A KEY

to the

501 Exercises
n

HARMONY
in its

Theory and Practice

ARTHUR and
FOOTE, A.M.
WALTER R.SPALDING.A.M
ASSISTANT PROFESSOR OF MUSIC AT HARVARD UNIVERSITY.

Price $1.50 net

BOSTON, NEW YORK,

5O IZOBoylstonSt. & West40thSt
Copyright/ 907. by Arthur P. Schmidt.
PHINTEDIN V.SA
C. 1

MUSI
 ARTHUR FOOTE
MODERN HARMONY in its Theory and Practice.

$y Arthur Foote and Walter Spalding . . $1.50

KEY to the 501 EXERCISES in Modern Harmony .75

SOME PRACTICAL THINGS in PIANO PLAYING,

A Handbook (or Students and Teachers . . .60

Op, 27. NINE PIANOFORTE ETUDES.

For Musical and Technical development . . 1.00
(Schmidt's Educational Series No. 2)

Op. 52. TWENTY PRELUDES in the form of short

Technical Studies for the Pianoforte . . . 1.00
(Schmidt's Educational Series No. 73)

ETUDE ALBUM. A Collection of Studies, Selected

and arranged in progressive order by Arthur Foote . 1.00
(Schmidt's Educational Series No. 74)

FIFTEEN TWO-VOICE INVENTIONS

By /. 5. $acA; edited by Arthur Foote . . .75
(Schmidt's Educational Series No. 24)

A COMPENDIUM of HELLER'S PIANOFORTE

STUDIES. Edited and Arranged in Progressive Order
by Arthur Foote . . 2 Books, each .75
(Schmidt's Educational Series No. 78 o-t>}

TWO PEDAL STUDIES.

No. 1 in B min. (Stephen Heller), No. 2 in F . . . .40

TWELVE PIANOFORTE DUETS.

(Primo part on five notes) ....
(Schmidt's Educational Series No. 20)
.75

PIECES AT TWILIGHT. Six Pianoforte Duets .75

 A KEY
to the

501 Exercises
in.

in. its

Theory and Practice

ARTHUR and
FOOTE,A.M
WALTER R.SPALDING,A.M.
ASSISTANT PROFESSOR OF MUSIC AT HARVARD UNIVERSITY.

- Price $1.50 net

Tfiey\F(THUR P. CHfIIDT Co.

BOSTON. NEW YORK.
IZOBqylstonSt. 8West40thSt.

C)
 \

Presented to the

LIBRARY 0/fte
UNIVERSITY OF TORONTO

from the

ARTHUR PLETTNER
ISAMcILWRATTH
COLLECTION

1
 i

KEY TO THE 501 EXERCISES IN

Modern Harmony
ARTHUR FOOTE
and
WALTER R. SPALMNG
EXERCISES WITH TRIADS IN MAJOR KEYS
Chapter IV: page 34

15
i

g
^3
AA *UL

3
k M
6 ! t
I i

m (Chant)
n
m r,

R n 8
m
^ j
m i
FT
^ r ? r r
8 , j j j j
 up*
&
15

^EE^
i
16
rr rr

17
i
J JJ
f-i
j
g
ii
 r r r
18

19
m
JJ

Chapter V: page 37

i i -e-
f
i w
^ ^
*
P
j
P
f-a
jijjj
P
i j.
2B^EiE|

7416
 m m ITT ffr r
n i

25
ff f
ji

^n r ^
ifet

^ ^
f ji

i
^

^^
I i
WH
f W
^F
? F
i

?4IJ
 Arcade It
**
29 U itv^
t P

f I i
s
s m^ I

30
^ m Chopin (Nocturne)

i
- -

f
SB r mr ^^
i
j

fp
jj
r

i
Tschaikowski (St!1 Symphony)

i i
rrr fr
i ^
&
EXERCISES WITH TRIADS IN MINOR KEYS
Chapter VII: page 44

s
^a r T
fW-4
i
I^F
^ ^

f-rtr
I

a. i? 8. 7416
r=f ^ * FT
3
s
'i

.. .i. ..I

F=F
*U
J. J.

r
M
A J
m
* i

kfr S ff
sM
tv
Cte
6
^s -o-
fF

8
r t
J i^
8: tt ^ P ?f -V L t.l

H> J|J|J
m-f
^
9
^
a. -PS. 74 1
10

c&i
fm
10
JTD
f F
X & ^0 25
(Pages ,.!,

a
5Sd
,

s U^ ^
11
^j j.j<j j

F
^cv

^^
la

^R
^ P r
13 ^ j.
^ =

(Chant)

