Professional Documents
Culture Documents
http://www.columbiaspectator.com/2006/10/30/doug-varone-and-dancers
Possession:
“…a vivid abstract drama on connections and loss in romance.”
- Sid Smith, Chicago Tribune arts critic
“…sweeping momentum that flows beautifully both within and between the
dancers.”
- Rebecca Chaleff, Columbia Spectator
Bench Quartet:
“As Bach's Cantata swelled and grew, so did the movements with a steady and
logical crescendo that eventually took all four dancers off the bench and into the
broad phrases and gestures that characterize Varone's choreography.”
- Rebecca Chaleff, Columbia Spectator
Sacre du Printemps:
“The dancing is lyrical, virtuosic, breath taking; his dancers displaying a rough
and tumble physicality coupled with exquisite grace.”
Strict Love:
“…bold movement that looped and hurtled in unexpected directions, then
screeched to shocking stillness or stylized, slow semaphorics.”
-Jennifer Dunning, New York Times
“The superficial brashness of the songs and the disc jockey's chatter serve as
effective contrasts to the insecurity of Mr. Varone's characters. Despite many
passages of unison movement, each dancer seems always solitary, rather than
part of a community.”
- New York Times
Rise:
“Time doesn’t pause, and neither does the dance, with the pace charging onward
and upward with fierce determination.”
- Ra Hir, Critical Dance review
“…a breakthrough piece for Varone, is full of movement as loose and floating as
the light tunics the dancers wear.”
- Tresca Weinstein, Special to the Times Union
“…the dancers move through the light then scatter over the darkened stage,
resolute individuals starring down a breathless audience.”
- Associated Press review of Joyce 2004 by Claudia La Rocco