Eieslands sociological
insights, I suggest also that disability refers us to a deep anxiety inherent in
humanisms relation to the flesha fear of being humiliated (from the same
Latin root as humus or earth) by life. When bodies are labeled disabled, so-
ciety marks out and makes these refused others carry the dread fear of the pre-
carious vulnerability of flesh. Feminist philosopher Mary Daly was well aware
that sex racism had in no small way to do with the mind-binding societal/
mental embeds within consciousnesswith, for example, womens loathing of
our own fleshand thus with grueling regimes of self-surveillance on behalf of
patriarchy. That we might today speak of a regime change, might acknowledge
living amid the aesthetic phase of globalizing capitalism, does not invalidate, but
might actually exacerbate feminist and disability concerns for the ways in which
disgust and dread have been shaped into culturally powerful, mind-binding,
if positivist forcesnamely, the politics of health. The ways in which West-
ern culture encourages the anxious conscience to patrol the flesh, which tears,
tears up, trembles, tables, and tires, might lead in one instance to those social
technologies of food disorders and surgical enhancements, readily fit to the fe-
male form. In another instance, it creates an economic and cultural structure of
exclusion named disability, thereby categorically multiplying abject and eco-
nomically waste/d bodies.
Cultural normativity still harbors and indulges that psychically comforting,
because controlling, power of totalizationin this case, as somatic, morphologi-
cal reification. Disability studies can remind feminism about aesthetics: when
wed to representational totalization (as with the body), aesthetics can become
mind numbing. Feminist theology can learn again from disability theology
the insidiousness of the politics of health and how women might be tempted to
metabolize that politics so as to embody acceptable hetero-femininitiesout
of both conforming pleasure and the fear of defect. Consequently, it seems to
me, that this terrain of the fleshwhere dread and disgust and humiliation get
played out, in economic, cultural, and political, if also deeply personal regis-
tersmarks still or yet again an important site of shared work between feminist
and disability theologians. One possible way forward might be this: As ecology
must now learn to do without that romantic neologism Nature,10 perhaps fem-
inist as also disability theologians must learn to think flesh without the body.
Mary Daly, Gyn/Ecology: The Metaethics of Radical Feminism (Boston: Beacon, 1978), 8.
10
Morton, Ecology without Nature, 20.
11
Moses P. P. Penumaka, Luther and Shankara: Two Ways of Salvation in the Indian Con-
text, Dialog 45, no. 3 (Fall 2006): 25262, quotation on 253.
12
Judith Butler, Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004),
29.
13
Eiesland, Disabled God, 92.
14
Martha Nussbaum, Hiding from Humanity: Disgust, Shame, and the Law (Princeton, NJ:
Princeton University Press, 2004), 14, 7475, 9293.
15
Judith Butler, Giving an Account of Oneself (New York: Fordham University Press,
2005),64.
16
Martin Luther, cited in M. Miles, Martin Luther and Childhood Disability in Sixteenth-
Century Germany: What Did He Write? What Did He Say? Journal of Religion, Disability, and
Health 5, no. 4 (2001): 536, cited on 9.
17
Virginia Burrus, Saving Shame: Martyrs, Saints, and Other Abject Subjects (Divinations:
Rereading Late Ancient Religion) (University Park: University of Pennsylvania Press, 2008), xii.
18
Linda Holler, Erotic Morality: The Role of Touch in Moral Agency (New Brunswick, NJ:
Rutgers University Press, 2002), 78.
19
Eckhardt Tolle, Breaking Free of the Pain Body, in A New Earth: Awakening to Your
Lifes Purpose (New York: Penguin, 2005), 183.
20
Wendy Farley, The Pain-Dispelling Draft: Compassion as a Practical Theology, Journal
of the NABPR 26, no. 3 (Fall 1999): 291302.
21
Sharon Betcher, Breathing through the Pain: Engaging the Cross as Tonglen, Taking to
City Streets as Mendicants (paper presented at the annual meeting of the American Academy of
Religion, Montreal, November 2009).
Toward both these ends, disability and feminist theologies may find, I
would venture, intriguing partnerships for rethinking flesh in certain venues of
popular culture and postcolonial theory and theology. The heavy metal music
scene, while overwhelmingly a male-dominated form of performance art world-
wide (for example, Marilyn Manson and Alice Cooperbut need a feminist
comment on their chosen, Christian names?), like more recent pop phenom-
enon Lady Gaga, have not been averse to moving conversations about the body
into non-innocent terms of the fleshof pain, anger, fear, disease, and decay,
if also the carnal and the corpse, the conclusiveness of mortality. Indeed, Lady
Gaga argued in one of her 2004 academic papers for New Yorks Tisch School of
the Arts that over against social bodies, disabled bodies might claim the only
and enviable authentic ground of difference, of individuality. In other words,
as she explains, for the deformed, there is an ownership of ones difference,
an ownership that is visible and indisputable.22 Lady Gagas recent Monster
Ball Tour presumably took its name, at least in part, from her ongoing reflec-
tions on the primary sixteenth-century text she used in her essayMichel de
Montaignes Of a Monstrous Child. And in one of her most recent music video
operasnamely, Paparazzi, Lady Gaga herself can be seen in wheelchair
and on crutches. If some disability theorists find her not at all representative,
Im less worried about disability realism than I am excited to see the audience
invited to metabolizewith and through her performance arta different re-
lationship to the monstrosity of flesh, the mix of pleasure, pain, and performa-
tivity (especially given that disability is often flattened into suffering and ever
suspected then of false performance). Such art may allow us to fabulate with
and beside these figures an escape from the performance of the social body.