14
PT
^6 ^ f

15
^ i
t
r=nt P W. l |

m
AJ.
i
 II

^r
&& ft*

16
r

17
m ^A (Chant)
i i m r
.rhto

18 J J A 1
? i g f* =F

19
p
 13

u
t r*-

i
JJ
*W
^^
ri*"?
feigi
r r

^^
r
30
J^
* IS?
J
s
p f
31
J I
^

iji.jjijj to i
i
32
i i
(I-VI-IV-If-V is a very common succession of triads)

3
i
r
tv
I tt
rl.i?.7^
i*

34 J A

J- iJ J J J=s
35 rprt VI

J J j.j J -cv

PH r T i
TT-T
*v

(Page 108)

1
36
TIT r

Page 44 (For three voices)

f^
J

r
 IS

10
& r
m

I
13

^ r

i*
P rr
^ P
f

Ji.b , IB
16
(Chant)
**
#
r
"
J A
Vtfl
- '
'
:g=g====^
P r -' "

mm
^* r r r r E ^
*
I Pf

o
w *
I Iff
pf
P
^
pi
^f
s

,\ IJ J J 4%

rr r r

I i'S.MMi
^ ^ ^ ^^
 17

J
+
i
8 r.
r r
r r
gfy I
Wl
'ila ji
f|i
J O
J T*J~g}
-

p
^
I

9 i It

10
^ p
J J> J

^ J.
.

i4 fe^
rr mp p m m f
J.J>^

J.JJJ ,J
p f f

fe- MM g rr
ir
frg^
g <g

13
i

f
J i
TO
r
 3=^ J* K

19 A.

ifi
19
 i
rr
30 . -
^A
fnrrrifrr'rrr
J
j u j J j i.

31 rr r

7-IH
. M
Page ijf: For three voices

i
*

1PI

s
r r

{^_yL_4
10 r^ p J p

O^h: iqsW:
i
rr r-pr If
y~f

o
13 r
i i
EXERCISES IN CHORDS OF THE DOMINANT SEVENTH
Chapter XVIII: page ?s

Np^N i 3 i i i ^i
f
fT
Uf,
?
i4
P *
f r T
fik'^I J <* ^ J
A. \>'\?
&=
 (See note on page ?9)

ll<u J J 1

10
 '

p
it

^^
fT
3
17

f
(For three voices)

18

^P
FTf
rTT T
ifc e

I
m
vrr H
&
f
 *
*

m
Efe
&uit\nn
'
^ rsYj ^ ^
1
r TT

8! 1
fc'i* ft /i

jj> :
, J .
 ffp^I J d J J

27
 ^
33 r
L J
1
s i
F^tf

35

f !l fP.p 3
g*H CJLj $ P
39

EXERCISES WITH DOMINANT SEVENTH CHORDS

AND THEIR INVERSIONS
Chapter XXI: page 86

rr rr r rff r

(Page 106),-.
Ff r^
I
rrr r rrr r r
tet

Ml j
r
(See i^t> 144)
&
30
Open Close Open

? TV

S P=F F
m &
i=i ifc

ft 18
^T fil
j j

(See page 144)

^ e
$ m 9n M I
rr r
1A
4
^ P m ^ n-^ r 1

i ^ ^ 3 i
^ F^ rr

^^
;t
4
J.]J|J.
?.ij
|J
^x=^>
i M^N^
8
fTf r r rrr
j.
 m ^
ffff
31

JJU Ai.

stop-Prr

10

M
11

Wi=^
^
^y ff T- ?7
rr-
^ ^i ^ p i
;t ^J ji,j j ^ J

rr r^ rr
j
fe i j j

r
i
f
f
^L
e
**rr tJ-J.

fr
4
I

I
13 r-
-J

r>r>rr
-
14
f M^ r
 32

u
15 ff
PP rrr
y
J.

16
ccr LLT f err n
ffl:

TT
17
M r rrr'rr
[j

net
(Chant)

y-^ $
ii
18
it it
f
/rafrini 1
 83
^ (Chant
34

m
j.jijjij i
rr I I rr irf
<rrr ir

>:
iXt? J 2

f?
i ^ * i 5 I

J^L 75
31
rr
?
S=i

2i

*J
F
33 pr-r
JT1J.

rtr rr rcr rr rr r
34

M
ITf
35
-L
E
ri E
l

(Chant)

36
^ 15

^4
 M ff "T
j
& jij.ijP jij.
*Z^. , & jij
P ij
jio f^
T :
jj ji^
^_
- _ i

38 ^^ J

i
rr rr r COT r
39
^4 ^U
r pirr if^ M ff p

40 rrr r
^L
(Page 59)

41
43

eft. -PS. 74 IB
38

r r
*=*
r
3M
rr
^^
r r r
46 j u
J

r
J

49

(Chant)

r
50
j.

^^
rr rrr f-f-fH"
51
JJJ J

>!^. 74 1
 39
(Chant)

BE
J
a i i
(A very common succession of chords)

53 j

^^
54
>:i j
P
rrr
jj r' J

rr
i-JEES^j ^g
rrr 'r r

rrr ^^ ^
iff
j-

!RU j^.-i-.Jjj.jjj.jj.^
P
55
i A-

^ ^ s
IRREGULAR RESOLUTIONS OF THE DOMINANT SEVENTH
Chapter XXIII: page 100

c*LP8.7416
F* f
40

JJJlJJJ I i
rrrr WTf
4^4^
rm^ ^^ ^
i
r

*
err r JF
rr
i

R^ W
3

^^ ^ ms
i4 i-l

4
^ ,M
T ^^ *
i

^^ ^i
i-J

tet i
=rr
W-H^- g
i
f" ? f
i =* 1
J
r
j
r r
^ r 'r 'c/r r -fS)-
1-

4
J

6 r r
J^U
r^
r PK

^ T
 41

4
f
J)
f

1 f6 fefc
rrr f
8
S aU
F
^4

P
9 ^j
a ^
i ^^ ^
 isfe ^
p rr ntrtr
13
FT
J.||JU
p f 33
t^M
14
P
^ t*
rr ff Pf Pf f
fl)'* ff
g
 43

-u
19
Sffltfc

<U
i
BR - -I
J^
1* V f-^ f & , p.

Mg *T
JJjrJ
^ ^ ^
rrr
I X^
r rr
ji,J
FH -45
Jp^f^
A . A A
rrr rrr
^
j

&&
M^ i
^ i fr

ft
j. i
rrrr nr
Pf
^ s
rrr r r r r
^ w
^to
FTf f ^ r
j

r
j

r
J.

r-

j*
J.J
p rrr
U
^
j j
3

i
l^Mfc

-Uli M
^P^fT
I:! J JJ|J JM-LUUUJ.JU.
T r
AP8.741B
i
rrr
rF r
^
rrr
^f
FT ft P
s
44
(Chant)

r
i j jj

^ fe
r
^ i
8 tt
SB
(Chant)

^
^
r * ^
r r

l
^F
r
j
r
 r rr r i

iL
ri f IS Si P
I
r rr nr
^s
tf
ft!
X4
P^^T
i
S r

==F
^r-r^
i

id
Pf
^ r f
&
fr^f
46

Jfl^-O

30
 (Page 55)

lj ,J
f

88
^ i jjjiJ.
r
ij ^b
^ii f
j. 2T
r
^
rr ?
rrrr
m
rr
m
39
-u ^=
7416
 3 =i

40
i
I
r r

r * m rr r
*
r
rr
IRREGULAR RESOLUTIONS OF DOM IN ANT SEVENTH CHORDS
AND OF THEIR INVERSIONS
Chapter XXV: page no

w AA m
rr rr rr rr r
m

i
i

^4
2 f^^^nr r r
i

4
a i
!
.5
^ BP UJ.
?
rrr
I!
j^
r

I
^^
P

Ai?8. 7416
P
hi, J. 1,1 J J. PEL^
f r*- i $
*[ A

+
*=*
i
^ I
J:
^ ^^ H
i

LJ
rrr

ff r r

r f
 3
9 VWV.-VW
J.U-AU AJ j j
P F
i
i|j

F
j

i
i

m i

S rKr r rfr
.U
10

I ^^ * 4^^
r=^ w rr ^ jU ^ ^ ^

'rrrr
^

(Chant)
m
D r?
it 00
11

^^ f
=*
TT
r r
- 9

^f^f
Ma j j *
RV 1

n fet
I p

rt
j.
 rw
=

*
Tff rr rrr rr r r
"i i
7416
52

J:

i
f=f r^rp H>
j j j.ju J.<
3 *
{=
i

m
iJlL
J=M
JJ
I
i

J^Li
P
N=p

JiJ.A^ i
f rr f
18
^L j. ^a
P 2X

&
19
*
rm TLTf

^
r
n m=
3E i
^ f
@
r rr C^f
i i
ca.-P8. 7416
*FF ff r
 r 'r r T

J
JjJ ,jjj,j j^y u
rrr r r r * IT

^^ ^ P
^O-^
rpr (5

74 1
p^ r PT
JJH
rr pr
J) J

PT pr^
 EXERCISES WITH THE LEADING TONE SEVENTH
Chapter XXVII: page 117
 55

JJy
i* * S
ii
Al j

6
9J m r
A.

m
rrr ff
^ 00 -V- '
1 d gJ^J ^.jfc

8
m
9
i ^s
H P
feN fatU JEE^
F rr.fr nr
j.
n r r r r
F^f ^^ ^

..

10
^ rrr

4L-R8.7416
P
11 BR
1JU
7
Si r
F^M
rr r r I

i
j j ^j
=? i
j

F?
^g $ ? f
12
^ J.JU

^ rf
,01:
^
f

i JI
J -
I
J J
J| j J J J ^^^ ^ rrr:

T^rr-f^f^n
I l I

r
13
^i^i^t^
V
L
Mf ^^
4f Ir
''r T r
jj

^ J
^
rr P f

m i i?
f ^P
-LLJ L* Jr-g
ff

14
&* a
PgW ff

s
 57

s \x
15 r
JJJ -U
f

int

ep w fi nr f i

m *r r

P
p r

^ ^^
r

^e f

17

fi
rr
J=*^t
^^
? * r 18
rr rtt
AAA
f
jiJ j j j j
*
4*fF
I P frT
J:'T
^
i

^^jSJ J
ig Us ^ p r
 te 3
r
&a EP
M IP pf r
EXERCISES WITH CHORDS OF THE DIMINISHED SEVENTH
Chapter XXIX: page 124

rr

W fTTT rTTT
J

S nS
oo

J
J=J:
o
f f*

^
 (Chant)

J J

7418
M A
 ^p?
J J

JtJ

trrr

10
^ *UUd: *h^N
r- T r 1 r r
*
r

j=i
r r P

p
* ff
^P w fr^r
 m jujjijjijjjij'ufete
H FT P r r
*y
14
^u Uj rfr
4
gSI
*-y-4- 1 m^ r m r? *
Jj
r
S 3 &

ES Wl rr
jfs:

15
i p * P
JJJ i^ li jjj
fi TT
PP TT ff xr
rr
8. 741
 63

4
[
s
ffiW fl

li ^y^i
21
ffr rr r Hf r

^^ rr
i
J.Jil

F
*
=*i
I
si
r

23
^ ^
tt
rr i i i

r r

^
r
24
1JU

r rrr TT rrr rrf-r

25
U ^^
 EXERCISES WITH SECONDARY SEVENTHS
Chapter XXXI: page 138

.!
iu=y i

n ^
 * r
10

^T^r^^W-r^-frf
1
1

''''I/I
'!'/!,"!',
^ ^ -
W . . .

. r ^r
J J
rJr
J
r
J

r f
J

Pr 4 f r
rjtp
r

13
rr rr
jd=^

(For three voices)

14 fr

P P
ai
m
15

*!.*
^
8.7416
rr
16 r

I
=i
r
^Vf^ m
fljN
r^pp P
,j.jj j ^^
r r r
18

** rPr i
ir r r T-P
r

Fl w sp r*-
r
i
s
^^
(Hymn-tune)
r

i ^ 4^i
i
19
*=?=?
LJ
P
^
P^
^=^ri 4 JE Hd:
r p r r ff S
A. -PS. 74 IK
rr
68
(Hymn-tune)

20

W PT P
i i
rrrr

m M
(Hymn-tune)

rrr t
^
gg
i
fm Ff
21

P F m e ^
K ii
P rrrr P F rrr w i
f
^ i

T^f
J^J^
f*r ^^

rrr r iff r
3i^
i
f
^
r rrr r
70

rdt
fff
m
m
rff
(Hymn-tune)
*
30
Ff :f=

EXERCISES INTRODUCING INVERSIONS

OF SECONDARY SEVENTHS
Chapter XXXIII: paj(e 146
8. 7416
 iscr m
J t j

f r
3
r s^
^
tr
s
^U^
r r

s i ?