Likewise postcolonial literature, from Salman Rushdies Midnights Chil-
dren to Anosh Iranis The Cripple and His Talismans as well as Barbara King-
solvers narrative character Adah in The Poisonwood Bible, has attempted to
think toward a posthumanist horizon with and through the trope of the disabled
body. Donna Haraway summarized this trajectory of thought in her essay Ecce
Homo, Aint (Arnt) I a Woman, and Inappropriate/d Others: The Human in a
Post-Humanist Landscape, noting that my focus is the figure of a broken and
suffering humanity, signifyingin ambiguity, contradiction, stolen symbolism,
and unending chains of noninnocent translationa possible hope.23 Whether
these coincident discourses of the posthumanist imagination actually help carry
the flesh, this differing of the body with itself, or simply borrow upon the iconog-
raphy of disability remains to be seen. The socioeconomic and political future
22
Stefani Germanotta (aka Lady Gaga), quoted in Robert Everett-Green, Going Gaga,
Globe and Mail, November 28, 2009, R5.
23
Donna Haraway, Ecce Homo, Aint (Arnt) I a Woman, and Inappropriate/d Others: The
Human in a Post-Humanist Landscape, in Feminists Theorize the Political, ed. Judith Butler and
Joan Scott (New York: Routledge, 1992), 86.
24
Gayatri Chakravorty Spivak, Righting Wrongs, South Atlantic Quarterly 103, no. 2/3
(2004): 52381, quotation on 545.
25
Mayra Rivera, The Touch of Transcendence: A Postcolonial Theology of God (Louisville, KY:
Westminster John Knox Press, 2007), 61.
26
Catherine Keller, The Apophasis of Gender: A Fourfold Un/Saying of Feminist Theol-
ogy, Journal of the American Academy of Religion 76, no. 4 (December 2008): 90533, quotation
on927.
Jean-Luc Nancy, and Gianni Vattimo.27 While the concept of weak theologies
causes as much concern for disability as for feminist interests, that within these
venues God has been positively ruined (that is, that the distinction between
God and world or Spirit and Nature does not hold), it may yield deeper respect
for the flesh. Eiesland broke into the sociosymbolic life of classic Christian the-
ology and offered a counter projection of God: I saw God, she recalls of her
dream sequence, in a sip-puff wheelchair.... Not an omnipotent, self-suffi-
cient God, but neither a pitiable, suffering servant. In this moment, I beheld
God as a survivor.28 Later, with the scarred hands and feet of the resurrected
figure of Jesus in mind, she continues: Here is God as survivor ... , a simple,
unself-pitying, honest body, for whom the limits of power are palpable but not
tragic.29 Such symbolic innovation, Eiesland hoped, would allow Christians to
recognize ... the incarnate Christ in the image of those judged not feasible,
unemployable, with questionable quality of life. 30 This image has proven to
be one of the most profound gifts Eiesland offered the Christian community,
hitting up against a theology that thought itself as already endorsing incarnation
and therefore embodiment at a deeply primal level. Christians do not have an
able-bodied God as their primal image, wrote Rebecca Chopp, appreciatively
reflecting upon Eieslands imagistic offering, but rather find grace through a
broken body.31 Eieslands image echoes Dietrich Bonhoeffers evocation of a
suffering God32 and these more recent images of a God emptied into the flesh
of the world. Promising nothing yet, I simply put my finger on the potentially
catalyzing intersection of disability, postcolonial, and radical or recent death of
God theologies.
ited access to survival, if not health resources, disability). While most of human-
ity will, during these upcoming decades, migrate to cities (as we have already
on the North American continent), urbanization has not necessarily resulted
in human solidarity. Rather, as urban and disability theorist Harlan Hahn has
argued, cultural isolation has motivated our interests in the cultivation of self-
imagein the capitalist, romantic aesthetics of how we present ourselves one
to another, reducing solidarityin this age of spectacleto being or looking
like another.33 The disparity between a cult/ure of public appearance and those
consigned to flesh interrupts the transcendence of human-to-human responsi-
bility in the city.