i
ff r r i^
^^j
rrr r pf r r^r

6
 73

el
f
uUJ J

JlJ JlJjluJ
p r f r r f
8 u *w =U:
i

r r
'
r
*
r r*r

fit
fir rr r
'

&

tfi
(Chant)
j. UL
y Utrt
*
i
9

^ -v

(Chant)

^ J:

r
10
frii-
Jte

^p
OO
f 33E

J_L
r> g

ca.PS.7416
j_j
f
tt -V
^
j^
74

Efr'4
tr 4
^PF
*
^
L
p^ igg
f-TT
fey
P ^
11

15 ^ r pi

r P
S
JJ !

^ r

p
jj i
P ^
P w
j j ^01

13
ft

^Ui
W
S TT" P-

14 jj
TfT rr r r(rrr
j, rr

APS. 74 W
 r f
15
up Jjj

(Chant)

16
$
hffA a 1
76
(Hymn-tune)
g
rrr
18

M
W (Hymn-
-
j

m*-^
w*
i
s
r

*
J4JJ>
r
19
1
Tys"

r PT
t;

i
30
^^j j)j

Ff
m
^
i

^ J- j. j

^^ f

ma

p
 77

fc*
^T-

J: =
r ^ r r r
J J J

3^E
(Page 64)

%
J.

t ^^ ^
^ rri ^ U
j A.

^^ *ff
j

^^

Tfff

Hi f
(Page 108)
i

r
 ETEFn rrp'
(BE*
/
nrr=

5^
fmi P
fete
m^ftfwr f^^r^
^^jj
P
*l 3

I
f P ^ff W* ^ffi^
 79

J:
fei
rr rr rr
j-j. *u
i
& f

HT m f
i
EXERCISES WITH CHORDS OF THE NINTH
Chapter XXXV: page 163

P i Pp r

rrrr QT
j J j

w
J
^^
^urrr

^ mft
r

Mr r
i
r
J J j j j J:

"r Cr'c/rrr^
^ i
iJ J j.

ea.-P8.74ir,
^ i f pup PPP
80

rffaa 1 Jl
5
 ^ 81

11
,

m &
ss
rr rr TT r
PP
uPM-i
J^_ I
Tl 1 J
i^j -U
i
13

P=f & P

14
ff ^T
P

iS
15
rr rr ff
fij ^L UL

S. 741
r rr.TCfr g r
82

16
Om A A Tf
fT

17
J J J J

18
eg rr ,,
,
j.jj^.j
f,

J
(
t
m
rr ff fT

19
r r f P ft

20
-rp ^m L
Pf
J^3 J31 J J>

^^H yr-f^6erif-(u^4Jr
j^
rrrr-

r
 j=*l j=fli j=t=^
i * r r
P.t
*-

iB
-m t

EXERCISES IN ALTERED CHORDS

Chapter XXX\ r
II: page i?9
I

EE

n &
J J
&
^^
g
M ^
i^ ii
nc

m S m^ m m mn mSmF^ P^P
i

m fejEEp

it
Pf rr
55
P
84

I
I

+A

6
n
fefc i
p r m t r
&
"
rj
Jst

r r
-& 6> M
u
^ ^ 1

xs
I
'

I/fZ
I

J .

r
8
a
 i
fmt
17 PT P ^
.^JJjdlJ
i
SSL Z2I
X, 3
9
AA j^ j

Pf ^^ f P
fe=i
rr
^
"-r
^
10 iS ^j j

(^

*
i i

Vh pr^
11 JJJ ^^ uJ
O 1-
S
gr e=3=^
g
^^
=A ^U f=

r r
i^^ ^u
f 1
^
Sli
Andante con nioto

IM H J U
13 A
LU A
m*

Moderate espressivo
P
"

r r
14 f
j j
j
rr
p
n. j)j
^^
.

Hp-f-f

&
15
r r r
J^
P ff
J
ia
^ PPF ^F^
^nr'rr r
 s?
Espressivo

16
p r

n FFF

rrr rr rrr

Andante
rrr

r
17
J jj
IS
^ r r
p
^ 4-U
i ^^
f^rf
5*

rr nS ^ r
18
& ki

Eg*F^4 ^-T^^ teg

r r P=C?

<rt PS. 7418

 i=^y
f * t i
19
ris r
if-f

ff
ttg w r^r rrr
^M ^^
"r s rf
:

s , :
p

A Ff=ts

11

b^^L
S ^=F f=f

r rr r
^^
1*1
a ^
^TT r Trr r F
EXERCISES WITH AUGMENTED CHORDS
AND THEIR INVERSIONS
Chapter XL: page 194

^^ r
,1^1
^f-f^-I fP
 3 1
rr T r f F
^

^^
*
P
i i
e*
^ !
r r
j m
i

ttr

7416
y r^
^^
90

p
6 1 A 1

f
&
p rrr ^ r
J

JE*
ri F
^ ^
T Jixn
*P r-pT
SB i
'iu J j iht i
F -

9
I

rrrr rr rrrr

W^ ^
^ L= l^^
* fP
SB
rrr F-f
^
rp W
F f n r Err

10
m .',
l

.'i'|i
l

'//
l-l.
l

(|i
\
i
1

.
1

.'.'

^w ^
-r rr r rrr
JJ J
92
(Hymn-tune)
w
11
m r
*
lf r
J
il tt

fflf

i
i

j.

rf^f r
(Hymn -tune)
2Z5

^f rr rrr
m
^
rrr
JfjlJ,2
f
.
J

fff
Jj Sa
r
i i^
w
fT"
1

i
(Chant)

o
13
I
<&*>. 74 16
 93

4
rT
^ j. j

(Hymn tune)

14
r r rr
j
$
ft f^
BPi
r
j 44
sp
&e TKT
^
4^
r ^^^
gr rrr rrrr
15
J44 j j j j
iPtt

rr r
uW- S3
^
41B
16
K^ j
mm i
9 &
r r:
5=
:

I
fc 1 I

^
TT
rrr
U
^ P^ PF

17
^
^i
r
i ^M
j
r e P? r

18 rrr * m
IS
 fTTf
SE
r r r
m
r pr r r

J *U
25 rrirr'V .r "TT
Ly4
f^ rr ITT ^ st ^
rrr rr
LJ
-
r T r r T- r

^l. -PS. 7416

 kj-^d Ji'J J
*
F*ff r- fP r
m i
^i
vM
^
^ ^
rr*r
r r

r
S m s m i I
JJ. M:
rr
^
frfc3
r r W
IS ^
^

1
r

^ w ^
Tff r
?
^
%^M
ff mr
i
 97

TT FT?
rf

P3 ^ ^s
EXERCISES WITH SUSPENSIONS
(Suspensions are indicated by slurs)
Chapter XLII: page 212
H&TT^
^ T?
B

Espressivo

tr

r
j j

f
(Cross-relation)

fe^T FT ff
i
ff
J ^
7416
A. V Zl T-
8
100
Allegro

3= =:ss
r rr r
BBp F f
JJ
^ ^ ^
R fff

^ i
J
B
Ji^hUdJ
i
r
-UU
r r
^U
i
r sW i .

*^ TT fTf
J ^fc J=t
r -f r r

* f FT Fff
J?L_ '
'
'

iTJ
*
 i
(Hymn-tune)

m
JJ.H|J jJ
rrrr P
^ fefc
r Iv
15

^^^L rr
4^1
L^
Tfff
,
iJU
F flF ^
&
rrrr rrrr
jJJ &=
m Wff ^m
J

f P r

I
TO
3?
4l.-PS.74n;
103
(Chant)

& H
16

rT
it
^
I
^
(Hymn-tune)

*
P=f
J J
i
J
i

^^
^
fTTT- f w f r
^s ff
J^U
i i

JJJJ t
f^f
^
r r rrr

^
u.
18

^.-P 8. 7416
^
 m
103

rff
Allegretto

$
s
f t-r
19
'
J
re? ^g
fes ja

tr PS*
f
^ f^'r
4
p'r r
r
jj ijfei i#jj j -i"
11"
i^fT^Tfr^ rr
^m 4i 4 ^L JJ M J J Jrd J. J

^fe 4il

?%^ r^
Afi8.?4
104

APS 7416
 105

flJTflJ J fey
ff=f p r
$U=1

r
i ^

MuS J:
^
P ^r rr ,

s F^
^ S

^
rr r ^TT rr

7416
106

r
*= s
rr IT? F=f

.....
43 feS
r

,tiU
FT
P

iPf ^s
t
r

P r r
87-

a^=a ai i^P
 ^
107

& k
U. J U.