Intriguingly, while Eiesland, a sociologist of religion, did not (as far as I
know) comment on the intersection of disability with urban issues, these con-
cerns marked her research34as they now mark my own (and as they have been
and remain linked in the disability studies area from the work of Harlan Hahn
to Brendan Gleeson). To me, this averts to the on-set of the category of disabil-
ity with industrialization and therefore urbanization, the problematics of the
construction of the city, given the science of normativity, and the aesthetic poli-
tics of global cities. But Eiesland might also ascribe this insight to the kinesis
of knowledge among persons disabledthat is, the way in which disability oc-
casioned a thereness, an undeniable location; the fact that disability demands
disciplined attention to our social and physical bearings, to our world.35 But this
rather surprising intersection of urbanism and disability also marks an interest-
ing venue for theological praxis.
Sociologist Richard Sennett, assessing the Protestant demeanor of con-
temporary urbanism, noted its disinclination to the presence of the alterity of
flesh: The Protestant imagination of space ... expressed a desire for ... a kind
of egoistic power. Obsessive inner struggle may imply a deep hostility toward
the needs of other people, a resentment of their very presence... . This hos-
tility marks now the way the homeless or mentally disturbed are seen on the
streets; they are resented because they ... are visible. The very sight of their
need is an intrusion upon the self.36 But if so, then certain ways of performing
flesh mightas Lady Gaga has also surmisedwork as something like social
acupuncture.37 Spiritualityin the name of culture critique and now turned
toward the practice of everyday life (Michel de Certeau), with attention to
33
Harlan Hahn, Advertizing the Acceptably Employable Image, in The Disability Studies
Reader, ed. Lennard J. Davis (New York: Routledge, 1997), 176.
34
Nancy L. Eiesland, A Particular Place: Urban Restructuring and Religious Ecology in a
Southern Exurb (New Brunswick, NJ: Rutgers University Press, 2000).
35
Eiesland, Disabled God, 31.
36
Richard Sennett, The Conscience of the Eye (New York: Alfred A. Knopf Publishers,
1990),45.
37
Darren ODonnell, in Social Acupuncture: A Guide to Suicide, Performance, and Utopia
(Toronto: Coach House Books, 2006), defines social acupuncture as deploying the techniques of
what urbanist Jane Jacobs calls the street balletmight engage a certain
theatricality, whether street theater or a mendicancy of attitude.38 Given that
power today is felt as mobility, as sociologist Zygmunt Bauman has argued, the
inconvenience of disabled and differently abled bodies on the city sidewalk
may offer other persons a time holea breach in the whole value network of
time is money.39
In conclusion, feminists and disabled persons will be challenged to hold
together as globalization plays with women and disabled slightly differently
employing, given our recent mancession and labor costs, more women than
ever before (if even at lower wages and by putting women into migratory labor
flows), while the aesthetics of globalization create greater and greater dumps of
human refus/al, of what Bauman calls wasted lives.40 As Ive tried to empha-
size, the individual pathologization of disability impairment can prevent us
from seeing that disability is a kind of racism, a social class exclusion. Eiesland
borrowed an image from writer Nancy Mairs to mark out the truth of the body
that remembered its limits, its precious and shared fleshnamely, the body
in trouble.41 Neither writer was thereby sounding a note of despair, but rather
loosing an ironic insight about how humans try so hard to evade, to elude, the
contours and limits of flesh. Their quip even rings out with gratitude, given
that disability com/presses us, re/minds us, to the sheer sensuousness of the
flesh. Then again, within Christian theology, God too has irrevocably become,
as Eieslands image so insightfully suggested, flesh of our flesh.
street theater to open system-wide holding patterns within the social body that have been occa-
sioning democratic deficiency (48).
38
Philip Sheldrake, in Spaces for the Sacred: Place, Memory, and Identity (Baltimore, MD:
Johns Hopkins University Press, 2001), borrows upon the work of Michel de Certeau, The Practice
of Everyday Life, to redirect spiritualityaway from interiority, toward a theology of place, specifi-
cally the city. In other words, the practice of spirituality has to do, in this view, with how we enter
into what Jane Jacobs in The Death and Life of Great American Cities (New York: Modern Library
Edition, 1993) calls the ballet of the good city sidewalk (65). On mendicancy of attitude, see
StephenR. Munzer, Beggars of God: The Christian Ideal of Mendicancy, Journal of Religious
Ethics 27, no.2 (Summer 1999): 30530, quotations on 32728, 309.
39
Zygmunt Bauman, Liquid Modernity (Cambridge: Polity 2000), 11920.
40
Zygmunt Bauman, Wasted Lives: Modernity and Its Outcasts (Cambridge: Polity, 2004).
41
Nancy L. Eiesland, Roundtable Discussion: Women with Disabilities: A Challenge to Fem-
inist Theology, Journal of Feminist Studies in Religion 10, no. 2 (1994): 11417, quotation on116.