s& p Jrti ,J-j>J J lj-j

ff
J. 1
108

J^L
-
J
i
Si
hh.J-jJ
Pff
&* J J. j
^
1 f f^-f
i ^
r-r
feN; i
r
^ 4d^ i=4 J^
r r'r-gr r

^^N^+l^
T
.riiJ^
r p LCJ
J J_
P ^^ t
109
eft -P 8. 741*5
 Ill

>
8. 7416
114

J=J: feb^
11
fcii
wf r~-r
j, i
f ^
^ -j'U.'hJ j. J^
r ^
s
f ^
d

Ns fete

? ffl^ s
^
j

^r
s
*^

J-J bJ

3
F

f r fTF
 113
EXERCISES IN MODULATION
Chapter XLVI: page 237

8 -e
r

AJ 13. = :i=:

(Hymn-tune
I

it
f

^ ^ J-r^-W
^ti

^ ^JU
r r
(Hymn-tune)

5. 7416
114
Allegretto

f
*T
m^ !

TT sf wm
felF^ rrnUj i

.-i"^t=
5)

r if r 'r r

F^F
@
/Y1 .

(Ifymn-ttine)
^ ^^ 'J
ff= r* p F r
j J
* S
j.

i
j.

^
lie
(Hymn-tune);
UL
.,

y.. i i .j-rj.

J i
P

^ *f

'M JAj'ihJ

Pr >r*rrnpp*f=f
r

T^r rr
j.j>j^- ,j^jJ- jj
'
jij^=j
r=f^P f==f r r r
8

^
. 7416
fW P
 ^
117

? rrr
^
^-*

n ff
J.

rrt
"
^ L44

4i'" 1

^i5-r>-4
^ > 4
en
p r
-
r
118
Cort moto

S. 7416
 119

Kit
= -"^

Maestoso

1=1
I
rr
.1
^ O m
IT ^Wr

6
p f

mm o ^
rr
S N
W j'U
&
r rr T

. 7416 rrr
 MUSIC: An Art and a Language
by
WALTER R. SPALDING

Price, $2.50 Net

Based on the author's twenty years' experience in lecturing on the
Appreciation of Music in Harvard University. Gives a working knowledge
01 the structure and modes of presentation of standard works in music,
"
and enables one to get more out of music."
Thla book has been adopted as a text-book on Appreciation of Music in many of the leacilnc universi-
ties, including Cornell, Harvard and Yale, and has been translated into French for use in the universities

CRITICAL and HISTORICAL ESSAYS

by

EDWARD MACDOWELL
Price, $2.00
Lectures delivered at Columbia University

A
book which is especially valuable to that circle of readers who desire
to secure the essential elements of a liberal culture in music. Equally
appropriate for use by individual students or in classes.
"
The choice of subjects is broad and comprehensive. The music of all nations is dealt with, and
educational subjects are treated by a master in a manner that is interesting and shows depth of knowl-
edge." Tht Musical Leader.
 TEXT-BOOKS
For Music Students
ELEMENTARY
GLADYS CUMBERLAND Net
A Short Primer in the Elements of Music .40
STEPHEN A. EMERY
Elements of Harmony 1.25
A Key to "Elements of Harmony" 1.00
Supplementary Exercises to "Elements of
Harmony" .76

THOMAS TAPPER
First Year Harmony 1.00
First Year Melody Writing 1.00
First Year Musical Theory 1.00
Key to First Year Harmony .75

INTERMEDIATE
ARTHUR FOOTE
Modulation and Related Harmonic Questions 1.25
Some Practical Things in Piano Playing .60
ARTHUR FOOTE and WALTER R. SPALDING
Modern Harmony in its Theory and Practice 1.50
A Key to the 601 Exercises in "Modern
Harmony" 1.00
ARTHUR E. HEACOX
Keyboard Training in Harmony, Two books, ea. 1.00
EDWARD MACDOWELL
Critical and Historical Essays 2.00
THOMAS TAPPER
Second Year Harmony 1.00
First Year Counterpoint 1.00
First Year Analysis (Musical Form) 1.00
Musical Form and Analysis (Supplementary
Material to "First Year Analysis") . 75
ADVANCED
WALTER R. SPALDING
Tonal Counterpoint 2.00
Music An Art and a Language
: 2.60
Supplementary Illustrations for "Music : An
Art and a Language" Four books, each 1.00

THE ARTHUR P. SCHMIDT CO.

BOSTON NEW YORK
120 Boyl.ton Street 8 We*t 40lh Strt